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A tartalmat a Lydian Stater, LLC, Lydian Stater, and LLC biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Lydian Stater, LLC, Lydian Stater, and LLC vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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Arranging Tangerines Episode 11 - A Conversation with Corinne Jones Part 2

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Manage episode 320714091 series 2999490
A tartalmat a Lydian Stater, LLC, Lydian Stater, and LLC biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Lydian Stater, LLC, Lydian Stater, and LLC vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

In the second part of our conversation with Corinne Jones, we take a deeper look into her practice including the dichotomy of her family background, how painting is the sun, the importance of color and equiluminance in her work, the mysterious richness of The Lost Sea as a conceptual lens, the ethos of punk rock and the underground throughout the years, using quasi-public space as a site for making, and the philosophical legacy of the Allegory of the Cave. Corinne Jones lives and works in New York City. The Long Delayed Echo, 2011 - present, is the umbrella title for her interrelated series of work that includes paintings, interventions, video and writing. Her most recent work, Counterpart Sevens, 2017, are seven-sided diptychs comprised of subtle equiluminant color installed crosswise from each other. Corinne Jones has exhibited solo shows in New York City, NY and Memphis, TN and has participated in various group shows including galleries and museums in Miami, FL, London, UK, and Warsaw, Poland. She earned a BFA from School of Visual Arts in 1996 and an MFA from Columbia University in 2007. Jones has taught at Columbia University and is currently teaching at The Cooper Union.

Links: The Fall The Show Exhibition at Lydian Stater

Camera Obscura of Ideology

  continue reading

43 epizódok

Artwork
iconMegosztás
 
Manage episode 320714091 series 2999490
A tartalmat a Lydian Stater, LLC, Lydian Stater, and LLC biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Lydian Stater, LLC, Lydian Stater, and LLC vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

In the second part of our conversation with Corinne Jones, we take a deeper look into her practice including the dichotomy of her family background, how painting is the sun, the importance of color and equiluminance in her work, the mysterious richness of The Lost Sea as a conceptual lens, the ethos of punk rock and the underground throughout the years, using quasi-public space as a site for making, and the philosophical legacy of the Allegory of the Cave. Corinne Jones lives and works in New York City. The Long Delayed Echo, 2011 - present, is the umbrella title for her interrelated series of work that includes paintings, interventions, video and writing. Her most recent work, Counterpart Sevens, 2017, are seven-sided diptychs comprised of subtle equiluminant color installed crosswise from each other. Corinne Jones has exhibited solo shows in New York City, NY and Memphis, TN and has participated in various group shows including galleries and museums in Miami, FL, London, UK, and Warsaw, Poland. She earned a BFA from School of Visual Arts in 1996 and an MFA from Columbia University in 2007. Jones has taught at Columbia University and is currently teaching at The Cooper Union.

Links: The Fall The Show Exhibition at Lydian Stater

Camera Obscura of Ideology

  continue reading

43 epizódok

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