Artwork

A tartalmat a Sarah Monk biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Sarah Monk vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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Steaven Richard: Artsmithing

19:32
 
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Manage episode 371666682 series 2639010
A tartalmat a Sarah Monk biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Sarah Monk vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

See pictures and read more on materiallyspeaking.com

Steaven Richard evolved his craft as an apprentice to several artisan blacksmiths over many years and in many countries, before establishing his own atelier in Paris specialising in artistic metalwork

Soon demand for his work, from architects and designers, grew - and he needed more space. To accommodate this, he moved to a large warehouse in Valenton and expanded his team of blacksmiths and metalworkers who combine traditional skills, and new technology.

Atelier Steaven Richard has become famous for its artistic metalwork. Prestigious designs include a bespoke metal floor for the studio of Karl Lagerfeld, the elevator doors for the Hotel de Paris in Monaco, and a ‘Steaven Richard’ limited edition bottle for Remy Martin.

We started to interview him in front of his wall of gorgeous wall samples in a colourful array of textures, patinas and designs and then went through to the workshops.

And we also tour his huge hangar-like workshop, which is buzzing with activity and the thrum of machinery.

Enormous shelves hold sheets of carefully-labelled metals. There’s large-scale equipment, and workers hand-finishing on long benches. It’s artisans work on a grand-scale. We see some samples of his finished work.

Mike Axinn and I took the train 50 km south of Paris, through the suburbs, to the dense wooded area of Bois le Roi, next to the forest of Fontainebleau. As the train slowed into the station, a bright blue sky is visible above the dense forest of wintry trees, and we see the lanky figure of Steaven waiting on the platform to greet us.

steavenrichard.fr

instagram.com/ateliersteavenrichard

  continue reading

60 epizódok

Artwork
iconMegosztás
 
Manage episode 371666682 series 2639010
A tartalmat a Sarah Monk biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Sarah Monk vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

See pictures and read more on materiallyspeaking.com

Steaven Richard evolved his craft as an apprentice to several artisan blacksmiths over many years and in many countries, before establishing his own atelier in Paris specialising in artistic metalwork

Soon demand for his work, from architects and designers, grew - and he needed more space. To accommodate this, he moved to a large warehouse in Valenton and expanded his team of blacksmiths and metalworkers who combine traditional skills, and new technology.

Atelier Steaven Richard has become famous for its artistic metalwork. Prestigious designs include a bespoke metal floor for the studio of Karl Lagerfeld, the elevator doors for the Hotel de Paris in Monaco, and a ‘Steaven Richard’ limited edition bottle for Remy Martin.

We started to interview him in front of his wall of gorgeous wall samples in a colourful array of textures, patinas and designs and then went through to the workshops.

And we also tour his huge hangar-like workshop, which is buzzing with activity and the thrum of machinery.

Enormous shelves hold sheets of carefully-labelled metals. There’s large-scale equipment, and workers hand-finishing on long benches. It’s artisans work on a grand-scale. We see some samples of his finished work.

Mike Axinn and I took the train 50 km south of Paris, through the suburbs, to the dense wooded area of Bois le Roi, next to the forest of Fontainebleau. As the train slowed into the station, a bright blue sky is visible above the dense forest of wintry trees, and we see the lanky figure of Steaven waiting on the platform to greet us.

steavenrichard.fr

instagram.com/ateliersteavenrichard

  continue reading

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