Flash Forward is a show about possible (and not so possible) future scenarios. What would the warranty on a sex robot look like? How would diplomacy work if we couldn’t lie? Could there ever be a fecal transplant black market? (Complicated, it wouldn’t, and yes, respectively, in case you’re curious.) Hosted and produced by award winning science journalist Rose Eveleth, each episode combines audio drama and journalism to go deep on potential tomorrows, and uncovers what those futures might re ...
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A tartalmat a Emergent Futures CoLab biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Emergent Futures CoLab vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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Unseeable forces control human behavior and shape our ideas, beliefs, and assumptions. Invisibilia—Latin for invisible things—fuses narrative storytelling with science that will make you see your own life differently.
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Come dive into one of the curiously delightful conversations overheard at National Geographic’s headquarters, as we follow explorers, photographers, and scientists to the edges of our big, weird, beautiful world. Hosted by Peter Gwin and Amy Briggs.
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Interviews with Anthropologists about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
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Science Friction has a new series: Cooked. We dig into food science pickles. Why are studies showing that ice cream could be good for you? Do we really need as many electrolytes as the internet says? And why are people feeling good on the carnivore diet? Nutrition and food scientist Dr Emma Beckett takes us through what the evidence says about food categories and ingredients like meat, dairy and salt — and unpick why nutrition studies can be so conflicting and confusing. Airs Wednesday 11:30 ...
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We humans could have a bright future ahead of us that lasts billions of years. But we have to survive the next 200 years first. Join Josh Clark of Stuff You Should Know for a 10-episode deep dive that explores the future of humanity and finds dangers we have never encountered before lurking just ahead. And if we humans are alone in the universe, if we don't survive intelligent life dies out with us too.
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How can we, humans, look at our relationship to nature differently? In season three of Going Wild, on top of stories about animals, we invite you to journey through the entire ecological web — from the tiniest of life forms to apex predators — alongside the scientists, activists and adventurers who study it. Wildlife biologist and host Dr. Rae Wynn-Grant has been studying wild animals in their natural habitats all over the world for years. Our award-winning podcast takes you inside the hidde ...
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Can we learn to make smarter choices? Listen in as host Katy Milkman--behavioral scientist, Wharton professor, and author of How to Change--shares stories of high-stakes decisions and what research reveals they can teach us. Choiceology, an original podcast from Charles Schwab, explores the lessons of behavioral economics to help you improve your judgment and change for good. Season 1 of Choiceology was hosted by Dan Heath, bestselling author of Made to Stick and Switch. Podcasts are for inf ...
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The Science Show gives Australians unique insights into the latest scientific research and debate, from the physics of cricket to prime ministerial biorhythms.
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DNA science. Artificial intelligence. Smartphones and 3D printers. Science and technology have transformed the world we live in. But how did we get here? It wasn’t by accident. Well, sometimes it was. It was also the result of hard work, teamwork, and competition. And incredibly surprising moments. Hosted by bestselling author Steven Johnson (“How We Got To Now”), American Innovations uses immersive scenes to tell the stories of the scientists, engineers, and ordinary people behind the great ...
