Meeting Malkmus - A Pavement podcast

Meeting Malkmus - a Pavement podcast

Meeting Malkmus - a Pavement podcast podcast artwork

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Lagt til three år siden

A tartalmat a Dewvre Podcasts & Such and Dewvre Podcasts biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Dewvre Podcasts & Such and Dewvre Podcasts vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

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<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/exile-3411195">Exile</a></span>

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<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/exile-3411195">Exile</a></span> podcast artwork

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Exile

4 napja4d ago

Havi

Welcome to Exile, a podcast about Jewish lives under the shadow of fascism. Narrated by award-winning screen and stage actor, Mandy Patinkin. Untold stories and firsthand accounts drawn from intimate letters, diaries and interviews found in the Leo Baeck Institute’s vast archive. Each episode, a story of beauty and danger that brings history to life. Because the past is always present. Starting November 1, episodes are released weekly every Tuesday. The Leo Baeck Institute, New York | Berlin is a research library and archive focused on the history of German-speaking Jews. Antica Productions produces award-winning non-fiction podcasts, films and series which inform and inspire audiences around the world.

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A tartalmat a Dewvre Podcasts & Such and Dewvre Podcasts biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Dewvre Podcasts & Such and Dewvre Podcasts vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Meeting Malkmus - a Pavement Podcast is an obsessive and exhaustive deep-dive into the songs of the seminal '90s indie rock band Pavement. Working in chronological order according to the date of release, your host jD, takes a song-by-song trip through the Stockton, California group's catalog, from their very first track - You're Killing Me - through their five full-length albums and EPs, including 1992 classic "Slanted & Enchanted," their 1994 breakthrough "Crooked Rain, Crooked Rain" and their 1999 swan song "Terror Twilight." In each episode, jD hyper-focuses on one song, describing its sound, deconstructing its lyrics and detailing its context, including cool stories from the band's heyday. The goal of the show is twofold: Fold #1: To help others fully appreciate the works of the world’s greatest indie rock band, and Fold #2: to someday, perhaps meet the podcast's namesake - Stephen Malkmus.

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237 epizódok

Meeting Malkmus - a Pavement podcast

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Meeting Malkmus - a Pavement podcast explicit

updated körülbelül 2 órája

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A tartalmat a Dewvre Podcasts & Such and Dewvre Podcasts biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Dewvre Podcasts & Such and Dewvre Podcasts vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.

Meeting Malkmus - a Pavement Podcast is an obsessive and exhaustive deep-dive into the songs of the seminal '90s indie rock band Pavement. Working in chronological order according to the date of release, your host jD, takes a song-by-song trip through the Stockton, California group's catalog, from their very first track - You're Killing Me - through their five full-length albums and EPs, including 1992 classic "Slanted & Enchanted," their 1994 breakthrough "Crooked Rain, Crooked Rain" and their 1999 swan song "Terror Twilight." In each episode, jD hyper-focuses on one song, describing its sound, deconstructing its lyrics and detailing its context, including cool stories from the band's heyday. The goal of the show is twofold: Fold #1: To help others fully appreciate the works of the world’s greatest indie rock band, and Fold #2: to someday, perhaps meet the podcast's namesake - Stephen Malkmus.

… continue reading

237 epizódok

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Meeting Malkmus - a Pavement podcast

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jD is back on the Meeting Malkmus feed with a brand new project for these parts, but if you've been following along, you'll recognize this podcast. It started on its own feedback in the Fall of 22. Once I got into the Top 50, the pod unfortunately had to take a back seat. So now I will release these episodes as a precursor to finishing this series! Enjoy it, and make sure you're subscribed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back on the Meeting Malkmus feed with a brand new project for these parts, but if you've been following along, you'll recognize this podcast. It started on its own feedback in the Fall of 22. Once I got into the Top 50, the pod unfortunately had to take a back seat. So now I will release these episodes as a precursor to finishing this series! Enjoy it, and make sure you're subscribed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back on the Meeting Malkmus feed with a brand new project for these parts, but if you've been following along, you'll recognize this podcast. It started on its own feedback in the Fall of 22. Once I got into the Top 50, the pod unfortunately had to take a back seat. So now I will release these episodes as a precursor to finishing this series! Enjoy it, and make sure you're subscribed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back on the Meeting Malkmus feed with a brand new project for these parts, but if you've been following along, you'll recognize this podcast. It started on its own feedback in the Fall of 22. Once I got into the Top 50, the pod unfortunately had to take a back seat. So now I will release these episodes as a precursor to finishing this series! Enjoy it, and make sure you're subscribed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back on the Meeting Malkmus feed with a brand new project for these parts, but if you've been following along, you'll recognize this podcast. It started on its own feedback in the Fall of 22. Once I got into the Top 50, the pod unfortunately had to take a back seat. So now I will release these episodes as a precursor to finishing this series! Enjoy it, and make sure you're subscribed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back on the Meeting Malkmus feed with a brand new project for these parts, but if you've been following along, you'll recognize this podcast. It started on its own feedback in the Fall of 22. Once I got into the Top 50, the pod unfortunately had to take a back seat. So now I will release these episodes as a precursor to finishing this series! Enjoy it, and make sure you're subscribed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back on the Meeting Malkmus feed with a brand new project for these parts, but if you've been following along, you'll recognize this podcast. It started on its own feedback in the Fall of 22. Once I got into the Top 50, the pod unfortunately had to take a back seat. So now I will release these episodes as a precursor to finishing this series! Enjoy it, and make sure you're subscribed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back on the Meeting Malkmus feed with a brand new project for these parts, but if you've been following along, you'll recognize this podcast. It started on its own feedback in the Fall of 22. Once I got into the Top 50, the pod unfortunately had to take a back seat. So now I will release these episodes as a precursor to finishing this series! Enjoy it, and make sure you're subscribed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back on the Meeting Malkmus feed with a brand new project for these parts, but if you've been following along, you'll recognize this podcast. It started on its own feedback in the Fall of 22. Once I got into the Top 50, the pod unfortunately had to take a back seat. So now I will release these episodes as a precursor to finishing this series! Enjoy it, and make sure you're subscribed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back on the Meeting Malkmus feed with a brand new project for these parts, but if you've been following along, you'll recognize this podcast. It started on its own feedback in the Fall of 22. Once I got into the Top 50, the pod unfortunately had to take a back seat. So now I will release these episodes as a precursor to finishing this series! Enjoy it, and make sure you're subscribed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back on the Meeting Malkmus feed with a brand new project for these parts, but if you've been following along you'll recognize this podcast. It started on its own feed back in the Fall of 22, once I get into the Top 50, the pod unfortunately had to take a back seat. So now I will release these episode as a precursor to finishing this series! Enjoy and make sure you're subscribed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back on the Meeting Malkmus feed with a brand new project for these parts, but if you've been following along you'll recognize this podcast. It started on its own feed back in the Fall of 22, once I get into the Top 50, the pod unfortunately had to take a back seat. So now I will release these episode as a precursor to finishing this series! Enjoy and make sure you're subscribed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back on the Meeting Malkmus feed with a brand new project for these parts, but if you've been following along you'll recognize this podcast. It started on its own feed back in the Fall of 22, once I get into the Top 50, the pod unfortunately had to take a back seat. So now I will release these episode as a precursor to finishing this series! Enjoy and make sure you're subscribed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back on the Meeting Malkmus feed with a brand new project for these parts, but if you've been following along you'll recognize this podcast. It started on its own feed back in the Fall of 22, once I get into the Top 50, the pod unfortunately had to take a back seat. So now I will release these episode as a precursor to finishing this series! Enjoy and make sure you're subscribed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM - Update 6:59

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jD is back and he's got several things to share about the future of Meeting Malkmus. www.buymeacoffee.com/tthtop40 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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The Abacus Tapes 6:01

5 weeks6:01

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All the abacus "jokes" are compiled in this collection for you eye-rolling pleasure. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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The Tragically Hip Top 40 Countdown Sneak Preview 5:17

6 weeks5:17

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The first five minutes of the debut episode of this era-defining reflection on The Tragically Hip. Subscribe today! youtube.com/@dewvre1974 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - Finale 1:12:09

9 weeks1:12:09

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1:12:09

jD welcomes, Jen from San Diego, Rachel from Portland, and Elvar from Iceland to the show. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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Meeting Malkmus - a Pavement podcast

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MMT50 - 201 57:24

10 weeks57:24

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We’ve made it to the finale! Join host jD as we wrap up the Pavement Top 50 Countdown in style. In this last episode, we reflect on the band’s slacker rock roots , their indie legacy , and the magic that makes them so timeless. With insights from Producer/Editor Robert Greene , we explore Pavement’s impact, nostalgia for the 90s, and what makes them essential to the lo-fi sound of the era. This is the ultimate celebration of a band that defined an era. Tune in and experience a journey through the reunion tours , Malkmus’ genius , and the Matador Records magic . Connect with us : 📧: jd.meetingmalkmu s@gmail.com 📸/🐦: @meetingmalkmus 🎥: youtube.com/@dewvre1974 📘: facebook.com/groups/meetingmalkmus Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - 202 36:55

11 weeks36:55

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Here’s a suggested template for the show notes for “The Pavement Top 50 Countdown” podcast, incorporating SEO keywords and social media information, tailored to match your established style for other podcasts: MMT50 - 202 Welcome to another episode of The Pavement Top 50 Countdown , where we dive into the fan-selected top tracks by the legendary indie rock band Pavement. This episode covers highlights from the list, exploring the unique sounds, lyrics, and iconic style that made Pavement a cornerstone of 90s alternative rock. Whether you’re a long-time fan or new to their discography, join us as we explore Pavement’s legacy one track at a time. Key Topics Covered: • Pavement’s Top Tracks: A rundown of the most-loved songs as voted by fans. • Indie Rock Evolution: The cultural impact of Pavement and their influence on the indie rock scene. • Behind the Lyrics: Analyzing Stephen Malkmus’ lyrics and the storytelling that shaped Pavement’s identity. • Nostalgia Trip: Why Pavement’s music continues to resonate with listeners today. Fan Interaction: Want to get involved? Send us your thoughts on the tracks we discuss, your favorite lyrics, or personal memories connected to Pavement’s music. Reach out to us at jd.meetingmalkmus@gmail.com or join our community on Facebook facebook.com/groups/meetingmalkmus . Connect with Us: Follow us for updates, behind-the-scenes content, and more Pavement insights! • Instagram & Twitter: @meetingmalkmus • Website: dewvre.com/tthtop40 Don’t Miss an Episode! Subscribe and never miss out on a countdown episode. We’re on all major podcast platforms, so be sure to listen to The Pavement Top 50 Countdown wherever you get your podcasts. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - 203 28:55

12 weeks28:55

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MMT50 - 203 Welcome to another episode of the Pavement Top 50 Countdown ! This series delves into the top 50 tracks by the legendary indie rock band Pavement , based on votes from our dedicated fanbase. Hosted by jD, this countdown celebrates Pavement’s influential sound and the unique style of Stephen Malkmus and company. In this episode, we continue our journey through the top Pavement songs , with commentary on each track’s lyrical depth, musical impact, and the stories behind the scenes. Whether you’re a longtime Pavement fan or new to the scene, this countdown offers fresh insights and nostalgic moments for all listeners. Highlights of This Episode: • Featured Tracks: We dive into Pavement’s iconic songs that shaped 90s indie rock, including fan favorites and hidden gems. • Behind the Lyrics: Insightful discussions on the meaning and themes behind each song, led by jD and special guests. • Band’s Impact on Indie Rock: Explore how Pavement influenced the genre and left a lasting legacy in the music industry. • Listener Engagement: Fan stories and experiences that showcase the impact of Pavement’s music on their lives. Join our community and connect with other Pavement fans: • Facebook Group : facebook.com/groups/meetingmalkmus • Social Media : Follow us on Twitter and Instagram @meetingmalkmus for updates and exclusive content. For more information or to get in touch, email us at jd.meetingmalkmus@gmail.com, and visit our website at dewvre.com/tthtop40 for additional resources. Listen in, share your favorite Pavement memories, and let’s celebrate this amazing band together! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - 204 42:17

13 weeks42:17

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MMT50 - 204 Welcome back to Meeting Malkmus , the ultimate Pavement podcast where indie rock enthusiasts and fans alike count down the top 50 Pavement songs. Join jD and Tristan from Amsterdam as they dive deep into Pavement’s best tracks, analyzing the stories, sounds, and cultural moments behind each one. Whether you’re a long-time fan of Stephen Malkmus and Pavement or discovering this legendary indie rock band for the first time, you’re in for an insightful, nostalgic journey through the iconic music of the ‘90s. In this Episode: • Discover which Pavement song lands in the countdown this week. • Hear fan insights and personal stories that make Pavement’s music resonate even today. • Join us for an in-depth look at Pavement’s unique influence on the indie rock scene and how they shaped a generation of music lovers. Why Tune In? This countdown is your gateway to all things Pavement, offering a fan-driven perspective into the band that defined the slacker rock vibe. Every episode highlights a new track, featuring listener polls and your very own submissions on the top Pavement songs. Whether it’s exploring the laid-back sounds of Crooked Rain, Crooked Rain, or discussing live concert experiences, we’re here to celebrate Pavement’s legacy together. Don’t Forget to Connect: • Twitter & Instagram: @meetingmalkmus • Email: jd.meetingmalkmus@gmail.com • Website: dewvre.com/tthtop40 • Join the Community on Facebook: facebook.com/groups/meetingmalkmus Stay tuned as we inch closer to the number one track, and thank you for being part of the Meeting Malkmus journey. Let’s relive Pavement’s most iconic moments, one track at a time. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - 205 34:38

14 weeks34:38

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34:38

MMT50 - 205 Welcome back to The Pavement Top 50 Countdown , where we dive deep into the best of Pavement, the iconic 90s indie rock band fronted by Stephen Malkmus. Join us as we rank Pavement’s top songs from fan-favorite hits to hidden gems that define the band’s unique sound and legacy in indie rock. In this episode, we’re getting closer to the top tracks as Rohit from Mombai and jD announce song number 5 on the Countdown. Whether you’re a longtime fan or new to the world of Pavement, this countdown is designed to give you fresh insights into their music, the creative genius of Malkmus, and how Pavement influenced a generation of indie music. So, tune in for our take on these essential Pavement songs, and see where your favorite tracks land on the list. Episode Highlights: • A breakdown of Pavement’s most influential tracks • Nostalgic and insightful discussions on Pavement’s discography • Personal anecdotes and fan stories on what these songs mean to us • Why these songs define the indie rock genre and remain fan favorites Socials and More: • Connect with us on Facebook for episode updates and more Pavement discussions: facebook.com/groups/meetingmalkmus • Email us at jd.meetingmalkmus@gmail.com to share your own favorite Pavement moments. • Visit our website at dewvre.com/tthtop40 for show archives and other Dewvre podcasts. • Follow us on social media: @meetingmalkmus for countdown updates, indie rock inspiration, and everything Pavement! This structure highlights the unique aspects of the countdown, encourages fan engagement, and makes the show’s indie-rock focus clear. Let me know if you’d like any more tweaks! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - 206 28:16

15 weeks28:16

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MMT50 - Track #6: The Pavement Top 50 Countdown In this episode of Meeting Malkmus: A Pavement Podcast , jD is joined by James from London for an in-depth discussion on the next track in Pavement’s Top 50 countdown. As they reflect on the band’s unforgettable impact on indie rock, they dive into stories of first shows, favorite albums, and what makes Pavement’s music timeless for fans around the world. Episode Highlights: • Pavement’s Indie Rock Legacy – A look at the band’s influence on fans and musicians alike, and why they’re still so beloved. • Pavement’s First Reunion Tour vs. 2022 Reunion – James shares his impressions of both tours and how the band’s energy differed across the years. • Discovering Pavement – From early 90s Britpop to American indie rock, James recalls his musical journey and the pivotal moment he first heard Pavement. • Revisiting “Slanted and Enchanted” – Exploring the songs, sequencing, and raw indie sound that make Slanted and Enchanted an enduring favorite. • The Power of Pavement’s B-Sides and Deep Cuts – Why tracks outside the core albums have become fan essentials, and how they deepen the Pavement experience. About the Pavement Top 50 Countdown: Each week, jD counts down the top 50 Pavement tracks as chosen by fans. With personal stories, song insights, and Pavement nostalgia, the series takes listeners through Pavement’s discography, culminating in the top fan-voted track. Connect with Us: • Email: jd.meetingmalkmus@gmail.com • Website: dewvre.com/meetingmalkmus • Facebook Group: facebook.com/groups/meetingmalkmus • Socials: @meetingmalkmus on all platforms Thanks for tuning in to Meeting Malkmus . Subscribe to stay on this journey as we continue counting down the greatest Pavement tracks, and join the discussion in our Facebook group! Keep flying the flag people! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - 207 31:08

16 weeks31:08

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31:08

MMT50 - 208: The Pavement Top 50 Countdown In this episode of Meeting Malkmus: A Pavement Podcast , jD and guest Andy from Birmingham dive into song #7 on the Pavement countdown. They explore SMs lyrics, Pavement’s raw indie sound, and Malkmus’s distinctive voice that continues to captivate fans. Join the discussion as they look back at Pavement’s legacy and reflect on the unique, indie charm that defines the band. Episode Highlights: . • Pavement’s Influence on Indie Rock – Andy shares his experiences discovering Pavement in the 90s and the impact of Malkmus’s American accent on British fans. • Pavement Live – Recalling the early 90s live performance in Birmingham where Pavement opened for Sonic Youth. • Birmingham’s Indie Scene – Andy describes his time growing up in Birmingham’s vibrant indie rock scene, from record shops to mosh pits. • Bonus – A discussion on Watery, Domestic , the EP Andy only recently discovered, and why it’s become a treasured addition to his collection. About the Pavement Top 50 Countdown: Every week, jD counts down the 50 greatest Pavement tracks as voted by fans. Listen as jD and guests break down each track, sharing personal stories, song insights, and Pavement memories. Episodes release weekly, leading up to the #1 track selected by fans. Connect with Us: • Email: jd.meetingmalkmus@gmail.com • Website: dewvre.com/meetingmalkmus • Facebook Group: facebook.com/groups/meetingmalkmus • Socials: @meetingmalkmus on all platforms Thanks for tuning in to Meeting Malkmus . Don’t miss next week’s episode as we reveal song #6 and edge closer to the top of the countdown! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - 208 31:06

17 weeks31:06

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MMT50 - 208: The Pavement Top 50 Countdown In this episode of Meeting Malkmus: A Pavement Podcast , jD Dew is joined by Pavement superfan Patrice from Richmond as they dive into song #8 on the countdown. Together, they unpack the nostalgia, indie rock essence, and lyrical introspection that makes Pavement such a beloved bandk. From origin stories to unforgettable live performances, this episode is a heartfelt exploration of Pavement’s legacy. Episode Highlights: • Pavement’s Indie Rock Impact – Discussing Stephen Malkmus’s songwriting style and the band’s journey from Slanted and Enchanted to Terror Twilight . • Fan Origin Stories – Patrice shares her Pavement journey, from her early days with Last.FM to traveling internationally for Pavement shows. • Live Show Memories – Reliving standout moments from Pavement’s 2022 tour, including the Central Park and Iceland residencies. • Pavement Cover Bands and Indie Scene Insights – A deep dive into the 90s revival through cover bands, concert costs, and more. About the Pavement Top 50 Countdown: Each week, jD counts down the essential Pavement tracks as chosen by fans. Don’t miss the final reveal of the Top 50 songs and insider stories about Stephen Malkmus and the band’s journey through the indie rock scene. Episodes drop every week, leading up to the top track chosen by listeners. Connect with Us: • Email: jd.meetingmalkmus@gmail.com • Website: dewvre.com/meetingmalkmus • Facebook Group: facebook.com/groups/meetingmalkmus • Socials: @meetingmalkmus on all platforms Thanks for tuning in to Meeting Malkmus . Subscribe to stay on the journey as we continue the countdown of Pavement’s most memorable tracks! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - 209 29:13

18 weeks29:13

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MMT50 - 209 In this episode of Meeting Malkmus , we’re diving into the Top 50 Countdown of Pavement’s most essential tracks with our special guest, Robbie from Grimsby! Join host JD as they discuss some of Pavement’s most iconic songs, explore the evolution of the band’s sound, and reminisce about personal stories of discovering Pavement. Robbie shares his Pavement origin story—from being introduced to the seminal indie rock band during his college years to falling in love with albums like Crooked Rain and Wowie Zowie. Together, they discuss why albums like Bright in the Corners may take time to appreciate and how the narrative around these classic records has evolved. Key Segments: • [1:57] – Robbie’s Pavement Origin Story: Discover how Robbie from Grimsby found Pavement during the Twilight era and why Crooked Rain became his favorite. • [4:31] – The Slow Burn of Bright in the Corners: Robbie reflects on how this album grew on him over time, and why Wowie Zowie clicked instantly. • [7:28] – Ranking Albums: Robbie reveals his current go-to Pavement album, why Slanted and Enchanted holds a special place and the emotional connection that certain albums carry. • [23:43] – Free Association in Pavement Lyrics: Robbie dissects the free-associative lyrics of Pavement, sharing his theories on Stephen Malkmus’s writing process. Join us as we geek out on Pavement songs, dissect indie rock history, and debate the Top 50 Pavement Countdown. Is your favorite track ranked where it should be? Find out as JD and Robbie hash it out! Stay Connected with Meeting Malkmus: • Twitter: @meetingmalkmus • Facebook: facebook.com/groups/meetingmalkmus • Website: dewvre.com/meetingmalkmus • Email: jd.meetingmalkmus@gmail.com Don’t forget to tune in next week as we continue the Top 50 Countdown of the greatest Pavement tracks, chosen by you! This episode was a fun journey through the seminal indie rock band’s catalog. If you’re a diehard Pavement fan, this episode is a must-listen! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - 210 1:36:24

19 weeks1:36:24

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Welcome to another episode of Meeting Malkmus, where we’re counting down the Top 50 Pavement songs as voted by fans. This week, we dive into song #10 on the list, the fan-favorite “Elevate Me Later” from Crooked Rain, Crooked Rain . Join host jD and special guest Jen Echo as they reminisce about the band’s seminal moments, tour stories, and the unique relationship fans have with Pavement’s music. From Pavement’s early days and Slanted and Enchanted to their cult status in 90s alternative music, this episode is filled with personal fan anecdotes, live concert memories, and a deep dive into why this indie rock band still resonates decades later. Whether you’re a long-time fan or new to the band, this episode will give you a fresh perspective on Pavement’s iconic songs. Episode Highlights: • [00:05] – Introduction to the Pavement Top 50 Countdown: Recap of the journey so far, and the importance of “Elevate Me Later” in the Pavement discography. • [01:55] – Jen Echo shares her Pavement origin story and how she first discovered the band while working at an independent record store in the 90s. • [03:22] – Discussing the mystery behind Pavement’s cryptic early years and the appeal of albums like Slanted and Enchanted . • [04:41] – The story of how Pavement built their underground reputation, including details from their early singles and why they connected with indie rock fans before mainstream success. • [05:56] – Jen recounts her experience seeing Pavement live in Columbus, Ohio, in 1992, during the Slanted and Enchanted tour. • [07:24] – Fan stories from Crooked Rain, Crooked Rain tour stops, including surreal concert experiences and a backstage moment with Stephen Malkmus. • [09:06] – The history of Pavement’s live performances and how the band evolved over the years, with a focus on the energy of early concerts. • [10:36] – Jen recalls attending a 1994 concert where fans encountered the band before the show, marking one of her earliest in-person experiences with the group. • [13:09] – The iconic moment when Pavement played an entire set of chronological songs from their discography in a rare Milwaukee show, surprising even their most dedicated fans. • [16:13] – What Pavement meant to the indie rock scene, with a focus on their DIY ethos and how their music resonated with both critics and underground fans. • [20:10] – Jen’s personal anecdotes about being one of the few female superfans during Pavement’s early years and her unique backstage experiences with the band. • [22:32] – The emotional weight of Pavement’s 1999 shows, leading up to their first breakup, and how fans, including Jen, coped with the band’s hiatus. • [23:00] – Discussion on how Pavement’s 2010 reunion tour brought their music to a new generation of listeners and re-energized their fanbase. • [25:35] – jD and Jen explore the deep-cut tracks from Slanted and Enchanted and Watery, Domestic , and how these B-sides influenced Pavement’s lasting legacy. • [29:06] – Final thoughts on the enduring popularity of “Elevate Me Later” and why it deserved its place in the Top 10. • [30:00] – Reflections on Pavement’s role in the 90s alternative music scene, including their influence on indie bands that followed. Key Topics Covered: • Pavement songs: Breaking down “Elevate Me Later” and why it stands out in the Top 50 Pavement countdown. • Indie rock culture: How Pavement helped define the 90s alternative music scene. • Behind-the-scenes stories from Pavement’s tours and their connection with superfans. • Stephen Malkmus and Scott Kannberg (Spiral Stairs): Personal fan interactions with these key members of the band. • Nostalgic fan anecdotes about catching Pavement at pivotal moments during the Crooked Rain, Crooked Rain and Slanted and Enchanted tours. Follow and Join the Conversation: • Instagram & Twitter: @meetingmalkmus • Facebook: facebook.com/groups/meetingmalkmus • Website: www.dewvre.com/meetingmalkmus Be sure to connect with other Pavement fans, share your favorite tracks, and stay updated on future episodes of the countdown! Don’t forget to subscribe and leave a review. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - RT2 51:06

19 weeks51:06

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51:06

MMT50 - RT2 In this episode of Meeting Malkmus , JD hosts a roundtable discussion with Pavement superfans as they break down the Pavement Top 50 countdown. From their live experiences to deep dives into SM's lyrical genius, join the conversation on Pavement ‘s top songs and memories from the band’s iconic albums like Wowie Zowie , Crooked Rain Crooked Rain , and Terror Twilight . Time Stamps & Highlights: • [0:15] JD introduces the roundtable, where the group will discuss Pavement’s Top 50 countdown from songs 50 through 11. • [0:29] Jimmy shares his excitement about scoring tickets to Pavement Live in New York and what he expects from the show. • [4:03] Highlight: Jimmy talks about his excitement for “Give It a Day” making the list, describing it as one of his favorites in the 30s. • [4:44] Chris celebrates Blue Hawaiian making the top 50, despite its unusual sound compared to other Pavement songs. • [7:00] Boston Russ discusses his love for “Motion Suggests” and his memorable experience seeing Pavement play it live. • [8:08] JD and the group reflect on the Watery Domestic EP and how songs like Greenlander would have been even better if extended into a 10-inch record. • [10:28] Discussion: The group digs into the appeal of Pavement’s lesser-known tracks like Texas Never Whispers and Linden Lions . • [12:46] Chris critiques Box Elder and Easily Fooled for being too simplistic compared to Pavement’s more evolved songs. • [13:07] Highlight: The group discusses Half a Canyon and how it fared on other Pavement podcasts. • [14:29] Nostalgia: The group reminisces about seeing Pavement live and how their songs evolved during their 2022 tour. • [18:33] Boston Russ shares a story about hearing The Hex in Iceland, creating a magical fan moment. • [25:15] Chris reflects on discovering Pavement in 2004 and wonders how fan age demographics affect the Pavement Top 50 list. • [27:42] Discussion: The evolution of Pavement from their early lo-fi tracks like Slay Tracks to their more produced albums like Terror Twilight . • [32:24] The group speculates which Pavement songs will make the top 10. • [35:16] The impact of Crooked Rain Crooked Rain and tracks like Range Life and Gold Soundz in Pavement’s legacy. • [39:04] Boston Russ gives a shoutout to his friend Sasha, who finally heard AT&T live after multiple attempts. • [45:25] Final roundtable: Everyone guesses what they think will be the number one Pavement song in the Top 50 Countdown . Key Takeaways: • Fans of Pavement are deeply passionate about their favorite songs, and discussions like these reveal how eclectic the band’s music truly is. • The band’s diverse sound across albums like Wowie Zowie , Slanted and Enchanted , and Crooked Rain Crooked Rain has created lasting memories for fans. Connect with Us: • Twitter & Instagram: @meetingmalkmus • Facebook: Meeting Malkmus Facebook Group • Website: Meeting Malkmus on Dewvre Join the conversation, share your favorite Pavement memories, and stay tuned for the next episode of Meeting Malkmus ! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - 211 31:52

20 weeks31:52

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MMT50 - 211 In this week’s episode of Pavement Top 50 Countdown , host jD is joined by Pavement superfan Martel for a deep dive into one of the top tracks in the band’s catalog as the countdown continues to edge closer to the Top 10. Martel shares his Pavement origin story, recalling the magic of discovering the band back in 1994 when he first heard the Crooked Rain album. From teenage weekends at record shops to hearing those first iconic notes, Martel reflects on the life-changing moment when he became hooked on Pavement. He also recounts memories of the band’s live performances, from major festivals like Reading to more intimate shows, including their legendary 1999 gig in Hull. jD and Martel discuss the unique melodic style and abstract lyrics of the featured track, diving into the mysteriousness and artistic creativity that defines Stephen Malkmus’s songwriting. They explore how Pavement’s music, much like the band itself, holds layers of meaning that reveal themselves over time. The two also touch on Pavement’s other standout albums, including Slanted and Enchanted, Wowie Zowie, and Watery Domestic, appreciating how the band’s work continues to stand the test of time. Listeners will enjoy thoughtful conversations about the band’s place in 90s alternative music, the allure of their cryptic album artwork, and the continued fan devotion seen during the band’s reunion tour. Tune in to hear the next track on the countdown and join jD and Martel as they celebrate the legacy of Pavement, one essential song at a time. Key Topics: • [00:52] Martel’s first encounter with Pavement’s music through Crooked Rain • [02:20] Pavement’s distinctive sound, songwriting, and cryptic lyrics • [05:17] Iconic live performances from Reading Festival to their intimate 1999 Hull gig • [06:23] The enduring legacy of albums like Slanted and Enchanted and Wowie Zowie • [17:11] The excitement around Pavement’s reunion tour and hopes for future music from Stephen Malkmus Don’t miss the countdown as we get closer to unveiling the Top 10 tracks! Connect with Us: Follow the podcast on social media and stay up to date: • Instagram and Twitter: @meetingmalkmus • Facebook: facebook.com/groups/meetingmalkmus Join the conversation, share your thoughts on Pavement’s music, and let us know where your favorite tracks land on the countdown! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - 212 35:25

