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A tartalmat a The Cinematologists biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The Cinematologists vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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Akira Kurosawa at the BFI (w/ Asif Kapadia and Ian Hayden Smith)

1:39:50
 
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Manage episode 354130685 series 3415235
A tartalmat a The Cinematologists biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The Cinematologists vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

For this episode, Neil and Dario dive back into the work of master Japanese filmmaker Akira Kurosawa having last talked about his cinema in the earliest days of the podcast when they screened Yojimbo for an audience in Falmouth.

The occasion for this revisit is a new, extensive retrospective of his work hosted at the BFI Southbank (and some regional partner cinemas) and on their BFI Player platform. The season is curated by filmmaker Asif Kapadia and writer Ian Hayden Smith, who Dario talked to as the two-month long season got underway.

Their discussion covers the curation approach, the influence of Kurosawa on them and the wider film community more broadly, and why he remains a key figure of focus in global film history.

Elsewhere, Neil and Dario look at some of Kurosawa's post-War films set in contemporary Japan, with a deeper focus on I Live In Fear (1955) and High and Low (1963).

With thanks to Sarah Bemand at the BFI for the invitation to cover this season, setting up the interview with Asif and Ian and providing access to the BFI Player to view titles.

For more on the ongoing season visit the BFI website here.

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You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.

We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2.

We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.

_____

Music Credits:

‘Theme from The Cinematologists’

Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing

  continue reading

101 epizódok

Artwork
iconMegosztás
 
Manage episode 354130685 series 3415235
A tartalmat a The Cinematologists biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The Cinematologists vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

For this episode, Neil and Dario dive back into the work of master Japanese filmmaker Akira Kurosawa having last talked about his cinema in the earliest days of the podcast when they screened Yojimbo for an audience in Falmouth.

The occasion for this revisit is a new, extensive retrospective of his work hosted at the BFI Southbank (and some regional partner cinemas) and on their BFI Player platform. The season is curated by filmmaker Asif Kapadia and writer Ian Hayden Smith, who Dario talked to as the two-month long season got underway.

Their discussion covers the curation approach, the influence of Kurosawa on them and the wider film community more broadly, and why he remains a key figure of focus in global film history.

Elsewhere, Neil and Dario look at some of Kurosawa's post-War films set in contemporary Japan, with a deeper focus on I Live In Fear (1955) and High and Low (1963).

With thanks to Sarah Bemand at the BFI for the invitation to cover this season, setting up the interview with Asif and Ian and providing access to the BFI Player to view titles.

For more on the ongoing season visit the BFI website here.

-----

You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.

We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2.

We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.

_____

Music Credits:

‘Theme from The Cinematologists’

Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing

  continue reading

101 epizódok

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