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A tartalmat a The WPHP Monthly Mercury biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The WPHP Monthly Mercury vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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Working for the (Wo)man ft. Sara Penn, Julianna Wagar, Amanda Law, & Belle Eist

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Manage episode 339681215 series 2955164
A tartalmat a The WPHP Monthly Mercury biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The WPHP Monthly Mercury vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

This August, the WPHP has been sharing the Spotlights that make up our newest Spotlight Series, “Down the Rabbit Hole: Researching Women in the Book Trades.” Over the course of the month, posts from Research Assistants Sara Penn, Julianna Wagar, Amanda Law, and, as of this coming Friday with the last post of the Series, Belle Eist, have focused on women who worked in the eighteenth- and nineteenth-century book trades.

In this month’s episode, “Working for the (Wo)man”, you’ll hear from our Research Assistants themselves about their Spotlights and the women they researched: the feuding men and women of the Farley family of Bristol printers, the King’s and Queen’s Printer Agnes Campbell who began her career with her husband’s debt and by the time she died was the wealthy Lady Roseburn, the printer Jane Aitken, whose imprints tell a very different story than the life she lived, and Ann Vernor, the woman behind an imprint we’ve had in the WPHP for the last seven years while completely unaware that she was at its helm. We also feature a Spotlight about Anne Dodd, trade publisher, by WPHP Contributing Scholar Kate Ozment, which allows us to delve into our data model and its — you guessed it — limits.
As always, links to relevant entries in the WPHP, information about our sources, and suggestions for further reading can be found here: https://womensprinthistoryproject.com/blog/post/116

  continue reading

40 epizódok

Artwork
iconMegosztás
 
Manage episode 339681215 series 2955164
A tartalmat a The WPHP Monthly Mercury biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The WPHP Monthly Mercury vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

This August, the WPHP has been sharing the Spotlights that make up our newest Spotlight Series, “Down the Rabbit Hole: Researching Women in the Book Trades.” Over the course of the month, posts from Research Assistants Sara Penn, Julianna Wagar, Amanda Law, and, as of this coming Friday with the last post of the Series, Belle Eist, have focused on women who worked in the eighteenth- and nineteenth-century book trades.

In this month’s episode, “Working for the (Wo)man”, you’ll hear from our Research Assistants themselves about their Spotlights and the women they researched: the feuding men and women of the Farley family of Bristol printers, the King’s and Queen’s Printer Agnes Campbell who began her career with her husband’s debt and by the time she died was the wealthy Lady Roseburn, the printer Jane Aitken, whose imprints tell a very different story than the life she lived, and Ann Vernor, the woman behind an imprint we’ve had in the WPHP for the last seven years while completely unaware that she was at its helm. We also feature a Spotlight about Anne Dodd, trade publisher, by WPHP Contributing Scholar Kate Ozment, which allows us to delve into our data model and its — you guessed it — limits.
As always, links to relevant entries in the WPHP, information about our sources, and suggestions for further reading can be found here: https://womensprinthistoryproject.com/blog/post/116

  continue reading

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