Artwork

A tartalmat a Paris Institute for Critical Thinking biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Paris Institute for Critical Thinking vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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PICT Faculty Lectures VI Subversive Selves Women Artists’ Nude Self - Portraits One Century Ago

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Manage episode 303472997 series 2988525
A tartalmat a Paris Institute for Critical Thinking biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Paris Institute for Critical Thinking vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
The PICT Faculty Lectures series staged its sixth event on Tuesday, February 4, 2020. In front of a full house, PICT visiting faculty member Lauren Jimerson spoke on “Subversive Selves: Women Artists’ Nude Self-Portraits One Century Ago.” The lecture offered an assessment of three pioneering female artists who tackled the nude self-portrait: Suzanne Valadon (1865-1938), Émilie Charmy (1878-1974), and Marie Vassilieff (1884-1957). Jimerson introduced her audience to the historical context, drawing attention to the social and cultural obstacles faced by female artists. She also offered a technical appraisal of particular artworks, highlighting their creators’ artistic contributions in terms of material and technique. Finally, Jimerson’s analysis included a theoretical evaluation connecting the artists’ œuvres with the work of thinkers such as Simone de Beauvoir and Luce Irigaray. Throughout the talk, Jimerson alerted the audience to the originality, difficulty, and influence of the artists’ work. With no female precedent to emulate, Valadon, Charmy, and Vassilieff were compelled to develop highly original forms of artistic expression. With little support from their families or milieus, they often suffered hardship and were unable or disinclined to publicly exhibit some of their most striking work. And but for the effort of scholars such as Jimerson herself, large parts of their œuvre remain inaccessible to the public. Indeed, one of the talk’s main contributions was the introduction of specific artworks that remain unexhibited to this day.
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72 epizódok

Artwork
iconMegosztás
 
Manage episode 303472997 series 2988525
A tartalmat a Paris Institute for Critical Thinking biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Paris Institute for Critical Thinking vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
The PICT Faculty Lectures series staged its sixth event on Tuesday, February 4, 2020. In front of a full house, PICT visiting faculty member Lauren Jimerson spoke on “Subversive Selves: Women Artists’ Nude Self-Portraits One Century Ago.” The lecture offered an assessment of three pioneering female artists who tackled the nude self-portrait: Suzanne Valadon (1865-1938), Émilie Charmy (1878-1974), and Marie Vassilieff (1884-1957). Jimerson introduced her audience to the historical context, drawing attention to the social and cultural obstacles faced by female artists. She also offered a technical appraisal of particular artworks, highlighting their creators’ artistic contributions in terms of material and technique. Finally, Jimerson’s analysis included a theoretical evaluation connecting the artists’ œuvres with the work of thinkers such as Simone de Beauvoir and Luce Irigaray. Throughout the talk, Jimerson alerted the audience to the originality, difficulty, and influence of the artists’ work. With no female precedent to emulate, Valadon, Charmy, and Vassilieff were compelled to develop highly original forms of artistic expression. With little support from their families or milieus, they often suffered hardship and were unable or disinclined to publicly exhibit some of their most striking work. And but for the effort of scholars such as Jimerson herself, large parts of their œuvre remain inaccessible to the public. Indeed, one of the talk’s main contributions was the introduction of specific artworks that remain unexhibited to this day.
  continue reading

72 epizódok

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