Artwork

A tartalmat a Culture.pl biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Culture.pl vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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Marcin Masecki

27:39
 
Megosztás
 

Manage episode 347968851 series 2914002
A tartalmat a Culture.pl biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Culture.pl vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Marcin Masecki considers that he has two parents, jazz and classical music. As a pianist, he is steeped in the tradition of learning piano as a young child with all the purity and precision that comes with that. In this interview, you get the sense of how that triggered Marcin’s disruptive streak, and how that has been central to his approach to music. There is reverence and intellectual rebellion. Like many accomplished musicians, there is music in his family. Marcin has spoken of his grandmother teaching him piano exercises, and it was on her vintage Steinway that he recorded his album, Die Kunst der Fuge: Bach/Masecki, with a dictaphone. Yes, with a dictaphone. In fact, this is a key point, because Marcin’s appreciation of the imperfect, the broken, and the cult of the Lo Fi is what brings his soulfulness and natural feel for music to the fore. Such qualities can set musicians apart. Marcin has worked in many contexts, and there's a clear sense from his career, that it's important for him to be free to change his setup. He has recorded solo in a duo and sextet, in bands of nine and 10, as well as big bands. He's released classical jazz and alternative pop music, and even an album of Polish Carols sung in Arabic. In this interview, he focuses on his album of Polonaises. Using a 10 piece band, Marcin hoped to integrate this historical national dance of Poland with jazz and a bit of attitude, once again, bringing forward his appreciation of the defective and the unsettling. There is a picture of the complex journey this musician is on, one in which he continually challenges himself again and again. It's a fascinating insight into this artist.

Music from the episode

Deuxième Grand Polonaise from Marcin Masecki’s album ‘Polonezy’

Further reading

Further watching

Credits

This episode of Rebel Spirits was hosted by Debra Richards. The show is brought to you by the Adam Mickiewicz Institute.

Written and produced by Wojciech Oleksiak

Executive production by Move Me Media

Edited by Wojciech Oleksiak

Design by Dawid Ryski

Scoring & sound design by Wojciech Oleksiak

Copyrights

The publisher would like to thank all copyright owners for their kind permission to reproduce their material. Should, despite our intensive research, any person entitled to rights have been overlooked, legitimate claims shall be compensated within the usual provisions.

  continue reading

17 epizódok

Artwork

Marcin Masecki

Rebel Spirits

published

iconMegosztás
 
Manage episode 347968851 series 2914002
A tartalmat a Culture.pl biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Culture.pl vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Marcin Masecki considers that he has two parents, jazz and classical music. As a pianist, he is steeped in the tradition of learning piano as a young child with all the purity and precision that comes with that. In this interview, you get the sense of how that triggered Marcin’s disruptive streak, and how that has been central to his approach to music. There is reverence and intellectual rebellion. Like many accomplished musicians, there is music in his family. Marcin has spoken of his grandmother teaching him piano exercises, and it was on her vintage Steinway that he recorded his album, Die Kunst der Fuge: Bach/Masecki, with a dictaphone. Yes, with a dictaphone. In fact, this is a key point, because Marcin’s appreciation of the imperfect, the broken, and the cult of the Lo Fi is what brings his soulfulness and natural feel for music to the fore. Such qualities can set musicians apart. Marcin has worked in many contexts, and there's a clear sense from his career, that it's important for him to be free to change his setup. He has recorded solo in a duo and sextet, in bands of nine and 10, as well as big bands. He's released classical jazz and alternative pop music, and even an album of Polish Carols sung in Arabic. In this interview, he focuses on his album of Polonaises. Using a 10 piece band, Marcin hoped to integrate this historical national dance of Poland with jazz and a bit of attitude, once again, bringing forward his appreciation of the defective and the unsettling. There is a picture of the complex journey this musician is on, one in which he continually challenges himself again and again. It's a fascinating insight into this artist.

Music from the episode

Deuxième Grand Polonaise from Marcin Masecki’s album ‘Polonezy’

Further reading

Further watching

Credits

This episode of Rebel Spirits was hosted by Debra Richards. The show is brought to you by the Adam Mickiewicz Institute.

Written and produced by Wojciech Oleksiak

Executive production by Move Me Media

Edited by Wojciech Oleksiak

Design by Dawid Ryski

Scoring & sound design by Wojciech Oleksiak

Copyrights

The publisher would like to thank all copyright owners for their kind permission to reproduce their material. Should, despite our intensive research, any person entitled to rights have been overlooked, legitimate claims shall be compensated within the usual provisions.

  continue reading

17 epizódok

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