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A tartalmat a Centuries of Sound and James M Errington biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Centuries of Sound and James M Errington vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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1938 Preview – The Munich Crisis

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A tartalmat a Centuries of Sound and James M Errington biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Centuries of Sound and James M Errington vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

At Centuries of Sound I am making mixes for every year of recorded sound. This is one of the ten chapters in the full version of Centuries of Sound 1938To get the whole mix as a podcast, and a load of other extras, sign up for five dollars per month at http://patreon.com/centuriesofsound

MP3 preview download | Patreon | Apple | Mixcloud | Spotify | Castbox | Stitcher | RSS

One of the worst crimes of the nostalgia business is to transform the worst traumas our civilization has suffered into light entertainment, and for this reason I didn’t feel it appropriate to mix coverage of Hitler’s rise with any sort of jazz. Instead, the events of late 1938 — the invasion of Czechoslovakia, the Munich peace conference, the triumphant hubris of Neville Chamberlain and, it turns out, the British and international media — seem to fit better with the more sombre classical music recorded this year.

For all the creative energy released in 1938, it is ultimately a year remembered for its complacency, not just that of the British government, but from a western world which feels it is through the worst, while a “quarrel in a far away country, between people of whom we know nothing”� is not something worth worrying about. Next year we will see that focus being sharply pulled.

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100 epizódok

Artwork

1938 Preview – The Munich Crisis

Centuries of Sound

15 subscribers

published

iconMegosztás
 

Archivált sorozatok ("Inaktív feed" status)

When? This feed was archived on February 07, 2024 00:58 (3M ago). Last successful fetch was on December 16, 2023 12:13 (4M ago)

Why? Inaktív feed status. A szervereink huzamosabb ideig nem tudtak érvényes podcast-feedet megjeleníteni.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 333444376 series 3368078
A tartalmat a Centuries of Sound and James M Errington biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Centuries of Sound and James M Errington vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

At Centuries of Sound I am making mixes for every year of recorded sound. This is one of the ten chapters in the full version of Centuries of Sound 1938To get the whole mix as a podcast, and a load of other extras, sign up for five dollars per month at http://patreon.com/centuriesofsound

MP3 preview download | Patreon | Apple | Mixcloud | Spotify | Castbox | Stitcher | RSS

One of the worst crimes of the nostalgia business is to transform the worst traumas our civilization has suffered into light entertainment, and for this reason I didn’t feel it appropriate to mix coverage of Hitler’s rise with any sort of jazz. Instead, the events of late 1938 — the invasion of Czechoslovakia, the Munich peace conference, the triumphant hubris of Neville Chamberlain and, it turns out, the British and international media — seem to fit better with the more sombre classical music recorded this year.

For all the creative energy released in 1938, it is ultimately a year remembered for its complacency, not just that of the British government, but from a western world which feels it is through the worst, while a “quarrel in a far away country, between people of whom we know nothing”� is not something worth worrying about. Next year we will see that focus being sharply pulled.

  continue reading

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