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A tartalmat a The Film Stage biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The Film Stage vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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The Film Stage Presents
Mind megjelölése nem lejátszottként
Manage series 94809
A tartalmat a The Film Stage biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The Film Stage vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
Subscribe for conversations presented by The Film Stage, your spotlight on cinema since 2008.
…
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391 epizódok
Mind megjelölése nem lejátszottként
Manage series 94809
A tartalmat a The Film Stage biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The Film Stage vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
Subscribe for conversations presented by The Film Stage, your spotlight on cinema since 2008.
…
continue reading
391 epizódok
Minden epizód
×The restoration and release of Shinji Somai's Love Hotel is no small occasion, and dovetails nicely with this show's ambition to speak with people outside the well-known confines of film culture. Thus this new episode is an interview with Edward McCarry, whose work at Cinema Guild has made the Japanese master, by leagues and bounds, more accessible than was ever thought possible. In our conversation, McCarry shares his passion for Somai, the thrill of sharing his films with larger audiences, some particulars of successfully marketing work with so little commercial imprint, and a preview of the next filmmakers Cinema Guild hopes to give a greater platform.…
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The Film Stage Presents


1 The B-Side – Remembering Val Kilmer 2:08:40
2:08:40
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In honor of the legendary Val Kilmer, who has passed away at the age of 65, we're sharing The B-Side's episode from 2022 discussing his career and most overlooked films. Subscribe to The B-Side: https://pod.link/520164968 See the original description below: Today, we discuss one of the most intriguing actors of his generation: Val Kilmer! To tackle such an enigma, we bring in the legendary Katie Walsh! A must-follow on Twitter, a co-host of the insatiably-entertaining Miami Nice Podcast, and an accomplished writer. The B-Sides featured today are: Kill Me Again, At First Sight, The Salton Sea, and Mindhunters. We discuss how Kilmer was a prodigy––the youngest student admitted into Juilliard’s drama department––before his Broadway debut in the (ultimately) star-studded Slab Boys. There’s talk of his well-documented penchant to be difficult on set, as well as those who defended him and his abilities. We confront Dan’s deep admiration for the poorly-aged The Salton Sea, make brief mention of other B-Sides like Thunderheart, The Real McCoy, and Spartan, and reference both Kilmer’s autobiography I’m Your Huckleberry and the 2021 documentary Val. Finally, we acknowledge that perhaps Val Kilmer was ultimately a movie star that never really wanted to be a movie star.…
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The Film Stage Presents


1 The B-Side Ep. 158 - Powell and Pressburger (with Katie Walsh) 1:52:45
1:52:45
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Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about two legends: Michael Powell and Emeric Pressburger! Our B-Sides include I Know Where I’m Going!, The Small Back Room, Gone to Earth, and The Elusive Pimpernel. Our guest is the legend Katie Walsh, podcaster and film critic at the Tribune News Service & LA Times. We talk about her lovely experiences watching Powell & Pressburger restoration prints on the big screen, the extent of moviegoing etiquette (put that phone down please!), and the Frank Marshall creature feature Arachnophobia. Also discussed is Powell’s infamous (and masterful) opus Peeping Tom, the duo’s later work (Oh... Rosalinda!!, The Battle of the River Plate), Powell’s autobiography, and the career of Jennifer Jones.…
This week consecrates a major turn in the 50-year career of Alan Rudolph, which began as an assistant to and screenwriter for Robert Altman before transitioning into decades writing and directing original, romantic, occasionally unnerving American cinema at a time parallel to (if never quite reaching the fame or acclaim of) Martin Scorsese, Steven Spielberg, Brian De Palma, Francis Ford Coppola, Terrence Malick, and David Lynch. The turn is not a new film, but Criterion anointing 1984’s Choose Me, perhaps the best entry point into his corpus, with a 4K release that marks an astonishing restoration of both the film itself and its long-neglected reputation. For this release Nick Newman had the fortune of speaking with Rudolph in an hour-long conversation that detailed Choose Me's creation, how his films both before and after are now defined by it, and honest perspectives on a career just slightly outside the celebrity-auteur spotlight.…
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The Film Stage Presents