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How do you know when it’s time to make your next big career move? With International Women’s Day around the corner, we are excited to feature Avni Patel Thompson, Founder and CEO of Milo. Avni is building technology that directly supports the often overlooked emotional and logistical labor that falls on parents—especially women. Milo is an AI assistant designed to help families manage that invisible load more efficiently. In this episode, Avni shares her journey from studying chemistry to holding leadership roles at global brands like Adidas and Starbucks, to launching her own ventures. She discusses how she approaches career transitions, the importance of unpleasant experiences, and why she’s focused on making everyday life easier for parents. [01:26] Avni's University Days and Early Career [04:36] Non-Linear Career Paths [05:16] Pursuing Steep Learning Curves [11:51] Entrepreneurship and Safety Nets [15:22] Lived Experiences and Milo [19:55] Avni’s In Her Ellement Moment [20:03] Reflections Links: Avni Patel Thompson on LinkedIn Suchi Srinivasan on LinkedIn Kamila Rakhimova on LinkedIn Ipsos report on the future of parenting About In Her Ellement: In Her Ellement highlights the women and allies leading the charge in digital, business, and technology innovation. Through engaging conversations, the podcast explores their journeys—celebrating successes and acknowledging the balance between work and family. Most importantly, it asks: when was the moment you realized you hadn’t just arrived—you were truly in your element? About The Hosts: Suchi Srinivasan is an expert in AI and digital transformation. Originally from India, her career includes roles at trailblazing organizations like Bell Labs and Microsoft. In 2011, she co-founded the Cleanweb Hackathon, a global initiative driving IT-powered climate solutions with over 10,000 members across 25+ countries. She also advises Women in Cloud, aiming to create $1B in economic opportunities for women entrepreneurs by 2030. Kamila Rakhimova is a fintech leader whose journey took her from Tajikistan to the U.S., where she built a career on her own terms. Leveraging her English proficiency and international relations expertise, she discovered the power of microfinance and moved to the U.S., eventually leading Amazon's Alexa Fund to support underrepresented founders. Subscribe to In Her Ellement on your podcast app of choice to hear meaningful conversations with women in digital, business, and technology.…
Talking Uncertainty
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A tartalmat a Emergent Futures CoLab biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Emergent Futures CoLab vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
Talking Uncertainty is Emergent Futures CoLab’s online talk series. We feature scholars, artists and practitioners who are collaborating on projects that speculate emergent futures in times of radical uncertainty. This series highlights how individuals and communities are staging, designing, performing and transforming futures. In light of the global COVID-19 pandemic, we also seek to understand how - and why - scholars, artists and practitioners are navigating their projects during a time of collective grief and unprecedented uncertainty. Visit us at urgentemergent.org
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26 epizódok
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Mind megjelölése nem lejátszottként
Manage series 3348838
A tartalmat a Emergent Futures CoLab biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Emergent Futures CoLab vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
Talking Uncertainty is Emergent Futures CoLab’s online talk series. We feature scholars, artists and practitioners who are collaborating on projects that speculate emergent futures in times of radical uncertainty. This series highlights how individuals and communities are staging, designing, performing and transforming futures. In light of the global COVID-19 pandemic, we also seek to understand how - and why - scholars, artists and practitioners are navigating their projects during a time of collective grief and unprecedented uncertainty. Visit us at urgentemergent.org
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26 epizódok
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1 TU#06 - Misfits in the World: Crip Futurities and World-making in Disability Arts 1:24:54
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Lejátszás később Lejátszás később Listák Tetszik KedveltIn this talk, the speakers speculated upon the anti-assimilationist politics of crip cultural practices within the disability arts sector in northern Turtle Island (Canada). We discussed the ethical and practical complexities of “cripping” our research methodologies and gesturing towards decolonization while collaborating with disability community members. This talk draws on the speakers’ ongoing participation in Deaf, disability, and mad arts, specifically in North America (Turtle Island), while referring to their conference paper entitled “ Misfits in the World: Responding to Cultural Breaks Through Disability Arts ” (Chandler, Rice, East, and El Kadi) presented at the Society for Disability Studies 2022 conference. Speaker(s):Dr. Eliza Chandler, Dr. Carla Rice, Lisa East Discussant(s):Dr. Rana El Kadi Read the talk insights here - https://www.urgentemergent.org/talking-uncertainty/misfitsintheworld…
