Artwork

A tartalmat a Chris Hadley biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Chris Hadley vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
Player FM - Podcast alkalmazás
Lépjen offline állapotba az Player FM alkalmazással!

Episode 114 - CARRIAGE RETURN Composer Elena Maro

29:58
 
Megosztás
 

Manage episode 455402508 series 3178509
A tartalmat a Chris Hadley biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Chris Hadley vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Composer Elena Maro's unsettling avant-garde/jazz hybrid soundtrack for director Ferguson Sauvé-Rogan's 1950's-set drama Carriage Return powerfully surrounds the on-screen conflict between a lazy, writer's block-afflicted playwright Lane Williams (played by Jeremy Parr) and his outraged ex-writing partner Charlie Marlow (played by Carlos Sanchez), who accuses his former collaborator of stealing his creative ideas and using them for his most recent theatrical success in an angry confrontation that challenges the emotions - and the futures - of both men.

As unpredictable as the film's storyline is, Maro's score for it is even more so, and its fusion of brass section and saxophone with non-big band jazz percussion and experimental sounds - including those that mimic the typewriter itself - brilliantly and hauntingly accompanies a movie where neither its characters nor the unusual situation they're stuck in are what they seem to be.

Directed by Ferguson and written and produced by his brother Daniel - who also played bass guitar on Maro's score - Carriage Return premiered this past July at the LA Shorts International Film Festival in Los Angeles, and Maro's music from the movie is now streaming on various platforms.

(By the way, the movie is named after the “carriage return” key on a typewriter that allows you to go back to the far end of a page and begin typing new words.)

Find out more about CARRIAGE RETURN on its official web site:

https://www.carriagereturnmovie.com/

Visit Elena's official web page to find out more about her score for CARRIAGE RETURN and her other past/upcoming projects:

https://www.elenamaro.com/

Follow The Viewfinder Podcast on X: @ViewfinderPod

On Facebook: https://www.facebook.com/TheViewfinderPodcast

Music by Audionautix.com

  continue reading

115 epizódok

Artwork
iconMegosztás
 
Manage episode 455402508 series 3178509
A tartalmat a Chris Hadley biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Chris Hadley vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Composer Elena Maro's unsettling avant-garde/jazz hybrid soundtrack for director Ferguson Sauvé-Rogan's 1950's-set drama Carriage Return powerfully surrounds the on-screen conflict between a lazy, writer's block-afflicted playwright Lane Williams (played by Jeremy Parr) and his outraged ex-writing partner Charlie Marlow (played by Carlos Sanchez), who accuses his former collaborator of stealing his creative ideas and using them for his most recent theatrical success in an angry confrontation that challenges the emotions - and the futures - of both men.

As unpredictable as the film's storyline is, Maro's score for it is even more so, and its fusion of brass section and saxophone with non-big band jazz percussion and experimental sounds - including those that mimic the typewriter itself - brilliantly and hauntingly accompanies a movie where neither its characters nor the unusual situation they're stuck in are what they seem to be.

Directed by Ferguson and written and produced by his brother Daniel - who also played bass guitar on Maro's score - Carriage Return premiered this past July at the LA Shorts International Film Festival in Los Angeles, and Maro's music from the movie is now streaming on various platforms.

(By the way, the movie is named after the “carriage return” key on a typewriter that allows you to go back to the far end of a page and begin typing new words.)

Find out more about CARRIAGE RETURN on its official web site:

https://www.carriagereturnmovie.com/

Visit Elena's official web page to find out more about her score for CARRIAGE RETURN and her other past/upcoming projects:

https://www.elenamaro.com/

Follow The Viewfinder Podcast on X: @ViewfinderPod

On Facebook: https://www.facebook.com/TheViewfinderPodcast

Music by Audionautix.com

  continue reading

115 epizódok

Minden epizód

×
 
Loading …

Üdvözlünk a Player FM-nél!

A Player FM lejátszó az internetet böngészi a kiváló minőségű podcastok után, hogy ön élvezhesse azokat. Ez a legjobb podcast-alkalmazás, Androidon, iPhone-on és a weben is működik. Jelentkezzen be az feliratkozások szinkronizálásához az eszközök között.

 

Gyors referencia kézikönyv