This podcast series features five initial episodes of the stories of women who undertook significant work at the Columbia-Princeton Electronic Music Center and the Computer Music Center at Columbia University. In conversation with historical musicologists, music theorists, and fellow composers, they explore aspects of their experiences within the field of electronic music. We hope to continue building on this archive of interviews in the future. This project is made possible by the generous ...
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Composer Yuriko Hase Kojima (Shobi University) joins us in conversation with electroacoustic music researcher Cathy Cox (Kunitachi College of Music). Together they take us through Kojima’s musical history, including her time at Columbia during the transition from the Electronic Music Center (EMC) to the Computer Music Center (CMC) in the mid-90s. Y…
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Composer/sound artist Yvette Janine Jackson (Harvard University) speaks with music historian Amy Cimini (UC San Diego) about her time at Columbia’s CMC in the mid ‘90s, her fascination with splicing things together, and bringing attention to social issues and historical events through experimental sound. Their conversation covers, amongst many topi…
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Interviewed by composer Sky Macklay (Valparaiso University), singer-songwriter/guitarist Sondra E. Woodruff II speaks about her music, studies at Columbia, and involvement at the CMC. Sondra has toured with the Backstreet Boys, opened for Anthony Hamilton, performed with Taylor Swift, recorded with LL Cool J, and played guitar for Aaron Pfeiffer, D…
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Maverick Pril Smiley speaks with historical musicologist Brigid Cohen (New York University, FAS) about her early days working and making electronic music at the CPEMC (now CMC), and her compositions for theatre amongst other fascinating projects. For more information, please visit: unsungstoriescmc.com…
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Alice Shields (Part 1)
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Lejátszás később
Lejátszás később
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In conversation with musicologist Danielle Sofer, classical and electronic music composer Alice Shields speaks about her early life and influences, as well as the time she spent at the Columbia-Princeton Electronic Music Center (CPEMC), which became Columbia University's Computer Music Center (CMC). Listen to parts 2 and 3 of this conversation with…
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