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Ep. 606: TAKE THIS HAMMER: WORK, SONG, CRISIS ft. PAUL REKRET
Manage episode 424601149 series 2767980
Get Paul's book here: https://mitpress.mit.edu/9781913380168/take-this-hammer/
The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall—
Take This Hammer shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself.
Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,
BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!
Become a patron now https://www.patreon.com/join/BitterLakePresents?
Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)
THANKS Y'ALL
YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg
Twitch: www.twitch.tv/thisisrevolutionpodcast
Facebook: https://www.facebook.com/Thisisrevolutionpodcast/
Twitter: @TIRShowOakland
Instagram: @thisisrevolutionoakland
Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles
Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/
Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert
744 epizódok
Manage episode 424601149 series 2767980
Get Paul's book here: https://mitpress.mit.edu/9781913380168/take-this-hammer/
The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall—
Take This Hammer shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself.
Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,
BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!
Become a patron now https://www.patreon.com/join/BitterLakePresents?
Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)
THANKS Y'ALL
YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg
Twitch: www.twitch.tv/thisisrevolutionpodcast
Facebook: https://www.facebook.com/Thisisrevolutionpodcast/
Twitter: @TIRShowOakland
Instagram: @thisisrevolutionoakland
Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles
Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/
Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert
744 epizódok
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