John Elliott's Insights In Jazz podcast

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A tartalmat a John Elliott biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a John Elliott vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Exile

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Episode 10: From Refugee to Radical 44:09

2 years44:09

Lejátszás később

Listák

Tetszik

Kedvelt

44:09

When a young Eva Kollisch arrives as a refugee in New York in 1940, she finds a community among socialists who share her values and idealism. She soon discovers ‘the cause’ isn’t as idyllic as it seems. Little does she know this is the beginning of a lifelong commitment to activism and her determination to create radical change in ways that include belonging, love and one's full self. In addition to Eva Kollisch’s memoirs Girl in Movement (2000) and The Ground Under My Feet (2014), LBI’s collections include an oral history interview with Eva conducted in 2014 and the papers of Eva’s mother, poet Margarete Kolllisch, which document Eva’s childhood experience on the Kindertransport. Learn more at www.lbi.org/kollisch . Exile is a production of the Leo Baeck Institute , New York | Berlin and Antica Productions . It’s narrated by Mandy Patinkin. Executive Producers include Katrina Onstad, Stuart Coxe, and Bernie Blum. Senior Producer is Debbie Pacheco. Associate Producers are Hailey Choi and Emily Morantz. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson, with help from Cameron McIver. Theme music by Oliver Wickham. Voice acting by Natalia Bushnik. Special thanks to the Kollisch family for the use of Eva’s two memoirs, “Girl in Movement” and “The Ground Under My Feet”, the Sophia Smith Collection at Smith College and their “Voices of Feminism Oral History Project”, and Soundtrack New York.…

John Elliott's Insights In Jazz Podcast

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Discussions about the book Insights In Jazz that contains a method to memorise hundreds of jazz chord progressions. www.dropback.co.uk

30 epizódok

#Music #Jazz #Harmony #John Elliotts #Chord

John Elliott's Insights In Jazz Podcast

updated 14 éve

Megosztás

Sorozat kép•Feed

Discussions about the book Insights In Jazz that contains a method to memorise hundreds of jazz chord progressions. www.dropback.co.uk

30 epizódok

#Music #Jazz #Harmony #John Elliotts #Chord

כל הפרקים

John Elliott's Insights In Jazz Podcast

1
30. Remember 9:47

14 years9:47

9:47

The Irving Berlin standard, Remember, from 1925 is analysed according to the method. Bricks used include: Chromatic Dropback; Cadence; Launcher; To IV n Mack (and Yak). Joins used include: Dogleg; Bootstrap; Sidewinder; (Happenstance).

John Elliott's Insights In Jazz Podcast

1
29. Star Dust 17:46

14 years17:46

17:46

The standard is analysed according to the method. Bricks used include TTFA dropback; Double Pullback; SPOT; 7-chord Pullback; To IV n Mack; To IV n Yak; On-Off-On; Cadence; Slow Launcher; Bootstrap Launcher. Once again, joins are hardly needed. The Bootstrap join is used.

John Elliott's Insights In Jazz Podcast

1
28. If I Should Lose You & You'd Be So Nice To Come Home To 15:25

14 years15:25

15:25

These two standards are analysed according to the method and found to be almost identical. These songs are used to show how standards often visit common keys of I, IV and iv (relative minor) and the joins that are used to get between them (Bauble, Sidewinder, Half Nelson). The Slow Launcher is examined and its location at the end of B sections in ABAC songs considered. Confirming key using the Homer join is discussed and the Spring Cadence is introduced.…

John Elliott's Insights In Jazz Podcast

1
27. Misty 12:08

14 years12:08

12:08

The standard Misty is analysed according to the method. Comparison is made with "I Want to Talk About You". Bricks used include: To IV n Yak; POT; SPOT; On-Off-On; Yardbird Cadence; Regular Cadence; CESH; Two-goes; Starlight Cadence. Just two joins are used: Bootstrap and Downwinder.

John Elliott's Insights In Jazz Podcast

1
26. No More Blues (Chega De Saudade) 16:53

15 years16:53

16:53

This bossa nova standard is analysed according to the method. The song is not in the book and so a chart is available on the Google Group web site. The song is unusually long, with effectively two ABAC song forms joined together, one minor and the other major.