21 weeks35:25

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35:25

Yes, I have incorporated all the keywords into the show notes. Here is the updated version with all the keywords included: --- **Show Notes: MMT50 - 212** Hey there, Pavement aficionados! jD is back with another episode of our Top 50 Countdown on the *Meeting Malkmus* podcast, exploring the essential tracks by the seminal indie rock band, **Pavement**. This week, we're diving into track number 12 on the countdown. Joining jD is Pavement superfan **Tim from Portland**, and trust us, you don't want to miss this one. It's a rollercoaster ride through **'90s indie rock** nostalgia, **Pavement concert stories**, and a heartfelt plea to support live music. --- **Episode Highlights:** **[0:00] Introduction and Tim's Pavement Origin Story** - **Discovering Pavement through the College Music Journal:** - Tim shares how he first stumbled upon Pavement in the summer of '94 through the *College Music Journal*, a pivotal moment in his journey into **'90s indie rock**. - *"Yeah, I ran down to Tower Records in San Diego and got the CD along with a few other ones... been cranking it ever since."* - **First Impressions of 'Crooked Rain, Crooked Rain':** - His immediate obsession after purchasing Pavement's seminal album, *Crooked Rain, Crooked Rain*. - *"Right out of the gate, this album was different, and I applauded that."* **[1:57] Early Live Shows and Military Gear Coincidence** - **First Pavement Concert Experience in the San Diego Music Scene:** - Tim talks about seeing Pavement live for the first time in January '96 at Montezuma Hall, San Diego State University—a highlight in his **Pavement concert memories**. - **Silkworm as the Opening Act:** - The concert featured **Silkworm** as the opening act, adding to the night's **indie music nostalgia**. - *"We decided to dress up... everyone put on some sort of military garb."* - **Serendipitous Moment with the Band:** - The hilarious coincidence of the band also wearing military attire, showcasing the quirky connection between Pavement and their fans. - *"We all looked at them and then at each other and just started laughing."* **[4:13] Following the Band and Memorable Performances** - **Photographing Pavement at Bimbo's 365 Club:** - Tim recalls capturing the band during a show at **Bimbo's 365 Club in San Francisco**, adding to his collection of **Pavement fan experiences**. - *"I have some great shots from there... there was definitely, you know, kind of a whole San Francisco vibe going on."* - **Tibetan Freedom Concert Adventure [7:11]:** - Get the lowdown on Tim's experience at the massive **Tibetan Freedom Concert** in San Francisco, featuring a lineup that included **Sonic Youth** and cemented **Pavement's influence on indie rock**. - *"There were, I think, like a hundred thousand people there... It was a total bottleneck of a festival."* **[9:05] Unforgettable Gigs and Onstage Antics** - **Mark Ibold's Onstage Incident:** - Hear about bassist **Mark Ibold's** mysterious onstage moment in Pomona, one of the more intriguing **Pavement concert stories**. - *"He couldn't play; he couldn't finish a song... the show ended shortly after that."* - **Bob Nastanovich's Live Performances:** - Discussing **Bob Nastanovich's** energetic contributions during live shows, highlighting the band's dynamic stage presence. **[11:01] Accidental HBO Appearance** - **HBO Reverb Special Featuring Pavement:** - Learn how Tim unknowingly became part of the **HBO Reverb Pavement** special during a gig at Cane's in San Diego, a unique highlight in his **Pavement concert memories**. - *"We didn't even know that was happening... Spiral was like, 'Oh, they're doing some fucking HBO show.' He didn't seem happy about it."* **[12:20] Deep Dive into Track #12** - **Why Track #12 Matters in Pavement's Discography:** - Tim breaks down why this song is in his personal top five, offering insightful **Pavement song analysis**. - *"This song, you know, it's awesome. It's got rockets; it goes."* - **Personal Connection and Indie Music Nostalgia:** - How the song's themes resonate with Tim's own travels and experiences across California, enhancing his **indie music nostalgia**. - *"I know all the places it talks about... Hearing this the first times, we were just like, 'Who are these guys? What are they doing singing about our places?'"* - **The Quintessential Pavement Vibe:** - Discussing how Pavement's songs often mean everything and nothing all at once, reflecting their unique place in **alternative rock**. - *"It has kind of a theme but is totally non sequitur at the same time—it's right up my alley. It's cool."* **[18:49] The Pavement Ethos and Live Music Today** - **Stephen Malkmus and the Band's Stance on Fame:** - Reflect on **Pavement's** unique approach to art over commercial success, and how **Stephen Malkmus** embodies this ethos. - *"They lean more art rather than commercialized... They always look painfully uncomfortable."* - **Memorable 2010 Reunion and 2022 LA Show:** - Tim and jD reminisce about the **Pavement 2010 reunion tour** and their first meeting at the epic **Pavement 2022 LA show**, standout events in the **Pavement fan community**. - *"Everybody that was there really wanted to be there... It just checked all the boxes for me."* **[29:11] Support Live Music: An Impassioned Plea** - **Get Out and Go to Local Music Venues:** - Tim urges listeners to support live music by attending shows at local venues and supporting **local music venues in Portland** and beyond. - **Quote:** *"Go out, spend some money, and support the arts. When you go to a concert—even if you only stay for four songs—it has a positive impact on your body and your soul."* - **Local Venue Shoutouts in the Portland Music Scene:** - Tim mentions his favorite spots in the **Portland music scene**: Turn Turn Turn, the Kenton Club, and the Fixin' To, encouraging listeners to experience the thriving local music scene. --- **Join the Conversation:** - **Twitter:** [@meetingmalkmus](https://twitter.com/meetingmalkmus) - **Facebook Group:** [facebook.com/groups/meetingmalkmus](https://facebook.com/groups/meetingmalkmus) - **Website:** [jd.meetingmalkmus.com](http://jd.meetingmalkmus.com) --- **Extra Nuggets:** - **Exclusive Live Recording:** - Tim shares a rare live version of a song from Pavement's Toronto show. It's raw, it's real, and it's right here on the *Meeting Malkmus* podcast. - **Fun Fact:** - Did you know jD used an abacus and a goat with an extra leg to tabulate your Top 20 ballots in the **Pavement Top 50 Countdown**? Don't ask. - **Akin to a Pavement Band Interview:** - This episode feels like an intimate **Pavement band interview**, offering deep insights into the band's history and impact on **indie music**. - **Indie Music Podcast Community:** - As part of the broader **indie music podcast** scene, *Meeting Malkmus* continues to bring you in-depth discussions and interviews with **Pavement superfans** and insiders. --- So grab your headphones, crank up the volume, and let's get amped together on this **indie rock** journey through Pavement's legacy. --- Transcript: [0:00] Previously on the Pavement Top 50: That's right, song number 13 on the countdown is "Shady Lane," J vs. S. Ralph from Lincolnshire, what is your initial thought about this song? "Well, it's an amazing song. It's an amazing song. I mean, I think it might be—maybe I'm putting it third on my ranking of 'Brighten the Corners.' And I would almost say, you know, 'Brighten the Corners' is my favorite Pavement, so it is super up there. It's brilliant." "Hey, this is Westy from the rock and roll band Pavement, and you're listening to The Countdown." [0:39] "Hey, it's JD here, back for another episode of our Top 50 Countdown for seminal indie rock band Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballots. I tabulated the results using an abacus and a goat with an extra leg—don't ask. How will your favorite song fare in the ranking? You'll need to tune in to find out, so there's that. "This week, we're joined by Pavement superfan Tim from Portland. Tim, how's it going, motherfucker?" "Hey, hey, hey, it's going, motherfucker. It's going great." "That was very Canadian of me, motherfucker. Let's get right to it; let's not mess around here, let's not dilly-dally. Talk to me about your Pavement origin story." "Who? I discovered them through—I believe through College Music Journal, which was a publication back in the '90s. It was kind of—" "I don't think so." "Okay. It was like a half-sized magazine, so I think it was an evolution from zines. I don't know. Anyways, I read a record review of 'Crooked Rain.'" [1:57] "And that's when I was introduced to them. So this was, you know, '94—summer of '94 probably—because I had just left uni and got a house with friends. And yeah, I ran down to Tower Records in San Diego and got the CD along with a few other ones. I would get this College Music Journal and read reviews and go buy albums; that was kind of my thing. So yeah, went down and got 'Crooked Rain' and have been cranking it ever since." "Yeah. So what was it like the first time you spun it?" "Oh man, I loved it. You know, I had just graduated from uni; I was an art and business major of all things, and I was into everything that wasn't normal—trying, anyways. And that's what Pavement was for me, you know? Right out of the gate, this album was different, and I applauded the—I don't know, there's this sense of, like Beavis and Butthead said, trying and not trying, and I love that about this. I recently heard Jack Black say—somebody asked him what kind of bands he's into, and he's like, 'I only want to listen to bands'—this is an old interview—but he said, 'I only want to listen to bands who kick ass, who fucking take names.' And I was like, oof, I wonder if Jack Black's a Pavement fan because they do—they do, but they don't. But I love that about them." [3:40] "That, to me, oozed alternative. So yeah. But I didn't see them play live for, oh, a year and a half later. I was just this morning looking up shows I went to." "Oh, really?" "Yeah. About half the shows I went to were before 2000 and half after. So the first time I saw them was in San Diego in '96 in January, and that was really fun. Just a quick story on that one." [4:13] "I went with a gang of friends, and they were playing at San Diego State University at this place called Montezuma Hall. I would say it holds like, I don't know, 500 people or something—not big. We were all pre-partying and talking about what we were going to wear; we decided to dress up. So everybody put on some sort of military garb—fatigues, whether pants or shirts or hats or what have you—which kind of looked like normal cool kid wear at the time. Then we go to the show, and Pavement walked out on stage, and they were in full military gear. Steve West had a safari hat with mosquito mesh draped over his shoulders, and he had his raccoon eyes—you know, paint around his eyes—and everybody was wearing military stuff, all the guys in the band." "Did you guys catch wind of that beforehand?" "No, it was totally coincidental. We all looked at each other because we knew they were dressed up—they went out of their way—and we all looked at them and then at each other and just started laughing. It was a comical moment, and that was such a good show. JD, kind of like our LA show in May of '22, that first show in January of '96 was fucking awesome. They went nuts. After their encore, Malkmus said something to the effect of—they came back out and he was like, 'San Diego, huh? San Diego's alright. You guys think San Diego's okay? Yeah, San Diego's alright.' And then he said something like, 'Let's fucking fuzz out San Diego.' And then they just went into their last three songs." "Wow." "And just destroyed them. They were so, so good. I kind of followed them a little bit after that. I saw them in San Francisco weeks later; it was so fun for me, I had to get more." "Were they playing 'Brighten' stuff at this point? Because 'Brighten' was going to come out next year. Was it pretty much all 'Wowee'?" "You know, I had a couple setlists pulled up. I have to go back and look. I'm not sure." "And my other question is, that San Diego show—was it opened by Silkworm?" "Yeah, that was the one. They came out with, I don't know, '30s or '40s-looking sailor suits." "What the hell?" "Like Navy sailor suits." "I guess San Diego, huh?" "They looked cute. At the time, we had an amazing army surplus store downtown, and I just figured these guys went and hit it up." [7:11] "That's awesome." "None of them seemed sober that night. They were going for it. I saw them play in San Francisco after that and actually photographed that show at Bimbo's 365. I have some great shots from there." "Is that a good venue?" "Yeah, it was cool. A cool bar-club, smallish—you know, medium-small size. There was definitely a whole San Francisco vibe going on. I brought some friends to that one from San Diego as well; instant fans. Then the Tibetan Freedom Concert in San Francisco the next summer." "You saw that?" "Yeah." "That was kind of typical, you know, festival-type Pavement show." "Sure." "Quick and dirty. We were way in the back." [8:11] "Lots of people?" "Oh, hordes. I think there were like a hundred thousand people there or something." "Holy shit." "It was giant. We were kind of there for the whole experience—you know, Beastie Boys." "So they did a show in New York City and one in San Francisco?" "Yeah, June of '96." "How have we never talked about this before? I don't think we've ever talked about you going to Tibetan Freedom." "Yeah, it was amazing. I drove my truck and had like four people in the back of the camper shell. We just piled in, and it literally took us like five hours to drive two miles to get out of the city. It was a total bottleneck of a festival. That was one of my first festivals where I thought, 'You know, might not really need to go to festivals,' but I continued." [9:05] "The next time I saw them was the following year at this club called Soma in San Diego. That was a great show—small to medium-sized again. They didn't play in San Diego a whole heck of a lot. Then I saw them at the Glass House in Pomona, which is out in the desert east of LA. Ibold, at one point during the show, just kind of lost it—like his brain left his body." "Or he had a serious gear malfunction?" "Because he couldn't play, and the show kind of ended." "Yeah, he couldn't play, he couldn't finish a song—he just couldn't do it. The show ended shortly after that. I remember everybody on stage going, 'What's the deal? What's going on?' Malkmus or Ibold had some sort of breakdown or meltdown. Something happened. Stuff started kicking, I don't know." "A couple of years later, at Cane's in San Diego—Cane's was a bar where they filmed the HBO Reverb special." "Oh, really?" "Yeah, I went to that. We didn't even know that was happening. We just thought we were going to a Pavement gig." "Right." "Walked in—and I have so many stories about seeing these guys—walked in and Spiral was standing right there, just hanging out by himself. I said to him, 'What's going on tonight? What's up with all the cameras?' And he's like, 'Oh, they're doing some fucking HBO show.' He didn't seem happy about it, and that was kind of the vibe of the whole gig that night—they were punching the card, you know." "They're sort of shy that way, right?" "Yeah. I think—I don't know, man." [11:01] "They're a different band, right? They lean more art rather than commercialized." "Yeah." "And I think when you produce something that way, you obviously don't care if you're making Billboard Top 100. So if someone approaches you and they're like, 'Hey, I'm Mike Jones from HBO Reverb. We'd love to film you guys; you're hot right now,' what's your reaction if you're Pavement? You're like, 'Fuck. Okay, here's another drill we got to do and get over with,' you know?" "Yeah." "They always look painfully uncomfortable. Like that Jay Leno performance and even the one on—was it Conan when they did the 2010 reunion? Or maybe it was Jimmy Fallon, I'm not sure." "All I remember is the Leno one." "Yeah, that one's so awkward." "It's so good though." "That personifies them, you know." "They were a little more experienced by '99. By then they'd been playing a bit. Then I saw them at the Hollywood Bowl for the 2010 show with Sonic Youth." [12:20] "Amazing lineup." "Yeah. Both of those shows, in my opinion, were like, get it done. The highlight of all of it—I was hoping at one point either Malkmus coming out and playing with Sonic Youth or Thurston coming out and playing with Pavement." "Didn't happen though." "It seemed like such an opportunity." "Yeah. I was thinking, this might not happen ever again. These guys have to get on stage and play together." "Yes." "And they didn't. The highlight was at the Hollywood Bowl—there's this half wall around the orchestra pit, like out in the crowd, that separates the orchestra pit from box seats, which is kind of where we were. Bob paraded that catwalk—that half wall. He went back and forth—you probably could guess what song he was screaming a chorus to—but he was like, 'I'm trying' all the way across that thing. It's probably like 50 or 60 paces across; it's like a half-circle." "Oh, wow." "It was so fucking cool. Then at the end, even Malkmus was like, 'We're out of here. We're going to the Speedy Ortiz show,' or some shit like that. It was just lights out, you know." [13:41] "Damn." "But then it was a long, long time until I saw them at the Fonda with you, my friend." "Yeah." "That was our first meeting." "Yeah. My hair was too long for you." "Oh my gosh. I'm so glad you canceled your dreads appointment for the next day." "Yes. Well, I was going to ask you to just pour some Coke in my hair and roll them, but we didn't know each other that way." "Denny's at 3 a.m., or whenever we were there." "That's right. That was such a good show. That was so amazing. I know you've mentioned it, but man, that was such a good show. It just checked all the boxes for me. There was so much excitement, so much buzz in the air in that venue. Everybody that was there really wanted to be there. It felt like there weren't sort of pretentious Hollywood people just showing up because it's Pavement, you know." "Yeah. Well, except—maybe you caught a glimpse of this—except the short girl that got in the fight with the other gal there. We saw a chick fight at a Pavement gig in 2022. It was kind of weird. It was kind of awesome. I doubt either of those gals—or maybe one of them, maybe the taller one—is listening, but man, one of them got sent down, like down to the floor from our platform. That was amazing. When I saw that happen, I was like, 'Fuck yes.'" [15:25] "Because it just gave me reassurance that the vibe of Pavement—being all of these different things in indie alternative music, whatever—is still alive. To have something like that at a show. Way better than the 2010 reunion. That holds a special place in my heart because it was my first time seeing them. It was in Central Park; it was really cool. But seeing them with you that night was definitely the best show I've ever seen." "Yeah." "Yeah. Maybe of all the shows I've ever seen, not just Pavement—it was very good." "Yeah." "So anyways, we saw them in '22 a bunch, and I think I counted—from what I could remember—like 12 times I've seen them. So half before 2010, half after." "That's pretty cool." "Yeah. They've always been, you know, sure, superfan status. But more as time goes by, they're kind of a classic for me. If I want to put on something, I usually reach for an album—actual vinyl instead." "Which one is the one you go to? Do you have them all on vinyl?" [16:55] "No, I don't think so." "Okay." [17:00] "I go to 'Crooked Rain.'" "Oh, okay." "That's the one I was first introduced to." "Yeah." "You know, it checks the boxes for me. It's got a big start. It's got a great song number three." "Yeah. We love your number three." "I know. It's got a great midway point. It's got an instrumental—'5 + 4 = Unity,' or '5 - 4 = Unity.' And it's got a lot of staple items that make Pavement Pavement that you can pick out from the beginning to the end of their recordings. It has a little bit of 'Wowee' in it to me. It's a really good mix of who they are." "Yeah, if there was a Pavement Bingo card, you would definitely get a line." "Yeah." "Maybe even a full box." "Yeah, 'Hit the Plane Down'—you couldn't get more punky than that for Pavement." "Yeah." "You know, it's got a hit, 'Cut Your Hair.'" "Yeah." "It's got it all. 'Silence Kid.' When I first put this on, from song one, it became my go-to for when I kicked off things like road trips or moved into a new house. Anytime I've begun something monumental in my life, I would put this album on. It's such a good start. I clearly remember when I moved to LA, set up my stereo, and I put this album on." "Oh yeah." "It just gets me in a really fun, good mood. Creative, too." "Yeah, I like that with 'Pot Hot.'" [18:49] "It makes me fun and creative." "Me too. Well, what do you say we take a quick break and then come back and reveal track number 12? We are almost in the top 10, my friend." "All right." "We'll be right back." [19:04] "Hey, this is Bob Nastanovich from Pavement. Thanks for listening. And now, on with the countdown." "Twelve." [21:46] "All right. Track number 12 on the countdown. I couldn't imagine a better person to do this song, having spent some time in SoCal. It's 'Unfair'—the South taking what the North delivers." "That's right." "Were you delivering to the North?" "I mean, when I sucked and kissed, it's sour." "This song, you know, it's awesome. On the album, it could be a song three for me. It's got rockets; it goes. That's amazing. I'm so glad it's number 12. That's in the top 20, so it definitely should be. It's really high up there for me; it's probably in my top five." "Oh, wow." "So yeah, I'm happy. I've already answered my 'Is it properly ranked' question." "Oh yeah, big time." "I love this one. I mean, it really personifies Pavement—being from Stockton, Sacto area, all of that. This song is about the supposed battle between the North and South of California. I know all the places it talks about. I've been to Shasta many times. We had family living for many years in the Tahoe area; we know all these places. And I guess the jury's still out on where that North-South boundary line really is, because I think this song—" [23:27] "Malkmus likely wrote this song. I think he's just not having the South. He's really dissing it. There's a total vibe here of him just dissing the South." "So it's amazing." "Well, we've seen in his later life him moving to Portland, your hometown. He didn't move to LA. He didn't pack up and move to LA or Nashville, I suppose, would be the other big music place. But yeah, he went to Portland and went with that indie vibe rather than that corporate vibe. So I wonder if he gets that feeling or something." "Yeah, I don't know. It's good—you know, I went back, I was searching through some of those gigs I went to, and I believe it was the San Francisco show I saw in '96 that they closed with 'Unfair.' I'll have to go back and look at this." "Oh, wow." "Such a good song for a closer, leaving on high energy." [24:35] "And just when you think you've maxed out energy-wise, you get to that chorus—a sort of chorus." [24:47] "You know, 'the foothills of our mind,' and when he's just screaming, it goes into a second gear or a third gear and really picks up steam. It's so good." "Yeah, I used to put this on mixtapes." "Oh, you did? That's cool." "Yeah, like road trip mixtapes. It feels really road-trippy to me because he's name-checking all that geography." "Yeah, yeah. That last question in the song, 'To the last psychedelic band'—are they talking about themselves? Is that giving themselves kudos? I don't know. I would love to find that out. But yeah, this song really hits home for me. I drove California so many times; I know all these places. Hearing this the first times—even talking about Shasta early on in the song, verse two—I mean, at the time, my roommate was from Redding, which is adjacent to Mount Shasta. So we were just like, 'Who are these guys? What are they doing singing about our places?' Where are they from? Stockton, which is hilarious because he's like, in the song—" [26:16] "He says, 'This ain't no Bakersfield' or whatever the line is." "Yeah." "And Bakersfield really is not that much different from Stockton." "Oh, no?" "They're both armpit cities." "Oh, really?" "Just armpit cities, yeah." "Like industrial or something?" "Yeah, like farm—ag cities. They're just kind of wastelands." "Oh, wow." "But yeah, I dig this song, dude. It's something you can sing along to and scream along to. It's not a quiet song." "Great to drive to." "Yeah. I'm so glad it's number 12. I would rather have heard it was in the top 10, but I'll take it as number 12. That way, it's still more special for me because it didn't make it to the top 10." "Yeah." "And it would have been my drift. That's kind of like the Pavement thing—like, you don't know us, but you might know us, you know?" "Oh, you're a Pavement fan. Okay. Yeah, you seem like that. I've heard people say that before." "But great, you film hack. I don't need your fade. There are so many good lines in here. There's a theme, but it's kind of all over, which is what I love about these guys. Also, one thing that really vibed with me in the mid-early '90s with these guys is the lyrics not meaning shit a lot of the time, because everything we were listening to around then—there was so much cheese, bro, in rock and indie and alternative. So much music that I just had a hard time being a fan of. I'm not a big singer-songwriter guy. I like quite a bit, but it's not my favorite genre. So to get somebody putting a song together like this—it has kind of a theme but is totally non sequitur at the same time—it's right up my alley. It's cool." [28:27] "That is very cool. Well, thanks so much for coming out today and doing this. This has been great." "Yeah, JD. It's been great. Thanks for doing what you do because there's no one like you who could put this together. So we're all grateful." "Buddy, thanks so much." "Yeah, thank you." [28:48] "That's—I don't know what else to say. That's pretty fucking cool of you to say. Thanks." "From Portland." "And now I'm going to go back into game show host mode. Tim from Portland, do you have anything you would like to plug?" [29:11] "Yeah, I just want to tell everybody out there to get off your ass and go to a gig. Go to a show. Go to your local bar that has a stage. Go to your venue that holds less than 250 people." "Nice." "And support the arts, you know? When you go to these places—here in Portland, Oregon, I have three great places within three or four miles: Turn Turn Turn, the Kenton Club, which is just down the hill from me, and the Fixin' To in St. John's. These are all amazing places to experience live music. If you go in and you pay $10, you don't buy a drink—that $10 is generally going to the band." "Fucking right." "If you don't buy a drink or some food, the bar isn't making any money. Go out, spend some money, and support the arts. This is supporting the arts, and it's such an awesome thing to do. When you go to a concert—even if you hear a gig and only stay for four songs—it has a positive impact on your body and your soul. We walk away with heightened endorphins, and it feels good. You ever leave a show where you're just like, 'God damn, that was amazing. I feel so good. I wish I could do that all over again.' That's the chase, and that's supporting the arts. Everybody's got to keep getting out and doing that. I'm not talking about the mega stadium shows or the big festivals—if you can afford to go to that enormous dome, go for it. I'm talking about hitting up your local spots, your local venues. And if you don't have any, then find the amazing ones and do a road trip. Just get out and go to some shows. That's my plug." [30:50] "That's nice. I like from where you came. So there's that. Hey, it's JD here, checking in from the present. That's right—it's October the 4th today. That episode with Tim and I was recorded way back in February—the Ides of February, in fact. So, you know, as I'm editing this episode—and hey, listen, I don't do a whole lot of editing; I want this to be sort of authentic and real and, you know, all the rest of that shit. So, listening back, Tim's impassioned plea for live music made me think of some of the gigs that we've been to. Tim and I were talking; he's like, 'Hey, remember the Toronto show where they played "Unfair"?' And I was like, 'Fuck yeah, do I?' And he's like, 'I have a file.' And I was like, 'Ooh, send it my way, motherfucker.' Here it is. This is 'Unfair,' live from Toronto, on 'Meeting Malkmus,' a Pavement podcast." [34:47] "All right, man. Thanks, buddy. Well, thanks again. That's what I got for you. Wash your goddamn hands." [34:53] "Thanks for listening to 'Meeting Malkmus,' a Pavement podcast, where we count down the top 50 Pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email: jd.meetingmalkmus at gmail.com." Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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This week jD welcomes Ralph to the pod to discuss his Pavement origin story and to reveal song number 13! Transcript: Track 2: [0:00] Previously on the Pavement Top 50. This week, we're on the horn with AT&T. How are you feeling about song number 14, Rachel, from Portland? I love AT&T. The song is super fun. I really love the way in which, like, the verses go into this, the, you know, when he goes into the, like, whatever, whatever, and there's a kind of screaming thing in it. And it almost feels like the whole song could be complete. And then it starts again with the second verse, which I really love. It takes you on a really cool journey. And I also love, to me, there's so much meaning in it. And there's also so much that I don't understand and feels a little bit nonsensical to me. Hey, this is Westy from the Rock and Roll Band Pavement. Track 3: [0:54] And you're listening to The Countdown. hey it's jd here back for another episode of our top 50 countdown for seminal indie rock band pavement week over week we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots i then tabulated the results using an abacus and two marshmallows shaped like mushrooms also they were actual mushrooms how will your favorite song fare air in the rankings? Well, you'll need to tune in to find out. So there's that. This week, I'm joined by pavement superfan Ralph from Lincolnshire. Dude, thanks for taking some time to do this with me. How the fuck are you? Oh, I'm good. It's great to be here. It's great to have you. It's a dream. Oh, you got to dream bigger, baby. You got to dream bigger. There's nothing bigger than meeting mammoths. Track 3: [1:54] Well, let's get right into it. Let's hear about your pavement origin story. Okay. okay so uh well so so my dad is really into music he has like a record shop and everything and he grew up in the 90s so he loves it so i i grew up most of my life you know on like various tapes and stuff just hearing two pavement songs i heard stereo and range life a lot so they're like burnt into my brain i only really got uh you know explored further than those two in uh i think it was like october november 2022 so not very long ago okay yeah ever since then it's been you know a burning intensity of pavement wow a burning intensity yeah so what is your what is your go-to at this point like what record do you go to or how many times has that changed what order did you go through the records in talk to me baby so i mean i so i started out uh when i very first died i listened to um quarantine the past the best oh that's a that's a smart move just to discover them you know and uh so i think the first one that i really liked uh other than those two was um unseen power of the picket fence which is a weird choice because it was i don't know why they put on the best of i'm really glad they did. Track 3: [3:20] Tough to get your, it was sort of tough to get your hands on. Yeah. Because Quarantine of the Past was released on vinyl. So, you know, sometimes they throw us a bone that way, right? Yeah, definitely. Yeah, they're good to us. But I would say, I think my first album that I really loved was Bright in the Corners. And then I just very slowly discovered all of them kind of one by one. All right, talk to, I'm a big Bright in the Corners fan. So talk to me about your experience with Bright in the Corners. Oh, it's just, I think it just flows so well. I think that's my favorite thing about it. Compared to all the other albums, it just flows beautifully song into song. And I really like that there's two Spiral songs, you know, Love Spiral there. And I think as well, just having the two openers and then collide together and then kind of flow into all these kind of more mellow tracks really works. I really like that, I think. What's your favorite track on that record? Okay, do you have one? Ooh, my favorite. I think I'm going to have to go stereo. Yeah, I'm going to say stereo, but I really like Starlings of the Slipstream. I guess stereo, because you've got all that indoctrination. Inculcation. Oh, that's a good one. Yes, yes. So, yeah. Track 3: [4:43] Gosh where do we go next so you started creeping into the next records do you what was your next favorite what was the next one that you listened to that sort of just went what in the fuck am i listening to i don't know but i love it yeah i think uh i think probably wowie zowie i think yeah because yeah that makes sense just it's just amazing i think it really fits it's almost. Track 3: [5:09] Cliche to say but it really fits the ethos of pavement doesn't it because they're all just scattered everywhere and it doesn't make any sense but it's just beautiful yeah there's some gorgeous songs on that record mother to a sister of thought yeah love it love it although single choice maybe not the best single choice for commercial purpose i suppose yeah i suppose well said good point my dad maintains that um kennel district should have been single really yeah interesting yeah i can't think of many scott songs that are yeah as a single one is that i mean i mean they have uh painted soldiers as a as a music video yeah it wasn't a single was it i don't think so it wasn't a single for them anyway it might have been a single from the brain candy record oh yeah yeah maybe which was the kids in the hall and that's why they made the video but i yeah i'm not i'm not sure yeah that would be great that's one of my favorite one of my favorite favorite songs when i saw spiral last live um i was like oh can you please pay play painted soldiers and he was like oh man we haven't rehearsed that in a long time and then they played it they pulled it out at the horseshoe tavern in toronto and it was fucking fantastic and uh. Track 3: [6:28] And then they took it on the road with them. Like, I mean, in the 2022 tours. Did they? Which by virtue of the next question, I've got to ask you, have you ever seen them live? Did you go out on the 2022 tour at all? So, I saw them in, I think it was July of last year at a Blue Dot Festival. Oh, cool. Yeah, in Cheshire. So, that was great. That was so exciting. Yeah, I bet. Yeah, my first big festival. How big was the festival? How big a festival? Uh, it was, I don't know. I don't know how to judge it. It was, it was fairly big. It had, uh, I think Grace Jones was headlining the others, but Pavement were headlining. So there was nothing probably bigger than Pavement on that. Track 3: [7:11] Uh, yeah, yeah, it was, it was pretty good. Probably like maybe three main stages, I think. Oh, wow. That's very cool. How long did Pavement play? Uh, they played maybe, maybe 50 minutes or something. Yeah, it was pretty good. I was happy with it the cool thing about blue dot is that it's uh right next to the jojo bank telescope so there's this gigantic like dish like kind of you know for i don't know um radio telescope yeah yeah right behind them and they projected onto it as they played that's really cool oh that's fucking badass yeah that's very cool and i suppose that's why it's called the blue dot festival too yeah yeah they discovered some some i don't know space object yeah i bet they had a really cool thing actually they had um like a listening party where they interview a pavement where they listened to wowie zowie all the way through and pavement talked about it they did like uh like a director's commentary yeah yeah on the whole of wowie zowie it was great and they like i saw people. Track 3: [8:15] Filming it at the festival but i've never seen it released and i'd love to have it released oh me too i'm gonna have to scour youtube for that pressure pavement yeah i have that kind of power of course, what um what what sorts of things did you learn do you remember any nuggets oh what have you learned uh i feel that i can't i'm doing a disservice to payment here but But I think Scott Kamburg's mom used to teach someone or something, someone who was famous. I can't really remember. Oh, man. They were a bit down on, what's Scott's last track on Wauwizawi? Track 3: [9:01] Path to Canyon? No. No, it was. Oh, my God. No, Western Homes. Western Homes. Yes. Yeah, they were saying that they'd never played Western Holmes apart from like once or something. And they were saying it was a shame because I feel like they should play that more. It's pretty cool. Yeah. Yeah, I like his contribution. Yeah, of course. I wouldn't be caving him without it. No, because, I mean, if you think of the early stuff, like, he was on, you know, like, he was doing a lot. Like, I don't know if it was 50-50, but it was, like, a lot more, you know? Yeah, definitely. I mean, I think, wasn't it for the first EP, he wrote, like, a lot of the instrumentation or something, and then Mountmas came and did some, like, lyrics on it and sang on it? But I think originally it was going to be a different project. Oh fuck you know i have to have known that because i've talked to scott five times so i'm sure we've talked about it but damn is my memory bad gee whiz well what do you think should we uh flip this sucker over and get to the track of the week number 13 oh i'm excited i think you should yeah all right well we'll do that right after this hey. Track 2: [10:19] This is bob mustanovich from pavement Thanks for listening, and now on with a countdown. Track 3: [14:19] That's right. Song number 13 on the countdown is Shady Lane, J vs. S. Ralph from Lincolnshire. What is your initial thought about this song? Well, it's an amazing song. It's an amazing song. I mean, I think if it wasn't going to, yeah, I think it might be, maybe I'm putting it third on my ranking of Brighton the Corners. And oh wow i would almost say you know brand the concert's my favorite pavement so it is super up there it's it's a brilliant it's a brilliant song i think the lyrics are the best thing for me really i think just uh obviously there's so many moments like uh when you're talking about god and you know and when he's talking about um uh you're the what's that that amazing lyric right at the start uh you're the uh you've been chosen as an extra to the. Track 3: [15:18] Right an extra adaptation of the sequel to your life that is right yes and how he just gets all the syllables on in as one big long kind of statement so good yeah it is it is really cool i think i have i have a question though uh what is an emery board an emery board is like what you would use to file your nails oh it's almost like it's almost like a very fine sandpaper but it's on like a it's on like a tooth or a tongue depressor you know yeah that shape it's that shape and then it's like i say it's got grit on it to file your nails oh yeah see that so that changes the entire song for me now the entire song oh my god whole new ways his own nail nail oriented avenues of interpretation right right i think it is as well um one of three steven mountainous written songs to include uh references to oysters we have uh cold sun who has ever said the world is my oyster i feel like an info stuck in a cloister and uh do not. Track 3: [16:29] Feed the oyster of course so i i see it as like one of a little trio of uh oyster based songs that is great i have to remember when i put this episode out to include that question in social media how many songs about oysters does sm have and see if i see how many people get it right whatever the answer is it's uh he doesn't have enough we need to pressure him to write more We need to write more. He's too busy searching for the pearls, baby. Oh, yeah. That's it. Yeah. Track 3: [17:04] I think the thing about Bright in the Corners as well is that it has so many things that you could have used as singles, you know, so many standout just... Iconic songs so it's not even fair really it's not even fair on so many other brilliant tunes like day with ikea say you know or uh even um even finn i think finn would be a mental single oh yeah i just think um it's uh so it's kind of unfair i'm bright in the corners it's too good, it really is it really is and and going back to finn for a second and jesus fucking christ is that song good okay that's all i have to say about that um. Track 3: [17:46] What's your take on the whole j versus s piece to the title do you have a take on that yeah i love this i love this and payment do this i think i think in other times as well they kind of add little bits on to songs and it's just great and i love how it's you know like a frankenstein's monster of a song with two separate songs because on the um on the music video i was watching it on youtube and probably when they originally did it they don't put j versus s on so it's like it's its own other thing you know it's like to be treated with equal respect um but i really like it i think it flows into the next song well right so your your interpretation is that it is that that tale that outro yeah yeah it's an outro but i think we should uh yeah we should respect it equally okay i can get behind that i can get behind that yeah because it's not even like it's parenthetical it's it's straight up j versus s yeah it's important enough to be in the title i mean that's right what do you who do you think j is and who do you think s is oh uh who do we think Oh, who do we think Jay, um, uh, Julius Caesar versus, um, uh, uh. Track 3: [19:13] Superman. Yeah. Track 3: [19:17] It's like a fight. It's a fight that they envisioned. Oh, man. Just don't have that fight in the middle of the month. Yeah, you gotta leave it till the end. They waited to listen to the song before. That's right. Track 3: [19:32] So, is this song, and I know the context is tough. We record these much earlier on. And you haven't heard the vast majority of the list at this point. But to your experience, this song at number 13, is it rated? Is it underrated? Is it overrated? Is it overrated? Track 3: [19:52] You see i suppose 13 is ridiculously high for a song to achieve um i mean how many payment songs are there there's over 100 there's many songs but absolutely i think i think even considering that it is underrated by this list i think it should be higher wow it's a great song you really do like right in the corners uh-huh jeepers that's great well do you have anything that you need to plug uh ralph from lincolnshire uh i don't think i do i don't think no that's cool pavement plug them up yeah listen to them cool not not by chance making the trip to south america are you uh no i wish i was i wish i was me too uh i i kind of i don't know i don't know i i hope either they continue with like a whole many years worth more dates or they just go with uh you know we'll We'll start touring independently because I want to see Solo Mountainous. That'd be cool. Yeah. Yeah, he's very good. Very fucking good. All right, dude. It's been great talking to you today. And I really appreciate your time. And next week we're going to get to song number 12. So stay tuned for that one. Oh, it's heating up. That's right. Definitely heating up. Track 3: [21:15] Use that hot water to wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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We've got Rachel from Portland in the house this week on The Pavement Top 50 Countdown. Rachel and jD discuss her Pavement origin story and unveil song number 14. Transcript Track 2: [0:00] Previously on the Pavement Top 50. And there it is at track 15 from Wowie Zowie, Rattled by the Rush. What are your thoughts on Rattled by the Rush, Ross from Fife? Well, I already said since I came to it last, Wowie's not my jam. I love it. It's still a Pavement album. It's never the one that I go to. Right. and Rattled by the Rush might be the last pavement hit that I actually heard oh really? Yeah, I don't think I heard it until at some point in the early 2000s I bought, I can't remember what it's called the DVD, Slow Century Slow Century, yeah I think maybe that's the first time I ever heard it oh, because they showed the video on that Yeah, I can't remember if it's the proper video or not. I know that they had to re-release the video because it was making people sick. People used to be such fucking pussies. Hey, this is Westy from the Rock and Roll Band Pavement. Track 3: [1:14] And you're listening to The Countdown. Hey, it's J.D. Here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and a calculator watch operated by the power of friendship. How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week, I'm joined by pavement superfan Rachel from Portland. How the fuck is it going, Rachel? Going pretty well, JD. Thanks for having me. No, it's my pleasure. It's good to have you here. Well, let's not waste any time and get right to it. Rachel from Portland. Talk about your pavement origin story. Track 3: [2:07] Hmm. Well, I first started listening to Pavement in high school and I am sure Cut Your Hair was the first song that I heard and it's just so catchy. And I don't even remember like where I heard it. I'm sure it was maybe on the, maybe on the radio, but it really grabbed me. There's something about just that it's so happy and it's so silly and I'm a very silly person and really gravitate towards that kind of music. So I got really curious about Pavement, but you know, Back in the 90s, CDs were really expensive. This was before I've heard a lot of people on your show talk about downloading tracks from Napster. I think I'm a little bit older than that, or maybe I'm a little technically not inclined. Track 3: [2:51] So I made a lot of mixtapes with a tape recorder next to the radio to record songs off the radio. Um so i actually don't really i don't have a super clear memory of of like how it evolved from there i know there were a few other pavement songs that i heard and really liked like specifically trigger cut and and you know just some of the other really um happy ones but but i was also you know um you know getting really into the grateful dead and and other things so i didn't i didn't really pursue my love of pavement a lot but it but it always had this really special place in my heart. I think that when you, uh, the music that you listen to when you're growing up, it kind of just never, like, it always takes you back to that place in a certain way. Track 3: [3:38] Um, so, uh, fast forward and I was, I was in high school, so I was a little too, um, you know, at that point I was kind of like going off and seeing some concerts. I never got to see pavement at that point. Um, but then, uh, fast forward a bunch of years when they got back together for their, reunion tour in 2010, and they'd released... Oh, your dog is so cute. Oh, just a second. Just one second. I'm sorry. Okay. Yes? Track 3: [4:10] Hello? That doesn't typically happen, because typically the door is locked, and that means I'm recording, so I apologize. Now I'll be doing some editing. Are they? Yes, no problem. So they got back to there for their reunion tour and they released Quarantine the Past, Um, which, yeah, which is, is really interesting because in some ways, you know, the albums, there, there aren't some bands I listened to the albums like straight through and some I kind of pick and choose the songs and pavement. I really love listening to the albums themselves, um, and kind of each song in context of the album though. Sometimes I'll, you know, I, I like them more and more. So, um, I, they were coming to, they were coming just outside of Portland to Troutdale that year, and I'm pretty sure it was sold out. And I just had this feeling of like, I have to go. It just like wouldn't, kind of wouldn't leave me. And so I ended up buying tickets from some like strangers off of Craigslist. And I can't remember which of my friends was supposed to go with me, but whoever was supposed to go couldn't make it. And the day before the show, I randomly had, I was going to hang out with a woman that I had met through the yoga studio where I teach. And we were hanging out at her house. It was like our first friend hangout. And I saw that she had pavement tickets on her fridge. Like they were paper tickets. Track 3: [5:40] And I said, are you going to the pavement show tomorrow? She said, yes, I love pavement. And I was like, can I go with you? And so I ended up going with her and her crew to the show. And it was one of, it was at the time, and this was 2010, I've been to a lot of concerts, but it was one of the, the like best shows I've been to in terms of just the energy on the stage and the way it just, the way it made me feel so