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A tartalmat a Contrabass Conversations biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Contrabass Conversations vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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1065: From Choral Singing to Bass Fiddler – Nate Sabat’s Musical Journey

 
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A tartalmat a Contrabass Conversations biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Contrabass Conversations vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

In this conversation, Nate Sabat, a bassist, singer-songwriter, and arranger based in Brooklyn, NY, discusses his musical journey from joining the Young People’s Chorus in New York City to exploring the role of bass in folk and bluegrass music.

Nate talks about his inspirations, including Edgar Meyer, and the influences that shaped his debut album, ‘Bass Fiddler‘. He shares insights into his education at Berklee, mentors like Scott Lee and Susan Hagen, and his approach to upright bass playing.

Nate also discusses his teaching endeavors aimed at bridging the gap between beginner and advanced bluegrass bass players, promoting a curriculum for acoustic music bassists. His unique contribution to the genre comes through his exploration of acoustic and folk music, blending classical techniques with folk traditions.

Enjoy, and be sure to check out Nate’s Patreon for additional content from this cool artist!

Subscribe to the podcast to get these interviews delivered to you automatically!

Connect with us:

Thank you to our sponsors!

Upton Bass – From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today!

Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.

?Double Bassists: Register for the Grunewald International Music Competition, which will take place in the former Mendelssohn family palace in Berlin’s Grunewald from December 2nd to 7th. Klaus Trumpf and Miloslav Gadjoš are double bass jury members.

The competition also supports young up-and-coming artists with cash, non-cash prizes, and vouchers.

  continue reading

24 epizódok

Artwork
iconMegosztás
 

Fetch error

Hmmm there seems to be a problem fetching this series right now. Last successful fetch was on November 15, 2024 13:36 (5d ago)

What now? This series will be checked again in the next hour. If you believe it should be working, please verify the publisher's feed link below is valid and includes actual episode links. You can contact support to request the feed be immediately fetched.

Manage episode 448743615 series 719
A tartalmat a Contrabass Conversations biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Contrabass Conversations vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

In this conversation, Nate Sabat, a bassist, singer-songwriter, and arranger based in Brooklyn, NY, discusses his musical journey from joining the Young People’s Chorus in New York City to exploring the role of bass in folk and bluegrass music.

Nate talks about his inspirations, including Edgar Meyer, and the influences that shaped his debut album, ‘Bass Fiddler‘. He shares insights into his education at Berklee, mentors like Scott Lee and Susan Hagen, and his approach to upright bass playing.

Nate also discusses his teaching endeavors aimed at bridging the gap between beginner and advanced bluegrass bass players, promoting a curriculum for acoustic music bassists. His unique contribution to the genre comes through his exploration of acoustic and folk music, blending classical techniques with folk traditions.

Enjoy, and be sure to check out Nate’s Patreon for additional content from this cool artist!

Subscribe to the podcast to get these interviews delivered to you automatically!

Connect with us:

Thank you to our sponsors!

Upton Bass – From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today!

Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.

?Double Bassists: Register for the Grunewald International Music Competition, which will take place in the former Mendelssohn family palace in Berlin’s Grunewald from December 2nd to 7th. Klaus Trumpf and Miloslav Gadjoš are double bass jury members.

The competition also supports young up-and-coming artists with cash, non-cash prizes, and vouchers.

  continue reading

24 epizódok

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