Artwork

A tartalmat a National Museums NI biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a National Museums NI vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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The Fine Print Episode 4: The Impressionists as Printmakers

30:46
 
Megosztás
 

Manage episode 312361984 series 3233599
A tartalmat a National Museums NI biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a National Museums NI vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

This is a 4 part podcast series by National Museums NI, hosted by Curator of Art, Anna Liesching, which looks at exhibitions held in the Ulster Museum through the prism of the art of printmaking.

In this episode, Anna chats to Dr Rachel Sloan, Assistant Curator of Works on Paper at The Courtauld, London, about the Ulster Museum’s latest exhibition, ‘Renoir and the New Era’, curated by Anna and which explores the Impressionists by taking Renoir’s masterpiece ‘La Loge’ as its centrepiece, alongside accompanying works on paper from the Ulster Museum’s collection. Anna and Rachel discuss prints in the exhibition, the place of printmaking in Impressionism and how important an artwork’s title can be for understanding its meaning.

For a full audio tour of Renoir and The New Era, take the Smartify tour here or download the Smartify app. For further information on the artists and artworks discussed, follow the links below.

Links

Chicago Institute of Art  https://bit.ly/31wiQFG

The Courtauld https://bit.ly/3od7WhI

Courtauld Collections https://bit.ly/2HnQVAS

Witt library https://bit.ly/3ofJEn8

Jacques Callot in The Courtauld collection https://bit.ly/3dPeQVy

William Hogarth in The Courtauld collection https://bit.ly/3jkG4om

Queue in front of butcher shop https://bit.ly/2XhIUmH

Woman at a Window (1871-72) Edgar Degas (included Sickert’s anecdote in label) https://bit.ly/3jhFRlP

Execution of the Emperor Maximillian Lithograph, Édouard Manet   https://bit.ly/2FPfF48

Berthe Morisot (1872) Edouard Manet (1832-1883) Ethcing  (in exhibition)  https://bit.ly/39RiJ95

Berthe Morisot with a Bouquet of Violets Edouard Manet (1832-1883) painting https://bit.ly/34pgjix

Berthe Morisot (1872) Edouard Manet (1832-1883) Lithograph https://bit.ly/37sstJj

Berthe Morisot drawing, with her daughter (1889) Berthe Morisot (1841-1895) (in exhibition) https://bit.ly/2wl4tHK

Young Woman reclining  (1889) Berthe Morisot (1841-1895) (in exhibition) https://bit.ly/3e1su7R

Marry Cassatt https://bit.ly/3kk4DTG

Market at Gisors Camille Pissarro (1830-1903) (in exhibition) https://bit.ly/3aSGVsN

An example of a Degas Monotype https://bit.ly/3kmwDpH

Kermis at Hoboken (1559) Pieter Bruegel the Elder (ca. 1525-1569) original drawing

https://bit.ly/31tcMNV

Canaletto’s etchings of Venice https://bit.ly/34iJdR6

  continue reading

24 epizódok

Artwork
iconMegosztás
 
Manage episode 312361984 series 3233599
A tartalmat a National Museums NI biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a National Museums NI vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

This is a 4 part podcast series by National Museums NI, hosted by Curator of Art, Anna Liesching, which looks at exhibitions held in the Ulster Museum through the prism of the art of printmaking.

In this episode, Anna chats to Dr Rachel Sloan, Assistant Curator of Works on Paper at The Courtauld, London, about the Ulster Museum’s latest exhibition, ‘Renoir and the New Era’, curated by Anna and which explores the Impressionists by taking Renoir’s masterpiece ‘La Loge’ as its centrepiece, alongside accompanying works on paper from the Ulster Museum’s collection. Anna and Rachel discuss prints in the exhibition, the place of printmaking in Impressionism and how important an artwork’s title can be for understanding its meaning.

For a full audio tour of Renoir and The New Era, take the Smartify tour here or download the Smartify app. For further information on the artists and artworks discussed, follow the links below.

Links

Chicago Institute of Art  https://bit.ly/31wiQFG

The Courtauld https://bit.ly/3od7WhI

Courtauld Collections https://bit.ly/2HnQVAS

Witt library https://bit.ly/3ofJEn8

Jacques Callot in The Courtauld collection https://bit.ly/3dPeQVy

William Hogarth in The Courtauld collection https://bit.ly/3jkG4om

Queue in front of butcher shop https://bit.ly/2XhIUmH

Woman at a Window (1871-72) Edgar Degas (included Sickert’s anecdote in label) https://bit.ly/3jhFRlP

Execution of the Emperor Maximillian Lithograph, Édouard Manet   https://bit.ly/2FPfF48

Berthe Morisot (1872) Edouard Manet (1832-1883) Ethcing  (in exhibition)  https://bit.ly/39RiJ95

Berthe Morisot with a Bouquet of Violets Edouard Manet (1832-1883) painting https://bit.ly/34pgjix

Berthe Morisot (1872) Edouard Manet (1832-1883) Lithograph https://bit.ly/37sstJj

Berthe Morisot drawing, with her daughter (1889) Berthe Morisot (1841-1895) (in exhibition) https://bit.ly/2wl4tHK

Young Woman reclining  (1889) Berthe Morisot (1841-1895) (in exhibition) https://bit.ly/3e1su7R

Marry Cassatt https://bit.ly/3kk4DTG

Market at Gisors Camille Pissarro (1830-1903) (in exhibition) https://bit.ly/3aSGVsN

An example of a Degas Monotype https://bit.ly/3kmwDpH

Kermis at Hoboken (1559) Pieter Bruegel the Elder (ca. 1525-1569) original drawing

https://bit.ly/31tcMNV

Canaletto’s etchings of Venice https://bit.ly/34iJdR6

  continue reading

24 epizódok

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