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A tartalmat a Mia Funk, Non-fiction Writers, and Journalists Talk Writing · Creative Process Original Series biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Mia Funk, Non-fiction Writers, and Journalists Talk Writing · Creative Process Original Series vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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There’s another side to every war. Satire, War & Hollywood - Co-creator DON McKELLAR on The Sympathizer

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Manage episode 412674930 series 3334571
A tartalmat a Mia Funk, Non-fiction Writers, and Journalists Talk Writing · Creative Process Original Series biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Mia Funk, Non-fiction Writers, and Journalists Talk Writing · Creative Process Original Series vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

"I think the reason for success of the novel The Sympathizer was the very unique voice in the book. It's told in first person with this kind of raconteur who's very intelligent. It's satiric. It tackles big issues, and it's very lively and fun at the same time. It's quite and it's also complicated where it's coming from. It's a confession. It's written in theory under duress. It's very hard to replicate because it's sort of very freewheeling, and we didn't want to weigh the show down with just a lot of voiceover, you know, that feeling of a literary adaptation you get where you just have a voiceover quoting the book all the time. So, the first thing we tried to do, well, the first thing we did was get Park Chan-wook involved because he has a very similar visual language. We tried to replicate that voice visually, and we've tried to come up with parallel visual narrative devices that would give that feeling that the book had."

Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.

He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook.

www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_ph
www.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympa

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Photo courtesy of HBO

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300 epizódok

Artwork
iconMegosztás
 
Manage episode 412674930 series 3334571
A tartalmat a Mia Funk, Non-fiction Writers, and Journalists Talk Writing · Creative Process Original Series biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Mia Funk, Non-fiction Writers, and Journalists Talk Writing · Creative Process Original Series vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

"I think the reason for success of the novel The Sympathizer was the very unique voice in the book. It's told in first person with this kind of raconteur who's very intelligent. It's satiric. It tackles big issues, and it's very lively and fun at the same time. It's quite and it's also complicated where it's coming from. It's a confession. It's written in theory under duress. It's very hard to replicate because it's sort of very freewheeling, and we didn't want to weigh the show down with just a lot of voiceover, you know, that feeling of a literary adaptation you get where you just have a voiceover quoting the book all the time. So, the first thing we tried to do, well, the first thing we did was get Park Chan-wook involved because he has a very similar visual language. We tried to replicate that voice visually, and we've tried to come up with parallel visual narrative devices that would give that feeling that the book had."

Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.

He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook.

www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_ph
www.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympa

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Photo courtesy of HBO

  continue reading

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