How might multimodal anthropology reconcile the use of iconic images that reinforce racist stereotypes? As a visual anthropologist, when you create a multimodal output such as a film, you often have to balance your desire to attract the stakeholders’ attention with your attempt to challenge and avoid reproducing iconic stereotypes that are perpetuated through the media. Interestingly, the medium of film itself often inherently reproduces many stereotypes. Therefore, it is both difficult and interesting to think within the media industry. For instance, participants of the ARTlife Film Collective state that there is something “with the iconic” that they always have to negotiate and work in friction with. This is often one of the most productive frictions in these kinds of collaborative multimodal projects. Working multimodally and with images allows them to think differently about collaborative filmmaking. At the same time, such films often cut across various genres - including documentary, docu-fiction, hybrid, ethno-fiction, etc. - allowing them to forge new connections and reach a broader audience. Read all the insights here - https://www.urgentemergent.org/talking-uncertainty/artlifefilm…
How might collaborative multimodal ethnography begin to challenge neoliberal and xenophobic media ecologies? Collaborative, multimodal ethnography can provide under/mis-represented community members with a platform to conduct open-ended, collaborative, self-reflexive, and therapeutic explorations. For example, participants of the ARTlife Film Collective use such multimodal projects to challenge the reductionist representations of Muslim women in the Danish media. Such explorations may include the flow of images through direct messages and social media, auto-ethnography, and co-directing the film. These platforms facilitate the process of representing themselves on their own terms, in ways that challenge stereotypical portrayals of their communities within xenophobic media ecologies. The collective is critical about using iconic images that reinforce sensationalist portrayals of Muslim women. Read all the insights here - https://www.urgentemergent.org/talking-uncertainty/artlifefilm…
1 TU#05 - Multimodal Articulations of Futures in an Afghan-Danish Film Collective by Dr. Karen Waltorp 1:15:27
1:15:27 Lejátszás később Lejátszás később Listák Tetszik Kedvelt1:15:27
Lejátszás később Lejátszás később Listák Tetszik KedveltIn this talk, members of the ARTlife Film Collective (Dr. Karen Waltorp, Nilab Totakhil, Asma Mohammadzai Safi, Sama Sadat Ben Haddou, Mursal Khosrawi and Lea Glob) discussed and unpacked their multimodal filmmaking collaborations within the context of politically charged media ecologies in Denmark. The talk highlights how the women in the collective use collaborative filmmaking and social media tools to co-articulate their imagined futures, and what it means to be both Danish and Afghan. This podcast also includes audio clips from the videos that were screened by the collective during our online talk. Read the talk insights here - https://www.urgentemergent.org/talking-uncertainty/artlifefilm…
How can data and technology help farming communities navigate uncertainty and improve their livelihoods? Farming as an activity has always been filled with uncertainty. Although farmers in Bihar have generations of experience dealing with uncertainty and transforming it into something very literally productive, the agricultural sector has recently been struggling immensely due to many factors. Combining engineering with farming approaches, Samarth’s interdisciplinary model provides fresh perspectives that move beyond disciplinary-specific biases and make it possible to solve complex problems and drive innovation. This model highlights how agricultural data and emerging technologies can be used to inject some level of certainty into the sector. However, technological interventions also run the risk of bringing about unintended negative impacts. It is especially important in these situations to stay on in the community to maintain trust and ensure that the benefits of data-centered interventions emerge in the long term. After all, trust building is usually an ongoing and improvisational process. Read all the insights here - https://www.urgentemergent.org/talking-uncertainty/sumarth…
How do we approach the training of community members when the goal is to create sustainability? Long-term, in-depth, on-the-ground engagement can help us develop context-specific knowledge that can be turned into effective, critical interventions. For example, Samarth creates one-minute training videos highlighting the processes involved at each stage of the agricultural cycle of crops that are introduced into the Bihar region for the very first time. Consistently sharing such new, sustainable agricultural practices through accessible language and media in the farmers’ Whatsapp group increases the likelihood of farmer buy-in and engagement. Furthermore, such training structures are more likely to succeed when the objective of the interventionist organization is to become redundant and create sustainable, farmer-owned and operated producer organizations. Read all the insights here - https://www.urgentemergent.org/talking-uncertainty/sumarth…
