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A tartalmat a Music Production and Mixing Tips for Beginner Producers and Artists, Music Production, and Mixing Tips for Beginner Producers biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Music Production and Mixing Tips for Beginner Producers and Artists, Music Production, and Mixing Tips for Beginner Producers vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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#203: What Actually Happens When You Choose a Sample Rate? (feat. Ian Stewart)

41:11
 
Megosztás
 

Manage episode 494513418 series 2867915
A tartalmat a Music Production and Mixing Tips for Beginner Producers and Artists, Music Production, and Mixing Tips for Beginner Producers biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Music Production and Mixing Tips for Beginner Producers and Artists, Music Production, and Mixing Tips for Beginner Producers vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Confused about which audio sample rate to choose for your music? Whether you're recording your first track or mastering for Dolby Atmos, knowing the difference between 44.1kHz, 48kHz, and 96kHz is more than technical—it’s essential to how your music sounds and where it ends up.

In this episode of Inside the Mix, mastering engineer and Berklee professor Ian Stewart returns to demystify one of the most misunderstood elements in music production: digital audio sample rates.

We answer common questions like:

  • What is a sample rate in audio production?
  • Should I use 44.1kHz or 48kHz when mixing?
  • Does a higher sample rate improve sound quality?
  • What sample rate should I use for streaming or mastering?

Ian explains the Nyquist-Shannon theorem, how aliasing impacts your mix, and why 48kHz is the new practical standard, from YouTube to Bluetooth devices to Dolby Atmos. Plus, we discuss how higher sample rates give your plugins more headroom for harmonic generation and cleaner processing.

Don’t miss this one if you’re serious about choosing the best sample rate for your music. And stay tuned, next episode we dive into dither.

Links mentioned in this episode:

Follow Ian Stewart

Send me a message

Support the show

Ways to connect with Marc:

Listener Feedback Survey - tell me what YOU want in 2026

Radio-ready mixes start here - get the FREE weekly tips

Book your FREE Music Breakthrough Strategy Call

Follow Marc's Socials:

Instagram | YouTube | Synth Music Mastering

Thanks for listening!!

Try Riverside for FREE

  continue reading

Fejezetek

1. #203: What Actually Happens When You Choose a Sample Rate? (feat. Ian Stewart) (00:00:00)

2. Does Sample Rate Matter in Music Production? (00:00:42)

3. What Is Audio Sample Rate and How Does It Work? (00:04:17)

4. Understanding the Nyquist Theorem and 44.1kHz Standard (00:11:43)

5. Why 48kHz Is the Best Sample Rate for Today (00:20:28)

6. Aliasing and Imaging in Audio: What You Need to Know (00:27:37)

7. Best Sample Rates for Mixing, Mastering and Delivery (00:35:50)

223 epizódok

Artwork
iconMegosztás
 
Manage episode 494513418 series 2867915
A tartalmat a Music Production and Mixing Tips for Beginner Producers and Artists, Music Production, and Mixing Tips for Beginner Producers biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Music Production and Mixing Tips for Beginner Producers and Artists, Music Production, and Mixing Tips for Beginner Producers vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Confused about which audio sample rate to choose for your music? Whether you're recording your first track or mastering for Dolby Atmos, knowing the difference between 44.1kHz, 48kHz, and 96kHz is more than technical—it’s essential to how your music sounds and where it ends up.

In this episode of Inside the Mix, mastering engineer and Berklee professor Ian Stewart returns to demystify one of the most misunderstood elements in music production: digital audio sample rates.

We answer common questions like:

  • What is a sample rate in audio production?
  • Should I use 44.1kHz or 48kHz when mixing?
  • Does a higher sample rate improve sound quality?
  • What sample rate should I use for streaming or mastering?

Ian explains the Nyquist-Shannon theorem, how aliasing impacts your mix, and why 48kHz is the new practical standard, from YouTube to Bluetooth devices to Dolby Atmos. Plus, we discuss how higher sample rates give your plugins more headroom for harmonic generation and cleaner processing.

Don’t miss this one if you’re serious about choosing the best sample rate for your music. And stay tuned, next episode we dive into dither.

Links mentioned in this episode:

Follow Ian Stewart

Send me a message

Support the show

Ways to connect with Marc:

Listener Feedback Survey - tell me what YOU want in 2026

Radio-ready mixes start here - get the FREE weekly tips

Book your FREE Music Breakthrough Strategy Call

Follow Marc's Socials:

Instagram | YouTube | Synth Music Mastering

Thanks for listening!!

Try Riverside for FREE

  continue reading

Fejezetek

1. #203: What Actually Happens When You Choose a Sample Rate? (feat. Ian Stewart) (00:00:00)

2. Does Sample Rate Matter in Music Production? (00:00:42)

3. What Is Audio Sample Rate and How Does It Work? (00:04:17)

4. Understanding the Nyquist Theorem and 44.1kHz Standard (00:11:43)

5. Why 48kHz Is the Best Sample Rate for Today (00:20:28)

6. Aliasing and Imaging in Audio: What You Need to Know (00:27:37)

7. Best Sample Rates for Mixing, Mastering and Delivery (00:35:50)

223 epizódok

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