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A tartalmat a Vintage Sand biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Vintage Sand vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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Vintage Sand Episode 31: The Final Countdown: Our Favorite Last Films by Great Directors

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Manage episode 297438022 series 2293503
A tartalmat a Vintage Sand biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Vintage Sand vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
"7 Women". "Rio Lobo". "The Other Side of the Wind". "Family Plot". "Buddy Buddy". "Pocketful of Miracles". "A Countess from Hong Kong". Have you even heard of these films, let alone seen them? Yet they stand as the final works, respectively, of John Ford, Howard Hawks, Orson Welles, Alfred Hitchcock, Billy Wilder, Frank Capra and Charlie Chaplin. In Episode 31 of the podcast, Team Vintage Sand explores the question of why so many, if not most, of our greatest directors conclude their careers with middling, occasionally atrocious, and almost universally forgettable films. But do not despair, dear listener; we also travel to France, Sweden, Japan and back home, and across the years from the mid-1930’s to the early years of this century, to give our favorite examples of great directors who ended their careers on a high note. These latter fall into two distinct categories: the majority, where directors were unaware that their most recent effort would serve as their final statement, and those rare cases where the artists involved knew that it would be their last word as an artist and acted accordingly. It’s a great mix of films, so come along for the ride and hope with us that "Inland Empire" will not be David Lynch’s final feature, that "An Officer and a Spy" will not be Roman Polanski’s last word, and that if Tarantino stops at ten, as he has promised, that the next one will be better than the last few.
  continue reading

59 epizódok

Artwork
iconMegosztás
 
Manage episode 297438022 series 2293503
A tartalmat a Vintage Sand biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Vintage Sand vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
"7 Women". "Rio Lobo". "The Other Side of the Wind". "Family Plot". "Buddy Buddy". "Pocketful of Miracles". "A Countess from Hong Kong". Have you even heard of these films, let alone seen them? Yet they stand as the final works, respectively, of John Ford, Howard Hawks, Orson Welles, Alfred Hitchcock, Billy Wilder, Frank Capra and Charlie Chaplin. In Episode 31 of the podcast, Team Vintage Sand explores the question of why so many, if not most, of our greatest directors conclude their careers with middling, occasionally atrocious, and almost universally forgettable films. But do not despair, dear listener; we also travel to France, Sweden, Japan and back home, and across the years from the mid-1930’s to the early years of this century, to give our favorite examples of great directors who ended their careers on a high note. These latter fall into two distinct categories: the majority, where directors were unaware that their most recent effort would serve as their final statement, and those rare cases where the artists involved knew that it would be their last word as an artist and acted accordingly. It’s a great mix of films, so come along for the ride and hope with us that "Inland Empire" will not be David Lynch’s final feature, that "An Officer and a Spy" will not be Roman Polanski’s last word, and that if Tarantino stops at ten, as he has promised, that the next one will be better than the last few.
  continue reading

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