alive and just so like joyful, you know, with, and, and one thing I love about Pavement is kind of this, this range of emotions that they go through. They have this very, you know, there's this whole thing about them being like slackers and being, you know, but, but they're very smart and they're very silly. And they kind of go from, you know, they kind of, they kind of go from these, like, they go through some really deep themes in their songs. So, you know, which we'll talk about when we get to our song for today. So I, I was after that, I was just so I was so hooked again. And I started like devouring the albums a little bit more and more. And so at that point, I started listening to them a lot more. And then they came back in 2022 to the same venue in Troutdale, Oregon. Track 3: [6:47] And I was so excited. I mean, I bought the tickets as soon as they went on sale. I couldn't wait. And it was a great show. It really, really was so fun. But I couldn't actually, from where I was standing in the venue, I couldn't really see what was going on on stage, which is kind of a bummer because they're so fun to watch them and their interactions. Um but after that show I just had this feeling that was 22 and I had this feeling of I I need I need more pavement I need more pavement now and so I looked at their whole tour schedule and it was like Australia and and I just couldn't do it there was no there was no way I could like drop my whole life to to go on pavement tour you know and they and they just don't I mean they were playing a lot that year but they don't. Track 3: [7:30] They don't play that much generally. And so in January of 23, when I saw them announce Iceland in July, I was like, I'm free those days. And then the cincher was that there's a nonstop flight from Portland to Reykjavik. I was like, nonstop. Really? Yeah, there's a lot of nonstop flights. That's beautiful. And there were a lot of bands at the time that were doing residencies at Harpa, like Papin did. Disco Biscuits did one. um freeze mcgee did one and wilco did one so um and a bunch of my friends are into those those bands and they had gone um for those shows so i just booked the flight and i and i was just like i'm gonna go i bought the tickets for the show and i bought specifically um the front row of the balcony because i really really wanted to see everything that was happening on stage um Um, and I was planning on going alone, you know, just cause there's so many bands that, you know, when I go see shows, I love going with friends and, you know, I'm, I'm a big fish fan and there's so many people in the world who are, who are into fish and they, and so like, when I go see fish, I have to decide, like, should I go with these fish friends or this friend with pavement? There's like, none of my friends are into, almost none of my friends are into pavement, um, which is, which is really sad. And so, um, I was just going to go. You've got some work ahead of you. Well, yeah, yeah, for sure. Track 3: [8:56] And so, but two of my girlfriends really wanted to go to Iceland. And so they joined me on the trip and we ended up extending the trip a little bit. And we went around the whole, we rented a camper van and went around the whole island for a week, which was just out of this world. And I'm so grateful to, and neither of these women like pavement. They both came with me to the first show, but they were not into it. But one of them did all of the planning. She did all of this research and planned out our entire trip around the island. And all I did was listen to as much pavement as I could possibly get my hands on for one. Track 3: [9:35] And so we had an amazing trip. They came to the first show. They weren't into it. And they didn't come to the other shows, which was fine because I'm like, I got to read. I got to read really hard. But I met some really lovely people, other pavement fans. There and the shows were beautiful they played quite a few repeats which were um the second night felt a little like i expected some repeats the second night it felt a little disappointing i was like how could there be so many repeats but by the third night they were mostly repeating stuff that i really like so i was okay with it um and i knew they were gonna do that you know i kind of expected it um there's a it's tough because they took what 70 70 songs on the road I forget. Somebody told us it was either 60 or 70. I was just re-listening to the episode with Steve West that I think maybe came out very recently. And he said 60. He said they took 60 songs on the road. That's who it was. Yeah. Yeah. And then they play 30 songs a night. So you're going to get some repeats. Yeah. Yeah. Which I expected. They did advertise B-sides and rarities for Iceland. Track 3: [10:42] There were only so many, but it still was wonderful. And Harpa is a gorgeous venue. It's beautiful. It was also really funny. There's like no security in Iceland, you know? And so like, I'm so used to like hiding all my things when I go into a show. And like you know nobody they barely looked at my ticket that was pretty funny yeah it was um they they were they were lovely shows i had a really sweet moment um uh i think it was after the first show i was walking with my friends we were maybe a lot we were maybe two blocks from the venue and it's you know it's it's late at night but it's still light out because it was july in iceland and i saw this this kid he was probably maybe seven years old he looked like he He was, I don't know if he was Icelandic or if he was somehow related to the band. I think I've seen pictures of him in the front row from those shows. So maybe he was connected somehow. Track 3: [11:37] But he was this kid and he was walking, I think, with his mother. And we were a few blocks from the venue. And I hear the kid just like, I hear him singing like, do, do, do, do, do, do, do, do, do, do, do, do, do. And I just perk up and I start singing it with him. And he looks at me and his eyes just light up. And I was like, there's this connection that happens when people, you know, when it's this, it's familiarity. And we just, we didn't speak any words. We just had this like these huge smiles at each other and kept singing it as we were walking. So it was really cute. The magic of pavement. Wow. Cool. I really feel that. Track 3: [12:14] Yeah. Oh, and then, and then after that, you know, they, they, they played those Brooklyn shows. I really wanted to go to them, but I couldn't go because I had to be in New York the next week. I actually had jury duty that week, so I just couldn't get to New York to go to the Brooklyn shows last year. But then this year, and then they played South America this year. I was like, I can't get to those either. I've got a lot of dreams of traveling for music that I can't quite make happen. But then they just played Bumbershoot in Seattle, which is only three hours away. way. And I was like, I was really torn because one of my dear friends was having a big blowout for his 50th birthday that same night. And I was just like, the pavement's not going to play that much longer, I don't think. And he said, I would never fault you for going to see music. So I went by myself. I took the train up to Seattle and had such a great time. And part of the reason I actually wanted to come on your podcast was one of the things that was so interesting to me about being at that show was, After being mostly in the balcony in Iceland, I did go down to the floor for the third night of that run. But I was determined. I was like, I want to be front row center for this show. Track 3: [13:33] And the way that the Bumper Shoot is this really great festival. It's set up in Seattle Center. It's really beautiful. And so I was standing kind of to the outside of the stage where they were going to play as the band before them was finishing. And as soon as they were done, I kind of started walking towards the middle. And there was a spot on the rail I could have taken, but it was off to the side. I really wanted to be more central. So I went all the way to the center and I ended up, you know, like fourth or fifth row. But it was still an hour before they were going to start. And so there were all these people who were also crowding around, like waiting for them. And so a bunch of us ended up sitting down and just chatting. And these two people that I was sitting with and who I talked to a lot, And we, you know, we saved space for each other during that time. It was so fascinating. The, it was this, it was this man and this woman and she had, she had just three weeks ago turned 21. Track 3: [14:28] And, and I know I just, I couldn't believe it. And so I asked her, and so I was like, tell, tell me how you got into pavement, you know, channeling you Diddy. And, and so we had this amazing conversation just about how she got into pavement and her favorite songs and everything. thing. And one of the things that I thought was so interesting, you know, we all know that, you know, pavement's having this TikTok resurgence. I'm not even on TikTok, so I don't know, you know, like all that stuff. But, but it was so interesting to me that there are, you know, and, and, oh, and almost all the, there was a lot of people who were, I'd say in my age range, slightly older than me, you know, maybe like in their fifties who were there, who were like really enjoying the show. But all the, most of the people who are right around me were, were in their twenties and it was so fascinating. And so the idea to me that there are people who, there are people who love pavement, like who are, who, who love pavement and love talking about pavement and love seeing pavement as much as I do, but have a completely different relationship with cut your hair than, than I do, you know, or that people who got into pavement, you know, when they first, when they first came out, it's so different. Um, and I was so fascinated by, by all of that. And then one of the weirdest things was that they didn't play cut your hair at the show. And, you know, I mean, they've played it in every other show I've been at, so it was okay. But I was actually really shocked about it. I was like, you know, they're catering to their new fans and they're not catering to their original fans. Track 3: [15:56] It's very cool to think that, you know, all this touring and the TikTok stuff has really led to a new generation enjoying this band. And that's just a testament to, you know, the music they made, right? Track 3: [16:18] For sure. And it's interesting that they, you know, like in some ways I really appreciate that they're not making new music as pavement. Like I love the new music that they're making. Otherwise I'm a really big fan of, you know, Stephen Malkin's and the Jicks and all of that work. And, and I'm really excited about the hard quartet stuff that's coming out. But, you know, there, there is a part of me that, that wonders, you know, what that would be like. And, and as much as I, in some ways, I wish like pavement hadn't broken up, like the stuff that Stephen Malkin, you know, created afterwards is so, so rich and so brilliant that, you know, I know that that was supposed to happen in that way. Yeah, I liken it to every time I make wishes about changing my past, you know, I think, I can't do that. I have two kids and I don't want anything to happen to them. I don't want to wish them away by accident. That would be terrible. Yeah, you want a butterfly to take your kids away. You know, the same thing goes with this man. Yeah. If they'd been broken up, you'd be on a totally different life path. Totally. Well what do you say rachel from portland that we take a break and then come back and listen to song number 14 yeah i'm into it all right let's do that hey. Track 2: [17:39] This is bob nastanovich from pavement thanks for listening and now on with a countdown down. Track 3: [17:47] 14... Track 3: [21:19] This week, we're on the horn with AT&T. How are you feeling about song number 14, Rachel, from Portland? Track 3: [21:29] I love AT&T. The song is super fun. I really love the way in which, like, the verses go into this, you know, when he goes into the, like, whatever, whatever. And there's a kind of screaming thing in it. It almost feels like the whole song, like, could be complete. And then it like starts again with the second verse, which I really love. Um, I just go, it takes you on a really cool journey. And I also love to me, there's so much like meaning in it. And there's also so much, um, that I don't understand and feels a little bit nonsense, nonsensical to me, um, which, which I, which really, which I also love. Cause that, that really feels part of like the essence of pavement, you know, like there was something really deep and there was something that's really nonsense. Sense and and it's almost like i almost feel like as a band they like both want you to want to figure it out and they're like don't be a fool and try to figure it out i love that yeah i can see that my first talk with spiral stairs ever he talked about the mystery of the band and you know how the first uh couple eps they were just spiral stairs and sm people didn't even quite know on the the first EP, whether the band's name was Pavement or whether it was Slay Tracks. Track 3: [22:49] So they loved that mystery. So who knows, that might have carried forward rather than in Persona, but in the music. That's a nice assessment. Track 3: [23:07] So what else do you think about when you think about this track? This is from Wowie Zowie. Is it one of your standout Wowie Zowie tracks? Track 3: [23:22] Yes and no. I mean, I love Wowie Zowie. It was, you know, I never submitted my top 20 ballot to you because I didn't find out about your podcast until after the ballots were in. And so when I, when I go through my like top 20, there's like, I don't know, 14 or so that are, that are very clearly in my top 14. And then there's, and then there's like 15 songs vying for the last six months. So this wasn't in that original, um, uh, roundup for me, but it is a song I really love. And, and there's most things on Wowie Zowie that I, you know, that again is an album I really enjoy listening to through. Through um and uh and I you know I would never I would never I would never skip this song when it came on it's um uh and now and now that I've like spent so much time listening to it for this podcast it it definitely might it might up its way into my top 20 a little bit um yeah but there's so many good songs on Wawi Zawi it's hard to it's hard to you know um I don't I don't think there's any on wawi zawi that i don't really love that much yeah i put you on the spot yeah, so um what do you think this one's do you have a do you have a take on this on this one i do i do have a take on it and i'm just gonna say i'm gonna preface. Track 3: [24:48] This by saying that um i i'm a life coach and so i think that i'm um coming to this from a little bit of like a life coach you know uh way of viewing it so i also will say that you know that's just my perspective and i i don't need to be right on any of this this is just the interpretation that that i came up with based on reading it um okay so a couple things that so first of all um at&t you know obviously it's a um you know phone company communication company so i think that that in essence there's this idea about, um, the, the way in which we are like in communication with each other, but also the way in which we are in communication with ourselves. Track 3: [25:30] Um, and the way in which that can be like clear and the way in which that can be clouded a little bit. Um, I did, I did go online and just kind of like look up the lyrics and read some things. And there, you know, there's a lot of different, there's a lot of different controversy about the lyrics in terms of, um, the way that they're printed like on the, you know, if you look, if you look at the lyrics, there's a lot of people who are like, no, that's not right. So, so, you know, who knows, who knows about that stuff. But, um, Uh, I, I personally think that there's a, well, let me just tell you, let me tell you what I'm feeling. All right. So, um, so when it starts with this, maybe someone's going to save me. I did, I did read somewhere that it's, that that's kind of like, um, punking Oasis a little bit. I don't know if that's true, but I, I kind of like the idea of it. Um, but, but to me, what it really means is like, I kind of feel that this is somebody who, you know, this song is really kind of speaking about somebody who is almost like afraid to take action in their own life and is kind of like swimming in the soup of what they, of like what they think they're supposed to be doing, you know, whether that's like the corporate ladder or, you know, or having success in certain ways. And so this idea of like, maybe someone's going to save me is, is kind of like, I'm not going to take my own action and I'm just going to kind of wait for someone else to come in and create direction. Track 3: [26:54] And, and so I think that kind of, to me, I really feel that in the, like, the laps I swim from lunatics don't count. Like, I'm like, I think a lot of us take, you know, we do, it's not like we're totally inactive. It's not like we're sitting on the couch all day, like couch potatoes, but we're maybe doing things that, that are, you know, helpful to others, but not necessarily helpful to ourselves, you know, or, or, you know, like, not, not the most urgent or meaningful things that we need to do, even though, even though they're, you know, it's action. So the things that when it when it says that open up your stockings, pull out of the things you never wanted from room service calls. To me, that really has to do with like, The the ways in which, you know, like the limiting beliefs or the bad habits that we've that we've gotten either like from our parents or from society or from the people who cared for us and the ways in which our brains kind of took that and and and turned it into operating systems for how we move through the world, which, you know, I think in general, those are very helpful in the sense that they got us through what we needed to get through. But they're not always helpful because they somehow sometimes they really limit us and they create like false beliefs that keep us from achieving what we want to achieve in our lives i know i'm getting i'm getting real deep here this is just the first verse. Track 3: [28:17] No this is cool i'll tell you what because i'm a little high right now and you're taking me places rachel from portland this is all right so keep at it okay cool so um so the whole idea was like open up your hands and let me see the things you keep in there in there. Like that to me really speaks to me about this idea of like, of like being vulnerable and like showing your true authentic self. And what I think the song is, is kind of challenging is this idea that like. Track 3: [28:46] That it is like, that's how we make real connection. And at the same time, it's really vulnerable and uncomfortable. We don't always want to do it. Right. You know, like and so, and so that, you know, that's kind of, That's kind of how I see this song, that like somebody who's really kind of afraid to connect with their own full, authentic, true self and is kind of experiencing the discomfort of, you know, living in a world where they're like putting on a face. Track 3: [29:19] Does that make sense? Yeah. I mean, does it make sense? Maybe you haven't thought about that song this song in that way i haven't thought about it in this way for absolute sure no this is cool um yeah keep yeah keep going i was i had a question slips away, Okay, yeah, let me know if you remember it. So then because then it goes into the like, whenever, whenever I feel fine, which I just love the riff on this. It's so high energy and fun. And then it gets into those really silly, like, like groovy, groovy kitty. But, um, but it's this idea of like, whenever I feel fine, I'm going to walk away from all this, all that. And it's kind of like, I don't know if you've heard people say, I'm sure I'm sure we've all heard people say things like, Oh, I can't do this because of this. Or like, you know, when this thing happens, then I'll be then I'll be able to do this. And it's almost like, wait, you know, I hear the character like waiting for, you know, waiting for that someone's that's going to save me. And when I feel better, then I'm going to do these things as opposed to just taking the action to make themselves be ready to do it. You know, like I'll walk away now as opposed to when I'll walk away whenever it is that I feel better. Track 3: [30:32] And this is where we get to one part where there was a, there's a, what's the word I'm looking for? Discrepancy in the lyrics. The lyrics that I found say, yeah, the lyrics I found say, you skinny, skinny people don't like that when you calm them. But I read online, somebody said, no, it's when you call them or when you call on them, which also works for AT&T. I think both ways work in terms of this interpretation. Like, like people don't like it when you're not authentic with them, you know? And so, or when you, in terms of a calm them, if it is call on them, then it could be like, Like, you know, almost this feeling of fear that if you ask someone for something, then, you know, it's like almost a fear of our own neediness, if that makes sense. You know, like everybody has needs, but nobody wants to be needy, you know, like we all want like, but we all have needs. And so I think if you're, you know, if it's like, if it's saying, you know, people don't like that when you call on them, if that's the lyric, then then there's almost this idea of like, a fear that if I ask someone for something, then they're gonna, you know, then then it's very vulnerable. Again, it puts you out there in a way that could be considered uncomfortable. Track 3: [31:49] Very, very interesting look at that. And it's nice that you prefaced it with your occupation. Because it's... No, where I'm going with this is we all bring our shared experiences to these songs. And you've shared some experiences with people as well. Well, so you're probably bringing all of that, you know, like you've got, yeah, you've given us some stuff to think about. Anyway, that's where I'm going with that. Yeah, for sure. And I wonder if the band would like laugh at me and be like, no, this isn't what it's about at all. I can honestly say all 50 episodes of this, the band would laugh. Track 3: [32:40] I think all 50 episodes. it's like but be grateful as well because they get to meet all all of y'all so that's the cool part as for um in i started university as a poetry major creative writing and poetry and, that's all you do in the first in the first semester is analyze poetry and it's like 90% of it is putting yourself out there, you know, on the limb, right? Most people, most people don't. Well, Rachel from Portland, do you have anything you'd like to plug? Um. Track 3: [33:25] I don't think so. There might, there might be a, a time coming soon where maybe a pavement song might be sung by me somewhere, someplace, but I'm not going to, I don't think I can say too much more about that. So if you happen to be in Portland, you know, you can find me somewhere. Get it recorded and you can submit it to the pod list next year. Oh, maybe I will. See? Track 3: [33:54] That's good. All right. That's what I've got for you. Uh want to thank rachel and i want to definitely thank pavement for at&t and all the other songs that we've heard so far next week we are going to track number lucky number 13, so uh hit the roulette wheel put it all on 13 and just some jd sent you and in the meantime wash your goddamn hands. : Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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This week on the pod, jD sits down with Ross to discuss his Pavement origin story and reveal track 15. Transit: Track 2: [0:00] Previously on the Pavement Top 50. Coming in at number 16, it's Fill More Jive. It's the third song from Crooked Rain, Crooked Rain, behind Stop Breathing at 28 and Cut Your Hair at 21. So this song actually beats Cut Your Hair, which is, I don't know, is that surprising? Is that surprising to you? You no i'd rather pick bill more jive over over cut your hair but i mean cut your hair is the pop song so yeah yeah that's why i was surprised it wouldn't be in the top five or something i was you know just looking at the spotify uh the spotify plays you know uh-huh cut your hair is like way up there and bill more jive is not right right so is is it do you consider it like a deep cut like when you guys went to it on the most recent tour was it um was it a deeper cut in the bag of songs that you brought yeah i say a deeper cut because i don't think we we did it in 2010, okay and we hadn't done it for years in the 90s like i think we did it in 94 and maybe they did it with Gary too before me. Track 2: [1:23] So I would say it's a deep cut live, but in terms of, you know, records, you know, for people to really enjoy, it's a pretty great number. Track 3: [1:46] Hey, it's Shady here, back for another episode of our Top 50 Countdown for sentimental indie rock band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the results using an abacus and an abacus for dummies book. How will your favorite song fare in the rankings? Well, you'll need to tune in to find out. So there's that. This week, I'm joined by Pavement superfan, Ross from Fife. How the fuck are you doing, Ross from Fife? I'm good. Good from Fife. Track 3: [2:24] Excellent. This is good news. It's always nice to talk pavement with somebody, especially when they're doing well. Well, I don't get enough chances here to talk about anything pavement, so. Well, we're going to do that right now. Let's hear your pavement origin story. Story um well the very first time i heard pavement and this only came back to me in the last couple of weeks uh as i was thinking about you know this interview um and either it was either late 99 or early 2000s my high school girlfriend put major leagues on a mixtape you remember when you used to make mixtapes for you know for sure for your crush or your significant other at the time or whatever yeah she she made me a mixtape with uh major leaks and i i liked it it didn't set me off on my journey or anything you know but that's that's the first time i'm definitely aware of having heard Pavement. Right. A couple of years later, one of my friends. Track 3: [3:38] It was right about the time of, like, Eminem was huge. Dr. Dre had just released 2001. Yeah. Snoop Dogg was big. One of my friends flipped almost overnight from being an indie rock fan to a hip-hop fan. Oh, wild. So, yeah, I guess he was giving away his old CDs that he didn't listen to anymore or whatever. And he gave me Terror Twilight. It was a... I can't remember if he thought, right, Ross would like this or if he was just getting rid of it, you know? Yeah. But it really took me by surprise. I really liked it. Track 3: [4:27] At the time I was technically homeless. I wasn't living on the streets or whatever. I was crashing on people's couches. I was going through the sort of system like halfway houses and whatever. So I didn't have much possessions. but one of the one things I did have was Terror Twilight, and I would listen to it all the time while playing my Nintendo Game Boy or whatever and, it kind of felt like a it felt like a secret you know like my secret, because I'd never met another single living soul who had heard of Not just the album, but the band. I remember round about, it would have been the back end of 2001. Track 3: [5:28] Just pre-9-11, which seems weird, but that's the way that I remember this particular. I was on a lunch break at my first job, and I read a review of the first Malcolm A Soul album. Track 3: [5:49] And the review spent more time talking about Pavement than it did, you know, his new band, basically stating that, you know, these guys are legends, just they didn't get their due or whatever. No, I agree with that. So, yeah, a year later or whatever, I've got Terra Twilight, I love it. These guys are such enigmas to me you know this is before I was on the internet I couldn't Wikipedia them, I couldn't you know, there was no YouTube, stuff like that and by the way all this is, well some of this is on your 17th or 18th episode Krelvid User, you read out my letter oh gosh I had totally forgotten about that I remember I have a terrible memory you asked for submissions because back then a lot of the songs were quite short or even non-existent so yeah I got day drunk one day. Track 3: [7:10] I'd been out with colleagues and I thought I'm going to write JD a letter and tell him how I yeah so. Track 3: [7:20] My next the next part of the story is, I knew about the re-releases I think at some point, I don't know why I bought Sebado 3, the re-release of that album and, the album on the front it had a sticker with some sort of blurb from a music journalist saying that, This album, along with Pavement, created the blueprint for American indie. Jesus, high praise. Again, that just put it in my head. And I didn't even like Sebado Free that much. I quite like the band altogether, but I don't think it's a great album. So round about that time we're still talking about 2002 3, 4 maybe I don't have a great memory either, I go to Glasgow to watch a British band Rubin, I don't think they're around. Track 3: [8:30] Anymore but their first couple of albums were pretty good we go to King Tut's Wawa Hut, which is quite a famous venue because it's where uh oasis got signed by creation really yeah oh cool um it's a tiny place you can only fit you know two three hundred people in it maybe even then that might be a fire hazard uh but even before before the gigs played and the the venue's underground, it's like in a basement, before the gig me and a couple of friends are upstairs and I'm going through the jukebox, they've got one of these sort of. Track 3: [9:20] They're old fashioned now, but at the time they were quite modern, the jukeboxes where the album covers flip over in front of you, you know? Yeah. And I find a pavement, Slandered and Enchanted, and it's like, oh, that's that band, that's Territorial, you know, I keep hearing about them. So I stick five songs on, don't even hear them because, you know, the bar's so crowded, so noisy. But still it sticks in my head I want to learn more you know so a short time after that, I'm shopping locally in the nearest sort of large town. Track 3: [10:09] And I go into MVC it's a I don't know if it was an offshoot of HMV. I don't know if you've got any of this in Canada or not. You did have HMV at one time. Yeah, but they're all gone now anyway. And I find a copy of the Crooked Rain re-release. Okay. But it's like £25 or something. I was making decent money at the time. I had my first proper well-paying job. I had disposable income I was no longer homeless, But I'm not going to spend £25 on this CD I've got no idea if it's good or it's bad There's like 50 tracks So I know I'm probably going to get some sort of value for money. Track 3: [11:06] I leave. I think nothing else of it. About half an hour later, I go around the corner, and there's this independent record store sleeves. People in Fife will mourn it forever. It's gone now as well, as most independent record stores probably are. But in there, I find a copy of the re-release for £5. What? yeah it's a bit battered it's a bit broken as I think all pavement records should be, but yeah no questions asked I immediately buy it. Track 3: [11:52] I read on the bus home I read the, sort of the booklet that comes with it which just the whole time it's just adding to the mystique you know because I think Malkmus writes, I think it's from an old like, article he writes like an explanation for each song and it's never quite clear if he's just taking the piss or not, he says about stop breathing is a bit of a tennis match I was like, why wouldn't it be, you know? So, yeah, that night, the Saturday night, it burned in my memory. I mentioned this in the Creelvid user video as well. Track 3: [12:46] All my friends are going out on the town which was never an exciting occasion, but this night especially I put my foot down and said I'm not coming out I've got to paint a wall which I did, I had a wall to paint in my living room or wherever but my main reason for staying in was I wanted to listen to Crooked Ruin, Wow So I get everything ready I get A couple of beers ready Like take a couple of bong hits Or whatever I used to do that by then. Track 3: [13:28] And I get the I get the CD ready And the stereo you know And as soon as I switch it on I'm just transfixed, Like The intro to Silent Kid Or Silent Kit whatever they call it is still one of the most exciting pieces of music to me. It's fucking spectacular. Yeah, but I'd never heard a band do that. I know they've got a reputation of not giving a fuck, and a lot of bands tried to affect that feeling back then, but this is the first time I'd ever truly heard it. Yeah, yeah. Just the build-up and you hear them talking to each other and it's like, we're just going to leave that in? And it's like, yeah, of course we are. That's the recording, you know. And I just sat down on the edge of the couch, just staring at the stereo. Track 3: [14:35] And then every song after that just added to the... It was... Yeah, it was the most exciting night of music I've ever had. Oh, Jesus, that gives me goosebumps. And for, like, a good maybe six months after that, I think it's all I listened to. Crooked Rain, Crooked Rain, Crooked Rain. And of course there was a lot to listen to because it was the re-release so I got all the. Track 3: [15:10] I got all the demos of B-Sides as well and this was, perhaps, you could call it their golden era you know it had another one of my favourite pavement tracks Grounded, it had the demo of that so you got like a sort of, you know a sneak peek of what was to come, but yeah after that I think all my friends got sick of me, talking about pavement going on about pavement and it still happens quite a lot these days, you'd hear a new song on the radio and I'd say that's just a fucking pavement rip off, you know it still happens to this day I hear a song and I think, nah, you're the biggest band in Britain just now, probably, or Wet Lake, you heard them? No, I've not. Oh, they went really viral a couple of years ago with their first video, which is She's Long. Yeah. But yeah, they're big. They're quite popular in my work. I'll run Night Shift. Sometimes the radio sucks. Sometimes it's pretty cool. Track 3: [16:33] But yeah, they were getting played in the radio quite a bit. I went and listened to their album. And the final track on the album is called Supermarket. Okay. And I'm not going to call it a pavement ripoff, but it's definitely pavement inspired. Really? Yeah. It's like they sat down and thought, like, let's write a pavement song, you know? Not rip off a Pavement song, but let's write an homage. Yeah. You can go and check it out afterwards. It's kind of Wally's Alley-ish. Huh. But yeah. What's your go-to record at this point? Oh, that's always going to be Crooked Rain. Yeah? Always. Just because of those memories? Because of the night it blew me away, you know? Yeah. Second, I would say, was Slanted. That's the record I came to next. Track 3: [17:27] Believe it or not, probably my least favorite, and there is no least favorite, it's still a pavement record. Probably the one I go to least is Wowie. Oh, yeah? And I think that's just because that's the one I came to last. Right. Track 3: [17:46] But yeah, I was thinking of weird pavement stuff to tell you. After all, the very first time I listened to WALL-E, or not the first time I listened to it, but probably my favorite song on WALL-E is Father. Track 3: [18:04] Father to a Sister of Thought. Fucking brilliant song, yeah. And in that song, they mention Corpus Christi. Right. Right. The very first time I heard that song, I was driving my car. And they mentioned the Corpus Christi part. And straight away, I receive a phone call from my dad who was working in Corpus Christi. Get out of here. Yeah, seriously. That's fucked. He was in Texas, and he phones me, and I've just heard this Corpus Christi line. Like, what the hell? and I didn't even pull over to take the phone call, which is technically illegal. Well, I'm going to turn you in. Another thing is it was weird with pavement. Once I knew of them, once I... Go into them i saw them everywhere it's like oh yeah it's like when you've never heard a word before and you hear a new word and suddenly you just hear it everywhere you know right um so yeah the other sort of weird kind of thing is uh a couple years after that i'm moved to. Track 3: [19:26] They call it a city it's not really a city dundee in scotland not a nice not a nice place, so I'd start sort of dating this girl I can't even remember if we were dating at the time, she was a bit weird I realised far too late that she was highly autistic but we were math students so that comes to the territory, and one of the weirdest things about her is she was obsessed with this cartoon from the 90s, Space Ghost. Okay, yeah. So one day we go out for coffee, and just before we go to the coffee shop, I go and buy the Bright in the Corners re-release. And what are the last two songs on it? Space Ghost. Space Ghost theme, yeah. I think that made her like me more, you know. So it went in my favor. Nicely done. Well, what do you say we get into listening to track number 15? What is that? Well, we're not going to tell you until after this break. Okay. All right, we'll be right back. Track 2: [20:53] Hey, this is Bob Mustanovich from Pavement. Thanks for listening, and now on with a countdown. Track 3: [25:25] And there it is at track 15 from Wowie Zowie, Rattled by the Rush. What are your thoughts on Rattled by the Rush, Ross, from Fife? Well, I already said since I came to it last, Wowie's not my jam. Track 3: [25:47] I love it. It's still a pavement album. It's never the one that I go to. Right. and Rattled by the Rush might be the last pavement hit that I actually heard. Oh, really? Yeah. I don't think I heard it until at some point in the early 2000s. I bought, I can't remember what it's called now, the DVD. Slow Century. Slow Century, yeah. Yeah. I think maybe that's the first time I ever heard it. Oh because they showed the video on that right yeah I can't remember if it's the proper video or not I know that they had to re-release the video because it was making people sick, people used to be such fucking pussies, yeah um and I don't dislike the song or anything um if it's number 15 that's kind of surprising it wasn't in my top 20 No. It probably would be in my top 50. Okay. It sounds like I'm hating here. I'm not hating. No. At all. Track 3: [27:07] Well, you definitely think it's overrated at 15, so that's... Oh, yeah, definitely. Yeah. Definitely. The most interesting thing is obviously the lyrics. It's like a typical sort of malchemist crossword yeah I would agree with that I took a few notes, the opening line oh that I could bend my tongue outwards leave your lungs hurting. Track 3: [27:42] Could be sexual. Could be? It could also pertain to that tongue trick thing where people can fold their tongue up, you know? Oh, yeah, yeah, yeah. I did a little research and apparently 73% of adults can do it. I cannot do it. I can't either, but I've learned that you can teach yourself to do it. Oh, really? yeah i was i i work night shift so you've got to find ways to pass the time yeah exactly um and that was a thing that was going about work a couple of years ago everybody asking can can you do it can you not and i can't do it but i have learned that you can teach yourself but you haven't taught yourself well I, I got I got halfway there but I forgot to keep like doing it you know gotcha it was it was never, maybe if I put it together for a pavement song that would have helped. Track 3: [28:53] Yeah after that we've got leave your lungs hurting tuck in my shirt and pints I wear so well cross your t-shirt smell well, that's just good malchus wordplay, right? Yeah. Maybe there's a specific meaning. Obviously, there's a theme there, clothing. Track 3: [29:16] After that, we come on to the best line in the song, maybe the best line in Pavement's entire discography, caught my dad crying. Yes. I wrote down here maybe it's better we don't know what it means yeah I mean I don't think for a single second Malcolm has walked in on his dad crying, but just the imagery the thoughts it's, The crucial word is caught. He could have said, saw my dad crying. He could have said, found my dad crying. But he says caught. Right. Like it's a bad thing, you know. Track 3: [30:03] So, yeah, God knows what to say about that. It's just a great line, you know. I agree. After that, we've got, Loose like the wind from the rough we get par. This is one of my favorite things about Pavement. They like to make sports metaphors they do yeah and we've got a whole song about sports and London Lions that was in my top 20, we've got bring on the major leagues possibly their biggest hit yeah but also just the line from the rough we get par, that would indicate to me after a bad start things have turned out alright right. Track 3: [30:47] And I know there's a prevailing feeling that the whole song is about their career or where their career has taken them I didn't know that well just the whole rattled by the rush just them being affected by, whatever level of fame they'd built up I didn't hear Pavement until 99 so I didn't get to witness the, right the ascent or the rise or whatever right you know right but yeah i've heard in doing a lot of research i did that this the whole song was about their you know them struggling to cope with you know whatever rise the rise to fame yeah and i do know from reading the liner notes and uh. Track 3: [31:39] In both Crooked Reign and Huawei re-releases that they were kind of fighting back against it. Maybe not fighting back against it, I think that gets overplayed sometimes. But I think Mark missed his explain. Maybe on Huawei or the Crooked re-release that they were kind of scared. Track 3: [32:08] You know how could you not be they were like a couple dudes from Stockton you know that were that recorded some noise art and next thing you know cut your hair comes out and that I would say is the biggest song oh yeah definitely I find that at the time as well it was just a really big time for music yeah a lot of majors were looking for the next Nirvana that's right Pavement were never going to be that. But they could have filled a hole, filled a gap. Spin Magazine named them the best band, pardon me, the best album of 2000, no, not 2000, 1992. Before the album even came out, right? Before it was chanted, yeah. No, no, it had come out. It had come out. It was the number one record of the year for 1992. So they came with a lot of buzz, like a lot of buzz. I remember reading the sort of tapes that they sent out for slanted they didn't send many out but every single one found its way to someone influential that's right I don't know if they were friends but they were fucking around with Sonic Youth. Track 3: [33:27] Certainly helped they opened for Sonic Youth on the UK tour yeah first time in the UK in 92 so that was there's a great Nostanovich podcast with another Canadian guy. Track 3: [33:42] There's like music journalism online oh is it creative control I think that's what it is I think that's what it is he explains that him Malkmus and Berman got a Nirvana show, cancelled, not cancelled but shut down in New York because they were being so boisterous. Really? Yeah, and this was before Nirvana took them to Redden and stuff, you know? Wow. So they were in that... They were in that space. Yeah. Yeah, definitely. Track 3: [34:17] They probably were getting a lot bigger than they thought they'd ever be, were ever prepared to be. Absolutely. Especially, you know, Slanted came out with a lot of hype, but Crooked Rain all of a sudden was this record that had hits on it, gold sounds and cut your hair. So, you know, I think a lot of people got maybe a bit carried away about what they could be. Well, one of the things, it doesn't fit into the hype, one of the things I wanted to mention about Crooked Rain maybe one of the reasons I liked it so much is it's a little bit what I call country fried, okay yeah I can see that father to sister of thought especially right well that's wowie, Crooked Rain's got his own range life I'm sorry but whenever an indie rock band, introduces a little element into country, I call it Country Frights. Country Frights. Track 3: [35:14] Crookheads and while we are definitely Country Frights, one of my favourite modern bands, Parkey Courts, they're a bit Country Frights. I've heard a lot of comparisons to Pavement with them. Well, the reason I first listened to Parkey Courts is I've seen an article where Malchmus was in a record store and he heard Parkey Courts and he thought it was Pavement. Jesus Christ, really? That's the reason I first listened to them, you know? Yeah. And? What do you think? Track 3: [35:50] Their first album, definitely, I could see the comparisons. The same kind of attitudes, like not really caring about tunings or you know. Just the first take's good enough no matter what. But that is a real good album. You should listen to Lie Up Gold, Parquet Courts. I'll check it out. Yeah, it's very, very good. I was trying to think. Meat Puppets, they were kind of country fried. Yeah, yeah. Have you got anything else on Brattled by the Rush? Well, it might destroy every argument I've already made, but the first chorus, I'm Drowning for Your First, that reads to me like being desperate for someone's attention, And that's not pavement at all, you know? No, no. Maybe that's something very personal to Malchus. Yeah, I'm drowning for your... The second album's kind of... The second verse, I think he's just showing off. Rhyming candelabra with Barbara. Track 3: [37:12] There's other lines. get all those hard hats and sing us some scat. I just think he's scatting himself there, you know? Yeah. Although the very last line, again, it's one of their best. I don't need a minister to call me a groom. I love it. What does that mean to you? What does it mean to me? I think, well, I don't need a minister to call me a groom. Like, you can, like, fuck religion. and you can go and get married or you can do whatever you want. Track 3: [37:47] Well, this is maybe just completely personal to me. Have you ever been in a sort of strictly friends with benefits relationship? No. No. Well, I have. I was for a couple of years. And to be honest, it was maybe the healthiest relationship I've ever been in. But um i noticed during that time that friends of mine who were in traditional relationships, they fucking hated it oh wow because i was getting all the good stuff without, all the bad stuff you know and i never had to meet her parents i never had to go on any any dates with Ikea. See what I did there? I got it. Yeah, so every time I hear, I don't need a minister to call me a groom. That's what comes to mind. Really? That's just maybe because of, you know, where I was at the time. Yeah. Track 3: [38:53] But yeah, again, I've seen that linked back to the music industry. And I guess Malcomus doesn't need I don't know who the minister is but to call me a groom would be to call me a star you know, okay I can he's already a star selling you know a quarter of what other bands are, and then of course they go on I'm rattled by the rush I'm rattled by the rush etc that that. Track 3: [39:29] And I know that Pavement's writing is sometimes a bit obtuse or weird, but that has to be a reaction to whatever level of fame or popularity they've gained by that point. I can see it. We've got the interlude, no soap in the John. That's very funny. I know that John's a sort of Americanism for toilet. Yeah. So to me, that would mean no sort of airs or graces. Track 3: [40:06] Or they're not going to clean themselves up for whatever, whoever. You've done a deep dive on some of these. I've thought about it a little bit. Yeah, you have. I've had a lot of time recently. Track 3: [40:23] Well, dude, speaking of time, it's been a great time hanging out with you talking pavement. I really appreciate you making some time for me and doing this, hearing your pavement origin story and talking about Song 15. Next week, we're going to hit Song 14, and I'm going to tell you what it is right now. No, I'm not. I'm just kidding. All right everybody is there any clue is there any clues you can give to like not what's in the top 10 or not a bit no way is there anything that took you by surprise, it all took me by surprise so far yeah we're gonna at the end of the series we're gonna do some sort of round table with people who haven't got a chance to be on and they will um, discuss the list as a whole because they'll have the entire list at that point. It's difficult, you know, recording this and you don't know all the songs that come before it. But hey, that's part of the game. I should point out that with my whole Crooked Re experience, Gold Sounds is my number one favorite song from anyone of all time and it's probably never going to change. It's a fucking great song. And if it's not number one, I'm going to write. Track 3: [41:44] All right, dude. Talk to you soon. Wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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MMT50 - 216 31:39