John Elliott's Insights In Jazz Podcast

1
25. Pennies Ending Metabrick 13:28

15 years13:28

13:28

The Pennies Ending metabrick is introduced. This is family of 8-measure bricks which is extremely common in jazz standards. Most often it is used to as the last 8 measures. But sometimes it is used as the first 8 measures of a song. Many examples are given of the Pennies Ending occurring in jazz standards. Meta concepts covered include: IV n Back; Dropping back; Cadence home. Joins are not discussed in this podcast because, in general, the bricks within the metabrick follow round the cycle or by dropping down a half step (sideslip).…

John Elliott's Insights In Jazz Podcast

1
24. My Foolish Heart 20:51

15 years20:51

20:51

The standard My Foolish Heart from 1949 is analysed according to the method. The form is ABAC, but the chords are more complex than songs looked at to date. The metaview is discussed before the actual bricks of chords are analysed. Bricks used include: ITCHY turnaround; Bootstrap launchers; Launcher; Cadence; Body and Soul approach; Autumnal Cadence approach; Sixpenny Ending; TINGLe dropback; Somewhere cadence. Joins used include: Woody; Bootstrap; Bauble; Stella (!); Dogleg.…

John Elliott's Insights In Jazz Podcast

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23. Rhythm Changes 11:11

15 years11:11

11:11

The chord changes to I Got Rhythm are the most common changes used in jazz after the 12-bar blues. This podcast takes a Metaview of "Rhythm Changes" so that the player can be robust to substitutions that might be commonly used. Bricks used include: POT (and variants such as SPOT, Rhythm Turnaround, Whoopee Turnaround); To IV n Back family; Rhythm Bridge. Joins used include: Sidewinder; (Pullback); (Yardbird); (Bird SPOT).…

John Elliott's Insights In Jazz Podcast

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22. Whisper Not and the Backsliding Autumnal Cadence 12:27

15 years12:27

12:27

In this episode, Whisper Not is analysed according to the method. This song is in AABA form and is considered to have a home key of Dm since that is the only key in the song that is established and confirmed. Reference is made to Green Dolphin Street and How Deep is the Ocean that have some similar harmonic moves. Bricks used include: On; Cadence; POT; SPOT; launcher; Nowhere launcher. The only join used is the Backslider.…

John Elliott's Insights In Jazz Podcast

1
21. Broadway and the mystery of Bartok substitution 16:48

15 years16:48

16:48

The standard from 1940 is analysed and shown to have the same A section "metabrick" as "Take the A Train" and "Bernie's Tune". Using diminished-7 chords, Bartok substitution is introduced. Bricks and concepts covered include: Cadence; Hover; On-Off; POT; Side-slipping; Multi-subbed POT; Nowhere Launcher; Launcher. Joins include: Bootstrap; New Horizon; (Nowhere).…

John Elliott's Insights In Jazz Podcast

1
20. Bernie's Tune 7:25

15 years7:25

7:25

The standard from the 1950s, Bernie's Tune, is analysed according to the method. Reference is made to the metabrick, Donna Lee (or 'A' Train) Opening, which is very similar to the A sections in this song. Bricks used include: On and Off; Cadence; Launcher; and POT. Joins used include: Homer; and Half Nelson.…

John Elliott's Insights In Jazz Podcast

1
19. What's New 10:47

15 years10:47

10:47

The standard What's New (1939) is analysed according to the method. This AABA-form song is remarkable because all of it's sections are almost the same. The bridge is the same as the other sections except in another key, so the analysis shows it as being the same. Once one of A the sections is learned, only the joins into and out of the bridge are needed to play the song in any key. Bricks used include: On; Cadence; Launcher, POT. Joins used include: Half Nelson; Bauble; Bootstrap and Backslider.…

John Elliott's Insights In Jazz Podcast

1
18. Beautiful Love 10:36

15 years10:36

10:36

The standard Beautiful Love from 1931 is analysed. This is a good example of a standard predominantly in the minor key that visits the relative major. Bricks used include: Cadence; Launchers; Overrun; POT. Joins used include: Bootstrap; Sidewinder. Other concepts covered include: Bootstrap launcher; Nowhere launcher; Nowhere turnaround; absolute jump joins such as (Nowhere).…

John Elliott's Insights In Jazz Podcast

1
17. Interview with Phil Clark, sax player. UK 14:10

15 years14:10

14:10

John talks with saxophone player, Phil Clark, about his use of the method in order to learn to play without music. Phil explains his approach to learning tunes using "Brick walls" built using MS Excel. There is some microphone noise in some of this podcast that we could not eliminate, but we decided to publish anyway since we think the conversation can all be understood.…

John Elliott's Insights In Jazz Podcast

1
16. To IV n Back (Part II) 11:48

15 years11:48

11:48

The To IV n Back family of bricks is revisited in this second of two podcasts. This time the focus is on returning to I via #IVo. Examples of songs in which these occur are given. "Marking time" using To IV n Back is also illustrated. A related brick, II n Back is introduced and shown to be almost identical and illustrated where present in "American Songbook" jazz standards.…

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