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A tartalmat a Dipped in Tone biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Dipped in Tone vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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Oz Noy: “Go Out Of Your House And Play Live”

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Manage episode 384007491 series 3402656
A tartalmat a Dipped in Tone biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Dipped in Tone vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

This episode of Dipped In Tone features Rhett flying solo with veteran jazz guitarist Oz Noy. Born in Israel, Noy started gigging at age 13, and 37 years later, he’s still going strong as a celebrated live musician—including a 17-year run at New York City club The Bitter End.

Noy explains that he grew up with a foot in both jazz and rock music worlds. The former taught him intricate playing, while the latter schooled him on tone and sound. “I was playing heavy metal on one hand,” he says. “On the other, I had a hollowbody guitar and I was playing bebop.” When he moved to New York, he was “shellshocked” by how advanced and impressive the jazz music scene was. Noy played in a trio, so to fill out his sonic palette, he began leaning on effects as “almost another instrument.” Not all of it has been intentional—he found a signature sound thanks to a happy accident with a tremolo pedal while gigging in Japan.

While he still loves old, loud Marshalls, Noy says Two-Rock amplifiers have radically changed his approach, and he even uses Fender combos on the road. But aside from running his amps into a Universal Audio OX, Noy explains why he’s still not impressed with digital amp solutions.

Noy’s most important advice for players? “You gotta go out of your house and play live,” he says, explaining why it doesn’t cut it to just home-record clips for Instagram or YouTube. And while he sings the praises of his favorite modern jazz players, he tells Rhett why he thinks that rock and blues guitar-playing haven’t evolved much since the ’70s: “There’s nobody that took it to the next level or invented something new.”

Big thanks to StewMac for sponsoring this episode. Head to http://stewmac.com/dippedintone to get 10% off!

Subscribe, like, and leave us a comment

Sign up on our mailing list: http://eepurl.com/iaCee5

Support us on Patreon for access to our discord server and other perks! https://www.patreon.com/dippedintone

MERCH: https://teespring.com/stores/dipped-in-tone

Follow us on Instagram: https://instagram.com/dippedintone

  continue reading

116 epizódok

Artwork
iconMegosztás
 
Manage episode 384007491 series 3402656
A tartalmat a Dipped in Tone biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Dipped in Tone vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

This episode of Dipped In Tone features Rhett flying solo with veteran jazz guitarist Oz Noy. Born in Israel, Noy started gigging at age 13, and 37 years later, he’s still going strong as a celebrated live musician—including a 17-year run at New York City club The Bitter End.

Noy explains that he grew up with a foot in both jazz and rock music worlds. The former taught him intricate playing, while the latter schooled him on tone and sound. “I was playing heavy metal on one hand,” he says. “On the other, I had a hollowbody guitar and I was playing bebop.” When he moved to New York, he was “shellshocked” by how advanced and impressive the jazz music scene was. Noy played in a trio, so to fill out his sonic palette, he began leaning on effects as “almost another instrument.” Not all of it has been intentional—he found a signature sound thanks to a happy accident with a tremolo pedal while gigging in Japan.

While he still loves old, loud Marshalls, Noy says Two-Rock amplifiers have radically changed his approach, and he even uses Fender combos on the road. But aside from running his amps into a Universal Audio OX, Noy explains why he’s still not impressed with digital amp solutions.

Noy’s most important advice for players? “You gotta go out of your house and play live,” he says, explaining why it doesn’t cut it to just home-record clips for Instagram or YouTube. And while he sings the praises of his favorite modern jazz players, he tells Rhett why he thinks that rock and blues guitar-playing haven’t evolved much since the ’70s: “There’s nobody that took it to the next level or invented something new.”

Big thanks to StewMac for sponsoring this episode. Head to http://stewmac.com/dippedintone to get 10% off!

Subscribe, like, and leave us a comment

Sign up on our mailing list: http://eepurl.com/iaCee5

Support us on Patreon for access to our discord server and other perks! https://www.patreon.com/dippedintone

MERCH: https://teespring.com/stores/dipped-in-tone

Follow us on Instagram: https://instagram.com/dippedintone

  continue reading

116 epizódok

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