25 weeks31:39

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31:39

This week Steve West calls in to chat with jD about a variety of things including song # 16 Transcript: Track 2: [0:00] Previously on the Pavement Top 50. There you have it. Song number 17 is Zurich is Stained from the debut long play Slanted and Enchanted. Mike, is this song in fact slanted and or enchanted? Discuss. Yes, indeed. I love this song. This song, it really is. And it's sort of an oasis. I love where it appears on the record. it's coming straight out of the chaos of uh conduit for sale and right before the chaos of chelsea's little wrists and you get this like really light breezy but fast song i mean it's not a ballad it's not like here it is it is this breezy light almost feels like it would be, at home on the Velvet Underground's third record. Hey, this is Westy from the Rock and Roll Band Pavement. Track 3: [1:03] And you're listening to The Countdown. Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the results using an abacus and a motorcycle and sidecar driven by an orangutan. How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week, we're joined by Pavement superfan. No, wait a minute. Pavement superstar, Steve fucking West. Westy, how the fuck are you? I'm doing pretty good today. Yes. It's a good day, right? Yeah. Good day. Well, let's get right into it. Everybody else has been coming on and talking about their pavement origin story. I feel like that's sort of a strange thing because we've talked about it a little bit in the past. But I'm curious what it was like for you, I don't know, getting the call or getting the letter or whatever it was, the communication, the telephone call or whatever, that they were looking to fill Gary's role or like how that looked like. What what did that look like on your end? Track 3: [2:25] Well, it was kind of a long process of, you know, knowing Bob from high school and then being in Manhattan and Brooklyn and meeting Stephen and Bob and David. And then knowing that they were having difficulties kind of with with Gary. Track 3: [2:46] I can't say that I didn't know that it might be coming. And there was a phone call, like you said. But um i didn't really you know you know it kind of blew me away when it when it happened i think it was on a pay phone in manhattan and i was working at a um at a gallery helping to put up some artwork for leo castelli oh wow and i talked to steven and he was like i don't know man just put those drumsticks in the oven and keep them worn because i don't know what it's going to happen. So, you know, he was, he was giving me a heads up, but he wasn't promising me anything and understandable because, you know, the things were up and down with Gary. And so, and then, uh, I really, when it actually happened, I don't really remember any other phone call where it was because we, Steven and I would see each other quite a lot. And we lived in Brooklyn and, And we would hang out together when he wasn't on tour. Track 3: [3:56] And, you know, we play music together with David. When Bobby wasn't around, we were I kind of sat in as a drummer for them for the Silver Dudes and those little jam sessions we'd have in Brooklyn. So that kind of was the thing that kind of eased me into the whole playing music with with Stephen as well as with David. Wow and I had a loft in Brooklyn on 1st and 1st I think it was. Track 3: [4:31] South fifth. And it was a really crappy loft and it had, you know, we can make a lot of noise and it was right next to the Williamsburg bridge. And yep. And there was a tiny room in the back that Steven and I rehearsed, all those crooked rain songs when, you know, Gary had broken up and I guess I had joined the band and then we were like there jamming he was kind of introducing me to those songs in this room you know smaller than the bedroom that you have right there it was a small room it was like 10 by 10 not even probably, and uh i remember the guys upstairs complaining and banging on the ceiling and i was like come on this is a loft this is what you do in brooklyn this is what you're here you're an artist and you're musicians, and you make noise. You get a loft, and you make art, and you make noise. Totally. Yeah, we rehearsed those a few times, and then went in to record in Manhattan. Track 3: [5:41] Wow. That's pretty whirlwind, too, then, right? Yeah, I mean, it happened over a couple of months, but over a summer, that summer of, I guess, 93, um spring when i think gary quit i'm not hard for me to remember all the logistics of that's that's cool that's cool this isn't uh uh that kind of podcast where we you know get too into the weeds yeah yeah so what do you remember about um like a first show or when did you meet the rest of the guys like you were you were jamming with steve and you guys were coming up with crooked rain stuff and you were you know laying down drums for it in manhattan at the um, at that uh oh my gosh i forget the name of it right now but that uh pseudo studio, right while i recorded that that's right yeah that's right um yes so i think what happened was that spring before we recorded Crooked Rain um. Track 3: [6:54] There was a Drag City Invitational, and it might have been late spring, early summer. And we drove out to Chicago and played that. And that was the first time I played with the full group. Track 3: [7:13] I played with Steven and his girlfriend, Alexa, and maybe Mark. And we played at a show in New York City for a matador like in reunion or something like that show but that wasn't really pavement and we just played new songs or whatever I don't know what it was but the first pavement show was at the drag city thing drag city invitational um it was at a club that was across the street from where Dillinger was uh captured caught shot and captured um in Chicago and uh you know a lot of great bands on Drag City were there and Silver Juice played and um I guess uh Royal Trucks played as. Track 3: [8:01] Well and they recorded those stood a bit of it in the basement and um I remember playing that show and we had never practiced so it was just kind of like guessing really about everything yeah I don't think we practiced at all no we just went out there and played it and i had played you know the some some of the songs with steven but you know the crooked rain songs but the old songs we had never played all together so i just had to kind of they knew them and i had to you know make sure i kind of knew them and we got through it was a short set but it was good yeah that's pretty cool that's that's pretty cool it would be a cool. Track 3: [8:43] Ticket stub to own for the, you know, the first complete Pavement Band show, you know? Yeah. Track 3: [8:53] So you getting your hands dirty with Crooked Rain, does that tend to be the record that you would go back to if you were the type of person to listen to your own content? I don't know if you do. Like, I don't know if you, you know, listen to records that you've been on or whether you, you know, sort of avoid it. Like, I don't listen to very many of these podcasts, for example, just because, you know, they're done. They're done. They're done. Exactly. Like, I got their history. Yeah. What is that like with you with records? Is there one that you go back to that you're really proud of or anything like that? Track 3: [9:30] No, I mean, technically, I just go back to listen to practice to them. So I'm prepared for whatever's coming ahead. But, you know, each one has different memories for me. And of course, Crooked Rain was this fresh guy trying to figure out how to play with Stephen as well as with the whole band live as well as the recording. Recording um and uh wowie dowie would probably be more of a band thing where i would be like that was nostalgic was a really fun recording session in memphis and everything so but you know they're all different and they all have good and bad memories so i don't go back to them to listen that way i'm not that old yet. Track 3: [10:24] But when i go to practice to him i try to practice to like our live stuff that we did this past year right as well as um the rehearsals that we did in portland and i have all like the hard drives of the breakdown of the songs and you know the tracks and everything so, i'm probably more prepared for what could be thrown at me as you know how we play the songs live as a as a six piece and how we record them over the years in different setups so right it's two different ways of you know being prepared for all the things to be thrown at you yeah i suppose so like i mean was this was this tour like the well i call it this tour but the 2022 tour was that the most you guys had rehearsed like for uh for a series of shows before. Track 3: [11:17] I think so. I mean, the 2010, I think we practiced about five or five to eight times. But this time was a much better environment. And I think we practiced at least 10 or 12 days to prepare for that Fonda show in, I guess it was L.A. Which was great. I was on that one. That was fantastic. That was fun. and we all worked really hard to you know learn a whole lot of songs and be prepared how many did you take on the road um i think it was around 60 jeez yeah 60 songs that we could somehow pull out you know yeah and do that's a lot that's a lot of songs yeah and i mean you You guys were playing like 25, 26 songs a night. So like Toronto shows, for example, I saw it back to back and it was like, they weren't completely different set lists, but it really kept it interesting, you know, to see you guys multiple times because you had this. Track 3: [12:26] You had this log of, of songs that you could just carry around. Right. And Bobby is the master of doing that. He keeps track of everything and really works hard at making the set list different every night, as well as having the standards that you should be playing, but not having those standards be the same standard every night. Yeah yeah i'll tell you what doing this top 50 countdown what i did was i asked people to send in their top 20 lists and when i when i did all the math there was 121 different songs that were chosen so obviously i'm only counting the 50 but there's that many songs in your catalog that people fucking dig like that's you know that's got to be daunting in a certain way when you know There's B-sides and things like that that you guys might not have even played once outside of recording. Yeah, recording. Yeah. Track 2: [13:27] Okay, so what do you say we give song number 16 a spin, Steve? That sounds great to me. All right, let's do it. We'll be back on the other side. Hey, this is Bob Nestanovich from Pavement. Thanks for listening. And now on with a countdown. 16 now. Track 2: [20:31] Fillmore Jive, number 16 on the countdown. Track 3: [20:35] It's the third song from Crooked Rain, Crooked Rain, behind Stop Breathing at 28 and Cut Your Hair at 21. So this song actually beats Cut Your Hair, which is, I don't know. Is that surprising? Is that surprising to you? No, I'd rather pick Fillmore Jive over Cut Your Hair. But, I mean, Cut Your Hair is the pop song. So yeah yeah that's why i was surprised it wouldn't be in the top five or something i was you know just looking at the spotify uh the spotify plays you know cut your hair is like way up there and bill more jive is not right right so is is it do you consider it like a deep cut like when you guys went to it on the most recent tour was it um was it a deeper cut in the bag of songs that you brought? Yeah, I say a deeper cut because I don't think we did it in 2010. And we hadn't done it for years in the 90s. I think we did it in 94 and maybe they did it with Gary too before me. Track 3: [21:51] So I would say it's a deep cut live but in terms of records records you know for people to really enjoy but it's a pretty great number yeah pretty historic number and it really uh puts a nice end to that album yeah i think so yeah it leaves you wanting more for sure yes like in a good way you know not not like yeah okay i was like oh is that insulting thing um what. Track 2: [22:24] Do you say we get back to film our job sorry i'm. Track 3: [22:30] We recorded that, and I don't know if Stephen and I ever played that song except for when we recorded it in Manhattan at Walleye's Place. And then we played it a few times in 94, a handful of times, and didn't really play it again until this previous past couple of years. And it was always up. People loved it. Yeah, I was looking on Setlist FM, and it's like, Like, you guys played it 79 times in total, according to Setlist FM, but probably about 20 times this last tour, maybe something like that. Okay. And I got to tell you, I found it really interesting that you picked Billmore Jive, because it's the song that you're waiting a minute, almost a full minute before the drums come in. Yeah. Right? Right. And then it's that big cacophonous, you know, like I need to sleep with the with the cymbal crash. And yeah, the song really picks up steam at that point. Right now that. Track 3: [23:39] OK, so that song, I think, is where Stephen kind of the producer or the engineer, Bryce Goggin, who. who mixed the album. We recorded it in a different place, but he mixed the album. He was giving Carl Blanc to make it as big as he wanted. Do all the tricks. Do all the production tricks. And the only thing was that there was this previous recording of the intro, like you're talking about, and I don't know if that was recorded at Bob's apartment in Hoboken or at Gary's, you know, uh, studio, um, um. Track 3: [24:24] But they had that previous recording, which he thought was great. Track 3: [24:28] But he wanted to have, you know, a different take for the rest of the song. So that's kind of how we did it. And he kind of, I know that if you could hear the raw track, you'd probably hear him saying, okay, now, you know, we're playing along. He's like, okay, now we're going to get really loud and get crazy. West, go crazy. And now we're going to go quiet. So there's no way I knew that song that well, well because we wouldn't have practiced it it's a long song it's yeah it's almost seven minutes right right it's a feel song and um i think he just kind of like talked me through it and it was just the two of us so there wasn't all that other you know instrumentation to play off of it was more just him talking singing and playing um and trying to get a i feel and it definitely got a feel good or bad it got a good it got a feel oh it's yeah it's got a great it's got a great feel to it i just i can remember going for walks when i discovered crooked rain like you know in 2000 or whenever it was uh i was way off the beaten track and um just walking around listening to crooked rain and it would get to that song and there was just i don't know there's just something about that cymbal crash into the into the you know the main thrust of the song and then bringing it down again you know as he's talking about the punks with spikes and and things like that yeah. Track 3: [25:57] Just like he's kind of narrating uh narrating a music history for like a past couple decades up to that point and um you know making it kind of bringing out the history of it you know talking about the punks and the nightclubs and where he is you know it's not real you can't put your finger on it but you feel like you're being educated in a way about some weird world yeah i agree, yeah i mean doing this has been really fun because on this half you know we talk about the song and just getting people's impressions of what you know these songs are about out is fascinating is really fascinating because you know steve doesn't leave too many breadcrumb trails for you to figure things out it's it's just sort of um these cool phrases and cool little, you know vignettes almost and uh it's just really neat to hear what people think of them and i like like your take on, you know, going through a music history. That's, that's fabulous. Track 3: [27:08] Yeah. Yeah. It was fun. Anything else you want to say about, uh, Fillmore Jive? Track 3: [27:17] Um i love film or drive for its faults as for its um its feeling just as much, because like i said you know i don't think we did it more than once and of course you can always improve if you get a chance to take a test more than once right but you have to look at it that way i have to look at it that way and i listened to it today and i was like wow that's pretty great you know i can hear the things that i would change but um you know on my part not on okay anyone else's part but um you sometimes you just you just have to go with the flow and that's kind of what, being in pavement is and was about it's kind of going out there and and playing the songs and recording the songs and recording a lot and having a lot to throw away or to be on b-sides and um And then put the ones on the album that sound the best and live with the good and the bad, because a lot of times the mistakes are the happy mistakes. And people kind of endear themselves to that. Yeah, I think so. I think so. Happy mistakes is a good way to put it. Yeah. You got to have those happy mistakes. Yeah. Go away with a happy mistake is a great thing to feel when you hit the recorder. I didn't mean to do that, but that sounds awesome. Track 3: [28:44] Yeah, isn't that what they say? When you mess up, you just do it again, and everybody thinks you're jamming. Yeah. Yeah, but, you know, the next time it doesn't have the same feel. And, you know, when you think about the different albums, like the last album, there was a lot of time put into making that album problem as really crisp and time oriented in time, you know, cleaned up a lot of the pavement sound. Right. And I've always said that. There's a good part to that because i really enjoy that album and the production that nigel did um, but you do miss a little bit of the soul of the band too agreed and then when you step back and you go yes but over the five or whatever albums we did they're all different and that's the difference in this album and it's still a pretty great album so i'm all all for it Yeah. So what does 24 bring you guys? You're going to South America. Track 3: [29:55] Yes. When's the last time you played South America? 2010. We played South America. We played one or two shows. No, at least two shows there. And this time you're doing four or five, right? You were doing four shows, one big festival, and then three other cities and like three other countries and um it's like four shows in, six days or something so after that i don't know i think we're probably going to go into hibernation but and we'll see if we'll come out like the groundhog or not. Track 3: [30:35] Well it's been awesome talking to you about film or jive and the rest uh steve you're amazing with your time that's um it really means a lot that you would do this so thanks so much well thank you jamie it's always a pleasure when i see you in person and talk to you on the phone and all of this zoom business too that's right yeah well thanks a lot talk to you soon right wash your hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