1 TU#04 - Seeding Happiness: SumArth’s Farmer-led Agri-Models for Rural Development in India with Prabhat Kumar 1:07:41
1:07:41 Lejátszás később Lejátszás később Listák Tetszik Kedvelt1:07:41
Lejátszás később Lejátszás később Listák Tetszik KedveltThis talk features Prabhat Kumar who has been building holistic models to establish farmer-led institutions, foster sustainable livelihoods, reduce the carbon footprint and provide nutritional security to farmers in Bihar, India. We reflect on the politics and imaginaries of these community-led programs and partnerships, in light of the 2020-2021 farmers' protests in the country. Read the talk insights here - https://www.urgentemergent.org/talking-uncertainty/ethno-science-fiction…
How might participating in ethno-science fiction films create a space for activism, healing and speculating futures? In ethno-science fiction, uncertainty is put in dialogue with imagination. It is a liberatory space where you can projectively improvise and play out different versions of your everyday life. Ethno-science fiction brings personal imagination in dialogue with the predictions of scientists. It involves speculating different possible scenarios that help build future strategies. By creating alternative fictional worlds, science fiction can provide a critical distance between ourselves and the mundane world through the concept of “cognitive estrangement” (Friedman). This can be a kind of activism, in terms of an action towards positive change and healing. However, in this kind of filmmaking, a certain level of trust and willingness to play must exist between the collaborators, to ensure that the film does not end up being a totalitarian act by the filmmaker. Read all the insights here - https://www.urgentemergent.org/talking-uncertainty/ethno-science-fiction…
How does ethno-science fiction challenge our notion of temporality? Ethno-science fiction is a co-creative genre of ethnographic film where interlocutors express their imagined future through improvisation, applied theatre and other artistic practices. This genre disrupts the ethnocentric, linear progression of time. It shows that our understanding of the future reveals the contradictions of the present rather than a grasp of the past. We always tend to project ourselves into the future. However, talking back and forth between the present and the future self within ethno science fiction provides us with a certain agency where we are not a subject of time. This genre also allows us to try out different future scenarios, navigating the possible and impossible, especially as we face the rising threats of climate change. Read all the insights here - https://www.urgentemergent.org/talking-uncertainty/ethno-science-fiction…
How might ethno-science fiction reinforce and replicate dominant imaginaries and media ecologies? As seen in Sjoberg’s film “Call Me Back,” our collaborations often project scenarios that seem to replicate popular culture narratives of desire for fame, recognition, and commercial success. Although ethno-science fiction can provide a generative, healing space for speculating futures, it tends to act as a “sponge;” it absorbs and reflects all kinds of media and imaginary ecologies that we consume on a daily basis, such as telenovelas, surrealist films, realist films, documentaries, etc. Therefore, projective improvisations sometimes fail to produce alternative forms of imagination. By creating such future-oriented films, we risk releasing stories that reinforce narratives produced by the larger media ecology. We must be cognizant of the way that narratives, dominant or otherwise, emerge through our imaginative and performative work with our interlocutors. Read all the insights here - https://www.urgentemergent.org/talking-uncertainty/ethno-science-fiction…
How can we complicate the notion of collaboration and more transparently discuss the ways in which we work alongside our communities? Collaboration has become a catch-all, utopian term that is used uncritically to describe our relationships with our interlocutors. Making ethnographic films is sometimes considered an intrusion by communities, and the power differential between filmmaker and interlocutor usually means that it takes time to develop a close relationship. As such, we should perhaps speak of negotiation instead of collaboration. While working with our interlocutors, we must reveal our often clashing narratives and make these processes transparent. It is these frictions that are usually the most generative. Read all the insights here - https://www.urgentemergent.org/talking-uncertainty/ethno-science-fiction…
1 TU#03 - Call Me Back: Ethno Science Fiction as an Ethnographic Film Method by Dr. Johannes Sjöberg 1:50:18
1:50:18 Lejátszás később Lejátszás később Listák Tetszik Kedvelt1:50:18
