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A tartalmat a Sean L. McCarthy biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Sean L. McCarthy vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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Kiran Deol

32:08
 
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Manage episode 372497927 series 2794650
A tartalmat a Sean L. McCarthy biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Sean L. McCarthy vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Kiran Deol is a comedian and actress whose show business career began auspiciously enough when she followed up her college thesis with a documentary short, Woman Rebel, that was shortlisted for the Academy Awards. As an actress, she co-starred in the 2019 NBC sitcom, Sunnyside, and before that, chalked up numerous guest-starring roles on shows such as Modern Family, The Mindy Project, How to Get Away With Murder, New Girl, The Newsroom, Weeds, and Grey’s Anatomy. As a comedian, she co-hosts a weekly show Thursdays in Los Angeles called Peacock, and has performed on Gotham Comedy Live and Hulu’s Coming to the Stage. She’s also a regular on the podcasts Lovett or Leave It and Hysteria. She joined me to talk about her latest project, a one-person show called Joysuck that follows the aftermath when a stranger tried to suck the joy out of her life by smashing her face with a bottle. Deol is taking Joysuck to the Edinburgh Fringe, but first she’s talking to me about it, as well as why Hollywood has sucked the joy out of being a working writer or actor enough for both the WGA and SAG-AFTRA to go on strike.

If you like this conversation, please consider subscribing to my Substack called Piffany at Piffany.Substack.com so you can read bonus commentary on this episode as well as more comedy news and insights. Thanks in advance, and now that that’s out of the way, let’s get to it!

  continue reading

464 epizódok

Artwork
iconMegosztás
 
Manage episode 372497927 series 2794650
A tartalmat a Sean L. McCarthy biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Sean L. McCarthy vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Kiran Deol is a comedian and actress whose show business career began auspiciously enough when she followed up her college thesis with a documentary short, Woman Rebel, that was shortlisted for the Academy Awards. As an actress, she co-starred in the 2019 NBC sitcom, Sunnyside, and before that, chalked up numerous guest-starring roles on shows such as Modern Family, The Mindy Project, How to Get Away With Murder, New Girl, The Newsroom, Weeds, and Grey’s Anatomy. As a comedian, she co-hosts a weekly show Thursdays in Los Angeles called Peacock, and has performed on Gotham Comedy Live and Hulu’s Coming to the Stage. She’s also a regular on the podcasts Lovett or Leave It and Hysteria. She joined me to talk about her latest project, a one-person show called Joysuck that follows the aftermath when a stranger tried to suck the joy out of her life by smashing her face with a bottle. Deol is taking Joysuck to the Edinburgh Fringe, but first she’s talking to me about it, as well as why Hollywood has sucked the joy out of being a working writer or actor enough for both the WGA and SAG-AFTRA to go on strike.

If you like this conversation, please consider subscribing to my Substack called Piffany at Piffany.Substack.com so you can read bonus commentary on this episode as well as more comedy news and insights. Thanks in advance, and now that that’s out of the way, let’s get to it!

  continue reading

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