Artwork

A tartalmat a RA Exchange and Resident Advisor biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a RA Exchange and Resident Advisor vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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EX.674 Schacke

58:27
 
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Manage episode 374518104 series 55697
A tartalmat a RA Exchange and Resident Advisor biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a RA Exchange and Resident Advisor vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
"I've always been fascinated with extreme art." The Fast Forward member discusses the Copenhagen techno sound, eroticism and his proclivity for noise and black metal. Martin Schacke has been leading the charge on developing the psytrance-inspired techno sound that's dominated clubs over the last couple of years. He's also known for making provocative, catchy club tunes like "Kisloty People"—his breakout single from 2019—and Apocalyptic Decadence, an LP that came out on Instruments of Discipline last year (which made Resident Advisor's "The Best Albums of 2022" list). He's joined by a rank of DJs from Copenhagen like Sugar and DJ Tool who are popularizing this fun and fast counterpoint to heads-down dance music, and which Schacke describes as originating from a desire to start a scene distinct from the Berghain sound. Interestingly, Schacke is also an artist of many trades. He's heavily involved with noise, industrial and black metal music, and he discusses how these more experimental forms have inspired his releases for the dance floor. "I've taken a lot of these ways of working with aesthetic opposites and absurdities from noise music, where it's normal to use extreme subject matter and go into dark territory and fun territory," he said. "I think those can really intertwine." In this RA Exchange, he talks about his roots in this scene as well as his proclivity for extreme aesthetics, taking breaks from dance music, the personal costs of choosing a life dedicated to being an artist and more. Listen to the episode in full.
  continue reading

997 epizódok

Artwork

EX.674 Schacke

RA Exchange

2,485 subscribers

published

iconMegosztás
 
Manage episode 374518104 series 55697
A tartalmat a RA Exchange and Resident Advisor biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a RA Exchange and Resident Advisor vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
"I've always been fascinated with extreme art." The Fast Forward member discusses the Copenhagen techno sound, eroticism and his proclivity for noise and black metal. Martin Schacke has been leading the charge on developing the psytrance-inspired techno sound that's dominated clubs over the last couple of years. He's also known for making provocative, catchy club tunes like "Kisloty People"—his breakout single from 2019—and Apocalyptic Decadence, an LP that came out on Instruments of Discipline last year (which made Resident Advisor's "The Best Albums of 2022" list). He's joined by a rank of DJs from Copenhagen like Sugar and DJ Tool who are popularizing this fun and fast counterpoint to heads-down dance music, and which Schacke describes as originating from a desire to start a scene distinct from the Berghain sound. Interestingly, Schacke is also an artist of many trades. He's heavily involved with noise, industrial and black metal music, and he discusses how these more experimental forms have inspired his releases for the dance floor. "I've taken a lot of these ways of working with aesthetic opposites and absurdities from noise music, where it's normal to use extreme subject matter and go into dark territory and fun territory," he said. "I think those can really intertwine." In this RA Exchange, he talks about his roots in this scene as well as his proclivity for extreme aesthetics, taking breaks from dance music, the personal costs of choosing a life dedicated to being an artist and more. Listen to the episode in full.
  continue reading

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