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A tartalmat a michaellouismerrill biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a michaellouismerrill vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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"Mr. Scorsese" with Rebecca Miller

29:26
 
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Manage episode 516964977 series 2978062
A tartalmat a michaellouismerrill biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a michaellouismerrill vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Mr. Scorsese is “Marty” to his friends and “Legend” to admirers and imitators. But he’s also still that kid, the "miniscule asthmatic”--as lovingly described by his ex-wife, Isabella Rosselini--who fervently loved both the movies he watched in Times Square as well as the characters that populated the Little Italy of his youth. The results were "Mean Streets", "Taxi Driver", "Raging Bull", and "Goodfellas".

But as Rebecca Miller (“Personal Velocity”, “Maggie’s Plan”, “Arthur Miller: Writer”) compellingly shows, Scorsese’s triumph was not inevitable, nor is it simply the inevitable result of personal history yoked to directorial will. For while Scorsese has an anthropologist’s eye, his films are not documentaries (except for the documentaries, of course!) Rather, they are the product of his own prodigious preparation combined with a willingness to trust his actors (notably, DiNero and DiCaprio) to improvise–and, in the end, phenomenal editing shaped by deep learning from the French New Wave as well as his decades-long professional relationship with Thelma Schoonmaker. While his films are often grounded in fully formed literary works, he makes of them what director Ari Auster calls “total cinema”. And while the visuals putatively reign, the music often seems to take the lead, almost directing the camera’s movements. And in the end, in complicating the work of what may seem to be one of our most personal filmmakers, Miller suggests that Scorsese's wider purpose is to chronicle “the American project.”

You can watch the 5-part series “Mr. Scorcese” on Apple+

Follow:

@rebeccamillerstoryteller on Instagram

@topdocspod on Instagram and X/twitter

The Presenting Sponsor of "Top Docs" is Netflix.

  continue reading

267 epizódok

Artwork
iconMegosztás
 
Manage episode 516964977 series 2978062
A tartalmat a michaellouismerrill biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a michaellouismerrill vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Mr. Scorsese is “Marty” to his friends and “Legend” to admirers and imitators. But he’s also still that kid, the "miniscule asthmatic”--as lovingly described by his ex-wife, Isabella Rosselini--who fervently loved both the movies he watched in Times Square as well as the characters that populated the Little Italy of his youth. The results were "Mean Streets", "Taxi Driver", "Raging Bull", and "Goodfellas".

But as Rebecca Miller (“Personal Velocity”, “Maggie’s Plan”, “Arthur Miller: Writer”) compellingly shows, Scorsese’s triumph was not inevitable, nor is it simply the inevitable result of personal history yoked to directorial will. For while Scorsese has an anthropologist’s eye, his films are not documentaries (except for the documentaries, of course!) Rather, they are the product of his own prodigious preparation combined with a willingness to trust his actors (notably, DiNero and DiCaprio) to improvise–and, in the end, phenomenal editing shaped by deep learning from the French New Wave as well as his decades-long professional relationship with Thelma Schoonmaker. While his films are often grounded in fully formed literary works, he makes of them what director Ari Auster calls “total cinema”. And while the visuals putatively reign, the music often seems to take the lead, almost directing the camera’s movements. And in the end, in complicating the work of what may seem to be one of our most personal filmmakers, Miller suggests that Scorsese's wider purpose is to chronicle “the American project.”

You can watch the 5-part series “Mr. Scorcese” on Apple+

Follow:

@rebeccamillerstoryteller on Instagram

@topdocspod on Instagram and X/twitter

The Presenting Sponsor of "Top Docs" is Netflix.

  continue reading

267 epizódok

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