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Madolyn Smith Osborne, Actress-Episode #300

1:06:12
 
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Manage episode 424242122 series 1440006
A tartalmat a Steve Cuden biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Steve Cuden vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Madolyn Smith Osborne had the kind of fairy tale show business beginning that most can only fantasize about. While still in school at The University of Southern California, she won her first paycheck with a serendipitous audition before famed choreographer, Gower Champion, when a lead dancer and understudy had to be replaced in the Broadway-bound production of Pal Joey starring Lena Horne. Madolyn’s passion for musical theater as well as her training with beloved choreographers Bill and Jacqui Landrum, prepared her well for the opportunity.

A year later, on the eve of graduating from USC’s School of Dramatic Arts., her mentor, the late, iconic theatre and film producer and Academy Award-winning actor, John Houseman, launched a swan song of sorts for her with a production of Shakespeare’s All’s Well That Ends Well, in which Madolyn starred in the role of Helena.

Mr. Houseman had invited various industry professionals to see the show in the 99-seat Stop Gap Theater on campus, including his former protege, film director, Jim Bridges, who, upon seeing Madolyn’s performance, invited her to play the role of John Travolta’s mistress, Pam, in the cult classic, Urban Cowboy.

Madolyn went on to give multiple award-winning performances in the L.A. theater scene. Among her triumphs, she created the title role of Emily in Stephen Metcalfe’s play of the same name, which was directed by the renowned producer-director, Jack O’Brien, during its premiere at San Diego’s revered Old Globe Theatre.

When Madolyn was studying with legendary actress, Kim Stanley, and opera singer, Gloria Lane, she became a founding member of L.A. Theatre Works.

Madolyn also enjoyed a terrific TV and film career in which she found herself starring in features opposite the likes of no less than Steve Martin in All of Me, Roy Scheider in 2010: The Year We Make Contact, Chevy Chase in Funny Farm, Joe Pesci in The Super, and in TV shows like Due South, Cheers, If Tomorrow Comes, and Sadat. But at the height of her powers, all of that was abruptly interrupted by a chronic illness that she fights to this day.

Madolyn resides in Toronto, Canada with her husband, former NHL hockey great, Mark Osborne, and 2 adult daughters who live nearby.

For the record, Madolyn and I have known one another for more years than either of us will admit, having met and worked together on a few productions while we were both in drama school at the USC.

  continue reading

332 epizódok

Artwork
iconMegosztás
 
Manage episode 424242122 series 1440006
A tartalmat a Steve Cuden biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Steve Cuden vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Madolyn Smith Osborne had the kind of fairy tale show business beginning that most can only fantasize about. While still in school at The University of Southern California, she won her first paycheck with a serendipitous audition before famed choreographer, Gower Champion, when a lead dancer and understudy had to be replaced in the Broadway-bound production of Pal Joey starring Lena Horne. Madolyn’s passion for musical theater as well as her training with beloved choreographers Bill and Jacqui Landrum, prepared her well for the opportunity.

A year later, on the eve of graduating from USC’s School of Dramatic Arts., her mentor, the late, iconic theatre and film producer and Academy Award-winning actor, John Houseman, launched a swan song of sorts for her with a production of Shakespeare’s All’s Well That Ends Well, in which Madolyn starred in the role of Helena.

Mr. Houseman had invited various industry professionals to see the show in the 99-seat Stop Gap Theater on campus, including his former protege, film director, Jim Bridges, who, upon seeing Madolyn’s performance, invited her to play the role of John Travolta’s mistress, Pam, in the cult classic, Urban Cowboy.

Madolyn went on to give multiple award-winning performances in the L.A. theater scene. Among her triumphs, she created the title role of Emily in Stephen Metcalfe’s play of the same name, which was directed by the renowned producer-director, Jack O’Brien, during its premiere at San Diego’s revered Old Globe Theatre.

When Madolyn was studying with legendary actress, Kim Stanley, and opera singer, Gloria Lane, she became a founding member of L.A. Theatre Works.

Madolyn also enjoyed a terrific TV and film career in which she found herself starring in features opposite the likes of no less than Steve Martin in All of Me, Roy Scheider in 2010: The Year We Make Contact, Chevy Chase in Funny Farm, Joe Pesci in The Super, and in TV shows like Due South, Cheers, If Tomorrow Comes, and Sadat. But at the height of her powers, all of that was abruptly interrupted by a chronic illness that she fights to this day.

Madolyn resides in Toronto, Canada with her husband, former NHL hockey great, Mark Osborne, and 2 adult daughters who live nearby.

For the record, Madolyn and I have known one another for more years than either of us will admit, having met and worked together on a few productions while we were both in drama school at the USC.

  continue reading

332 epizódok

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