Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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A tartalmat a Virtual Underground biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Virtual Underground vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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Podcast #133 - Ekin [TUR]
MP3•Epizód kép
Manage episode 300953250 series 2405126
A tartalmat a Virtual Underground biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Virtual Underground vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
Interview : Virtual Underground: How has this all started for you? Ekin: My first experience with music started when I discovered my sister’s old cassette player. She was listening to Limp Bizkit. I remember my first song was to Take a look around. Then I discovered other types of metal and started playing bass guitar. I was never into fancy solos. I always liked the idea of being the supporting pillar of the band and improved myself in every genre in bass. Even admitted to Berklee for a 5 week bass performance program. Before pandemic I was playing regularly with my band in a local metal bar called Dorock. Being the youngest member of the band and my tendency to use distortion earned me my nickname Basstard. Then in Berlin, Berghain to be precise, I was drawn to the vast world of techno and the limitless possibilities of sound design. That's when I started experimenting with my first controller. Virtual Underground: Where do you generally draw your inspiration from? Ekin: Music is how I express myself. I always felt myself full of emotions that I don't know how to let out. I had a turbulent childhood and preferred music over people. I was very good with maths and physics and could see the pattern in a song effortlessly unlike relationships. They were very complicated for me and emotions were like randomized functions that ruined every equation in my head. In my sets and compositions I try to reflect my way of seeing the world and how it's cynical, confusing and dark. Virtual Underground: Could you describe your music selection and mixing process? Ekin: I like the productions from the 2000s and 1990s. I work as an electronics engineer and while working I dive in the vast archives and select the tunes that intrigues me. I list them according to bpm and key. In this set I acted extra ruthless and selected some hard hitting tracks from C mantle, Headless horseman and Martyn Hare and tried to build a dystopian and intimidating atmosphere. Virtual Underground: Which software/hardware did you use for this set? Ekin: I used Traktor Pro 2 software and Traktor S5 controller. Virtual Underground: Could you tell us more about snatchers? Ekin: Snatchers is our İstanbul based imprint/label/collective for electronic music and more sound disciplines. It is a place for young musicians to grow and share their works founded by @omeerata. It is a non-profit organization as we say in snatchers we are in it for the music :) Virtual Underground: Any next plans? Ekin:I started learning Ableton and hopefully I will release my own tracks soon. Also I started digging records from 1990s and my ultimate goal is to expand my musical arsenal :) Follow and support Ekin @ingeniousbasstard
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138 epizódok
MP3•Epizód kép
Manage episode 300953250 series 2405126
A tartalmat a Virtual Underground biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Virtual Underground vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
Interview : Virtual Underground: How has this all started for you? Ekin: My first experience with music started when I discovered my sister’s old cassette player. She was listening to Limp Bizkit. I remember my first song was to Take a look around. Then I discovered other types of metal and started playing bass guitar. I was never into fancy solos. I always liked the idea of being the supporting pillar of the band and improved myself in every genre in bass. Even admitted to Berklee for a 5 week bass performance program. Before pandemic I was playing regularly with my band in a local metal bar called Dorock. Being the youngest member of the band and my tendency to use distortion earned me my nickname Basstard. Then in Berlin, Berghain to be precise, I was drawn to the vast world of techno and the limitless possibilities of sound design. That's when I started experimenting with my first controller. Virtual Underground: Where do you generally draw your inspiration from? Ekin: Music is how I express myself. I always felt myself full of emotions that I don't know how to let out. I had a turbulent childhood and preferred music over people. I was very good with maths and physics and could see the pattern in a song effortlessly unlike relationships. They were very complicated for me and emotions were like randomized functions that ruined every equation in my head. In my sets and compositions I try to reflect my way of seeing the world and how it's cynical, confusing and dark. Virtual Underground: Could you describe your music selection and mixing process? Ekin: I like the productions from the 2000s and 1990s. I work as an electronics engineer and while working I dive in the vast archives and select the tunes that intrigues me. I list them according to bpm and key. In this set I acted extra ruthless and selected some hard hitting tracks from C mantle, Headless horseman and Martyn Hare and tried to build a dystopian and intimidating atmosphere. Virtual Underground: Which software/hardware did you use for this set? Ekin: I used Traktor Pro 2 software and Traktor S5 controller. Virtual Underground: Could you tell us more about snatchers? Ekin: Snatchers is our İstanbul based imprint/label/collective for electronic music and more sound disciplines. It is a place for young musicians to grow and share their works founded by @omeerata. It is a non-profit organization as we say in snatchers we are in it for the music :) Virtual Underground: Any next plans? Ekin:I started learning Ableton and hopefully I will release my own tracks soon. Also I started digging records from 1990s and my ultimate goal is to expand my musical arsenal :) Follow and support Ekin @ingeniousbasstard
…
continue reading
138 epizódok
Minden epizód
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