1 The B-Side Ep. 157 - Amy Irving and Peter Riegert on Crossing Delancey 1:15:47
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Welcome to The B-Side! Here we talk to movie stars! About a movie that people love and the hidden gems they've also made! Dan Mecca and Conor O'Donnell were lucky enough to speak with Amy Irving and Peter Riegert, on the occasion of the Criterion release of Joan Micklin Silver’s Crossing Delancey. We discuss the legacy of the film nearly forty years later. With Irving we touch on Honeysuckle Rose, Carried Away, and her new music album. With Riegert we talk about Chilly Scenes of Winter (also directed by Micklin Silver), the feature he directed King of the Corner, and the eclectic range of characters he’s played over the years. Additionally, we mention Steven Soderbergh’s oeuvre (they were both in Traffic!), the actor’s directorial debuts Riegert starred in (Infinity and Jerry & Tom specifically), and how they’ve both grown as performers over time.…
We love speaking with filmmaker Andrew Davis. In late 2023 The Fugitive director came on our podcast The B-Side to discuss a slew of hidden gems as well as the 4K release of the Harrison Ford blockbuster. Davis is back to talk about his novel Disturbing the Bones, a political thriller that reads like an entertaining, extrapolated version of some of his best films. The plot concerns an archaeological dig in Illinois wherein a body is discovered. It leads to a murder investigation amidst a global crisis spurned by a catastrophic, nuclear mistake. The B-Side co-host Dan Mecca spoke with Davis about the book, his Arnold Schwarzenegger action film Collateral Damage, his upcoming projects, and the state of both the film industry and the country.…
Presenting Nick Newman's Emulsion, a new podcast from The Film Stage. “WHY on EARTH is there another film podcast?” Is the question you, the reasonable listener, are asking while nevertheless hitting play on this pilot-of-sorts for yet another entry in perhaps the seventh art’s most undignified progeny. Stop me if you’ve heard this one before: here is a show that strives to stand outside its peers. This is not a show informing you that the week’s big new release is pretty good, actually or a group of guys talking about ’80s movies so bad they’re riduclawesome or me digging up the ruddiest MKV file I can find and having a friend from the Internet talk about it with me for 46 minutes––but there will be some of that, because it’s better than talking about most other things. Rather, I’ve envisioned this as a multi-headed object: conversations among filmmakers, film programmers, and cinephiles mixed with monologues, reviews, streaming and repertory highlights––a podcast that takes you from the miked-up, pop-filtered confines of a professional-sounding show to the sturm und drang of chats among friends in a packed bar, which is where some of my most fruitful film discussions have been held and which often yields more valuable observations than, speaking hypothetically, someone stressing over saying just the right thing because they have a microphone in front of them and are emphatically aware that they’re on a film podcast. On this debut episode I talk with Carson Lund, the co-writer, director, and editor of Eephus, now in limited release; then Hesse Deni of Movie Mindset joins me to discuss Errol Morris’ CHAOS: The Manson Murders, which is now on Netflix. Music courtesy of Alex Walton: "Love Theme From an Unreleased Film" from the album Giving It Up.…
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The Film Stage Presents


1 The B-Side – Remembering Gene Hackman 2:29:07
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In honor of the legendary Gene Hackman, who has passed away at the age of 95, we're sharing The B-Side's episode from 2022 discussing his career and most overlooked films. Subscribe to The B-Side below: https://open.spotify.com/show/4EJFEQMTuLFPIDTbsrbL62 https://podcasts.apple.com/us/podcast/the-b-side-a-film-stage-podcast/id1490472263 See the original description below: Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we discuss perhaps the greatest living actor: Gene Hackman! Dan Mecca and Conor O'Donnell are joined by one of our good, good friends Mitchell Beaupre! Senior Editor at Letterboxd, co-host of their Weekend Watchlist podcast (as well as the brand new podcast Acting Out with Ryan and Mitchell), and contributor to great sites like The Film Stage (!), Paste Magazine, The Playlist, and Little White Lies. Our B-Sides today are: All Night Long, The Package, Heartbreakers, and Welcome to Mooseport. We talk Hackman’s beginnings, Mitchell’s superb piece on Hackman’s spectacular 2001, the actor’s own reflections on his accomplished career, his mid-career hiatus, and – finally – his frequent combativeness with his directors. Additional topics include Tommy Lee Jones’ wild ‘90s, Jennifer Love Hewitt’s recollection of Heartbreakers (both the good and the bad), the work of René Descartes, Nicolas Roeg’s Hackman-starring epic Eureka, and the iconic Fox television show Party of Five.…
Welcome to a special new podcast episode from The Film Stage. Here at the site we’ve long been fans of the work of Bill Morrison, who you may best know from his astounding 2016 archival documentary Dawson City: Frozen Time. The New York-based filmmaker received his first-ever Oscar nomination this year for his short film Incident, which reconstructs a 2018 police shooting in Chicago, reassembling the event and its immediate aftermath from a variety of sources, including surveillance, CCTV, dashboard, and body-worn cameras, as a synchronized split-screen montage. With the film now available to watch for free at The New Yorker, The Film Stage co-founder and host of The B-Side podcast, Dan Mecca, spoke with Morrison about the nomination, the Rashomon-influenced inception of the project, how we grasp memory over time as a series of images, and much more. Enjoy the conversation. Watch Incident here: https://www.newyorker.com/culture/the-new-yorker-documentary/incident-shows-how-officers-react-when-a-police-killing-is-caught-on-tape…
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The Film Stage Presents