Lejátszás később Lejátszás később Listák Tetszik KedveltIn this special event, Dr. Johannes Sjöberg will be premiering his new ethno science fiction film ‘Call Me Back’ (2020), followed by a talk on exploring uncertain environmental futures through creative and collaborative practice. We will explore how projective improvisation in ethnographic film could contribute to the way we relate to scientific predictions of the future. Read the talk insights here - https://www.urgentemergent.org/talking-uncertainty/ethno-science-fiction…
In "Stolen Bodies, Reclaimed Bodies: Disability and Queerness," Eli Claire discusses their tremoring hands and the stigmatization they experienced as a queer, disabled person with cerebral palsy, and how they and their lover reframe tremoring as desirous and pleasureful. In relation, how does mnidoo-worlding articulate an Anishinaabe "refiguring of the world" that does not create a division between disabled and abled-bodied individuals? Whereas in western culture, difference is often perceived as a deficit that is stigmatized and not desired, Anishnaabe culture looks upon difference as ability. Disabled people are revered and believed to understand the world in ways that others cannot possibly know. Read all the insights here . https://www.urgentemergent.org/talking-uncertainty/mnidoo-worlding…
What does it mean to privilege textuality and the logic of the archive over embodied knowledge systems and oral repertoires? How do we sustain oral knowledge systems that are made to disappear? The western way of being and knowing is usually so deeply ingrained in people, that indigenous voices and knowledges cannot be attended to or heard. In contrast to a physical archive, Anishnaabe embodied knowledge can engage more powerfully with others through relational, dialogic ways and can slowly start to resist the dominant rational ideologies, thus eroding the normalized western logic. Although this might not change the world in a dramatic, instantaneous way, it does lead to small, radical shifts in every small moment and every interaction that takes place. Read all the talk insights here . https://www.urgentemergent.org/talking-uncertainty/mnidoo-worlding…
Dolleen Manning describes mnidoo as “the call for the future.” Similarly, in Hindu culture, one is always being toward Moksha (the ultimate union with the universal spirit) as one’s potential. How can we be attentive to - and care for - this call from the mnidoo self, while being in the (material) world? In the Anishnaabe value system, the individual is not afraid of death or of releasing their last breath. At the same time, there is a hierarchy, where infants and terminally ill people have greater access to mnidoo-knowing. As humans, are constantly aging, and this corporeal temporality seems rational and unquestionably correct. Yet when we look "below the water," there’s a refraction, and things are not exactly as they appear to us. This is the other aspect of the self and of all existence, which is infinite, and which happens "below the water." Mnidoo infinity, in this way, emerges as ambiguity, in fragments and shimmers. We are both finite and infinite; on the one hand, we are singular, discontinuous, and mortal, and on the other hand, we are continuous, immortal, and infinitely divisible. We can't always be in the mnidoo infinity because of the relationship between corporeal temporality and mnidoo consciousness. Although mnidoo is impossible to fully grasp, we can steer around it in our discussions, and that has tangible effects in our daily life. Read all the talk insights here . https://www.urgentemergent.org/talking-uncertainty/mnidoo-worlding…
How do we practice and teach mnidoo-knowing in the face of dominant western ideologies? While western phenomenologists have considered knowledge as a material wealth that you acquire on your own, Anishnaabe people view knowledge as something you become with others. For Merleau Ponty, the rational self is disembodied - it floats above the world and surveys it as if it is not immersed in it. In this philosophy, he is extracting himself and trying to exist in the absolute present as the world emerges for him through his perception. As such, he is trying to stay in a knowing subject position that assumes that knowledge is detached from the body. In fact, mnidoo-knowing happens through a dialogue: between two or more individuals or between the corporeal (finitude) and the mnidoo (infinitude) self. As such, we all have access to this knowledge of mnidoo worlding. Yet, the dominant, rational western thought always undermines it and tells us that we should negate it and not pursue it. Attending to this layer of being (mnidoo) requires everyday resistance to western thought systems that deny the validity and existence of these other ways of communicating. Read all the talk insights here . https://www.urgentemergent.org/talking-uncertainty/mnidoo-worlding…
How is the concept of mnidoo related to the Seven Generation Principle, which states that we must consider the impact of every action we take on the next seven generations? Western Enlightenment-inspired ontology (way of being and knowing the world) has established - and continues to advance - the logic and common sense of enslavement, colonial extraction of wealth, dispossession, genocide of indigenous peoples, subjugation of women, attempted eradication of disabled people, etc. In contrast, a mnidoo-infused world is one where we conceive of everything (including humans and beyond-humans) as alive, interconnected, and mattering. Although not a methodology in itself, mnidoo relationality can inform other methodologies. Living according to the mnidoo worldview would have a great impact on our world, such as our ethical considerations about property ownership, the distribution of wealth, care for children, the status of and care for the elderly, and the way disability is understood. Read all the talk insights here . https://www.urgentemergent.org/talking-uncertainty/mnidoo-worlding…
