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A tartalmat a Mia Funk and One Planet Podcast · Creative Process Original Series biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Mia Funk and One Planet Podcast · Creative Process Original Series vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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MADELEINE WATTS - Author of The Inland Sea - Creative Writing Professor, Columbia University

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Manage episode 363477076 series 3334552
A tartalmat a Mia Funk and One Planet Podcast · Creative Process Original Series biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Mia Funk and One Planet Podcast · Creative Process Original Series vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper’s Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.

"The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."

www.madeleinewatts.com

www.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-watts

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

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119 epizódok

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Manage episode 363477076 series 3334552
A tartalmat a Mia Funk and One Planet Podcast · Creative Process Original Series biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Mia Funk and One Planet Podcast · Creative Process Original Series vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper’s Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.

"The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."

www.madeleinewatts.com

www.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-watts

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

  continue reading

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