1 Bonus Ep. – Box Office Bonanza (July 21, 2000) 1:10:57
1:10:57
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As a special holiday gift to The Film Stage podcast feed, listen to a new Box Office Bonanza! Here we talk about random box office weekends and where they fit into our lives. The movies, the memories! This episode features Dan Mecca, Conor O’Donnell, Mitchell Beaupre, Jordan Raup, and Cory Everett. The box office weekend in question is July 21, 2000. The number one movie in the country was the Robert Zemeckis-directed, Clark Gregg-scripted, Harrison Ford and Michelle Pfeiffer-starring supernatural thriller What Lies Beneath. The number three movie was the second Pokémon feature film, Pokémon 2000. Gladiator was still in theaters, so was U-571. But at the start, we mount a passionate defense of the new Zemeckis epic Here, which has now arrived digitally. After that, we talk about Martin Lawrence movies. We talk about how horrible Greg Kinnear’s character is in Amy Heckerling’s Loser. We talk about Al Pacino’s new autobiography Sonny Boy. The sport doc Michael Jordan to the Max gets some discussion. An Office Space reference is completely ignored! There are too many 9/11 jokes! How many? You’ll have to listen to find out. We remember that great bit with Ben Stiller and Tom Cruise from the MTV Movie Awards (“He’s Harmless”). There’s an appreciation of Jesus’ Son as well. There’s a Saving Silverman reference, talk of yo-yos and Yu-Gi-Oh! There’s a remembrance of that time The Perfect Storm and The Patriot came out the same weekend. Finally, for a few moments I’m convinced that nobody has been recording the podcast! There’s a lot here, people! We’re thankful for you listening to us have fun! We hope you have some fun too! Check out The Film Stage’s 2024 Holiday Gift Guide and Cory Everett’s slew of Cinephile books and games! Enjoy this episode and we welcome other interesting box office weekends to cover in the future. Stay tuned in 2025 for more podcast news from The Film Stage!…
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The Film Stage Presents


1 Farewell Episode – Megalopolis 2:15:18
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For the 550th episode of The Film Stage Show, Brian Roan and Robyn Bahr have a major announcement: after over 12 years, hundreds and hundreds of guests, and thousand-plus hours of discussions, The Film Stage Show is coming to an end. We bid farewell with a discussion of a film in the works decades before the podcast began: Francis Ford Coppola's Megalopolis. Thank you to all of our dedicated listeners! The Slack channel will still continue and be sure to follow Brian Roan and Robyn Bahr on their future movie-going adventures below: https://x.com/BrianJRoan https://x.com/RobynBahr If you don't subscribe yet, The B-Side: A Film Stage Podcast will continue and you can learn more here: https://thefilmstage.com/tag/the-b-side/ The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either a movie you’ve been dying to see or one you’ve never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.…
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The Film Stage Presents


1 Ep. 549 – Beetlejuice Beetlejuice (with Trace Sauveur) 1:57:48
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Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Trace Sauveur to discuss Tim Burton's Beetlejuice Beetlejuice, now in theaters. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either a movie you’ve been dying to see or one you’ve never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.…
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The Film Stage Presents


1 Ep. 548 – Janet Planet (with George W. Myers) 2:14:32
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Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by George W. Myers to discuss Annie Baker's directorial debut Janet Planet, now on VOD. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either a movie you’ve been dying to see or one you’ve never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.…
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The Film Stage Presents


1 Ep. 547 – Horizon: An American Saga – Chapter 1 (with Jen Johans) 2:15:17
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Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Jen Johans to discuss Kevin Costner's Horizon: An American Saga – Chapter 1, now on Max. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either a movie you’ve been dying to see or one you’ve never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.…
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The Film Stage Presents


1 Bonus Ep. - Box Office Bonanza (January 14, 2005) 1:37:40
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Welcome to a new episode from The Film Stage! It’s not The Film Stage Show. It’s not The B-Side! It’s something else! It’s a Box Office Bonanza from The Film Stage! Here we talk about random box office weekends and where they fit into our lives. The movies, the memories! This episode features Dan Mecca, Conor O’Donnell, Mitchell Beaupre, Jordan Raup, and Ross Bratin. The box office weekend in question is January 14th, 2005. The number one movie in the country was the Samuel L. Jackson basketball picture Coach Carter. The number five movie was the superhero dud Elektra. There’s also the little-seen indie A Love Song for Bobby Long. The Flight of the Phoenix remake was still on the board. Racing Stripes was about to hold really well for a few weeks. Way down is Blade: Trinity, in its sixth week. We discuss those reports of troubles between Wesley Snipes and Ryan Reynolds on set. Made all the more interesting with Deadpool & Wolverine out in the world. There’s also some earnest chatter about the television show Suits. Perhaps most interesting this weekend is White Noise. It’s surprising box office success - despite its January release date and bad reviews - changed the January month strategy for Hollywood studios. We also talk a little about the Kingdom of the Planet of the Apes, Bad Boys: Ride or Die, and an earnest discussion about Jon Watts and if he is, in fact, a real human being. Enjoy this episode and suggest other interesting box office weekends to cover in the future!…
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