Meeting Malkmus - a Pavement podcast podcast artwork

1
MMT50 - 217 45:46

26 weeks45:46

Lejátszás később

Lejátszás később

45:46

jD is joined by Mike Hogan from the 3 songs podcast w/ Bob Nastanovich. Learn about the Meeting Malkmus origin story while Mike shares his Pavement origin story and dissects song seventeen on the countdown. Transcript: Track 1: [0:00] Previously on the Pavement Top 50. Track 2: [0:02] So today we're talking all about song number 18 from the masterpiece Wowie Zowie. It's the absolutely gorgeous father to a sister of thought. Vish, what are your initial thoughts about this song? Well, you know, I was so happy that we landed on this as a song to talk about because I do love Wowie Zowie. I have a sense memory of picking it up when it came out i think the day it came out this is interesting it's a really fascinating song because in some ways it's super accessible uh musically uh it leans with the pedal steel and some of the other moves it leans towards kind of country music um i will say uh as i was pondering it i i mean i i know we are in a vacuum here of people who love pavement right and who love Stephen Malcomus, but as I was listening to this in preparation for our chat, I'm like, Malcomus is like an underrated everything. Track 1: [1:04] Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown. Track 3: [1:12] Hey, it's J.D. here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to countdown the 50 essential pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and a four-slice toaster I had fashioned into a time machine. Now I pull the blinds of the time curtain. Yesterday is totally getting a do-over. How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week I'm joined by Pavement superfan Mike fucking Hogan. How the hell are you, Mike? I'm doing good, JD. JD uh it's nice to talk to you yeah it's nice to talk to you too I've listened to you you know uh over the years with Bob on the on the pod and uh we've been lonesome for you yeah I was uh you know in advance of this I was like god when did we start that podcast and I looked the first episode was August of 2017 um and we did 177 episodes the last one being December of of, uh, 2022. And I think that was the only one we did that year too. I don't know. I haven't, I haven't checked, but yeah, we were pretty, we were pretty active, uh, for a few years with some breaks in between. Um, but, uh, but yeah, um, it was fun. Track 3: [2:39] So will the podcast be dusted off at some point? Will we get the Pavement-esque reunion tour? That's kind of the open question. I wouldn't say no. We don't have any immediate plans. The last time I talked to Bob about it was probably about, I don't know, four or five months ago. And he said maybe after the new year. You know, I think we we really paused things because, you know, obviously Pavement was rehearsing and then touring and things were hectic. We actually had this I had this idea to do a different like tour diary podcast in every city. Yeah. Track 3: [3:21] Like, you know, of course, the podcast that we did was very synchronous where we would talk back and forth. We would play songs but i was i had this idea where he would asynchronously record like five or ten minutes about like i'm in kansas city and here's my experience with kansas city and then we he'd pick a song that was kansas city based and i'd pick you know but it never it never ended up working out it would have been fun maybe damn that would have been great yeah maybe on the next reunion tour maybe the next reunion tour but yeah i think you know i mean between that and you know he's had some life changes i've had some life changes we kind of just were like let's take a pause let's um maybe start fresh you know after 177 episodes it's like how many different bands can you talk about that you haven't talked about in the first 176 so uh um you know i think if we came back we would probably you know might keep the same format but allow ourselves the opportunity to revisit and almost treat it as a fresh start. Hmm. That's interesting. You heard it here first, folks. No promises, you know, but no promises either way, really. Right. That's cool. It's, you know, you're saying there's a chance. Track 3: [4:41] Cool. Well, let's get right into it. Let's talk about your pavement origin story. story? Boy, um, I think I first heard of pavement. Um, I wasn't early enough to get the first seven inch. Um, but I think maybe the first drag city seven inch, um, it was probably the first time I'd heard of them. I don't know if I even bought it at the time I was in that era. I was in college. I was at very active in the college radio station at Santa Clara University KSU. And I was a music director for a little while. And there, you know, obviously, Pavement was getting a bit of buzz. And I remember them just being this band that had put out a few singles. They were getting written up in zines. You know, there wasn't social media. So there wasn't any of that buzz at that time. And it was it was like unless you had someone that had a copy you you know It was almost impossible to even find in stores, So they had this just kind of air about them of like and and there were no photos of them There weren't even their names. It was just SM and spiral stairs, and it was just this like very. Track 3: [6:02] Mysterious like who the hell are these guys and then little bits would come out where it was like Like, oh, you know, one of them worked at the Whitney as a as a as a guide. And they recorded in this in the studio in Stockton. And, you know, the the the drummer is the guy that runs the studio. He's just this old crazy dude. You know, it was just like little bits of information would kind of come out. And I think I think really what kind of hooked me was probably the 10 inch perfect sound forever. And then by the time Slandered and Enchanted came out, it was like I was full on waiting for it. And I think the first time I saw them, the only time I saw them until the reunion tour a couple years ago, was in San Francisco at the Kennel Club a week before Slandered and Enchanted came out. Track 3: [6:56] Was released. And shit. Yes, because I worked at the radio station, we had an advanced copy. So I was I was like, vigorously listening to the record. And so totally prepared for the show. And it's funny, because I think it was written up in one of the papers, one of the San Francisco papers, because the buzz was already even big. Even though Matador was still a pretty small label at the time. It was like this local band, local ish band is kind of getting uh some attention and uh it was funny the show was sold out and gary was out front like shaking people's hands as they walked into the show like could not believe that everybody was there to see him you know he'd been trying for years and years to hit it big in the music industry and couldn't believe that these two weird college kids that came into his studio was like his venue for We're actually getting some level of success. So it was kind of cool. Track 3: [7:59] Oh, very cool. Yeah. How was that show? It was, it was amazing. It was a little, um, ramshackle as some of their shows back then could have been. Um, but I just remember, you know, because I was so excited for it. Um, I just remember being like, odd, like, wow, this is great. You know? And then I never got a chance to see them again until they did the reunion tour. Uh, it was probably 30, a little over 30 years between my first and second pavement show that's hey you know what when you see them before slant it drops you're doing pretty good right like i like i think that's phenomenal i think the article in the paper said it would be like their 20th show that they played or something like that so it was certainly one of you know because before then they were just a recording band and you know they didn't it was you know all of the i think the earlier records were just the two of them plus gary uh and so they they sort of had to figure out like how are we as a band when we're playing out live and uh you know it was early enough that i think that i was still seeing some of that evolution of what pavement would become oh that is so fucking cool i you You know, I didn't get on board until very late, very late. So they were already broken up. Like, yeah. Track 3: [9:23] So, yeah, I got on board very late. And it's just listening to all this kind of talk, which I've heard, you know, a lot. I've done a lot of these at this point, these interviews and listening to people's pavement origin stories. Uh, you know, there's a lot of people who came late, but the people who came early have really fantastic stories. Like, you know, the fact that, uh, there were a mystery, you know, and that's something when I interviewed spiral, he said they really, that was something that was really important to them. And in fact, he was disappointed when they sort of dropped the. Like he wished they could have kept going with the – I don't know how they would have done that. Played in lucha masks or something? I don't know. Daft Punk did it for how many years, right? Oh, that's a good point. Yeah. Yeah. Yeah. I don't know. Or the residents. I mean it had been done before. But yeah, that was certainly part of the mystique for me. And seeing them, like, wow, they're real people when I saw them live. It was like – this is the, you know, yeah, the reveal of the curtain. Track 3: [10:31] But yeah, and that was why when slanted, I mean, perfect, perfect sound forever, too. But especially when slanted dropped, it was like felt very fresh, felt familiar, but totally different at the same time. And that's why in some ways, I think my experience of pavement is just naturally different from somebody that experienced them later when they already had this full body of work. And you could see you could see that progression because there was just this question of where were they going and what would they do next and um i can imagine the ep that came after was like oh my god these four songs are just amazing incredible like like and and it was uh. Track 3: [11:19] Yeah it was interesting it was um a very exciting time and they were like a very important band for me in that, in that period of my life. I bet. So what, um, is your go-to record at this point? Do you have one or, I mean, I know that's a tough question because it probably changes week, week over week, but you know, just think about right now, what would you, if, if we get off the phone here and you want to just reminisce about some pavement, what are you going to throw? It's hard because, you know, I think as somebody who had that level of experience about like this mystique early on and the seven inches were and, you know, the early albums were really just so ingrained in my memory. Like, I almost don't need I listened to Slandered and Enchanted before our talk today. And it was probably the first time in a couple years that I'd listened to it. But it was like, I knew every one of those songs. So in intimately, I knew every note, every lyric, every, you know, Baba Baba, you know, like every little like, like, part of the songs in a way that the later albums. Track 3: [12:38] I'm not as intimately familiar with. So when I listen to a later record, it's almost like hearing it fresh. And I can't distance myself from my experience of like Perfect Sound Forever back when it came out, or Slanded went back when it came out. But that said, I think if I were to just be like, I wanna put on a record, um well i mean watery domestic is probably my favorite piece of work that they did but it's only four songs so it's wrong but it's so fast yeah it just is over so quickly and i think i only had it on cd i only recently bought the the vinyl of it and i didn't realize that the little like you know that little like transitional piece i didn't realize it was at the end of a song i thought it was the intro of a song because i always just listened to the cd ah and it just went i never paid enough attention to it because i didn't listen to it on shuffle or anything um and so it was almost revelatory when i got it on vinyl i was like this is like the way it's supposed to be like and then i flipped the side over um so that must have been brain busting It was kind of weird. I thought that was the intro to the song, but it was really the outro. Track 3: [14:04] Well, speaking of Pavement songs, should we get into the song that you're going to cover? Yeah, let's do it. All right. We'll be right back after listening to song number 17. Track 1: [14:19] Hey, this is Bob Nestanovich from Pavement. Thanks for listening. And now on with a countdown. Track 2: [14:28] 17. Track 3: [16:10] There you have it. Song number 17 is Zurich is Stained from the debut long play Slanted and Enchanted. Mike, is this song in fact slanted and or enchanted? Discuss. Yes, indeed. I love this song. This song, it really is. And it's sort of an oasis. I love where it appears on the record. it's coming straight out of the chaos of uh conduit for sale and right before the chaos of chelsea's little wrists and you get this like really light breezy but fast song i mean it's not a ballad it's not like here it is it is this breezy light almost feels like it would be. Track 3: [17:03] At home on the velvet underground's third record you know there's this mood to it that feels, in some ways different from earlier in the record and even what comes a little later where there's a lot of like fuzz and noise it's just this light little break um that's almost this perfect little slice of i don't even know how long it is but i'm guessing it's less than two minutes it's It's just, uh, yeah, it's, it's in and out. Yeah. It's in and out. And, and the whole time Malchmus, I don't think really pauses the vocals for more than a second or two. It's just beautiful little instrumentation with his vocals kind of just strung throughout it all. Yeah. I'm singing it in my head right now. It's right. It's, it's, uh. Track 3: [17:59] I mean, you know, and it's like the chorus keeps coming back and then he ends it with the, you know, like just it is a perfect little song. It's just a perfect slice of, and if I were to play somebody that had never heard Pavement, if I would play them, what is from a songwriting perspective, what is a quintessential Pavement song? You know, there are probably a few others that might come to mind, but this is like one of those like sleeper cuts. It's just such a perfect little song that doesn't get the buzz of like the Summer Babes or, you know, some of the more hit songs. I just I love it, though. yeah it's a it's a it's a really great song it's very different from the rest of the record for for sure it like maybe even it's like more at home on crooked rain crooked rain like you know like just sonically but uh but you're right where it hits in the record is is just is just right and And it's a refreshing little wafer, you know, before the next meal. Yes. Or the next course. Track 3: [19:22] Yeah. I think because of where it hits in the record, it feels mellower, you know? Feels in contrast to some of the other songs that come before and after it. What did you say is right before it? Conduit? Conduit, yeah. Okay, yeah. So it comes out of that frantic chaos into this breezy little, there's like the twang guitar, there's no fuzz, it's just this kind of light, catchy little, very short song, song, but that feels fully formed. It's not one of those songs that feels too short. You know, it just is like an idea song. Like, like there's a lot of those on Wowie, for example. Right. Yeah. Yes. Right. Or, you know, I mean, I can even think of like Emmett Rhodes lullaby. I don't know if you know that song. It's, it's, it was used. I first heard of it in, um, I think Royal Tenenbaums, one of those Wes Anderson movies, but, um, it's a beautiful little song and it's It's only a minute long, and it just feels too short. Zyrka's Dane does not like that. It just feels fully formed, even though it's only a minute in, I don't know, 50 or something. Yeah. Track 3: [20:41] What was I going to ask you? I was going to ask you if you've got a line on what it's potentially about. And if not, that's cool. I don't know. No, I mean, I miss Malcolm. This is hard. I, I kind of try not to read in too much to the lyrics because I also don't really trust the lyrics. Um, if you know what I mean, like if the lyric sheet, um, is often or not, I wouldn't say often, sometimes the lyric sheet, Like I'm looking at the lyric sheet right now that is included in the vinyl of Slanted and Enchanted. And the one that stands out is not necessarily Zerka Stain, but on Loretta's scars, you know, the, the line from now on, I can see the sun is always what I knew it to be. But the lyric sheet says from now on, I can see the slums. And so. Really? Yeah. Yeah. Yeah. And so I sort of, especially with Mouthmasters lyrics, I try not to read too much into it. It's just this like, kind of catchy thing. Track 3: [22:06] You know, like a jumble of words that make sense within the music of the song. I call it word salad. Yeah. I call it word salad. You get a tasty morsel in every forkful. You know, there's a little bit of everything. There's imagery. There's, you know, these slant rhymes sometimes. Really cool phrases. Memorable phrases. Yes. I almost feel like, you know, I can't sing it strong enough is a great line. I don't know what it's about. Right. And I don't even know if it's about, I mean, the song is Zurich is Stained. I don't even think it's about Zurich. There's no other sort of mention of it. Yeah, I mean, right. Like, it's okay. It's not your fault. Cool. cool. Track 3: [22:57] Whose fault is it? Do we even care? I don't know. I just try not to. I try not to read too much into it. And I think one of the one of the things that I noticed and what I've always kind of tried to avoid when I would talk music, you know, the songs when when Bob and I did three songs, but is I would, I would try and talk about the music and not try to analyze the lyrics so much, unless there was something that really like, like stood out and grabbed me and resonated with me. Um, but yeah, I think, I think Malchmus is especially at this phrase, you know, phase of his career. I felt like each line was its kind of own self-contained mini story and often didn't even like match or connect or follow the line that came after it um so to your question what's the song about i have no idea that's cool well i'll pivot completely then and we'll go back to three songs for a minute how the fuck you know did you and bob connect yeah this is this is kind of. Track 3: [24:09] Obviously, I was a fan for a while, for a long time. And I'm thinking back in 2013, I moved to New York City. And I started working at a horse racing company. Okay. And actually, it probably was 2014 that I moved there in 2013. Probably a year later, I got the job at the horse racing company. And as I'm sure you know, Bob has always been interested in horse racing. And what he was, I was based in New York, he was based in Iowa. But he was the local representative for the Iowa racetrack for the company that I worked for. And so when I get there and I see, you know, Bob Nastanovich, I'm like, hey, man, what's up? And we started working together for work. And then I was at some point I was like, you know, I'm familiar with your band, Bandza, you know, because I was also certainly familiar with the Silver Jews as well. So good. And so we just became friends. I worked there. I think Bob got laid off because horse racing is not really a growth industry. So Bob got laid off. And then a year or two later, I got laid off. Track 3: [25:37] But we were always friendly friends. I'd consider us friends. We became friends, even though we lived a couple thousand miles away from each other. Yeah um and after i got laid off in 2017 i was like hey i got some time now you want you want you want to do a music podcast um and he was like yeah sure and so we threw around ideas of like what it would be about and how we would approach it what we would call it all of that and he suggested three songs and we just kind of bandied back and forth uh you know hey this is this is is sort of how i want to do it i just want it to be like two friends talking music and sharing music that we like with each other kind of like the way it was back when pavement started when you just couldn't find things online there was no online you just had to hear about it because somebody you knew was into it and be like oh you got to check this out you'll love it so that was sort of the spirit of it we started i think our first episode i know our first episode i didn't have a mixer it sounds like shit you couldn't really hear bob bob couldn't hear the songs um but i just left it up anyway because they were good songs and it just it was uh a good a good chat um and then by episode two i got i bought a mixer and a mic and uh we're we're off. Track 3: [27:00] Game changed. Game changed. And we, yeah, we were friends for probably two and a half years before we did the podcast. Yeah. And then we did the podcast for probably another two and a half years before we met in person. So I knew Bob and was friends with Bob for five years before we'd ever. And you guys did an episode together in person, right? We did one episode in person. Yeah. Okay. I remember listening to that one. Yeah. I mean, I've listened to a bunch, but I specifically remember that one. Yeah. It was sort of weird because we're doing this with video. I can see you, so you can see me. I can see when you're ready to talk. We didn't do any of that. Bob didn't want to be on camera. He felt uncomfortable. He's out on his back porch. He's just running around. You'd hear the dog in the background. So I didn't know when he was done talking, and we would sometimes talk over each other. So doing the one in person when we could actually see each other's cues was a little strange, to be honest. Because we had done, I don't know, at that point, two and a half years worth, probably close to 100 episodes. That's what I was going to say. I feel like it was in the 90s, that episode. But I might be wrong. Yeah. That was probably after. Because we did the 100th episode. Track 3: [28:21] Yeah, we did the 100th episode, which was the David Berman Silver Jews focus one. Which is still our most listened to episode. That was the episode 100. And I know we recorded it a few months before we met in person. So, yeah, we probably did 110 before we'd ever met in person. And the reason we met, the way we met, was Bob came to Portland in January of 2020 because there was a tribute show to David and to Silver Juice. And so Bob, so we, you know, I think there were a number of people that played, including. Track 3: [29:02] Uh, um, the woman, Rebecca from the Spananes, um, played a set. Um, there were a few others that played, but the headliner was, uh, just a duo of Bob and Steven playing, playing silver juice stuff, which, and you can find it, you can find the recording on, um, on YouTube and famously one of it's great. It's actually worth seeking out because, you know, it was, it was cool to see. Um but someone in the comments was like this sounds like shit and then bob replied and he's like sorry man i can give you your five bucks back or whatever and and then the guy was like oh i'm really sorry i didn't mean to you know it's he's like that is spectacular yeah so it's it's almost it's worth watching for sure but it's almost worth seeking out to to find that little nugget of, of exchange, um, in, in the, in the YouTube comments section. But, um, but yeah, that was the first time we met. Did you parlay that meeting into, uh, an opportunity to meet with SM? I did. Yes. So this is, this is sort of my meeting mouth story. Although I actually met him in the nineties briefly at Satyricon when, um, the Geraldine Fibbers were playing. He. Track 3: [30:23] He lived in Portland at that point, and I think I was still down in Eugene, but I was and have been good friends with Nels Klein for years and years and years, put out some of his records back in the 90s. And then he got into the Geraldine Fibbers and was playing guitar with them. They played a show at Satyricon and I was hanging out with Nels and Stephen came to the show. And so I met him briefly then in the 90s. um but then yeah flash forward 20 plus years january 2020 so that the the day before the show. Track 3: [30:57] That they played uh with a tribute to to david is the day that bob and i hung out we recorded the podcast that day we went and had lunch we had dinner i just hung we just hung out together all day. And then, um, I was going to head home and he's like, ah, just crash, crash in Stephen's basement. There's, there's two couches there. I I'm on one, you can crash on the other. And I was like, yeah, okay, no problem. And so, um, we got back there, I don't know, around midnight, everybody was asleep. We'd go down to the basement and, you know, and then I get up around eight or so to go to leave and um the basement stairs were right at the top uh or the top of the stairs was right at the kitchen and so um i went there was a bathroom in the basement i went and used the bathroom and i was about like putting my shoes on and about to leave and steven's wife jessica comes to the top of the stairs and is like bob's bob and i'm standing there, and I just say like I didn't know what to say of course I'm like uh, Bob's friend and she's like oh Bob had a sleepover and I was like uh yeah hi I'm Mike so um. Track 3: [32:17] So then, and, and so that was sort of a strange little, and then I got, you know, got my shoes and my jacket and I'm like going up the stairs and what at the top of the stairs, it's like you see the full kitchen and, you know, Jessica and Steve's daughters were in the kitchen having breakfast. And I'm like, um, nice to meet you. Thanks for letting me crash here. Even though you didn't know I was crashing here. here um uh you know like hey i'm mike and just like really sheepishly like trying to leave and the back door is right kind of at you go to the top of the stairs and to the right is the kitchen and straight ahead is the the side door um that goes to their their driveway and i'm like trying to open the side door and jessica's like it kind of sticks a little bit do you want me to help and And I'm like, oh, I think I got it. And so I'm like fiddling with the doorknob for like 10 seconds, which felt like two minutes. And then I finally got it opened and it was like, all right, thanks. See you later. Track 3: [33:25] And then later that day, you know, Bob said, come on over. We'll hang out. And so I came over later that day and then met them in earnest. And they were very sweet. She was very sweet. You know, like, I'm really sorry. And I was here and she's like, don't worry about it. And then Steven was there. And he was like, they were just kind of. Track 3: [33:43] Prepping for the show later that evening and um he was very nice he actually gave me he just finished reading lou reed's a biography on lou reed he's like i'm looking for on it and i was like yeah sure so i've got steve's steven's copy of uh the lou reed biography up in my my bedroom. Track 3: [34:01] Somewhere that's spectacular i think that's really cool yeah yeah borrowing books from steven malcolm any other uh chances that you met him or um yeah i mean i've met him briefly a few other times you know bob um would come to town when pavement was rehearsing i think they rehearsed for about almost a month before they did their their first reunion tour in 2022 22 um yeah bob bob stayed here for probably maybe not quite a month maybe three or four weeks two or three weeks and um you know i would not every day but regularly after they were done i would you know hang out with bob a little bit and we'd get some dinner or whatever and one night there was some band playing and um steven and jessica went and we tagged along and so i've met him a number of times we're i would say we're friendly but we're not friends i don't have his number he doesn't have mine you know if if i were to run into him around town which um happens now and then i'd probably feel too shy to say hi but um if i did i think he would know who i was and be okay with it that's that's. Track 3: [35:19] Pretty neat though i would say yeah you know i mean this is one of the things about portland it's like a it's a it's kind of a small town it's a big big enough city but it's also kind of a small town yeah well i want to share something with you because it's kind of funny uh you know it's in the lore of meeting malchmus i reached out to bob when i first conceived of this podcast in the fall of uh 2018 and asked him if he wanted to co-host meeting malchmus and this is the you know this is the premise and blah blah blah and uh i didn't have it all nailed down at that point um but i gave him the i gave him the highlights and he's He's like, he responded back and he's like, sounds fun, but I'm already doing a podcast. And I was like, tell me what it's called. And that's how I found out about your podcast. Track 3: [36:11] But that's also how Bob ended up not on Needy Malcomus, if he would have done it, if he would have done it. Well, so I apologize because I feel like I'm the reason why he said no. Although I would have to check. There were times, and I think that the fall of 2018 was one of those times. There were times, and if you look back through our episodes, you'll see big gaps, and it's often. Track 3: [36:37] Associated with life events. And my, my daughter was born in July of 2018. And I think right after that, we actually did probably a six month pause. Cause I was like, I don't, I'm working. And, uh, you know, I mean, I took a little time off, you know, I'm not sleeping yet. Like, uh, as priorities go, I don't know if I'll have time to talk to you for a little bit. So you, even though Bob, I mean, and I appreciate Bob being loyal to me. It was probably during a pause, and he probably could have said, hey, I've got the time right now. I am doing a podcast, but we're not doing it right away. That's funny. Yeah. So do you have anything you want to plug other than three songs at this point? What's the episode that people should grab of three songs aside from the Berman episode? Episode like what would you say is is a standout episode that gives you a real sense of what the show is well okay so those are almost two questions because. Track 3: [37:41] The standout episode of what the show is this the premise of the show was bob would bring three songs to play to me that he thought i maybe didn't know uh and might like and i would do the same for him um and so those some of those early episodes where we were still finding our footing were a lot of the songs where it was like, Oh my God, I fucking love this song so much. Like the X is state of shock. Um, you know, like some, some of these go between songs or some of these like old blue songs that, that just like really resonated with me in a strong way. I was like, I, you know, I don't know if you know this, but like, I want to play it for you and just get your reaction. Um, so, you know, I don't know. I, don't have the list in front of me and my screen saver went to sleep. So I, you know, I'm not even going to log in to figure out what some of those early episodes were. Um, but, uh, you know, I, what I, what I also tried to do, and it was never a spoken thing between Bob and I, but I, I was inherently conscious of the fact we were two middle-aged white dudes. Track 3: [38:54] Talking music and i wanted to make sure we weren't just talking about white dudes no it is very if you haven't listened to it listen to it but there are there are like i'm just going i'm making this up but like throat singers and or did you have a throat singer uh i don't know if we went quite that wild but we would do yeah it's everywhere though it's like you guys you guys covered the spectrum yes music all kinds of genres all kinds of countries we try we tried to go all around the world you know and we tried to also be very inclusive of all genders and you know because again it's just two white dudes talking we didn't want it to be like very focused on on like western western music you know that said we didn't want to make it so obscure that people would be like, there's not anything here for me, you know, like, we would try to try to walk that line where it would still be fun and worthwhile. And, you know, I think if nothing else, it was just, I hope that people came because they liked Bob, and they liked me, and they felt like they were listening in to friends. Track 3: [40:08] And they felt like they were one of of our friends that were experiencing this music and experiencing this conversation at the same time. Um, I hope it was more that and not like, Oh, I'm going to list, listen because today they're talking about, you know, Sebado or whatever. I'm going to listen because today they're talking about some band I know, and I want to hear what they say. Track 3: [40:30] I, I, I was, I hope we built enough of an audience that liked us and trusted us. So that's it. It's the trust piece. It's like you guys were sort of a modern day equivalent of like the record shop dude, you know, that trusted guy that, you know, Gary Gal. Track 3: [40:51] It's like, hey, I saw you buying these two records. Yeah. You're probably going to totally dig this. Yes. Yes. Tastemakers. I hope, I hope the unjudgmental record shop dude that wasn't like, oh, I can't believe you bought this. Track 3: [41:06] No, I don't mean that. You know some of those types, right? Yeah. We wanted it to be, you know, I also didn't want it to be a situation where I was, you know, ripping on someone's art. Or if I didn't like it, I would just be like, oh, it's maybe not my thing. But most of the time, everything Bob played for me, I was into or found some sort of way to resonate with. Track 3: [41:32] But aside from that, I mean, I'm not doing any podcasts. I don't have anything to plug. I mean, I think those that have listened to the show know that Bob runs a small record label. And back in the 90s, I ran a small record label called Little Brother Records. Records um you know uh i've got a few of the old back stock and maybe i'll send me your address i'll send you a little package of some of the old records i put out um oh wow cool yeah um you know and it's uh so but i wouldn't say i have that to plug it's just part of my it's part of my origin story yeah absolutely well i really want to thank you for taking this time with me today it's been a blast talking to you dude yeah appreciate it thanks for thinking of me thanks for including me no you're you're near top of the list when i started thinking of like people that i solicited to like on my twitter and stuff like that uh i i asked basically anybody and everybody but then i also had like the celebrity wing you know and uh you appeared on that list so i i company you're in. Track 3: [42:42] I don't know if I would even come close to listing me as a celebrity, but I appreciate the thought. In the podcast, in the indie rock podcast world, I would see you. If you want to say our top episode, which is the Berman one, that got maybe 12,000 listens, if that makes me a celebrity. I mean, you know. If you had 12,000 people in your living room listening to you talk, that would be a pretty fucking big deal. That's true. I don't know if I'd have enough food for them. Track 3: [43:14] I had a friend tell me that early on in podcasting. They were, you know, they were like, because I was like, I don't know. I don't want to put myself out there and see the numbers. And they were like, if you have 12 people that listen, like, that's pretty cool. Well, I think more than that, but the sense that you, that I get is that you approach it the way that Bob and I approached it. And, um, you know, I had the advantage of kind of tagging along to a, a, a celebrity. Track 3: [43:43] And so Bob's name helped bring in listeners, but we, we didn't, we didn't do any promotion other than maybe, you know, little like, like Twitter promotion. We didn't, we didn't solicit any, um, sponsors or anything like that. We didn't ever want to try and find a way to monetize it because if we were doing that, it wouldn't be what I wanted. Yeah. And it wouldn't be fun. It wouldn't be, it would be like work, you know, and I wanted it to be my release for like, here's an opportunity to talk to my friend about music. Um, and maybe, you know, maybe we will find an audience you know if you're if you're authentic and you're doing something for the right reasons often the audience finds you it may take a little while um but that's i think that's also about the the way i look at a lot of the music that i like you know bands like sonic youth weren't you know or or the x is another huge band that i just have loved for their whole career they're not worried about is it going to sell or whatever and they just they find the audience eventually. Track 3: [44:52] Yeah i would say i would say authenticity is a is a reasonable place to start from, yeah that's the best i can do yeah yeah hey again thanks so much and uh wash your goddamn hands. Track 1: [45:11] Thanks for listening to Meeting Malcomus, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at Meeting Malcomus dot com. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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This week on the show jD welcomes Vish from his own Kreative Kontrol, if you haven't checked it out get after it! Vish discusses song 18 and shares his Pavement origin story. Transcript: Track 1: [0:00] Previously on the Pavement Top 50. Track 2: [0:02] This week we're going deep on Box Elder. How are you feeling about song number 19, Kyra, from the COWI? I fucking love Box Elder so much. It's a great song. It's one of the earlier Pavement songs. I think it's a very early Pavement song, which is cool. And it's one that really holds up. Track 1: [0:25] I think, too. you. Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown. Track 3: [0:34] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballads. I then tabulated the results using an abacus, a wet towel, and some scrawny kid from 10th grade gym class. How will your favorite songs fare in the rankings? You'll need to tune in to find out. So there's that. This week I'm joined by Pavement superfan Vish from Creative Control with Vish Khanna. Dude, thanks for taking some time to do this. It means a lot. How the hell are you doing? I'm well, JD. Thanks for having me on your show. How are you doing? I'm great today. It's a little overcast here, but it's about five degrees so i'm gonna go for a walk later and uh. Track 3: [1:24] And that's a, that's, those are good times for me. Very nice. That's good. Going outside. Can't beat it. Yeah. No, you can't at all. Well, let's not beat around the bush, speaking of beat it, and get right into your Pavement Origins story. Track 3: [1:38] Talk to me about that, Vish. Well, I was trying to, you know, I knew I was coming on your show, so I figured I should try to ponder this, you know, and I, I was trying to remember. Remember, I think I first came upon the band when I read about them in Spin Magazine, like, I think before Crooked Rain came out. And I don't know what it was about that piece. This is right around the time I started getting to go to record stores. You know, I'm, what would I have been then? I would have been 15, 16. Some of us were driving so we could leave Cambridge, Ontario, where I'm from, and we could go to Kitchener and Waterloo and Toronto. They had the cooler record stores those were like uh college university towns so then we started going to record stores and then you start talking to the record store people and they tell you what they like and you respect them because they're your surrogate parents so somebody somebody somewhere along the line told me about pavement i i'm pretty sure it was the spin magazine article that i was i started devouring more and more music journalism and i think it was that so i remember owning uh slanted and enchanted and also uh the record store had the trigger cut single so i think i bought both things and i'm fairly certain about both things and uh i will say that that first single got me completely obsessed with their singles um because i think they're. Track 3: [3:07] I don't know, they're one of the greatest treasure troves of any band I can think of. I know you've probably talked about this with others, but I really value Pavement B-Sides. Like, I wasn't that surprised. I mean, I was surprised that Harness Your Hopes went kind of bonkers recently, but like, I'm not surprised. Like, Pavement B-Sides, I know some of them better than I know the album songs, to be honest with you. I just became so obsessed with how great, like, the the quality of their B-sides really spoke to me. And then, yeah, that's one of the, and then I feel like that was a gateway into like, what is Silver Jews? Like, why is this, what is Silver Jews in the pavement section? What is it? Oh, it's a, it's a project. Oh, there's Bob and Steve on the back of the album covers. So they're in this, I guess. And so, yeah, the B-side alternate pavement universe if you will really spoke to me and still does uh i find myself uh kind of you know mumbling song lyrics and and tunes and melodies from you know humming them from from all the b-side so yeah i i would i would position myself that way as someone who i get a little obsessive so it wasn't just the album uh the albums it was like i want to get all the singles so i owned every single. Track 3: [4:24] On mostly on compact disc when i was coming up of age and now i've got them all on actually you know what i ordered i ordered that thing that you ordered the box that i ordered the singles box that i have a bunch of them but i was like what the hell i'm gonna do it so the book looks good yeah everything about it looks good i love pavement so uh i just thought i would get that too and uh yeah i think that's pretty much it that's where i discovered them and then of course they blew up uh you know they're one of those bands that all your cool uh heroes were talking talking about before you even heard them you know so you'd read a interview with somebody you liked and they'd mention pavements you're like what is this pavement so really have a time and place for me word of mouth and then actually digging in i have still a sense memory of playing slanted and enchanted and hearing summer babe and you're just like what the hell so yeah i'd say that's that that that's that's got to be it i think that's it and you got to be there for the release of watery then did you as somebody who was like sort of ep and single obsessed did you pick that up when it came out i did i did pick it up i don't know if i got it right when it came out i can't say that for sure because i feel like i still came to them a little bit later um because i'm sure they were that article was 93 like i don't think it was about slanted it was just mentioned so but i got it yeah and as you may have heard me talk about it's yeah it's my it's like my favorite thing, really, in some ways. I love, and yeah, I miss Gary Young. Track 3: [5:51] I never got to meet or talk to Gary Young, but yeah, the drumming as a drummer as well, as a budding drummer, like hearing Gary's playing, that had a huge influence on me too. So yeah, that era. Put your finger on what it is, isn't it? Track 3: [6:06] Like, what it is about Gary's drumming. I love Westy. I love him. He's a great guy, and he's a great drummer. But there's something about Gary. There's something about the looseness and the showmanship of people like Gary Young. I would say here in Canada, we have Mark Gaudette, who was in Eric's trip, and his drumming, too. Like, it's punk rock, but it's a bit more technical. And it's precise, but it's loose. And it just has it. He's making an instrument. you know they have their own voice i suppose as drummers they have their own like you hear it and you're like oh that's that's that's either gary or as i mentioned mark for two examples uh or it's someone copying them you know it's someone someone kind of ripping them off so i certainly was of this learning how to play the instrument and getting into some really amazing drummers at the time uh just because i didn't take drum lessons i would just listen to things or go see bands and And certain people and their drumming had a huge impact on me. And certainly early pavement drumming, you know, I think it's an underrated facet of that band. Did you get a chance to see the Gary Dock? Track 3: [7:18] No, you know what? I haven't seen that doc. That's a good call. I've been rather swamped of late and I need to do that. Have you seen it? Yeah, it's really, it's, it's pretty fabulous. Yeah, I can imagine. You're right. I should, I don't know. I'm at a thing where I got to do so much and I process so much information and music and I can't keep up with everything. So yeah, I saw it come through and I was like, yeah, I will watch that eventually. And then before you know it, I don't think I'm alone in this where there's just so much stuff to consume, but yeah, good Good call. Good call. I'll try to track it down on, I don't know if it's on a thing, a service or whatever, a streaming service, but I'll try and watch that. Yeah, I think it is because I don't know how I would have seen it. I forgot. Yeah. Um, when, when did you finally get to, uh, see them live or did you see them live in the original sort of run? I saw them for the first time in Barrie, Ontario at Lollapalooza in 1995. This was the. Wow. Lollapalooza curated by Sonic Youth. Track 3: [8:18] So also on the bill was, it was supposed to be Sinead, or sorry, it was supposed, yeah, it was supposed to be Sinead O'Connor, but I think I attended the first show that she couldn't play because she was pregnant. And so Elastica filled in, but the day was like a mighty, mighty Boston's first time I got to see the Jesus lizard. Blizzard, uh, uh, Pavement obviously played during the day, uh, Hole played. Beck was on the lineup too, wasn't he? Yeah, I saw Beck play two sets, one on the main stage, uh, this was just ahead, uh, ahead of Odile coming up, and, um, he also did a side stage, uh, performance where I actually spoke to him, he, he came down and, uh, signed autographs, so he signed, I don't know where it is but he signed my Lollapalooza ticket stub and I asked him I actually I think I, I tripped him out a little because I'd heard that he was going to be collaborating with a Toronto musician. And when I mentioned it, he was like, oh, yeah, we have been talking about that. Like he was I kind of nardwired him. Track 3: [9:23] I didn't mean it was just a rumor. I just said it. And he was like, oh, yeah, we were talking about that. So anyway. Yeah. So, yeah. And the Far Side played and Moby played and all sorts of amazing eclectic. Yeah. Yeah, Cypress Hill was one of the headliners. Bob Nastanovich, when he was on my show, I did a little documentary about Bright in the Corners. And he talked extensively about their experiences with some of the artists and their experiences playing Lollapalooza. And Bob's amazing innovation of suggesting that instead of getting a bus, they would each get minivans. He got a great deal in some rental minivans and that way they could play and then just drive ahead to the show and not worry about the gear and all that stuff and and and they could kind of travel at their leisure and uh yeah anyway so Lollapalooza 95 is the first show then I saw them at the Phoenix in Toronto for the Bright in the Corners tour and then I saw them play uh you remember the cool house and the, sorry, for those wondering in Toronto. Track 3: [10:33] There was a venue and it had two rooms. It was called the Warehouse. And then beside it was something called the Government, a smaller room. And then the Warehouse became, it was like the RPM Warehouse or something like that. That's right. And then it changed names. It was the Cool House, but I think the Government was still there. So for Terror Twilight, as I recall, Pavement played the Government. So the smaller room on that tour. So I saw them there. And then I saw them on Toronto Island on the first reunion tour with the Broken Social scene. Track 3: [11:08] And I think that's the last time I was invited or I was supposed to go see them in Austin, Texas. And Bob hooked me up. And I think I might have even been able to attend the Austin City Limits taping. But unfortunately, I couldn't make it at the last minute. So that was a bit of a bummer. But I regret it. But, you know, it was weird, still weird pandemic times then. And I, I think there was also other stuff going on. So I didn't get to see them on this current reunion, but it still seems to be going as we're speaking. So who knows? Track 3: [11:42] Maybe I can see them somehow. now yeah yeah and we are recording this in early april so yeah there's we're not uh that's not a scoop people just in case you're listening to this in october and you're like oh christ they're coming back um they may they very may well be i just edited the bob episode and you know i sort of teased him because he's like we're done after south america and i was like come on come on yeah i'll believe you're done when i when when you're done yeah but um enough about me back to you uh i'm curious about the lola performance like so you got to see them in a government isn't intimate but it's nice um and then you got to see them in um lollapalooza in front of a big crowd what do you think of the the festival version of pavement well i mean obviously it's well documented that they didn't have the best time on that tour on some level uh in slow century there's obviously the the fracas uh you know uh where people are throwing mud at them and all sorts of a rock at steven actually uh you know i i was a kid i mean that was sensory overload i i was just going to how old was I? So 95 I was had I even turned. Track 3: [13:08] Yeah, I was not even, what was I, seven, 16 or something like that? I don't know. I was not an old, I was young. You were 76? No, wait a minute. Yeah, I was 17. So I was born, no, I was born in 77. So I hadn't yet turned 18. So I was 17. And yeah, it was just, that was a bonkers year, to be honest with you. That summer, I went to everything. I went to so many festivals. Track 3: [13:31] For all my bellyaching about my parents not letting me do stuff, they let me do a lot of stuff that summer so uh yeah i don't i think i was just overwhelmed by how many people were surrounding me and and and i got up as close as i could for pavement um and we got up really close like seeing the jesus lizard was a bit i love the jesus lizard already at that point i just love them and to see them was like they were larger than life and you know yeah for those who've never seen them or footage of them at that point, Yao would come into the crowd, you know, he would leap off the stage and crowd surf and all that kind of stuff and sing while he was doing it. So it was very immersive. And then Pavement, relatively the opposite, you know, they're on stage and the songs are great and they played well, as I recall. But on some level, I remember just making a point of getting up as close as possible and trying not to, at the same time, you know, be conscious of not bothering people as you move your way up, you know, because I was kind of annoyed at everyone running around and pushing their way forward and all that stuff. So, uh... Never made sense to me. Yeah, it just... That's my main memory of just, like, trying to... I was probably... For the Jesus Lizard and Pavement, I was probably... That was the closest I was probably, uh, to the stage. And, uh... And then otherwise, yeah, I don't know. I mean, I have... Track 3: [14:57] I have a real sense memory of the Phoenix show for Bright in the Corners for a few reasons. And I've talked about them with Bob, at least. Track 3: [15:05] Bob did an interpolation of a Cool Keith song, which I just, I was like, oh, I didn't know people knew about Cool Keith. Like I had only started listening to Cool Keith at that time. And he did. I have no clue. blue cool keith is a a really uh innovative uh underground hip-hop superstar he was in a group called ultra magnetic mcs and then he went solo as dr octagon and as cool keith has all these pseudonyms and uh to be precise uh and oh yeah black elvis like he had all these cool names so to be precise i believe as i recall bob was quoting dr the dr octagon project and he just did it in the middle of a song and then also the other thing that occurred to me and it's sort of relevant to the song today is during uh stereo when steven malcolm is saying the lines about getty lee and his voice being so high he shot his voice up super high like a comically high effect how did it get so like just pitch perfect super high i think it's i think it's documented in a much music interview that they did that day or whatever, like while they were in town. And then obviously afterwards, they interspersed some live footage of the band playing. Track 3: [16:26] And Stephen singing, you know, on this song that we're here to talk about today is so remarkable to me. And I remember that I had this sense memory of him singing that and thinking it was very amusing. I thought it was more amusing than impressive at the time. but over over time as i um have come to value steven's singing voice and his range and his ability, And just instincts as a singer, I view it as more impressive now than, I still think it's funny because I think he's got a comical element to his choices and certainly live anything can happen, but they were just, I think that Bright in the Corner show is the, it's certainly one of the best shows I've ever seen. So I would also say it's one of the, if not the, it was the best time I saw Pavement probably. Oh, that's a great venue. That's what I, that's, I think the Phoenix is phenomenal. I don't want to discount the reunion show I saw because I think with age and time away from each other, they actually have, I don't know, I don't know how many reunion shows you've seen, but often I find that these bands that, particularly for us, you know, the bands around in the 90s, when they come back, they're better. Yeah. They seem more at ease with themselves as people and as players. Track 3: [17:45] And so the absence, I don't know what it is. They just seem more relaxed. And I think when you're more relaxed, you play better. I think 20-something angst, we'll call it. I think if you're not relaxed with each other, you don't play as well. You're just a little uptight. And then as you sort of resign yourself to, well, not resign yourself, but as you sort of get, yeah, you let go of things. I guess that is a way of putting it. You kind of let go of any little grudges and you don't have that angst, whether it's your own or whether it's about yourself or whether it's interpersonal. And I think you just play better. So when I saw the Jesus Lizard on the reunion tour, having seen them several times in the 90s, I just was like, I think they're better. You know, they might be better. better and pavement as i recall from the toronto island show it felt good they played so well you know together um but up until that point yeah i would say that bright in the corners show i saw at. Track 3: [18:46] The phoenix in toronto was just like they were just on fire it was brilliant so yeah cool yeah well before we get into song number 18 i gotta ask you as one of the only people i know that has interviewed Mark Eibold, the reclusive Mark Eibold, how the hell did you do it? And that interview, by the way, was phenomenal. It was great. Track 3: [19:09] Well, that's very kind of you to say. I have to draw back on my memory for this. So the occasion was the Terror Twilight reissue from a year or two or a couple of years ago, whenever it was. Yeah, who knows? And like you, I think my social entry point into this band is Bob Mstanovich. Track 3: [19:32] Absolutely. So Bob is, uh, I've gone on record saying this to others. I think I said it maybe to him during our terror twilight discussion. Bob is the greatest podcast guest of all time. You don't even have to ask him a question and he starts. He's so funny and he's so frank and he says things that I surprised he might say. I love him so much and he's been very kind to me over the years as well. I first spoke with Bob, uh around the time of that reunion uh tour um uh and so what was that 2009 10 thank you very much yeah sorry i think the jesus lizard was 2009 so yeah i spoke to bob around that period and then we've maintained contact basically ever since that was for my college radio show actually and then so that was here in toronto yes that's right yeah well i lived when i was living in ontario at at the time. Um, I had a college radio show and would play some pavement and Bob was a guest on that show. And he's, and I probably wrote a magazine article for exclaim magazine as well. That's what I do and used to do more often. Anyway. Um. Track 3: [20:43] Yeah. So the Tara Twilight thing came about by this point, Bob and I had, he'd been on my podcast a few times. And so I just, I'm sure I went through the proper channels to get, try to figure out the interview and get the music and the, and you know, all the assets and all that. But Bob, I think I was like, Bob, like, can we get everyone? Let's just get everyone on the show. Probably like you have done, like you just, you know, you're, you're trying to do this now. You're trying to talk to as many of the members as you possibly can. Absolutely. And in the loop. So, yeah, you know, I'm emailing Stephen and I think I texted Stephen because, you know, he wasn't responding. Track 3: [21:22] And so we sort of landed on Westy and Bob and Mark and then Jesper, who was involved in the reissue for Matador, was going to take part. And then at the day of, Mark couldn't do it. He was in transit. He couldn't join us for the group call. But yeah, Bob connected us over email, I believe, and maybe text, I don't recall. And so Mark and I, Mark felt, I think, kind of badly that he couldn't do it, like that he said he would do it and that he didn't end up doing it. And uh i i assume bob vouched for me you know um and so that was kind of it uh really we corresponded uh he felt badly that he couldn't make the group call we arranged a time we had a good talk you heard it uh and then i believe i put it out the right after i had put out that that group call uh so back to back it was like pavement week on my show for terror twilight light. Um, so, uh, yeah, I don't, can't recall cause I do so many of these, uh. Track 3: [22:37] Exactly what mark and i talked about i think we talked about some of his, radio listening habits you did yes he still uses a radio yeah you might actually have a better perspective on it than me at this point because i just don't remember uh you know i jd i'm sure you're familiar with this you do so many of them uh interviews uh episodes you're just like oh yeah, i forgot i had so and so on the show what the hell did we talk about again i that happens to me all the time when i edit i'll be listening and i'll be like it sounds like a conversation between somebody who doubles my voice and my guests because i don't recall virtually anything about what we talked about well i remember realizing it was um a real kind of rarity for mark to do such a thing i think at the time um a sonic youth uh archival compilation had had just come out that mark appeared on so there's just a fair amount to talk about it was a lot of memory jogging unfortunately for him like you know trying to remember the terror twilight sessions trying to remember playing with sonic youth like all about a decade out from doing it you know or more a decade or more 20 years um so uh yeah i i he was very lovely and uh and forthcoming and um. Track 3: [23:59] I really appreciate it. I think I've spoken to everyone but Gary, I suppose. I never got a chance to speak to Gary Young. But in terms of the, I guess, whatever, core or original lineup, yeah, I've talked to all of them at some points in my life. And I hope to talk to them again. Track 3: [24:20] Yeah, I do adore them. So it's, yeah. You can tell. You can really tell. And we should have said this off the top, but Viche is, Creative Control is a podcast, if you haven't listened to it, you should listen to it. If you like music, if you're maybe a bit obsessive about music, Viche does a really phenomenal job of, you know, conversations with famous people. People uh for people who listen to this show you might want to start with some of the david berman stuff because it's it's pretty spectacular and uh and then work your way through the pavement but it's all it's all good from the stuff that i've heard for sure well thank you for the kind words and for saying so yeah i uh i do love doing the show and uh it has uh you know it's granted me access and insight, uh, to, and from people I really, truly admire and adore. And, uh, yeah, I marvel at, uh, what I've been able to, uh, accomplish and get away with, uh, it is, it is, I don't really understand it, but certain people like Bob and others, uh, uh, have a fondness for me and return to the show and all that sort of stuff. And, uh, so yeah, it means a lot. Thanks for saying that. No, no, I should have said it off the top. but uh what do you say we talk about the the song this week song number 18 let's do it okay we'll be back right after this hey. Track 1: [25:48] This is bob mistanovich from pavement uh thanks for listening and now on with a countdown 18. Track 3: [29:27] So today we're talking all about song number 18 from the masterpiece Wowie Zowie. It's the absolutely gorgeous Father to a Sister of Thought. Vish, what are your initial thoughts about this song? Well, you know, I was so happy that we landed on this as a song to talk about because I do love Wowie Zowie. I have a sense memory of picking it up when it came out. I think the day it came out. um and um obviously a strange sort of a strange record uh an eclectic record uh and this is interesting it's a really fascinating song because in some ways it's super accessible uh musically it leans with the pedal steel and some of the other moves it leans towards country music. Track 3: [30:18] I will say, as I was pondering it, I mean, I know we are in a vacuum here of people who love Pavement and who love Stephen Malcomus, but as I was listening to this in preparation for our chat, I'm like, Malcomus is like an underrated everything. I really feel that way. And in particular, I think he's a remarkable singer. And, you know. Track 3: [30:51] And this song, I think, exemplifies that. He makes super fascinating choices with his phrasing, I think, and just the notes he's going to go for on words. Like, I don't know how to put it. I'm not super adept at maybe talking about music on that level. But it's just very dynamic, the way he shoots his voice up and sort of speaks, sings one line. Track 3: [31:17] And I think aside from missing his sort of grittiness, he also is a great screamer, great yeller. He really is. Like Paul McCartney level dynamic range, I think, with Steven when he wants to. Like he can sing. I don't know if that resonates with you. Like McCartney, to me, can sing anything. He can sing a ballad. He can sing like a Little Richard Rocker and sound like a punk. Like it's bonkers, that guy's vocal range. And I think Malcomus is in that, totally in that vein. So he's not yelling on this song but i think if anyone is interested like this song is a perfect showcase for what he can do as a vocalist and before i go much further jd does that resonate with you it certainly does i when i think of this song you know the word i used right off the bat was gorgeous uh and it's gorgeous in a number of ways the vocal the melody uh like his ability as a songwriter. I don't know how much of the arranging he did, or if it was Easley who said, let's use this pedal steel. Track 3: [32:25] But nevertheless, it just works so well with the timbre of his voice. And it all comes together in a really lovely ball. Track 3: [32:36] Yeah, and I think the little contrarian aspect to, or I don't know how to describe it, this little element of, yeah, it's a little contrary, I think, you know, I don't think I'm saying anything untoward where there's an element of self-sabotage sometimes in the pavement realm where everything's going fine, and then all of a sudden, let's pull the plug and do something wild and nuts or crazy, you know what I mean? And then yeah so this song has this really jaunty country vibe and then it ends with this like, minimalist noise rock stomp damn yeah yeah yeah like it gets it suddenly becomes a little more punk after the sort of so it's kind of this and it's all part of this it's that end it has nothing to do with anything else we've heard no instrumentally nothing but it works like it works so perfectly and i think it's a way of being like all right i think i think we're getting a little saccharin here it's too gentle or something let's end a little more raucous and uh so to me i hadn't really pondered it as such before but between malchumus i think singing his ass off and and really showing his range uh the band also ends up playing very dynamically and really beautifully and and also grit like as i say there's some grit towards the end so in a weird way. Track 3: [34:03] And again i hadn't thought of it like this was a single as i recall um like there was a video for it and whatnot and they're all dressed up in like country western garb and all these sorts of things, but uh no it's a nice exemplification like this is a pretty good gateway in the pavement if you were like yeah listen to this song again you never heard of this band try this song just try it it's got humor it's enigmatic lyrically the arrangement itself is beautiful but funny uh yeah i i really think uh 18 this should be in the top five it's really wonderful wow yeah i would have it in my top 10 yeah i know you top 10 sure i don't know what these ratings mean i don't believe in ratings and awards but it's water cooler talk no it's i'm just saying as i think about it more first of all uh anyone out there listening uh once i dig into a topic i get a little excitable. So, uh, you can make the argument like, what about these other 10 songs? And I'd be like, yeah, yeah, those are also great. But this, this to me, I think, as I say, it's got a nice balance of earnestness, irreverence, beautiful singing, wonderful playing. Uh, yeah, I just think all across the board, it's beautiful. Yeah. Uh, well said. Track 3: [35:20] When you think back to buying Wowie Zowie, you said you got it on the day it came out. First of all, that's very cool. Track 3: [35:29] And second of all, I wonder, just to go on a tangent for a moment. Track 3: [35:34] I wonder if your penchant for B-sides helped you with that record. Because it's almost constructed to me where there's like a song and then more of a b-side song than a song than more of a b-side song uh you know i'm thinking like brink's job and and and stuff like that um yeah you know so that that would have really helped but what were you thinking the first time and this is asking you to really stretch your brain i apologize but what were you thinking the first time you heard this song on this wicked roller coaster ride of a record you know what it's i know this song gets come or rather the album why always how he gets compared a lot to the white album sure by the beatles um who are from liverpool uh and are no longer around but they were uh that album was um i think it's rightly regarded as this uh odd pastiche niche of sounds and ideas and somehow it it only coheres because contextually they made it cohere like it doesn't really make a ton of sense as an album but it's one of those albums where like i couldn't tell you what the best song on it is because i almost view it conceptually as a whole Oh, wow. Wow. So, there's some of it, like, you can, there are singles from it and whatnot. Track 3: [37:01] But I have a weird, this is more about me, I suppose, JD, than maybe most people, but like, I'm an albums person. So, when an artist or a band puts out an album, I assume, rightly or wrongly, in some cases it's not the case, but I assume it's a unified statement that they're making of a time, of. Track 3: [37:25] Rolling Stones, certain bands, you'll be like, yeah, this album is actually like odds and sods from the previous couple of albums that they just reworked or whatever, revisited. Um, and they still count as albums, you know, certainly Stones in the seventies, you can make that argument. There's a few records where, yeah, like just what I'm describing, it's an album, but it's really like leftovers from some ideas they had. Um, I would put Wowie Zowie in that white album category of like, it's a whole thing. Like, the way it's sequenced, the way songs blend together. Track 3: [38:04] As soon as you hear an artist do that, where the songs kind of barely, there's barely any air between them. Right. That's a sequencing choice. That's a mastering choice. That's all sorts of choices they're making. but there's then tends to be this coherence between them this isn't the case all across wowie zowie but there are songs as you know where it's just the next one just starts you're just right into another song um so it becomes a sort of sweet like thing all this to say uh i might be stalling to answer your question because i haven't listened to the whole album in some time this is going to prompt me to i listened to this song on its own and i will say it was a bit weird. Track 3: [38:48] To hear it on its own because i don't listen to pavement sorry as i've tried to just maybe exemplify i generally don't listen to um bands i got a friend pointed out to me a few years ago he was we were in a band together and he said yeah you once said you don't like greatest hits compilations i said i said that said yeah we were driving we were listening to like acdc or something and you were just it came up in conversation and you said you don't like greatest hits compilations because the context of the music is all out of order and i said right that makes sense to me yeah you're i said yeah okay i don't remember saying that sometimes i say things and i don't remember that i said them and i said oh yeah well i mean i said i said it and it stuck with him like he said yeah i've started to listen that way now because you're right like the context of an album is so important to it so when you asked me to be on the show and and suggested uh you know that we were going to talk about this particular song i just listened to it on its own. Track 3: [39:52] Totally weird. Totally weird to hear it out of the album context. So I think going back to my sense memory, I don't know. I mean, it starts with We Dance, which is weird. And then you're right. Some of the songs seem, I mean, to some people, they would seem like half finished ideas. That's right. Right. Or just like little jabs of things, you know. So you're absolutely right too, like Serpentine Pad, Brink's Job, those sound like they could be B-sides, but I would argue that the pavement B-sides are never really, they don't feel like throwaways to me. I agree. Sometimes they're a little looser and more fun, like things happen and that you wouldn't really hear. No I don't even you know what I'm just going to retract that I think they are all fully. Track 3: [40:48] Realized songs that stand on their own but yeah Wowie Zowie I suppose might have been the first sort of inkling that this band could do anything and they weren't afraid to try anything, I'm sure some people were disappointed after Crooked Rain Crooked Rain to hear this, band be a little more punk but also as we're talking about a song that like I say who knows I don't know I I've not really thought about this in a long time but I'm sure making the construction of wowie zowie and the sequencing was potentially a reaction to how much success and how they broke through with crooked rain. Track 3: [41:34] Yeah, I can get behind that thought because, I mean, it's almost outlined in Cut Your Hair, right? Yeah. That's sort of the blueprint for Wowie Zowie in a way. Yeah, like not deliberately self-sabotaging themselves, but being like, we're maybe a little too big. Let's do something a little less accessible. Like, let's do something a little more. I just want to be clear. I think it's brilliant. I don't find it confusing. But if you got into Cut Your Hair or Gold Sounds or got into that band that you saw freak out on The Tonight Show, you know... And then listen to Pueblo. Yeah, yeah. I think you're kind of like... Yeah. You would just be like, as a band, I doubt it was even conscious, but maybe it was. Maybe we should do something that's a little more like wild. And if that was the case, I'm not sure it was, I'm sure there's literature and I should have maybe revisited some of the liner notes and reissues and things to read about where their mindset was at. But, you know, even describing father to a sister of thought, it has that mix of totally, totally accessible. I could play this for my country music loving grandfather, but then it ends with like, Hey, grandpa, we're still kind of a punk band. You know what I mean? Yeah. Yeah. Track 3: [43:02] Oh, that's great. Going back to the theory of potentially sabotaging themselves, which I'm with you, I don't think they did it on purpose. Track 3: [43:13] I almost think it's like a sound and style change. You're right, Crooked Rain, Crooked Rain was so accessible, and it had a familiar sound. It had sort of a California classic rock kind of vibe to it. It crooked rain is i will interject only to say that i think crooked rain is also super weird. Track 3: [43:35] It is it helped them break through but it is a weird album like it starts weird it has like a full studio sound like it sounds like i know that was made in a bit of a patchwork as well but like it sounds more like a studio record um sure they went they went to a place that that it wasn't going to be noisy and hissy and ambient even though it has elements of that like it has a warmth to it but it's a weird and wildly arranged album too but this is even well coming off a slant coming off a slanted though it seems it just seems more you know readily available i suppose to to a wider birth of people yeah but what i was going to say is it almost reminds me of what sm did when he went solo that first record is so accessible and so poppy and so hooky and so earwormy it's amazing and then he did piglib after that which i fucking adore but it's so off the wall compared to the self-titled debut yeah and if we're viewing malcolm as you know uh obviously obviously the main driver of of their songs then yeah it's it's his whims and it's his. Track 3: [44:50] His notions for a batch of songs like you know i think bright in the corners is uh on some level it's the cleanest sounding pavement album but it's also the most esoteric and and you know i the songs sprawl and they're all over the place as well but it's also somehow more coherent and contained than wowie zowie like but but the songs stretch out that's their what did we talk about with somebody recently uh maybe it was with the pavement guys uh grateful dead type stuff yeah sure yeah like it it has a it's it's a little more zen it's less frenetic even though the imagery and whatnot is pretty intense and some of the arrangements are too so yeah i think it's just modes again this goes back to my argument i love albums i love knowing that we're hearing where a band was at, at that given time. Uh, and, and that, that batch of songs, however, like wowie zowie, however disparate the songs might be from one another, that's what they were into. Like, that's what was going on with them at the time, whether it had anything to do with external considerations or perceptions about who they were, uh, how successful they wanted to be. Like Like, that might just be all bullshit I'm making up. It could just be that's just what he had, what Malcomus and what the band had going. Track 3: [46:18] And this is it. You know, why waste it? This is, it's all over the place. Let's put it out as one thing. The next album, a little, like, I think it's, it's fair to say, uh, Bright in the Corners. Well, you know, maybe it's not fair to say, I'll ask you. Bright in the Corners, probably safe to say a more coherent sounding album than Why We Sowie. Absolutely. Yeah. It's, it's a more album-y album. Right. In a sense. But I also think Slanton and Enchanted all sounds like it's from the same expression, too. Sure, I guess I mean album to album. I just love the way it opens. There's a middle, and then there's an end. There's a finite end with Finn. Yeah yeah well i mean maybe i don't know like we we mentioned lollapalooza uh there was something going on in the in the moment in the cultural moment where you it was really cool to be an open-ended music listener it was really cool to be like yes we're playing with a folk musician we're playing with shanae o'connor and cypress hill on the same day bonkers and the jesus lizard like on some level that is a culture saying everyone is welcome every sound has merit. Track 3: [47:34] We're sick of the orthodoxies we're sick of there being camps um and so maybe wowie zowie reflects that too uh on a musical level it can be noise damaged it can be a beautiful if strange folk song, it can be a country song, it can be a goddamn screamer where Malcolm clearly loses his voice you know, on Half a Canyon or whatever. Like, it's. Track 3: [48:01] Yeah, as we speak of it, I love that album. And like I say, though, I'm having trouble decontextualizing this song from the whole. Right. And that's more about me. But if we really dial into it, when I say this is a good exemplification of Pavement as a whole, maybe it's a good exemplification of Wowie Zowie as a whole. It has that beauty and thoughtful lyricism where you're like, what's he talking about? What's going on? this is really interesting imagery. Is he talking about Corpus Christi, Texas? Or is he talking about Corpus Christi, the kind of event? Like, I remember just thinking right away, why is he singing about Texas? Like, I have that sense memory. And I have this song and some, I'm just a man. Like, I have just little bits of lyrics that are just always with me that I just hum to myself. And yeah, I, this is one of those songs where I just have sort of mindlessly sung it out loud to myself as i'm sort of tooling around my my life you know i don't know if you have that where you just have these lyrical lyrical fragments but this is definitely one of those songs. Track 3: [49:08] And uh i think um yeah it exemplifies both the band and the album in a really fascinating way for me cool well is there anything you want to say uh more about father to a sister of thought or, well you know i'm a lyrics guy and we didn't uh have a chance to get too far into it but i also i know that i mean it's on the surface it seems to be about spirituality and uh people's relationships to that but with malcolm is also you never really know um on some level i think he's spoken about this song and whatnot but um no i don't know all i'll say is i marvel at the guy and i don't think uh he's one of these people i don't think we marvel at enough as a guitar player as a musician as a as a lyricist and particularly on this song as a singer and i hope uh this isn't uh some people don't find this to be a hyperbole but you know i think we take him for granted as He's a vocalist, and this is a great example of what he can do. Track 3: [50:15] Agreed. Well, Vish, it's been dynamite to talk to you today. We went off on a few different directions, and I'm glad we got to do that. Do you want to talk a little bit more about you and the podcast? And I want to say right off the bat that I said it earlier, Creative Control, it's with K's, Creative Control. So if you're searching for it on the Google, you're going to want to spell it correctly. Correctly well thank you thank visha style of correctly well i will uh immediately say that this is a reference to a hot snake song of the same name creative control um so that's why i didn't make up the case thing and now there's like a fashion company called creative control and i think someone like fashions themselves a rapper and they call themselves creative control but they kind of show up and they don't show up i don't know what's going on but anyway yeah that's my show i mean on the internet they'll be like tweeting ramp like rabidly and then they just disappear. And then I don't know what's going on. Anyway. Yeah. Nothing to do. I, Hey, I copped the name from a band I like, so I can't really complain. Complain spelled with a K by the way. Track 3: [51:23] So, uh, yeah, I have this podcast and as we're speaking, uh, you know, it's, it's still going, uh, and it's more important to me than ever because, uh, it is now my main, job at the moment as maybe by October it won't be, but, um. Track 3: [51:41] Yeah, so all I can say is if you support the work of people like me and JD and want to support podcasters, crowdfunding, I don't know about you, JD, and we don't have to talk too much shop, but the advertising revenue is very minimal and it's honestly a little gross. No offense to your sponsors. Track 3: [52:01] I'd rather just not have it. Yeah, I'd rather not have it. But yeah, the crowdfunding and the Patreon that I have is particularly important to me at the moment. So I have different incentives and different tiers and all that kind of stuff, like pay tiers, and it's flexible and monthly and all that kind of stuff. So sorry to make this about the money. We've already talked about some of the content or whatever, like the people I talked to. Yeah, I'm proud of it. It seems to be relentless. It's never going to stop unless I do and stop making it. That sounded morbid. uh by the way if i die the show will likely die too i i just want to be clear about that but no i i love doing the show it's afforded me um some wonderful experiences and both in the conversations and then just from people like you jd reaching out wanting to talk i mean it means a lot to me so thank you for giving me a time to some time to plug and thank you for having me on this wonderful show of yours and for the the lovely conversation it means a lot yeah for me Me too. Thank you so much. All right, everybody, that's what we've got today. So be cool. Make sure you're safe and wash your goddamn hands. Track 1: [53:15] Thanks for listening to Meeting Malcolmists, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at MeetingMalcolmists.com. You. