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A tartalmat a The Cinematologists biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The Cinematologists vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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Professor Vivian Sobchack, in Conversation

1:27:20
 
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Manage episode 452340110 series 2416725
A tartalmat a The Cinematologists biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The Cinematologists vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

In this return to the long-form interview format, The Cinematologists are deeply honoured to welcome Professor Vivian Sobchack to the podcast. In an incredibly profound and wide-ranging conversation, Dario discusses with Prof. Sobchack a diverse array of topics related to her work and life as one of the most important and influential thinkers and writers on cinema. The subjects covered include:

  • The Evolution of Film Studies: Vivian reflects on film studies' early formation in the United States and the profound impact of phenomenology on the discipline. She shares rich insights into how our embodied experience shapes our interaction with films.

  • Her Personal Journey: Vivian offers fascinating accounts of being a young female scholar during the early formation of film studies, providing unique historical perspectives on the discipline’s growth.

  • Film Phenomenology: If the episode has a central theme, it is Vivian's groundbreaking legacy in film phenomenology. She contextualizes her work within a broader framework, contrasting it with Marxist and psychoanalytic film criticism, and highlights the distinct contributions phenomenology offers to the study of cinema.

  • Cinema as an Immersive Experience: The conversation explores the intricate relationship between viewers and films, emphasising the shared, immersive experience that makes cinema a unique cultural and artistic event.

  • Genre Analysis and Science Fiction: Vivian discusses her analysis of genre, particularly focusing on science fiction. She draws on the cultural and philosophical implications of films like Arrival, Inception, and Her.

Reflecting on the interview, Dario and Neil unpack how Prof. Sobchack's work provides invaluable insights for developing more nuanced ways of thinking about the filmic experience. They discuss how her scholarship underscores cinema's role as a mirror to culture, technology, and the human condition. The episode highlights the importance of creating space for in-depth academic dialogue and explores the personal impact Sobchack’s work has had on the hosts. Neil and Dario also delve into the multifaceted relationship between cinema and its audience, emphasising the need to engage with film as an experience rather than merely consuming it.

Prof Sobchack's Biography:

Vivian Sobchack, born in 1940 in New York City, is widely regarded as one of the most influential American film theorists of the past 25 years. In the early 1990s, she played a pivotal role in re-establishing phenomenology as a vital methodology in film studies with her groundbreaking book, The Address of the Eye: A Phenomenology of Film Experience (1992). Her work emphasizes the bodily and material foundations of film viewing, championing an existential-phenomenological approach to moving image media. This perspective is articulated with particular elegance in her celebrated collection of essays, Carnal Thoughts: Embodiment and Moving Image Culture (2004).

A trailblazer in the field, Sobchack was the first woman elected President of the Society for Cinema and Media Studies (1985-1987) and received the organization’s Distinguished Career Achievement Award in 2012. She served for over 20 years as the sole academic member of the Board of Directors at the American Film Institute (AFI). From 1992 to 2005, Sobchack was Associate Dean and Professor at UCLA’s School of Theater, Film and Television. She continues to inspire new generations of scholars as Professor Emerita at UCLA.

This episode is a 50-minute excerpt of the full 1 hour and 50 min conversation. The full interview is available on our Patreon site: Click Here Visit www.patreon.com/cinematologists for our extensive bonus content and to be part of our community.

We also really appreciate any reviews you might write (please send us what you have written, and we’ll mention it). Sharing on social media is the lifeblood of the podcast, so please do so if you enjoy the show.

Instagram: https://www.instagram.com/drdariofilms/

TikTok: https://www.tiktok.com/@cinematologistspodcast

---

Music Credits:

‘Theme from The Cinematologists’

Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

  continue reading

201 epizódok

Artwork
iconMegosztás
 
Manage episode 452340110 series 2416725
A tartalmat a The Cinematologists biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The Cinematologists vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

In this return to the long-form interview format, The Cinematologists are deeply honoured to welcome Professor Vivian Sobchack to the podcast. In an incredibly profound and wide-ranging conversation, Dario discusses with Prof. Sobchack a diverse array of topics related to her work and life as one of the most important and influential thinkers and writers on cinema. The subjects covered include:

  • The Evolution of Film Studies: Vivian reflects on film studies' early formation in the United States and the profound impact of phenomenology on the discipline. She shares rich insights into how our embodied experience shapes our interaction with films.

  • Her Personal Journey: Vivian offers fascinating accounts of being a young female scholar during the early formation of film studies, providing unique historical perspectives on the discipline’s growth.

  • Film Phenomenology: If the episode has a central theme, it is Vivian's groundbreaking legacy in film phenomenology. She contextualizes her work within a broader framework, contrasting it with Marxist and psychoanalytic film criticism, and highlights the distinct contributions phenomenology offers to the study of cinema.

  • Cinema as an Immersive Experience: The conversation explores the intricate relationship between viewers and films, emphasising the shared, immersive experience that makes cinema a unique cultural and artistic event.

  • Genre Analysis and Science Fiction: Vivian discusses her analysis of genre, particularly focusing on science fiction. She draws on the cultural and philosophical implications of films like Arrival, Inception, and Her.

Reflecting on the interview, Dario and Neil unpack how Prof. Sobchack's work provides invaluable insights for developing more nuanced ways of thinking about the filmic experience. They discuss how her scholarship underscores cinema's role as a mirror to culture, technology, and the human condition. The episode highlights the importance of creating space for in-depth academic dialogue and explores the personal impact Sobchack’s work has had on the hosts. Neil and Dario also delve into the multifaceted relationship between cinema and its audience, emphasising the need to engage with film as an experience rather than merely consuming it.

Prof Sobchack's Biography:

Vivian Sobchack, born in 1940 in New York City, is widely regarded as one of the most influential American film theorists of the past 25 years. In the early 1990s, she played a pivotal role in re-establishing phenomenology as a vital methodology in film studies with her groundbreaking book, The Address of the Eye: A Phenomenology of Film Experience (1992). Her work emphasizes the bodily and material foundations of film viewing, championing an existential-phenomenological approach to moving image media. This perspective is articulated with particular elegance in her celebrated collection of essays, Carnal Thoughts: Embodiment and Moving Image Culture (2004).

A trailblazer in the field, Sobchack was the first woman elected President of the Society for Cinema and Media Studies (1985-1987) and received the organization’s Distinguished Career Achievement Award in 2012. She served for over 20 years as the sole academic member of the Board of Directors at the American Film Institute (AFI). From 1992 to 2005, Sobchack was Associate Dean and Professor at UCLA’s School of Theater, Film and Television. She continues to inspire new generations of scholars as Professor Emerita at UCLA.

This episode is a 50-minute excerpt of the full 1 hour and 50 min conversation. The full interview is available on our Patreon site: Click Here Visit www.patreon.com/cinematologists for our extensive bonus content and to be part of our community.

We also really appreciate any reviews you might write (please send us what you have written, and we’ll mention it). Sharing on social media is the lifeblood of the podcast, so please do so if you enjoy the show.

Instagram: https://www.instagram.com/drdariofilms/

TikTok: https://www.tiktok.com/@cinematologistspodcast

---

Music Credits:

‘Theme from The Cinematologists’

Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

  continue reading

201 epizódok

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