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Carla Lucero - Part 2
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For Good Measure, by Ensemble for These Times (E4TT)
Episode 115: Carla Lucero - Part 2
Looking for a way to listen to diverse creators and to support equity in the arts? Tune in weekly to For Good Measure!
In this week’s episode, we talk to Carla Lucero about her compositional process, dive into how she composed two examples of her operas Las Tres Mujeres de Jerusalén and touch, and what it's like having synesthesia. If you enjoyed today’s conversation and want to know more about Carla Lucero, check her out here: https://carlalucero.com/. This episode was originally recorded in February 2024.
This podcast is made possible in part by a grant from the California Arts Council and generous donors, like you. Want to support For Good Measure and E4TT? Make a tax-deductible donation or sign up for our newsletter, and subscribe to the podcast!
Intro music: “Trifolium” by Gabriela Ortiz, performed by E4TT (Ilana Blumberg, violin; Abigail Monroe, cello; Margaret Halbig, piano), as part of “Below the Surface: Music by Women Composers,” January 29, 2022
Outro music: “Lake Turkana” by Marcus Norris, performed by E4TT (Margaret Halbig, piano), as part of “Alchemy,” October 15, 2021
Transcription courtesy of Otter.ai.
Buzzsprout: https://www.buzzsprout.com/1903729/15412860
Producer, Host, and E4TT co-founder: Nanette McGuinness
Co-producer and Audio Engineer: Stephanie M. Neumann
Podcast Cover Art: Brennan Stokes
Interns: Renata Volchinskaya, Sam Mason, Hannah Chen
Curious to hear a little music from our guest Ursula Kwong-Brown, who we spoke to in our most recent episode, check out the world premiere of the work she just wrote for us, which we are performing on our season opening concert November 8.
Visit E4TT.org and find us on social media!
Instagram: @e4tt
Twitter: @e4ttimes
Facebook: @EnsembleforTheseTimes
Listen/subscribe on Soundcloud, Spotify, and YouTube.
Fejezetek
1. Carla Lucero - Part 2 (00:00:00)
2. In this week's episode, we continue our conversation with Carla Lucero who we spoke to in February 2024. (00:00:35)
3. You write big ambitious works, which is really cool. Can you talk about your compositional process? How do you go from the blank white page to such amazing pieces? (00:00:43)
4. The way you were describing color and senses, are you synesthetic? (00:09:50)
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