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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This week jD is joined by Kyra from the cornfields of Western Illinois to discuss both her Pavement origin story as well as her perspective on track 19. Transcript: Track 2: [0:00] Previously on the Pavement Top 50. Blackout. So what do you think, Jessica, from Ann Arbor? I think it is a very solid Pavement song. Yeah. Like, I think it belongs in the top 20 to 30. Okay. Because, I don't know, it hits all the right Pavement beats. Hey, this is Westy from the Rock and Roll Band Pavement. Track 3: [0:27] And you're listening to The Countdown. Hey, it's J.D. here, back for another episode of our Top 50 Countdown for Seminal Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballots. I then tabulated the results using an abacus, six taquitos, and a bottle of bismal. How will your favorite songs fare in the rankings? Rankings you'll need to tune in to find out so there's that this week i'm joined by pavement superfan kyra from the cornfields of western illinois illinois illinois how the fuck is it going my friend it's uh pretty fucking great thank you for asking all right well um let's let's not beat around the bush let's get right into this let's talk about your pavement origin story. Track 3: [1:27] Okay um i got into pavement in the early 90s um i um graduated high school in 1994 so that was the year oh cool all right so um so you know um yeah i was 18 years old i was getting ready to graduate high school and um i'd been hearing about pavement you know and like spin and stuff magazine spin magazine and stuff like that and it sounded cool but here in the middle of fucking nowhere cornfield um they just didn't have everything you know or um you know just things were slower to get here maybe yeah stuff like that um but it's a it's a small town western illinois i lived in a town of 800 people 801 people and um i'm right now i'm in the college town that's not far from there which is a town of like 20 000 i think okay western illinois University and that's where I live now and that's where I kind of grew up around here and ended up back here but so anyway I was a teenage kid and I was into Nirvana and Pearl Jam Soundgarden all that all that stuff Alice in Chains but I was also getting into cool stuff I had a really cool curiosity I think you know I was into uh Dinosaur Jr. I was getting into Sonic Youth and uh. Track 3: [2:43] Sugar, The Replacements, REM, Morphine, just stuff like that. I think I was getting into alternative type music. And I was also really getting into Bob Dylan around that time. Oh, wow. That's pretty diverse. Track 3: [3:00] So Pavement kind of clicked with me. I got that CD called No Alternative. It was a compilation. It had a bunch of cool bands. It had a new Nirvana song on it. I think that's why I wanted to get it, because it had a cool Nirvana. A new hidden track on it or something like that um but the pavement song was really cool it was unseen power of the picket fence which is that weird rem kind of tribute not one of their best tunes but it's fun and it's cool and it introduced me to their how goofy and uh quirky and there's there's their sound and stuff like that right right so and i thought that's cool i like that filed it away maybe, hip-pocketed it. But then I got off work. I worked at the Hardee's here in town, the fast food restaurant. I got off work, went home, and I turned on my little black-and-white TV I had in my room and watched the end of the Jay Leno show. And he had pavement as his guests on his show, and I just, they played Cut Your Hair. Yeah. And it was, I just thought, I fell in love right there. I was like, this is the coolest thing I've ever heard. Track 3: [4:17] And... And you're not wrong. Yeah, right? And it was around that time where Kurt Cobain died, too. And I was a big Nirvana fan. And shit was just really serious and heavy and kind of depressing. I was listening to a lot of Pearl Jam and Nirvana and Soundgarden and Alice in Chains. And everybody was a junkie and everybody was depressed. And pavement was a cool thing to come across around that time when I was an 18-year-old impressionable youth. because it wasn't really like that. It was fun, but it still felt very urgent, I felt. Their music felt vital and urgent and had a lot of depth and meaning for an 18-year-old kid, I think. Yeah. So it was a good breather from that serious stuff I've been listening to, and I was just instantly in love with that. And my friend, I think I went to school a couple days later, and my friend's like, hey, I bought that pavement tape that you told me about on Jay Leno or whatever. And he loaned it to me, and it was Crooked Ring, Crooked Ring. And of course, that's the greatest album ever made. So that was a pretty big one to get and get into. And I fell in love with that instantly, all those great songs. Songs, you know, Gold Sound, Silent Kid, Fillmore Jive, Ranged Life. Track 3: [5:47] Every song on that one's a banger, right? It's a masterpiece. Yeah, so I got into that. I was like, well, I got to go get more of this. So I came over here to the record store. We used to have four record stores in this town. Now we have zero. Oh, shit. Track 3: [6:02] Sucks but um anyway there's uh i came over here and bought the i saw another pavement cd and it was uh watery domestic chicken on the cover and that that's also the greatest thing ever made the greatest ep ever made i guess the greatest album ever no argument from me right and this was all within like maybe a few weeks a week or a week of each other and i just loved that i thought that was the best best thing i'd ever heard um and yeah i was just in love with paper after that And I was like, this is my band. You found your band. Yeah. And I eventually, over the next few months, started getting the other stuff. I got that Westing, which I don't know if you can see it back there, my little Steve Keen of the Westing cover. A friend gave me that. She bought it down from him in Oklahoma. But anyway, that's a great, that's a cool collection of tunes. And I was like, introduced me to their early stuff, which I thought was pretty cool. But I really like what they were doing currently more, you know, yeah, they're crooked rain stuff and you know And then I started just buying everything I could get from pavement and then I heard slanted enchanted I'm like, holy shit. This is also the greatest album ever made. So Yeah, yeah all that stuff. And then wowie zowie came out like maybe a year later, you know It wasn't very long and that one was pretty amazing too little little more of a head fuck than the other ones which is I. Track 3: [7:27] Awesome you know and i just a big fan ever since um did you convert people as well i tried you had like so that you had some sort of echo chamber to be talking about this or were you isolated with your fandom um well that's a good question because my friends some of my friends kind of dug when i dug pavement and when i played it for them but i don't think they were they clicked with it like i I did, where they were totally in love with it, but they enjoyed that album, Crooked Rain and Crooked Rain. I think I might have played them something off Debris Slide or something like that. I don't know about this one, but I remember that. I actually joined the Navy right after I graduated high school and found out in the Navy that nobody liked pavement or heard of pavement. Track 3: [8:18] I hardly met anybody. buddy um but i was traveling a lot and i would go to different towns to different record stores and find the find different pavement things so that was kind of fun and i would try to turn people onto it and it didn't really click very much i converted a few people though over the years i guess i had a roommate have people to talk to about it right yeah i had a roommate who was a drummer and i played him uh watery domestic i think and he was just blown away by the drumming I think that's Gary Young, right? Doing the crazy drumming on that one. Yeah, the drumming on that was Texas Never Whispers is so cool. And he was pretty blown away by that. He's like, this drumming is so different and not your typical drumming, I guess. So I converted a few people here and there over the years. Did you ever manage to see them live? Track 3: [9:08] I did, yeah, finally, two years ago. Oh, cool. I saw them at the Chicago Theater. Yeah, good venue? They were so good. It's a classic venue, but it's not my preferred type of venue to see them in, but it was a beautiful place, and I was seeing the greatest band ever there. They sounded really good. They sounded so good on that. Yeah, they were great. So um i saw that i saw um steven malchemist and the jicks also when they first went on tour in like 2001 and that was a really cool show yeah yeah um bob was driving the rv and uh selling t-shirts really it just seemed really like a cool little tour um i think steven's um malchemist's girlfriend was in the band kind of for a while there um and she was kind of like doing background own vocals and stuff like that so it was kind of a fun gig um yeah i saw him on the pig lib tour. Track 3: [10:13] Uh but i didn't make it out i don't i wonder where he would have played here for pig lib he played at a bar called lee's palace which is like just a great venue to you know just yeah he's into and i like those be with your people right i would rather do that than be at the show the Chicago theater but um this was at the metro where I saw in Chicago which is a it's kind of the cool venue in Chicago where all the cool bands play but um and I'm from small town it's three hours to Chicago for me a three or four hour drive um and you know it's scary in Chicago because it's hard to drive and traffic and stuff like that but that's why I didn't go to a lot of shows when I was a kid. Track 3: [10:56] Just because I'm a hillbilly and uh I um didn't make it to see them when I when I would have loved to have seen them when they were at Lollapalooza or playing small clubs and stuff like that, touring behind Slanton and Enchanted. But no, I just kind of didn't get the chance to actually see them. I remember actually my now ex-wife bought me tickets to see them just on a whim. I told her I wanted to go see them in New York when they first reunited, like the reunion in 2010. 2010, I guess it would have been. Yeah, and she actually bought tickets, but we ended up going to Jamaica and getting married instead around the same time, so I had to cancel that. I mean, that's kind of a bust. Track 3: [11:45] So I kind of missed the opportunity there, I guess. But yeah, I've just been a huge fan ever since. I always felt like all of their album releases were like an event. And I remember hanging out like when I was stationed in Texas, hanging out with some friends when Bright in the Corners came out. Track 3: [12:08] Playing it for them, and they actually really liked some of the songs on it. I remember, like, Stereo and Shady Lane and stuff like that. I thought that stuff could have been a hit. I was like, this stuff's going to be a hit, guys. And they're like, yeah, sure. And, of course, I'm always wrong. I was always wrong about that. I'm actually a radio person. I used to run the alternative rock station here in town when they had one, and I was always a champion of pavement. Track 3: [12:32] I do have a funny story, I guess, kind of funny. So I worked for the radio station here in town. there's like this local group of six radio stations yeah um and i was the um i ran the alternative station i was the music director and the dj there and then uh also was like the classic morning classic rock morning show person and um also the news kind of a news person too i just kind of did a lot of things jack of all trades or whatever but um our little station group got bought out by this uh corporate butthole hedge fund dude came down and bought the stations and then fired all the people basically but um they kind of kept me around for a couple months and i learned how to they talked told me i had to do the news so i was the news director and i had to make news stories and stuff like that which not much of a journalist but i was doing i was trying but um eventually they had they were going to fire me too and they did and i knew they were going to fire me so i did not go out without a fight and i um made this news story about how oh, the new owner was a butthole and all this stuff. But, you know, I still had like two something minutes left on my newscast. Track 3: [13:40] So I play, I'm like, oh, and here's pavement, gold sounds. And then I put gold sounds in there. And then I broadcast that out the rest of the day. They fired me across the whole area on all six of their stations. And so that went out and I exposed people to pavement and made my little... Track 3: [14:03] Snide remarks about the the butthole uh guy who bought the stations and fired everybody and, it was uh it was a good feeling you played gold sounds yeah yeah i just i just thought that was a good it was it was a good length i think it's it's it might be my favorite of their songs i i don't know what i don't have i don't think i have a favorite but i have many but um yeah that Very nostalgic. Yeah, it is. Yeah, it's just got that feel. Yeah, just something wistful about it, I guess. Track 3: [14:37] But, yeah, that was... Do you have a go-to record at this point? Like, do you have one that you'll put on, you know, when you're feeling pavement-y? Or does it depend on a specific mood? It's definitely a mood thing. It seems like Wowie Zowie is always getting played around here a lot for some reason. Um because that one's that one's big it's like the white album kind of you know favorite albums so it's a big long one with uh different moods and stuff like that and i kind of it's kind of how i am a moody person so i like the roller coaster ride of that one and i like the kind of woozy sound of a lot of the songs on that one i think it's just this beautiful sounding record and. Track 3: [15:20] Um, it's got songs I don't like on it, even like a couple that kind of, I find a little more jarring, but, uh, it's still the one I've been listening to the most, I guess. But I, um, the first three, I think are, you know, the greatest albums ever made. And, um, I like the other ones also. So I have those ones on vinyl. I don't have the last two albums on vinyl and I play a lot of vinyl. So I guess that's why I, um, but my kids are into it too. That's kind of cool. They've, uh, tick tock was the harness your hopes thing. I heard my kids listening to it and I was like, Whoa, that's so cool. And they, uh, they would like, I had a t-shirt and didn't fit me anymore. So they would, they would fight over the t-shirt. They had a couple of daughters. Track 3: [16:10] Yeah. Right. But they, uh, they did. I tried to get them a little deeper into it, but they, they know harness your hopes. Which is cool and uh i was like why what does this mean my daughter said it's for a fit check i'm like what the heck is a fit check it's like an outfit showing off your outfit yeah i didn't know that it's been around yeah yeah so that's it's over my head too i'm 50 years old yeah, so i think that's pretty cool and then i've they've gotten into it it's cool seeing younger kids get into it i see it every once in a while i see somebody who's considerably younger than to myself almost in my kids age and getting into Pavement I'm like that's good it means it's I was right this whole time you know about this great band justice. Track 3: [16:55] Exactly well Kyra what do you say we flip the record and get into track number 19. Track 3: [17:08] Okay alright we'll do that right after this. Track 3: [19:46] This week, we're going deep on Box Elder. How are you feeling about song number 19, Kyra, from the COWI? I fucking love Box Elder so much. It's a great song. It's one of the earlier Pavement songs. I think it's a very early Pavement song. Say it's, you know, song number one. Yeah, yeah, exactly. Which is cool. And it's one that really holds up, I think, too. So I was saying, if you're just joining us, I got into Pavement in 1994 at Crook and Rain, and it was awesome. And then I got Watery Domestic, and then I think a few weeks later, I got the Westing collection of tunes. And yeah, I just remember that one, immediately liking that song. Track 3: [20:37] One thing I like about it is it's got a twee kind of twee element to it almost like a beat happening or something like that, like K Records Calvin Johnson kind of sound which I didn't really know much about then but when I hear it now and there's also something R.E.M. About that guitar riff on that I agree with you there Early R.E.M., for sure. Yeah, and I know that it was a big influence on them. And I'm a huge R.E.M. fan now. So there's that. And that song, I actually had to look this up, but it said that it's a true collaboration between the two, Stephen and Scott. Spiral, yeah. Yeah, they kind of just, it was his riff, I think, and then Malcolm Husky wrote the lyrics and sang over it. And they didn't really write songs like that before or after. It's kind of one of the only ones that was like really a collaboration like that, I guess. Very. I mean, I think they were all collaborations in one way or the other, but... Track 3: [21:42] Yeah, for sure. On that tune. I love the lyrics of the tune. I love the meaning of it. I'm from Vermont, Illinois. Vermont IL, population 801. And Box Elder MO is just, I'm going to head to Box Elder MO. It's just he's going to head to some hillbilly ass town in Missouri. It's kind of what that's what i got out of it anyway um but being from a small town and being somebody who's different i'm a transgender woman um i didn't know it then but it's something i've always felt and it's something i still feel and getting hearing that line i've got to get the fuck out of this town meant something back then and recently maybe in the last couple years that tune is really everyone's like man i really love this song because i love that line i've got to get get the fuck out of this town because i was living in this other small town nearby which is just very, bigotty town and i was ready to get the fuck out of there so i'm glad to be out of that town um had to get the fuck out of that town and come over here to yes box elder love that that it means box elder yeah it's got some deep deep meaning um i think and uh yeah i'm in a place where there's I was in the town, there's not a lot of pavement fans, you know? Track 3: [23:02] So get the fuck out of this town. So yeah, it's a cool song. I think their sound and their songwriting improved significantly after that. But as an early tune, I think it's definitely one of their best. And it's one that definitely means something to me, I think, for sure. Love that song. Love Box Elder. It's a good one. What do you think about where it landed on the countdown, number 19? Track 3: [23:33] That's actually perfect. Do you think it's a fair spot for it? Yeah. I guess, yeah. I think it's a perfect spot. I mean, considering they made so many other great songs and that they really improved on their sound after that, but also as an early tune and they're finding their sound, I think that was definitely one of the most important songs in there. Track 3: [23:56] In their canon of awesome tunes. Well, really, I mean, if you think back, this song was covered by Wedding Present and played by John Peel. And I wonder if John Peel hadn't got his hands or mine wrapped around pavement. Like, they are so huge in the UK. Yeah. And it just makes me wonder what, you know, what would have happened had they not had access to you know john peel it would have been very interesting but so that's how he got into them through wedding presents cover that's how uh my memory is so shit but i feel that sounds yeah okay yeah if i'm wrong send me an email jd meeting malcolmus at gmail.com new email address everybody well kyra it's been good talking to you today from uh western illinois and uh talking about box elder i enjoyed myself i hope you enjoyed yourself and um that's about what we have to say do you have anything you want to plug. Track 3: [25:04] Um no i mean i i host a i host a folk uh alternative country americana radio show on tri-states public radio every sunday night at seven o'clock if people are into that sort of stuff um but uh that's what i do but nothing to plug i'm just here to talk about pavement. Track 3: [25:25] Love it i love the show it's a it's great show keep up the good work oh thanks that means a lot for real that's what i gotta say this week and uh we'll be back next week with song number 18 we are in the thick of the top 20 my goodness wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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jD, what gives it's Friday! Well I've decided to take a pause to reflect on the list thus far. I've enlisted Allison from Portland and Elvar from Iceland to go on this journey. They will discuss, dissect and debate the list as it stands thus far. Enjoy! Transcript: Track 2: [0:15] Hey, it's J.D. here, back for another episode of the Pavement Top 50 Countdown. Hey, wait a minute. It's Friday. I can't be doing the countdown today. I just did number 20 on Monday. We're cracking the top 20. Track 2: [0:31] This coming Monday, we're going to hit song number 19, if you can believe it. We're so far down this list, it makes me cuckoo bird. because we've yet to sort of analyze the list with context. So we're going to remedy that today. I've got two people that are chomping at the bit to discuss, dissect, and talk in detail. How do you like that alliteration? About the list thus far. Song 50 to song 20. That's right. right, they are going to tear that son of a bitch limb from fucking limb and talk to you about whether songs are rated too high, too low, just right. Are songs missing from this list that should be in the 50 to 20 range? Are there songs in the 50 to 20 range that you would not have in the top 50 or should they be inside the top 50 if they're not inside the top 20 i don't know what i just said there i'm a little fucked up so there's that so let's get right to this let's waste no more time we have got allison from portland and elvar from iceland joining us elvar how the fuck are you doing, man? Track 1: [1:56] Pretty good. Pretty good. Elvar over here. Good to be here, man. Thanks for inviting me on. It's good to have you over. Track 2: [2:03] So from Icelandic, we go to Portlandic. Portland get it uh anyway uh allison from portland how are you doing motherfucker it's. Track 1: [2:14] Going great um allison over here and uh yeah thanks for thanks for having us yeah it's really great i love the pavement poster in your background by the way thank you that's pretty pretty slick um so you, know i don't think it's fair to go into the list before we get a sense of your pavement origins origin stories. We sort of need to hear those. So, Allison, we'll start with you. Yeah, I'll give a little origin story. Track 1: [2:44] So, my freshman year of college, it would have been all through high school and stuff. I was really into post-punk and just all kinds of punk rock and stuff like that. And I got really, really into the fall. And then I met a guy on an internet dating website who told me if I should, or I guess it would be an app, but he said, if you like the fall, you should listen to Pavement because the fall was one of their influences. And we can get into that and my thoughts on that opinion that some people have a little bit. But either way, I listened to Pavement and totally loved it. And it was just kind of like the soundtrack to my college career. And then since then, I've just, it always stuck with me. And over the past couple of years, getting to see him play all the reunion shows and stuff, it's just been a huge part of my life. So, yeah, it's a band that's influenced by all the stuff that I love. And did something totally unique. So yeah, that's kind of how I got into them. How cool is that? It's almost as though they were constructed in a laboratory just for Allison. That's how I feel, yeah. Track 2: [4:09] So Allison, is there anything you want to tell us about live performances you've seen? Anything like that? Track 1: [4:16] The Portland reunion show as they kicked off the tour a couple years ago. Well, I saw them two times since then. Then I saw him in Seattle and then also in Salt Lake City since then. And then hopefully seeing him, well, definitely seeing him in Seattle again later this year. So, like, cool. Oh, yeah? Oh, cool. Yeah, they're playing Bumper Shoot, so. Right, right, right. Yeah. And then I guess that'll be the end, right? Because we've got news of the Hard Quartet. Yeah. Track 1: [4:47] Yeah i think what's that alvar you haven't heard no what's that malcolm has uh announced his next band oh yeah the hard quartet yeah the hard quartet yeah i heard the hardcore set yeah how do you guys like the new track by the way i honestly haven't listened yeah you allison have you heard it yeah i like it yeah it's pretty good yeah very very gixxy for sure yeah for sure yeah i'm excited to see the rest of the record definitely i'm probably gonna wait for the whole record to drop because i like to listen to things yeah like completely when i heard the song i was like yeah it's i'm gonna i'm gonna love it in context definitely it's a context song i think you know today is all about context isn't it we're putting context to the list you know we're now i want to hear about your yes yes sure so in 2010 i was introduced to payment in my early 20s so i used to be like a rocker like i was into guns and roses when i was seven and music has always been like big for me and then this guy outney from this icelandic band fm belfast he was like hey you have to check out pavement you know like wowie sawie and i got p clip that's the first one i got okay i thought it was okay then i went to this record store and this guy was like yeah this is the best payment album gave me bright in the corners which is debatable and then i just got into it i remember just like going to youtube and listening to these like slanted and and and crooked rain, and just like, it blew my mind, you know? Track 1: [6:17] Like, it changed my life. And like I said, I was like 22 or something. So I got fairly late into the game, but I'm born in the late 80s. So... Track 1: [6:28] I saw Stephen Malkovich and the Jigs at November 19th in 2011 in Milan at a place called The Tunnel and we had a really nice interaction. I did like a shout out. I shouted out, do not feed the claustrophobic oyster which was my funny way of kind of requesting the track you know and Malkovich did like a skit like we but a lot I remember like I forget what he said but he finished it up with we don't know in songs about oysters so you know that was pretty cool so. Track 1: [7:04] And i don't know if you guys know but pavement played here last uh summer like three nights yeah and that's like a thing like wilco did it i went and saw all three wilco shows nick cave just did it because he sold out so it's like a hot shit in iceland to come and do like a vegas you know thing so so that was pretty i'm so regretful that i didn't make it i wanted to go so badly and i made some really good friends from america who i'm talking to like daily now you know like through through pain so that's awesome so yeah pavement bringing people together since 1989 1989. Definitely. Definitely. Let me say this though. They did play some of the same songs like, you know, throughout the night. What Wilco did, they played three, 23 tracks at, and never the same song. And that was mind blowing. So kudos to Wilco. I don't know if I can throw that out at the payment. Of course you can. Of course you can. That was like, like fuck, you know, so, but awesome. Awesome. Great. That's my origin story. Track 1: [8:13] All right. Well, we sound like we've got two qualified, bonafide folks here to analyze this list. So let's start at the start. Track 1: [8:25] What do you think? Have you been listening? Have you been arguing with yourself when you hear some of these songs come out and you hear these people talk about the virtues of these songs? Songs um are you pleasantly surprised are you disappointed give it to me all alvar you can start buddy a little bit of both do you want me to start with the songs who are too lower or or too high you know you you are the leader my friend let me start with this loretta scars is at number 34 and that's probably my single favorite songs of all time uh wow just i don't know just the way he You guys know the song, the way he sings it in this pleating, nonchalant tone. Track 1: [9:17] And when it kicks into full gear, I can just fucking hear eons of human history in that song, for lack of a better word. Really? And like the way he sings it, like the way he sings Loretta's scars, the way his voice like winds up on Loretta and then lazily speaks the scars. I fucking love that. That's my favorite vocal melody of all time. And I don't know why, just like if people, for the last 10 years, if people ask me, what's your favorite song? I always go to that song. It's just. Track 1: [9:57] So you're pissed at 34? 34 yeah where is it on your list it's it's definitely higher than 34 because i i love that song um i don't know i'm not super good with like the different like with like pedal talk but whatever tone um he's got on that like fuzzy slanted era guitar is like one of my favorite tones so yeah um i think loretta scars is like one of the best examples of that and um i don't one of my favorite things that malchus does with his voice is like change register a lot like kind of what you're saying and um he does it beautifully in that song um yeah i definitely think that one could have been higher but i think a lot of the slanted songs could be higher but that's my my My own preference. And the lyrics. Interesting note, at number 34, that's the first song from Slanted and Enchanted on the list. That's the lowest one. That's the lowest one. Interesting. Yeah. That's insane. That's insane. I don't know how many others are on the list. I can't tell you, but. Right. But. Track 1: [11:16] But it's cool. He's using like, Mark Musch uses two guitar tunings on this album for these guitar heads. And he's using the C, G, D, G, B, E tuning, which makes this really nice dissonance. Like he's doing pop chords, but like, you know, that's what's great about this album. You know, he's doing like pop chords, these weird left field pop structures, but with these, you know, alternative tunings that really bring this awesome, awesome flavor, you know, and Gary's on the drums. Track 1: [11:49] It's just like, I don't know. It's just a beast. She's a beast yeah i could go on about that song you know but like you know i'll just i'll just have to do like a separate youtube video on it but you know yeah definitely allison do you have one you want to pick up i was very surprised to see where is it so i can make sure i get the number right i was very surprised to see pueblo at 39 because i thought that could be way higher um it's funny because like in the 30s and 40s i i mean i guess that's still pretty high out of 100 but a lot of my absolute favorites are on here so like pueblo number 39 and starlings the slipstream at 40 those two are like two of my favorites so seeing those ranked at that level right next to each other um is a little bit interesting i think they're similar songs too um just in the way that they kind of get into this like mellow ballad um era from from that that time of pavement where he kind of leaned into the more melodic ballads a little bit. Track 1: [13:04] Uh, and it's like a lot of belting out and sort of like a climax in the song. Uh, I really associate that with those two tracks. So I was really thinking it would be higher than, um, that level. And then there's some other ones on there. I said slanted, but I guess more of what I was referring to is like the early, like Westing and like before they did, uh, more of the full length records. And it was a lot of like EPs and stuff. A lot of those early days are my favorite songs. So I thought that some of these would be a little bit higher too. Like Home would be one. Yeah. Yeah, there's very little representation on the three EPs. I'm just looking quickly here. Yeah. And. Five, six songs. Yeah, like maybe Pacific Trim. There's one from Pacific Trim. So in the top. Yeah. Gosh, in the stuff that we've listened to, I almost gave something away. But in the stuff that we've listened to so far, there's nothing from the three EPs. Oh, really? I thought Forklift was in there. Wait, do you mean the early ones? Yeah. Yeah. Yeah. What about Hackler Spray? Isn't that there? Track 1: [14:21] Hackler Spray is in the 93. It's on the top 100. It's on the top 100, but not the top 50. Oh, we're not going to the 100. Sorry, sorry, sorry. We're talking about 50, yeah. We're talking about 50, of course. Yeah, yeah, yeah. Okay. I was going over those two a lot and being like, I don't know about this, but anyways. I saw that... Can I go on? I saw that Blackout was number 20. That's easily a top five for me. Track 1: [16:49] A top five definitely and I feel that song and paired with like Motion Suggest Itself and Father of a Sister of a Thought like these three are examples of Malkmus and the band, making up this like unique style when the music and the lyrics and the melodies and the performances are all put together somewhere between indie rock and alternative country but neither, and I don't know, it's so weary and so stoned and so depressed, and I feel like even if we listen to the stuff that was going on on Crooked and the stuff that was going on Bright in the Corners, similar songs like Lorraine's Live or Finn or something. Track 1: [17:37] There's this point in time where they made the songs, and just like Pueblo, and Grounded, for me, probably top five songs ever on an album, never matched in production, and resonance just the way it sounds, the way it feels with the lyrics I haven't done psychedelics and listened to those songs but it would just really crush my soul probably in a good way and I realized that going through and I'm really listening to it and I was like wow this is the best stuff that I, and I can't really, if you guys can give me an example of something that sounds similar I would love to hear it you know like Like, like, like if I could challenge you like that, I don't know. I know I like, I'm experiencing this different differently than you guys, but like really blows my mind. Track 1: [18:28] Like, yeah, I'm trying to think, but like, wow. He is an interesting record to try and find comps on. Right. Because it's so all over the place. Yeah. It's got elements of those first EPs. Like, I think those, you know, those burst songs that are anywhere from like a minute 30 to like two 10. You know, that almost feel incomplete, but they're still awesome. Track 1: [18:50] They're on there. And then you've got something like Father to a Sister of Thought. And then you've got, like, it's just so diverse. Yeah. Yeah. The reason I love Wowie Zowie is because it really feels like they piecemealed together a record that's just like super, like you said, diverse. Verse and it has a it has a very sort of like exile on main street or um yeah yeah i mean honestly that'd be my biggest comparison just in terms of like the spirit of the record because there's so many different things going on and so many different types of songs and even like, genres almost like yes some of it is really poppy stuff some of it is like they really harken back to like the early EPs on Huawei Zhaoyi. Track 1: [19:38] Yeah would you guys never just cut it down to like a 46 two-side record have you never thought about that i would love to know the the spiral like i hope someday that comes out did he want to do that he had a track listing at some point for the record that was about an 11 song record i think okay and uh i would love to know the sequence and i would love to know what didn't make the cut but that would be crazy would you guys not cut anything of it i would keep it exactly as it is yeah yeah i probably would too i'm i'm very much um i really think that they got their records right in terms of like the sequence of them and what songs were included on them like i love hearing you know the bonus releases that have come out that incorporate like like, unreleased songs or b-sides from singles or whatever, but I think the way they laid their records out is pretty perfect most of the time. Well put, well put, yeah. Track 1: [20:40] They're five records, and they're all different, and they're all very, very good, like, bordering on masterpieces if they're not masterpieces. Like, don't get me wrong, it's my ultimate favorite band, but I love to nitpick, you know, like... That's why you're here, buddy, that's why you're here. That's fun, yeah. I was happy to see You Are Light in the top 50 because I feel like that's a super underrated Terror Twilight song. Track 1: [21:12] It's definitely like the highlight of that record for me. So I was really happy that was on there. What do you guys think about that one? It's one of my favorites on that record, for sure. It made my top 70, definitely. And yeah, sorry, I went over the 50, I forgot. But yeah. Oh, that's okay. You're the light. That's a beautiful one. Definitely. It is. You are a light. I love the way it begins. I know that sounds very specific, but it's just sort of flipping on, kind of, you know? Yeah. Yeah, definitely. Track 1: [21:48] And whatever where where is that on the it was number 45 is you are light okay yeah so shoot the shoot the singer at 25 that for me is a top 10 what do you guys think oof yeah i mean all of the i feel like watery domestic songs are way up there for me i think he really they really found. Track 1: [22:14] What the band was about with those songs like yeah the singer i'm glad it's in the top 25 because i feel like some of the the ep songs like don't get as uh much traction with like newer, you know pavement fans like it took me a while after getting into them to listen to like the eps and stuff like that so glad that people are listening to it i think that's a great song what's interesting to me is you look at shoot the singer is 25 and then texas never whispers is 22 i would definitely flip those two yeah uh i love texas never whispers i think uh watery is, absolutely perfect it's it's even the even the outtakes from it greenlander etc are are uh so So Stark, um, they're, they're great songs as well, but, um, I like shoot the singer better. So yeah, it would be, it would be, it would have to be higher. I don't know where I could put it, but I feel like everything from watery could be in my top 15. Yeah. Like lions is 61. That's definitely a top 20. And yeah. Track 1: [23:30] Yeah, that's a great one. And it's also like you said, this perfection of this era. We have this super low, down-tuned guitar accompanying the bass that's barely audible, and then a slightly distorted guitar making all these single notes all over the place accompanying the vocals. And Malkomash is just nailing the vocals, and Gary is just nailing these drum fills, and the lyrics are great. And I don't know if I'm going too deep into it, but I feel like the lyrics on Watery, They are their own things. They are different from the lyrics on Crooked Rain and different from the lyrics. Track 1: [24:05] On Maui Sawi. It's amazing. I'm so glad we got this session because they were evolving so fast. And even like these extra tracks, like on the LA Desert Origins, we have like sessions from 93, like early Elevate Me Later and Rains Live and Grounded stuff. Stuff that's just like the band it's got gary it's got like some of it's got gary right yeah and then you can see the bands just doing different versions of these songs and just how, how full of magic they were back then you know just like i don't know just makes me realize how freaking great they actually are and were you know so yeah watery definitely absolutely yeah definitely up there yeah they found it yeah i one of my favorite things about gary's drumming um i play the drums and he really inspired me a lot because um he really leaned into like you don't have to play like a one four beat and keep it like you know a regular rock beat like he always kind of threw in some sort of like strange like instrumentation for keeping time and i think a A lot of the watery songs had that and a lot of the slanted songs had that. Track 1: [25:22] Um well think about his choice even his choices on on summer babe that that hi-hat that that like triple with the hi-hat like going into yeah like that's cool like that's innovative right like that sounds like something i haven't really heard that much definitely right that's yeah that's exactly what i'm talking about that sort of just like interesting unique spin on things that he did I don't know if you guys noticed I had to like my friend had to point it out to me on Loretta Scars when he's singing from now on I can see the sun he's just doing. Track 1: [26:00] On the hi-hat and the and the snare and nothing else a little bass drum, and I didn't notice like like just like you said super left field stuff but still fits so much that like you know oh yeah great great drummer rest in peace gary rest in peace that's right, now have either you guys had the chance to see the documentary no i wonder when it's going to come out like gary i got a i got a chance to watch it because i interviewed the director and he sent me a link so i could watch it but i assumed it would be out by now like i haven't i haven't talked about that on the podcast because don't they just go around these they have to go around for like sometimes a few months or something around these different, festivals. Right. Before that's true. Yeah. But yeah, definitely. Is it good? How is it? It was good. It was really interesting. He's an interesting dude, man. He's far out. Track 1: [26:59] Is it like a documentary style? It's a documentary, yeah. It's a documentary on his life, yeah. I wasn't familiar with Plant Man and the solo stuff that he did after Pavement, so that was really fun to get a chance to see. Interesting. Yeah. I'm not super familiar with that. Yeah. Me neither. It's really a poppy song, too. It's goofy, but it's sort of like, I don't know, it's really sort of mainstream-y, you know? All right you have to send it to me later yeah i'll do that yeah sure there's also this oh the movie like no no no no you can't do that obviously the song right yeah i was like wait a minute no i can't do that um but there's also this live action movie sorry like if i'm digressing too much that's okay we're here to talk live action with these actors like doing the yes yeah what do you think yeah have you seen any i'm i'm very excited about it um my understanding is that uh Tim Heidecker and Jason Schwartzman are playing two of the guys who started Matador. Their names escape me right now. Track 1: [28:08] And it's just kind of like, I think the original concept that I read about a couple of years ago was that it was going to be half documentary about the reunion shows. And then the other half was kind of like a retelling of how Pavement came together with actors. Um that's what i read at one point i'm not sure if maybe that has changed but um yeah i'm super excited about that because i love a lot of the actors that are involved with that um so yeah i can't wait me too uh like i want a release date and i want a trailer date