Artwork

A tartalmat a Patrick Oliver Jones biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Patrick Oliver Jones vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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Sidney Myer Found a Home and Family in New York Cabarets

1:00:35
 
Megosztás
 

Manage episode 364118369 series 2363906
A tartalmat a Patrick Oliver Jones biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Patrick Oliver Jones vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Cabarets have been an integral part of New York City's cultural fabric for over a century, offering a unique blend of entertainment, social commentary, and artistic expression. From the early 1900s to the present day, cabarets have served as a hub for artistic experimentation and innovation. They have also served as a launching pad for many Broadway stars, including Liza Minnelli, Barbra Streisand, Audra McDonald, and others who got their start honing skills and building a loyal fan base before transitioning to the Broadway stage. The intimacy and informality of cabaret performances have allowed performers to develop their craft and connect with audiences in a way that is impossible in larger, more formal venues. And here in New York there’s been one man in particular helping artists find their voice onstage.

Sidney Myer has been a cabaret booking manager for four decades at venues like Don’t Tell Mama, Rose’s Turn, and Panache. He’s also a performer himself, having won MAC and Bistro Awards (MAC stands for Manhattan Association of Cabarets & Clubs). As Sidney can attest to, cabarets offer performers a chance to showcase their vocal talents and connect with audiences on a personal level. They have given voice to marginalized communities, including African Americans, LGBTQ+ individuals, and immigrants. Through this cabarets have played a significant role in shaping New York’s cultural identity as well as giving a home to many artists like Sidney.

  • STORY #1 - The struggles he faced at an all male prep school, especially when he happened to say he liked Judy Garland instead of the TV show Bonanza.
  • STORY #2 - The random set of events that led up to his first acting experience in summer stock theater.
  • STORY #3 - A very special act that he recruited to open up a new nightclub.

SUBSCRIBE TO WINMI

Get access to Audition Stories, the Final Five questions, and other bonus content by becoming a monthly or yearly subscriber to Why I’ll Never Make It. Producing this podcast is rewarding in its own way, but I’m essentially a one-man operation. So it is both costly and time-intensive to put together each episode. By subscribing you’ll be supporting these podcasting efforts, and have access to extended conversations and other bonus content. Your financial support of this podcast is greatly appreciated!

  • Subscribe to get access to bonus episodes and extra content
  • Make a one-time Donation to support transcripts and podcast production
  • If you’d like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.

Follow WINMI: Website | Instagram | YouTube

———-

Why I’ll Never Make It is an award-winning, Top Theater Podcast hosted by actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

297 epizódok

Artwork
iconMegosztás
 
Manage episode 364118369 series 2363906
A tartalmat a Patrick Oliver Jones biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Patrick Oliver Jones vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Cabarets have been an integral part of New York City's cultural fabric for over a century, offering a unique blend of entertainment, social commentary, and artistic expression. From the early 1900s to the present day, cabarets have served as a hub for artistic experimentation and innovation. They have also served as a launching pad for many Broadway stars, including Liza Minnelli, Barbra Streisand, Audra McDonald, and others who got their start honing skills and building a loyal fan base before transitioning to the Broadway stage. The intimacy and informality of cabaret performances have allowed performers to develop their craft and connect with audiences in a way that is impossible in larger, more formal venues. And here in New York there’s been one man in particular helping artists find their voice onstage.

Sidney Myer has been a cabaret booking manager for four decades at venues like Don’t Tell Mama, Rose’s Turn, and Panache. He’s also a performer himself, having won MAC and Bistro Awards (MAC stands for Manhattan Association of Cabarets & Clubs). As Sidney can attest to, cabarets offer performers a chance to showcase their vocal talents and connect with audiences on a personal level. They have given voice to marginalized communities, including African Americans, LGBTQ+ individuals, and immigrants. Through this cabarets have played a significant role in shaping New York’s cultural identity as well as giving a home to many artists like Sidney.

  • STORY #1 - The struggles he faced at an all male prep school, especially when he happened to say he liked Judy Garland instead of the TV show Bonanza.
  • STORY #2 - The random set of events that led up to his first acting experience in summer stock theater.
  • STORY #3 - A very special act that he recruited to open up a new nightclub.

SUBSCRIBE TO WINMI

Get access to Audition Stories, the Final Five questions, and other bonus content by becoming a monthly or yearly subscriber to Why I’ll Never Make It. Producing this podcast is rewarding in its own way, but I’m essentially a one-man operation. So it is both costly and time-intensive to put together each episode. By subscribing you’ll be supporting these podcasting efforts, and have access to extended conversations and other bonus content. Your financial support of this podcast is greatly appreciated!

  • Subscribe to get access to bonus episodes and extra content
  • Make a one-time Donation to support transcripts and podcast production
  • If you’d like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.

Follow WINMI: Website | Instagram | YouTube

———-

Why I’ll Never Make It is an award-winning, Top Theater Podcast hosted by actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

297 epizódok

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