What is mnidoo-worlding? Mnidoo-worlding is a dynamic and slippery concept. In western thought, there is a logic that things must always add up (for example: 1 + 1 = 2). In contrast, for the Anishnaabe, there is always an account of things not adding up - things are not exactly as they appear to us. There’s always a knowledge of a paradox or a mystery – that there are other ways of being, knowing and communicating that exist, and we cannot ever fully track them down. And that is the other aspect of all existence and consciousness, which is infinite: mnidoo infinity. Consider the example of Anishnaabe shallow water spearfishing: when you place a spear in the water, the image breaks as the water refracts. Spearfishing brings two ways of thinking into dialogue: the finite, human, embodied, subject-oriented, rational consciousness (above the water) and the mnidoo, infinite, spirit, other-than-human, intuition, mystery, potency (below the water). The water is an interface – what is below and above it does not constitute a dualism or division – they are enmeshed in each other. This other reality is constantly with the Anishnaabe. Read all the talk insights here . https://www.urgentemergent.org/talking-uncertainty/mnidoo-worlding…
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1 TU#02 - "The Murmuration of Birds: An Anishinaabe Ontology of Mnidoo-Worlding" by Dr. Dolleen Manning 1:22:48
1:22:48 Lejátszás később Lejátszás később Listák Tetszik Kedvelt1:22:48
Lejátszás később Lejátszás később Listák Tetszik KedveltWhat does a bird actually see when it is part of a large flock? During these times of radical uncertainty, continuing threats of colonialism, capitalism and climate genocide, Dr. Dolleen Manning discusses what we can learn from wading into subtle mnidoo regions to collaboratively imagine new futures and formations. Read the talk insights here . https://www.urgentemergent.org/talking-uncertainty/mnidoo-worlding…
How can we go beyond self-reflexivity in our research and deal with our inability to directly impact the living conditions of our interlocutors? Our interlocutors often request our assistance with daily tasks and have their own agendas regarding collaboration. But in many cases, they may not want us to intervene in any public way. Therefore, we must not enforce our agendas of “social justice” and “activism,” assuming that the project could transform their situation. Kazubowski-Houston explains how the layer of fiction in her work allows Romani women to share issues of concern in a carefully edited, curated, and anonymized way due to fear of community reprisal. Instead of always approaching activism as a social movement or a protest, we should consider the potential of such improvisatory practices and the subtle, slow ways in which activism plays out in everyday life. Read insights from the talk here: https://www.urgentemergent.org/talking-uncertainty/kazubowski-houston . All our talks are recorded and published on our website. Kindly register to become an EFC member at urgentemergent.org if you would like to attend and participate in the live talks.…
The absence of elders’ caregivers appears as an elephant in the room throughout Kazubowski-Houston’s dramatic storytelling. How can we put things in perspective in terms of working with imaginative ethnography and elderly care in the context of the COVID-19 reality? Elders in many countries have been socially isolated and alone for a long time, so the “COVID reality” existed for many of us even before the pandemic started. In the context of the recent COVID outbreaks in long-term care facilities, we have been speculating the death of so many elders in Canada and around the world, and somehow this is considered normal. As an improvisatory ethnographic tool, imagination has often been romanticized in anthropology. Although it can be powerful, it can be equally disempowering and damaging to our interlocutors. The outcome of imaginative ethnography may not necessarily be what we had hoped for or anticipated, especially during these challenging times. Read insights from the talk here: https://www.urgentemergent.org/talking-uncertainty/kazubowski-houston . All our talks are recorded and published on our website. Kindly register to become an EFC member at urgentemergent.org if you would like to attend and participate in the live talks.…
