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A tartalmat a Peter Eyers biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Peter Eyers vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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‘Queens of the Night’ - Opera Collaborators; Kate Gaul and Andy Dexterity

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Manage episode 385239845 series 2276631
A tartalmat a Peter Eyers biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Peter Eyers vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Mozart’s The Magic Flute will be presented by Opera Australia during their Summer season in early 2024. At the helm of the production is Director Kate Gaul. An artist of tremendous invention and imagination. The production she conjures will thrill and seduce, as this opera favourite is brought to vivid life.

Assisting Kate as Movement Director is frequent collaborator, Andy Dexterity. His eclectic style and command of the physical always delights and sheds enlightening perspective.

Both were guests in early seasons of the STAGES podcast. It was a treat to catch up with them once again to hear what’s been happening in their worlds and what we can look forward to in the world of The Magic Flute.

Kate has been directing full-time since completing the NIDA Director’s course in 1996 and has established herself as a distinctive and inventive director, with productions for such companies as Pinchgut Opera, Belvoir St Theatre, Ensemble Theatre, Griffin Theatre and Melbourne Theatre Company.

Kate’s productions include The End of Winter, Camp!, Good With Maps, The Trouble with Harry, The Ham Funeral, A Midsummer Night’s Dream (Britten), Misterman, Invisible Circus, Il Matrimonio Segreto (Conservatorium of Music), Castor et Pollux (Pinchgut Opera), The New Electric Ballroom and Carmen (OzOpera).

Andy Dexterity is a Green Room Award-nominated performance maker primarily recognised for his unique brand of movement, fusing dance, physical theatre and physical languages. Andy is fascinated by the way we communicate and interact as a species and Andy creates playful work with the intention to empower, connect and transcend linguistic boundaries.

The Magic Flute plays the Sydney Opera House February 1st to March 16th, 2024
The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

  continue reading

497 epizódok

Artwork
iconMegosztás
 
Manage episode 385239845 series 2276631
A tartalmat a Peter Eyers biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Peter Eyers vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Mozart’s The Magic Flute will be presented by Opera Australia during their Summer season in early 2024. At the helm of the production is Director Kate Gaul. An artist of tremendous invention and imagination. The production she conjures will thrill and seduce, as this opera favourite is brought to vivid life.

Assisting Kate as Movement Director is frequent collaborator, Andy Dexterity. His eclectic style and command of the physical always delights and sheds enlightening perspective.

Both were guests in early seasons of the STAGES podcast. It was a treat to catch up with them once again to hear what’s been happening in their worlds and what we can look forward to in the world of The Magic Flute.

Kate has been directing full-time since completing the NIDA Director’s course in 1996 and has established herself as a distinctive and inventive director, with productions for such companies as Pinchgut Opera, Belvoir St Theatre, Ensemble Theatre, Griffin Theatre and Melbourne Theatre Company.

Kate’s productions include The End of Winter, Camp!, Good With Maps, The Trouble with Harry, The Ham Funeral, A Midsummer Night’s Dream (Britten), Misterman, Invisible Circus, Il Matrimonio Segreto (Conservatorium of Music), Castor et Pollux (Pinchgut Opera), The New Electric Ballroom and Carmen (OzOpera).

Andy Dexterity is a Green Room Award-nominated performance maker primarily recognised for his unique brand of movement, fusing dance, physical theatre and physical languages. Andy is fascinated by the way we communicate and interact as a species and Andy creates playful work with the intention to empower, connect and transcend linguistic boundaries.

The Magic Flute plays the Sydney Opera House February 1st to March 16th, 2024
The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

  continue reading

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