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A tartalmat a James Elden biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a James Elden vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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Writing From Experience, the Music of Language, and the Fate of Theatre - Playwright's Spotlight with Richard Vetere

1:35:47
 
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Manage episode 381526332 series 3300254
A tartalmat a James Elden biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a James Elden vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Send us a text

FINAL EPISODE OF SEASON 2! We made it another year. In this season ending episode, we spend time speaking with Richard Vetere. Richard reached out to me on Instagram and voiced interest in being on an episode of Playwright's Spotlight. After looking over his credentials, Richard certainly had insight to offer, and as always, I learned something new. In this episode, we discuss the evolution of grants, the current state and the fate of theatre, what makes a good director, what's necessary in stage directions, obtaining flow in playwriting, his personal process when it comes to the craft, structure, and finding inspiration and generating ideas. We also reflect upon the brilliance of Rod Serling's The Twilight Zone, whether Shakespeare was a real person, innovation as a young playwright, whether rewriting published work is possible, Equity as a union, maturing as a playwright, producing in smaller markets, and having creative control in playwriting. It was an absolute treat to talk with Richard, and I was enthralled to have him wrap up our second season of Playwright's Spotlight. See you in Season 3.
Richard Vetere is a playwright, novelist, poet and film and TV writer, actor, director and producer. He has over twenty plays published by Dramatic Publishing, Smith & Kraus and Applause Book and include Caravaggio, Gangster Apparel, Machiavelli, One Shot, One Kill and Bird Brain with production of the plays Off-Broadway in NYC, Chicago, Melbourne, Cyprus, Rome, Paris and London. He has received numerous grants for writing including a Mary Roberts Rinehart Grant for Playwriting and a Cultural Council Foundation for poetry and playwriting. He was a guest of the Chicago Humanities Theater Festival for his play Caravaggio. He has a Masters in Comparative English Literature from Columbia University and lectured at NYU in the master's program in playwriting and film writing and continues to lecture at Queens College.
To view the video format of this episode, visit -
https://youtu.be/r5gxnIpnuuA
Links to sites mentioned in this episode -
Mary Robert Rinehart Grant -
https://english.gmu.edu/awards/127
Cultural Council Foundation -
https://www.americansforthearts.org
Dramatists Guild -
https://www.dramatistsguild.com
Simon and Schuster -
https://www.simonandschuster.com
PDW -
https://www.actingstudio.com/acting-classes/playwrights/beginning-playwriting/
Actors Equity -
https://www.actorsequity.org
Websites and socials for Richard Vetere -
Website -
https://www.richardvetereauthor.com
FB - https://www.facebook.com/richard.vetere
IG - @vetererichard
Twitter - @RichardVetere
Websites and socials for James Elden, PMP, and Playwright's Spotlight -
Punk Monkey Productions -
www.punkmonkeyproductions.com
PLAY Noir -
www.playnoir.com
PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer
Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la
FB - fb.com/playnoir
- fb.com/punkmonkeyproductions
Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight
Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescolle

Support the show

  continue reading

79 epizódok

Artwork
iconMegosztás
 
Manage episode 381526332 series 3300254
A tartalmat a James Elden biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a James Elden vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Send us a text

FINAL EPISODE OF SEASON 2! We made it another year. In this season ending episode, we spend time speaking with Richard Vetere. Richard reached out to me on Instagram and voiced interest in being on an episode of Playwright's Spotlight. After looking over his credentials, Richard certainly had insight to offer, and as always, I learned something new. In this episode, we discuss the evolution of grants, the current state and the fate of theatre, what makes a good director, what's necessary in stage directions, obtaining flow in playwriting, his personal process when it comes to the craft, structure, and finding inspiration and generating ideas. We also reflect upon the brilliance of Rod Serling's The Twilight Zone, whether Shakespeare was a real person, innovation as a young playwright, whether rewriting published work is possible, Equity as a union, maturing as a playwright, producing in smaller markets, and having creative control in playwriting. It was an absolute treat to talk with Richard, and I was enthralled to have him wrap up our second season of Playwright's Spotlight. See you in Season 3.
Richard Vetere is a playwright, novelist, poet and film and TV writer, actor, director and producer. He has over twenty plays published by Dramatic Publishing, Smith & Kraus and Applause Book and include Caravaggio, Gangster Apparel, Machiavelli, One Shot, One Kill and Bird Brain with production of the plays Off-Broadway in NYC, Chicago, Melbourne, Cyprus, Rome, Paris and London. He has received numerous grants for writing including a Mary Roberts Rinehart Grant for Playwriting and a Cultural Council Foundation for poetry and playwriting. He was a guest of the Chicago Humanities Theater Festival for his play Caravaggio. He has a Masters in Comparative English Literature from Columbia University and lectured at NYU in the master's program in playwriting and film writing and continues to lecture at Queens College.
To view the video format of this episode, visit -
https://youtu.be/r5gxnIpnuuA
Links to sites mentioned in this episode -
Mary Robert Rinehart Grant -
https://english.gmu.edu/awards/127
Cultural Council Foundation -
https://www.americansforthearts.org
Dramatists Guild -
https://www.dramatistsguild.com
Simon and Schuster -
https://www.simonandschuster.com
PDW -
https://www.actingstudio.com/acting-classes/playwrights/beginning-playwriting/
Actors Equity -
https://www.actorsequity.org
Websites and socials for Richard Vetere -
Website -
https://www.richardvetereauthor.com
FB - https://www.facebook.com/richard.vetere
IG - @vetererichard
Twitter - @RichardVetere
Websites and socials for James Elden, PMP, and Playwright's Spotlight -
Punk Monkey Productions -
www.punkmonkeyproductions.com
PLAY Noir -
www.playnoir.com
PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer
Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la
FB - fb.com/playnoir
- fb.com/punkmonkeyproductions
Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight
Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescolle

Support the show

  continue reading

79 epizódok

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