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A collaborative, improvisational ethnography focussing on the intimate might give the impression that our interlocutors’ world is limited, whereas they are connected to the broader society, discourses and politics. How can we juggle such an element of scale? Performance can show us how people relate to each other in terms of power. By using different modalities of ethnography, we get a parallax effect that can help generate different “truths”. Despite being a politics of intimacy, we need to always situate such practices within the broader political moment. Kazubowski-Houston emphasizes in her talk that the intimate improvisational moments between her and her interlocutor took place within the context of mass migrations and a broader affective economy of long-term-care in Poland. Read insights from the talk here: https://www.urgentemergent.org/talking-uncertainty/kazubowski-houston . All our talks are recorded and published on our website. Kindly register to become an EFC member at urgentemergent.org if you would like to attend and participate in the live talks.…
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In the context of the COVID-19 pandemic, how can methods that involve fiction or social fiction help communities to channel uncertainty and reimagine their futures? COVID-19 has starkly highlighted structural inequities and realities that have always existed. The reality we knew has disappeared overnight, and other realities have appeared. Therefore, in many ways, COVID-19 is about absence, and neoliberal academia has tried to fill this gap, through technology and other means - to try to resemble “the normal” - when in fact this is not possible. We need to construct knowledge in a kind of “twilight zone,” which lies somewhere in between the existing and the emergent, the possible and the impossible, the past and the future, and fiction and reality. Fiction helps us to tap into these spaces of absence, uncertainty, emergence by improvising these interiorities to the fore. Read insights from the talk here: https://www.urgentemergent.org/talking-uncertainty/kazubowski-houston . All our talks are recorded and published on our website. Kindly register to become an EFC member at urgentemergent.org if you would like to attend and participate in the live talks.…
Is a shift in reflexivity possible in the short-term ethnographic work that has been recently gaining popularity in anthropology? Ethnography is not a toolkit, and there is no one-size-fits-all when it comes to collaborative research methodology. Performance ethnography can just as easily constitute a “wolf anthropology,” where the scholar forces collaboration and pushes their own agenda. In fact, “performance” has become a trope for community engagement, where the neoliberal academy has usurped the language of social justice, only to recreate colonial power relations and extractivist research processes. We need to resist the urge towards imposing our own - potentially neocolonial - flavours of “equity” and “equality” with our interlocutors. Ethnography should always be context-specific and driven by the needs of the community. In fact, our interlocutors might sometimes be more interested in “a politics of invisibility” instead of recognition. Read insights from the talk here: https://www.urgentemergent.org/talking-uncertainty/kazubowski-houston . All our talks are recorded and published on our website. Kindly register to become an EFC member at urgentemergent.org if you would like to attend and participate in the live talks.…
What is the broader epistemological significance of feeling awkward for the anthropological project? Ethnography is always improvisational, and mistakes are bound to happen, but we must engage with - and write critically - about them. Performance ethnography is not collaborative by default, and collaboration between researchers and interlocutors “often involves negotiating different interests and conflicting agendas”. Anthropologists tend to monopolize reflexivity in their writing, which does little to shift problematic power dynamics. We need to move beyond our own positionality in our reflexive writing. Trailing awkwardness through ethnography and pursuing an “awkward anthropology” can shift the lens of reflexivity and unsettle power dynamics between researcher and interlocutor, thus leading to a different kind of collaborative anthropology. Read insights from the talk here: https://www.urgentemergent.org/talking-uncertainty/kazubowski-houston . All our talks are recorded and published on our website. Kindly register to become an EFC member at urgentemergent.org if you would like to attend and participate in the live talks.…
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Talking Uncertainty
1 TU#01 'An Elephant in the Room' by Dr. Magdalena Kazubowski-Houston 1:04:49
1:04:49 Lejátszás később Lejátszás később Listák Tetszik Kedvelt1:04:49
Lejátszás később Lejátszás később Listák Tetszik KedveltIn her talk, Dr. Magdalena Kazubowski-Houston tracks the feeling of awkwardness she experienced in an imaginative ethnography project conducted in collaboration with Randia, an older Polish Romani woman. She discusses the "anthropology of possibility" and how ethnographers can become attentive to the unpredictable, hidden, obscure, and humble ways in which activism might play out in the field. Read insights from the talk here: https://www.urgentemergent.org/talking-uncertainty/kazubowski-houston . All our talks are recorded and published on our website. Kindly register to become an EFC member at urgentemergent.org if you would like to attend and participate in the live talks.…
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