like when are we going to get that man yeah and the guy who's playing marshmallows he's got this marshmallow chin in cuteness you know so um let's go to songs who are rated too high you know like since we are kind of or what do you think yeah absolutely drive the boat man drive the boat fin fin fin at 24, that's not in my top 70 for sure uh what do you guys think not in your top 70 nope, I was a little surprised to see that one that high also um. Track 1: [29:27] Yeah, by the time we get to number 20, by the time we get to number 24, you're sort of thinking, oh, maybe we're not going to hear Finn, you know, because it certainly shouldn't be much higher than that. I wouldn't put it inside the 20, but it would be in my top 40 for sure. For sure, for sure. Yeah. It's hard in rankings like this to not compare to other songs, because when I think of my favorite songs on Brighten the Corners, Finn isn't one of them. So I think that sort of mentally impacts how I view the list. I did think that just because of how incredibly influential and popular that single was, I did think that Cut Your Hair would be higher than 21. Me too. That was so surprising, wasn't it? People are sick of it. It's just that, right? People are sick of it. If that's the case, how come Harness Your Hopes is on the top 50? It shouldn't be. No, it would have been much higher if it hadn't gotten the resurrection. Track 1: [30:41] I think it would have been higher. Let me ask you, Alison, when you listened to Brighton & Cornish for the first time, was it the original 12-track album? Album i believe so i i didn't listen to um the full extended version that they released in like 2008 until a couple years ago i think so and that's your that's your favorite album jd am i right about that it is my favorite yeah and you but it floats it floats because i love crooked rain i love i don't you can't count watery but yeah i think because i got the deluxe edition and And then it's followed by the hacks and then it ends with like harness your hopes and roll with the wind. So I just kind of took it, you know, cause I was so new into the band. So I didn't really take fin as this end song. So it was kind of, I think that might have, you know, uh, interesting. It does work really well as like an end to the album, which was the intention, I believe. So, yeah. I still think it was I still think it was Anna SM. Track 1: [31:49] Flirting at that point with the idea I think so interesting point yeah, it would have been a good way to end it have you guys heard the 94 version there's like a live 94 version it's slightly more fast tempo no I kind of like that better they played it And like 94 life, it started on YouTube. Yeah. Oh, shit. It's like in Oklahoma or something. Maybe I'll play it during this podcast. I'll intercut it. Track 5: [32:27] We'll be right back. Track 5: [32:44] People, see where they're at Yeah, yeah, yeah, yeah, yeah, yeah, yeah Yeah, No one has the blues No one has the blues No one has the nights ¶¶, I don't want to be called in the middle Look what you say to me. Track 5: [33:55] No one has a clue No one has a clue No one has a clue No one has to do it, baby. Track 1: [34:27] What about Fight This Generation? What do you guys think about that? I thought that could have been higher for sure. That's one of my favorites. yeah one of my favorites can you tell me what you love about that song can you articulate it um i think that i like it um from like a mood perspective it feels like, uh it could be a soundtrack to a movie or something um the change about halfway through the song where Malthus is doing that riff and then the tempo kind of picks up. And then there's like this moment when Malthus's voice kind of cracks a little bit. And I think it's just like the coolest thing ever. It's when he goes like, fight this generation. I always thought it was funny a little bit, but it's, it's so cool. It sounds, it sounds really cool to me. So that's definitely like a top 10 song for me. Track 1: [35:33] Yeah, it feels like the part in the movie where something bad or scary is about to happen, but like in a really awesome way. So because I only real. Oh, sorry. When I went to see traditional techniques, the tour for that, it was just him by himself and his MacBook and that lovely blue guitar. And um he he played a version of fight this generation and it was so cool it was so low-key, uh like i struggled at the beginning to figure out what it was i was really high but i mean i was i was listening to it and i was like what is this i know this song i know this song and then all of a sudden you know when when when you hear sweet yardley it's like oh yeah all right cool and then it just makes you want to jump up and down right after that after we get that you know that we get sort of lulled into submission and then all of a sudden it's just like wham smack you over the head yeah yeah i definitely think that uh major leagues is a little high for me personally that was never never uh a favorite of mine i don't know it just like never really clicked with me. I love the music video, but it's just not my favorite song. Track 1: [36:58] But yeah, definitely. Going back, really, Malkmus is an underrated vocalist for sure. The way he can draw out his shit and just crack his voice and do whatever. It's like the next generation Lou Reed, but just a little cuter and a little more nuanced or something. And Lou Reed is probably my favorite artist besides Malkmus. So you know yeah he has a really he has a wide range like more than than a lot of other rockers that i could think of um he makes choices he makes choices that just aren't common as well, like if if there's two paths and one is the past that's the path that is well traveled, Track 1: [37:49] he often goes on down the other path and i don't think he does that to be you know um different or far out or whatever i think it's just he's really good on that other path he's really good but yeah he was also very lucky to team up with spiral and oh my god yeah and gary in the beginning and then mark and and bob and steve you know like yeah i mean on his own he would have been great but just Just imagine Paul McCartney on his own. He would have been good, but not. Track 1: [38:23] It's all a matter of chance, but what a great... So, hot take, Stop Breathing No. 28 doesn't crack my top 70 at all, you know. Top 70, he says again. There's actually, like I said, there's this version on the Crooked Rain, LA's Desert Origins Deluxe CD, the No. 2 CD, from a session recorded in early 93 at Gary Studios. Track 1: [38:50] The gritty version, do you remember that one? if you guys go and listen to the the second cd of the the deluxe version of crooked rain you can hear like a more gritty version of uh is that the egg eggshell version no no that's that's the actual version is the heaven is a truck this is like oh right yes you're right this is the first first question on that song and he's saying like stop he's instead of saying stop breathing he starts saying start breathing start breathing and then start bleeding and then he says dad now i know that you broke me and i'm like wow okay yeah that's uh i don't know maybe i've listened too much to the the first one you know but like i really i really love that session you like all my friends ls2 the the original elevate me later and you know that's a great great great session soon yeah i love that we have access to some of the um i don't know the sessions that didn't make it to the albums and you can see how the song progressed as they were writing it so yeah how the lyrics changed and sort of the arrangement could change over time and what do you guys think about all my friends being at number 64 i think that's a gem oh sorry that's not 50 oh god damn Yeah. Sorry. Track 1: [40:13] Sorry. Sorry. Sorry. You guys remember that one? Everybody's going. Yeah. Yeah. I feel, I feel that. Would that be in your top 70? That would be in my top 25. Okay. If, if, if they had taken those two first minutes, you know, and not gone into the second three minutes where it breaks down, because I feel like they started as this one. Of the best starts ever. Everybody's going out tonight, everybody's hanging out tonight, it's all right. Such a teenage nostalgia. And then when he starts shouting, I need it, I need it, and his voice breaks and the guitar is playing top. Track 1: [40:58] That's for me, it's one of the best shit I've ever heard in my life. But unfortunately, it digresses from pure genius Genius onto like a sub-part track. So that's why it's top 25 and not like... In your top 10. Yeah, definitely. I don't know. How do you guys feel about that song? I like that song a lot, but I don't know... I don't know that I have a lot of feeling about it one way or the other as to where I'd put it on even my personal list. And my personal list doesn't go much higher than 20 just because that would just make my head explode. That's why I feel like when you're saying top 70, I'm like, holy shit. Yeah, I tried just going through all of the songs and just putting them just for fun. And, you know, the top five are really easy. Top 10, fairly easy. Top 20. then the top 30 40 you can start interchanging them how you feel 50 60 70 they change between days i'm not saying that but i'm like throwing it out just like i say you know yeah i definitely think as we move from here into the top 20 it's gonna get really difficult because i um even just like looking at the way these are ranked sometimes it's like difficult for me to see how i would tier them because if i start thinking about them or i hear them then i might change my mind i don't know yeah about some of these well let's talk about this a little bit more then yeah allison um. Track 1: [42:27] Let's investigate a little bit more about what would be inside your top 20 what are you anticipating what are you looking forward to where do you think things will land based on what you've got so based on where we are um there's definitely some of my favorite tracks that are kind of missing from uh the list so far um and yeah i'm just curious what there is uh from there I'd love to see every song that they ever released on a list and then work back to see what's missing. Because looking at this, even just from 100 to 21 right now, there's a lot on there. So it's taken me a minute to think about what's missing. But yeah, I'm definitely hoping to see a lot more of like the early days in the top 20, just because I, you know, it makes me excited to think that people are appreciating like that era of pavement for sure. Like the early piece. Track 1: [43:40] Yeah, yeah, definitely. Always excited to hear people talking about those and listening to those. So, yeah. Yeah, between those and Slanted, which have been, you know, not represented very well so far in this bottom 30, I have to think we're going to, you know, start to peel that layer, right? Like, we've got to see some Slanted stuff in this top 20. Like, numerous, numerous songs. More crooked. Yeah. Definitely. Where does Summer Babe land for you guys? Track 1: [44:19] I definitely think it could be pretty high up for me. I mean, yeah, I love that song. To my top 15, absolutely, with a bullet. Yeah, top 10, definitely. It actually made things easy for me. I just downloaded the whole discography and put it into iTunes and fucked around with it for like two days. And that really, really put it into perspective. Because it's a lot when you see the list, it really jumbles up your mind. I was like, oh, you know, getting like kind of disoriented. So yeah, for sure. Track 1: [44:48] Yeah yeah summer babies on there what do you guys think about my friend i know never mind i was gonna go back into the what about our our singer is that is is that not in the top 50. Track 1: [45:00] No i don't think so no okay okay okay what about grave architecture that's number 32 two for me it's top 50 what do you guys think top 15 top 50 okay yeah i i think it belongs up here for sure that's such a catchy song oh yeah yeah that's a really good example of like the vocal register change like it hurts so rad and i'm fucking glad i i love that that's actually the part that really turns me off because i think the beginning when he says come on in that's also one of the best vocal melodies ever it's like three words and the way malchmus says these three words come on in it's one of the like top beginnings and songs ever but i feel like it kind of digresses for me with that pulled so red and i'm glad so yeah it's interesting to hear like different yeah you guys are so diametrically opposed there that's funny yeah yeah it is it is i i'm curious like in terms of where we're going um what i haven't seen that i was really surprised to not have seen yet is that we haven't seen um silent kid on here yet so yeah i'm definitely. Track 1: [46:21] Yeah me too i a couple years ago made a list of like my favorite songs of all time and that was on there, like pavement aside, that's definitely one of them. So I'm curious if that will show up. Did I ask you just for fun, where do you guys rank Blackout? Are you happy with 20? Where would you put it? Did you already tell me? No, I didn't tell you. I think it's fine at 20. Yeah, I think it's fine. You would have it higher? Like I said, top 5 definitely, all time. What about you, Allison? I'd probably I mean, it's a great song. But again, it's like thinking about other songs, it probably would get bumped down from 20 if I had like, all the song titles in front of me, right? Track 1: [47:11] Yeah okay cool but it's a great song yeah yeah definitely so what else are you looking for in the top 20 avar have we seen rattled by the rust no we haven't seen rattled by the rust no, rattled by the rust i mean frontwards definitely elevate me later one of my all-time favorites, you know i know rain still life is going to be there gold sound is going to be there the more obscure songs that I would love to have seen that are not on there are like, Passat Dream from Bread in the Corner the Spiral song that for me is also like kind of the like Lorehatter Scars it kind of brings out eons of kind of human civilization if that means anything it just like opens up my soul the way like how do you guys feel about that one Where's that? I like, yeah, I really like those two Spiral songs. And we've seen, I like a lot of Spiral songs, but I'm thinking from that record. Track 1: [48:14] We've seen Date with Ikea already, right? Where did it land? Yeah. 38. Do you guys think Pass a Dream is going to be there or not? In the top 20, what do you guys think? Which one? I don't know. Pass a Dream. dream it could be i mean a lot of this has surprised me yeah um yeah go on um i was gonna say i bet you like we'll see a little bit more of the wowie zowie songs too because like grounded's not on here yet um it doesn't look like father to a sister of a thought is on here so i'm i'm I'm curious if those will get pretty high ranking as we go on. Western homes. What do you guys think about that one? Track 1: [49:04] The closer to what we saw i'm not in love with yeah i'm not in love with it i'm not in love with it i think it's a fun song but it's not like a favorite song no of mine i never liked it but then i went back to the album before this podcast and he's like your western homes are locked forever it's like summing up this paranoia that's building up at the you know turn of the century kind of and the way it's i don't know i love that ending of the album for me you say with the eclectic while we saw it definitely agree there it's like a and kennel district at 23 what do you guys think about that did you like it that high i'm glad to see it there because i feel like and i'm talking about this like i don't know but i feel like unless we get painted soldiers, but painted soldiers is in the top 100 i think um yeah i don't know that we're gonna see another other spiral song like i'm more i feel like kennel district might be yeah his biggest might be the last spiral song we see i you know again i'm not tipping my hand but it's a really great fucking song and i'm trying to think are there spiral songs on record because preston school of industry is great um. Track 1: [50:22] Uh oh fuck what one am i thinking about what's the one that uh he and sm do the like the duet on like where they're back at four circa 1970 that's right 1768 yeah i think that's in the top 100 yeah that's 62 i i would knock that up to to a top 50 definitely me too i love that one love that one again especially because we've got both of them right we don't have very many where you get to hear no you know so yeah it's pretty rare i can't really think of another well there's maybe a couple but yeah i i love kennel district that's definitely my favorite spiral song, it's a great song i feel like if we were to ask a lot of people they would say that's their favorite spiral song and that's to me is the harbinger of like doom you know that that it's going to be the last spiral song i just think it's insane there are 100 songs on there and And Pass a Dream. There are so many subpar pavement songs on this top 100. And that to me is a real... I'm upset about that one. It's not on the top 100? Track 1: [51:26] No. Let me look and see if it's on the whole list here. That's what I'm saying. I'll tell you where it is. Because the whole list goes up to 121. Ah, really? Oh, wow. There was enough songs. So Western Homes. What about Perfume V at 58? Did you guys think it is? Yeah, yeah. Even if it's not, it's almost in the top 50. How do you guys like that one? I love that song. I think it probably, it's a good spot for it. Track 1: [51:56] Definitely like close to top 50 at least. It's a great song. Yeah. Okay. So I'll tell you what 100 through 105 was. Okay. So number 100 was Baptist Black Tick. number 51 or 101 was stare no sorry 101 was baptist black stick 102 was stare number 103 was pass a dream uh number 104 was platform blues and number 105 was from slate tracks maybe maybe okay so there you go i'm think jackal's the lonesome error that has to be in the top 20 What do you guys think? Track 1: [52:36] Jackals, false grace, the lonesome era. That's a spiral song. That's spiral singing. I got one holy life to live. That's peril. Yeah. That's not the top 50 for you. What about you, Alvin? Oh, no. You said top 20. I wouldn't be in my top 20. I said top 20. Yeah. Yeah. I think probably not top 20, but it's definitely up there. Okay. Okay. Cool. cool that's like that's like top top 10 for me probably i love that one that's what keep going, I was going to say, I kind of feel similarly about Fame Throwa, because that's some of my favorite drumming that Gary did. I thought that would be way up there. Track 1: [53:21] I thought it would be in the top 50 for sure. Where did that end? 79, yeah. I don't know there's something about some of these songs like I've been talking about maybe like an acetate about eons you know like the eons of human existence kind of like you know and like Jackals, Loretta Scars Our Singer like I feel like You fucking love Slanted don't you There's this energy, and like I said if I had to pick the best top five songs of an album I said like Blackout, Grounded, Motion, Pueblo, and Father of a Sister of a Thought. I could maybe pick five of Slanted. But these 10 songs for me, I don't know. I think it's why I love Pavement so much. It's to me on another level that no one has ever reached. Track 1: [54:16] Yeah. Agreed. And that's why we're all here. We love this band. What about Camera? that's not on the list camera is on the top it's on the whole list but is it it might be the last song camera yeah camera is so that's 120 119 118 okay yeah how do you guys like that one that's my top that's a top 40 for me oh i fucking love his voice in that song when he really when he's really squealing yeah you know i like that yeah but would it be in my top 50 no probably not though there are a lot of songs left though for me if i try to rack my brain i have a hard time kind of filling it out with the songs that are here it's going to be well so what you're saying is it's going to be a surprise and you're going to keep tuning in so that's good to hear yeah yeah Yeah. So I really want to thank you for joining me tonight to have this discussion, this roundtable discussion. Any final thoughts? Excited for the top 20. All right. Well, we'll kick into that next week. We'll see what our predictions. Yeah, we'll see where our predictions end up. Coming on Monday, song number 19. Track 1: [55:34] And we'll see who's, yeah, that's going to be a good one. That's going to be a good one. It's going to be surprising. My take from this is just like, made me realize just how much I fucking love Pavement. Like I said, I knew it was my favorite band. And I'm sorry if I've been going way too into the nitty-gritty of the shit that obscure stuff, but it really blew my mind for the last two days, really going back to these songs and being like, wow, okay, they really... And after all the music I've gone through throughout these years, after I listened to Pavement, they're still just always up there. And thank you for doing this, JD. Thank you for your work. Oh, thanks, man. Awesome, awesome. Thank you. Awesome it's a lot that means really really you know yeah it's just so cool to see like other pavement fans and just know that they're still you know super relevant inspiring yeah yeah yes yeah and it'll make a nest like how close are you talking to muskmus you think oh me yeah i did you did oh you didn't listen to the yeah you gotta listen to the whole hear it i didn't hear it which Which episode is that? I want to say it's, Oh God, I don't know. I don't know what happened, but I know that it happened on Valentine's day. It happened on Valentine's day of 2022. Track 1: [57:00] I think. Awesome. Awesome. Awesome. Okay. Yeah. I fulfilled my destiny. Yeah, absolutely. Awesome. So anything you guys want to plug, anything that you have to plug, any projects that you're working on or anything online or anything like that. Allison, you mentioned you play drums. Are you in a band? I, uh, stay tuned. I don't have anything to plug just yet, but, um, yeah, hopefully we'll soon. Yeah, actually have a band that's going pretty good that I hope I can plug soon. Oh, awesome. I have a podcast called peeling the onion where I'm interviewing like musicians. So that's everywhere, like on Spotify and YouTube and stuff. So how many episodes? Yeah. Like seven. And I've talked to great people, like talk to looper low. The other day you know really he was awesome i talked to steve albini like february 20th so i was really lucky to get that one in and it's been like a lot of i'm talking to people i really admire you know what i mean so yeah i really taken the time to do like my homework so it's been a lot of fun for me because i love music as you guys can hear you know so cool so peeling the onion find that on podcast networks everywhere yeah and it sounds like a good one might be the One of the last interviews was Steve Albini, right? Yeah. Track 1: [58:23] Yeah. It's very sad because I was asking him like, so because I knew that he wanted to quit before he lost his hearing, you know? And he said like, I'm going to go on for like 10 more years. And, you know, like, you know, and it was just, and I know people who knew him personally and he was a really genuinely nice person and just such an influence on music overall. All like you guys know you know yeah so awesome yeah really nice to meet you guys you guys are really cool nice to meet you guys too yeah great to meet you too yeah all right stay cool that's what we got for you this week and wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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This week on the Pavement Top 50 Countdown, jD is joined by Jessica from Ann Arbor to reveal track 20 and discuss her Pavement origin story. Transcript: Track 2: [0:00] Previously on the Pavement Top 50. Today, we're talking all about number 21, Cut Your Hair. Russell, talk to me about your relationship with this song. I love this song for a few reasons. One, I think because it's ubiquitous. And when I talk about pavement to the rest of the free world, people are like, I don't remember that band. And if I say cut your hair, people are like, yeah, I remember that. Hey, this is Westy from the. Track 3: [0:41] Pavement, and you're listening to The Countdown. hey it's jd here back for another episode of the top 50 countdown for seminal indie rock band, pavement week over week we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots i then tabulated the results using an abacus and speed, just speed how will your favorite song fare in the rankings well you'll have to tune in to find out So there's that. This week I'm joined by Pavement superfan Jessica from Ann Arbor. Jessica, how the fuck are you doing? Super fucking good. I love it. I love it. This is exciting. When people fire back an F shot at me, that's like my favorite thing. It's validation to a degree. I was wondering if you were going to say like, hey, motherfucker, since I heard that maybe you haven't had a lot of ladies yet. I haven't. I said that to, I will promise I will say that in the future. Us ladies can be motherfuckers too. Yeah, yeah. Well, let's get right into it, Jessica from Ann Arbor. Let's hear your Pavement Origins story. Okay. She's opening a tome right now, folks. I know, I didn't want to go back into childhood, but it probably is high school-ish. Okay. Track 3: [2:11] So that would be late 80s, early 90s. And I lived in Michigan, which I do again. And I liked a lot of like alternative music, but it was kind of hard to find out about it. Right. Back in the day before the internets. um so one way was i read a lot of like british music magazines like enemy and melody maker um and i would read little tidbits which comes into the first time i met pavement so um. Track 3: [2:53] Oh, and I loved R.E.M. That was like my number one, probably, favorite band. I like the Replacements and a lot of British shoegazy bands. But the week after high school, my best friend and I decided to move to Athens, Georgia. And we were 17. And we just picked up and left. And we ended up living across the street from Michael Stipe. That's pretty fucking cool. That was like a dream come true. We were 17 for a while. Track 3: [3:24] So it was like this Disney world for music lovers because there were so many cool bands. But it was a little bit hard to get into stuff like bars and things the first few months. But we met a lot of people and that helped. And then we turned 18 and then we could get into more things. things but there was like cool bands playing for four dollars like five or six nights a week it was really cool we go dancing a lot and stuff um but we had tickets to go see u2 that we bought in michigan before we left so we went back for that but then we had to drive back, because we heard pavement was playing at the 40 watt in essence really this was in 92 okay so we went to the u2 show which was pretty awesome and um wayne from uh no guards from wayne's world was like satellite linked into that show and played drums for something on mtv, So that was a random place to be. But we had to drive back to Athens, and it was like 12 or 14 hours. And we went like straight to the show. Track 3: [4:42] And it was crazy and wild and sweaty. And Gary is a band. And he was doing handstands and headstands and hanging from the rafters. And it has since been put on YouTube. So now I can watch my 17-year-old self's view of watching them. But we really wanted to talk to them because we read in Enemy or Melody Maker or that they were going to be on 90210, Beverly Hills 90210, but that they, Stephen got in a fist fight with one of the guys, one of the actors. Oh, my gosh. And so before I even heard what they sounded like, I was like, I like these guys. They beat up somebody on 90210. So that was the first thing I asked them. And it was a rumor that Scott started about Stephen. than, I think, just to fuck with the UK press or something. Which sounded, that was a pretty cool thing, too. And, yeah, that was an awesome show. Track 3: [5:52] And, yeah, I was hooked. I think that summer before that, so right after high school, is I think I got Slandered Enchanted was the first thing I heard. You got that in real time, basically. I think so because we volunteered to work for this local free magazine to review bands, and they gave us a lot of free stuff. And I think that that's where we got that. I don't know if we bought it or not. Track 3: [6:28] And then I moved back to Michigan. and i had we went to high school with jim but we weren't really friends but then we worked at a store together and then we somehow started talking found out we liked a lot of the same music, and then that's jen will be coming up on a future episode just so you know, crazy jen and she's like the super fan uber fan i'm like a robin to a batman i would think because she worked at a super cool record store and so she had all the seven inches before, and cool promo things and she knew like you know label owners and promoters and people who ran clubs and all kinds of stuff so even at you know she was a year older than me so we're still like you know well 18 19 year olds and um. Track 3: [7:27] Oh, she had the inside track. So she would like make me tapes of all her cool seven inches. So I had like, you know, the peel sessions and we had all these weird bootlegs. And then I think I went to England the year before that, but then I went again and got a lot of weird bootlegs, including some pavement ones. Track 3: [7:54] And um then we went to see them together um and she is better remembering this so she had to kind of fill me in we saw them in chicago and we've gone all over the place to see them we've gone on lots of road trips because they're very important to us yeah and um but chicago is was only about four hours away and um um we also somewhere in there i think she she wanted to remind me and i guess i'm filling in some gaps that we um we wrote them some weird fan letters, somewhere in here somewhere in like 93 or 94 which i used to do with a lot of bands and i became friends with a lot of bands from writing really weird fan letters and sending really strange presence um we would just like really exaggerate things like she says that we found a danzig fanzine or something and we just changed the words around to something but we would just pretend we were like insane for them like we would say that we would, crawl a hundred miles over broken glass just to smell their shadows. Track 3: [9:11] Knows just like really over the top weird stuff um we weren't um obviously serious um and we would just put weird toys and um gadgets and odd things and just send gift boxes to bands we liked and it always made an impression um so yeah um it's a good icebreaker if you're shy too. Jen always thinks that I was better at talking to people in bands, but I'm super duper duper duper shy either. I have to overcome like being terrified. But if you have like a funky present or something silly to do or say, then it makes it easier. And they always enjoyed that. And I think that first time we gave them some weird thing we got from a truck stop was a license plate with a Confederate flag on it, which I'm cringing at now, and it said, Ass Kickin' Southern Rock. And Westy put it on his drum kit, and that made us excited. Track 3: [10:22] And then we, I think we saw him in Detroit like the next day or the next week or something. And they let us go to the sound check, and that was very exciting. And yeah, we always tried to be like in the front row, laughing and screaming and dancing. And it was very fun. And um they they gave us cool things too like one time they gave us some stephen keen paintings that were like left over from something um really. Track 3: [11:01] We got some cool stuff um and then once we got through with like kind of like we you know gush a little bit about what songs we liked or um stuff then they would we would just like kind of act like regular people with them and we'd like go out to dinner with them or go walking around with them and it was pretty cool i bet holy crap that's fucking dynamite, it was groovy those were the salad days we made them last for a few years too, talk to me about that after that refreshing sip of water i hope it's not moonshine it's uh just Just agua. I'll try not to slurp too much in the microphone. Let's see. I had to write down some of these things because I have these big blank spaces. Track 3: [11:56] So let's see. And I'm blind because I'm old now. I'm almost 50. Me too. And let's see. Okay. Okay. I had to get some help with Jen and the internet. All right, so let's see. Then we saw him in Detroit. Oh, apparently they did two shows, an early show and a late show. That was in 94. Track 3: [12:21] So we saw him in May and October. So at this point, we'd seen him like five or six times. Then we went to see him in Cincinnati. Track 3: [12:32] And I'm trying to think. We went to this, like, we would just go to the dirtiest, nastiest places that were like out in the middle of nowhere. We could have got killed and we were in jen's like old subaru that backfired all the time and pretty sure we got a flat tire once um and it was mostly like big scary drunk guys at these shows and then it was just us little girl um but um oh i know we made shirts for them i think, i don't know if jen has or will talked about but she wanted me to tell you we made these um homemade shirts and they were on um baseball kind of shirts with like you know three-quarter sleeves they were green they're very kind of 70s retro and um our old gym teacher had a t-shirt shop so we um would go and just make weird collages and then print them out into iron-ons and then he put them on and then we do lettering and i would like sew on sequins stuff and so like yeah they were very 70s looking like they would say like you know pavement rules or pavement is number one and they would have some like album art on it or some pictures of them and or just random stuff and they really liked those and i think they signed our shirts we wore them a couple times and scott really liked him so we made him one. Track 3: [13:59] And, um, there's a picture of us wearing ours in the, um, in the pavement documentary. Oh, really? In slow century? Yeah. Yeah. It's the back of us though. Cause I think, I think, I think Scott took that picture and owned it, but we had our own pictures of our faces, which we still have. Jen has most of them. Track 3: [14:24] Um, but yeah, I made one for, well, we both made it for Scott, but yeah. Yeah, she was, I sewed on like a million like individual sequins on part of his shirt. And he liked that one a lot. And we would still, we'd give him weird presents too. There were these cool stores. There's one in Cincinnati and one in Chicago. They were called Big Fun and Uncle Fun. And they had like really weird retro toys and just weird stuff from Europe. Up like we got these really tiny harmonicas that were the box had made in occupied japan they were so tiny or and we just give them like spark guns or toys or trading cards or just weird stuff that we could find um and then you know they started knowing us every time we'd show up they'd be like hey i'm here um and that was kind of cool because then we'd know like the the sound guys and the tour managers too. So even if it was somewhere, cause I went to see him in England quite a few times. Oh, that was, so yeah, I lived in England for a couple of years in London. Um, and, um, saw him there and that was very different, you know, and then I saw them as they got bigger and bigger cause we saw them in pretty little clubs and then like bigger clubs and some theaters and stuff. Track 3: [15:51] Um, and, But it would be weird, because sometimes in London, there's other people in big, fancy bands back there, backstage. Track 3: [16:01] And I would just kind of sit quietly and be like, this is exciting. And for some reason, this isn't a very musical memory, but I remember I had been in England for a couple of years, and I missed a lot of American stuff. Yeah. Just like the, I don't know, I missed Taco Bell. And weird American stuff. And Bob had some Tic Tacs and for some reason I thought they were American and they were nowhere else. And so I got really excited and I was like, America Tic Tacs! And then we had a Tic Tac fight, um backstage um but. Track 3: [16:42] Mostly we were just i would just kind of rock out love the shows we got very excited if they ever dedicated songs to us which they would every once in a while like you know if it was like our 10th show or our 10th year or something or our 20th show um we went a lot of road trips around america i'm going to see them and um yeah it was always an amazing time i bet they became your buddies yeah do you still talk yes um it's not quite as rock and roll now i play online scrabble with bob pretty much every day you do that's my most rock and roll mom story that i have that's pretty cool that's what nerdy we are that's very cool amazing he is he's like a sweet teddy bear they're all so nice yeah um i've had and i've had a lot of good talks with all of them and um so it's pretty cool when you um well they always I say, like, don't meet your heroes, but almost every band I've met has been awesome, and, um. Track 3: [18:01] Uh i've known a lot of them for 10 20 30 years now that's very cool and so i didn't see him quite a bit during the breakup times i saw um steven and the jicks a couple times, in the early 2000s in preston school industry and that was fun because me and jen had kind of lost touch she had moved out west and i moved to england and it still wasn't really good internet days and so we were like connecting through pavement like scott would say hey yeah she's in colorado now and she has a chihuahua i would be like tell her i said hi if you see her before me. Track 3: [18:51] Um it was they're like um we kind of think of them as our big brothers i bet yeah i mean and the fact that you got to see them and their rise to prominence right like that's that's pretty cool, but i have to say you know since they never got like mega gigantic they never became like stuck-up assholes so no no yeah they've always been the same um and so i didn't see him like a of reunion-y stuff like in the like 2010s thing i think i might have been having a baby somewhere in that time gotcha and being a mom and being kind of boring um, so the last time i saw them um jen came out here and we saw him in detroit, oh that's cool at the masonic temple when was that 20 2022 or yeah yeah okay and so So that had been like basically 30 years of us going to see them off and on. And I got front row for that one, so I was very excited. And she had seen them earlier on in the tour, so she got to tell them that we were going to have our reunion. And it was pretty cool. They dedicated some songs to us, and that always makes you feel like a super fan. Track 3: [20:14] So yeah it was pretty groovy yeah I bet what's your what's your go-to record these days, um Jen and I were kind of talking about this I think I think, Probably Slanted and Crick and Rain are like my comfort records. Yeah. But it was when I was kind of a teenager, so there's kind of like an angsty, whole different world that I was taking them in. But it still feels like my comfort. Those are my comfort albums. albums um but i definitely have like favorites on all the um ones past then plus the cool thing was is we got to hear um songs that ended up coming out like years later earlier on and we had like different names for them because we didn't know what they were called or they would be on, a bootleg or something and yeah we had our own names for them that we had to unlearn. Track 3: [21:23] Um like i think we called grounded i think jen was saying we call it the sedan song okay just because he said something about the sedan in the parking lot maybe i don't know we just pick one word and be like oh that's that one um we may not have even known some earlier song names or we just make up our own we did a lot of singing to the um stuff we liked once where they were like singing back and forth, like call and response, like, yes. Uh, Circus 1762. We love singing that one in the car. So, um, so, um, I can definitely play those first two albums and all the like, uh, pre singles and stuff, um, solidly, but I kind of pick and choose what I listened to on the later albums. Okay. What I'm in the mood for. Yeah, I can see that. Well, what do you say we flip the script here and talk about song number 20? Are you down with that? I'm down with that. Well, let's do that. We'll hit that right after this break. Hey, this is Bob Mustanovich from Pavement. Thanks for listening. Track 2: [22:34] And now on with a countdown. 20! Track 3: [24:49] This week on the show, number 20 on the countdown. I'm pretty excited about this one. It's Blackout. This is the ninth song from Wowie Zowie to make the cut on the top 50. Pretty good showing for Wowie Zowie, I would say. What do you think, Jessica, from Ann Arbor? I think it is a very solid pavement song. Yeah. Like, I think it belongs in the top 20 to 30. Okay. Because, I don't know, it hits all the right pavement beats. It's kind of pretty. It's kind of dirty. Track 3: [25:28] It's got weird lyrics. I'm not sure what it's about. No, it's really tough with us out there. Yes, I mean, sometimes it sounds so like, I don't know. You know, it's, what's it called when you're just saying words? I call it word salad. Word salad. That's what I call it. I'm so lyrical. Yeah, like just, yeah, because sometimes they don't make any sense. You just get little images. That's right. They give you vibes, right? Yeah, or moments. I definitely feel like they have this world and there's some characters in them. You know like loretta's in there somewhere right um um i don't know that one feels like kind of like i don't know a guy in high school or college or starting job or something he's kind of lost, i don't know if there's a real whole story there but i get little snippets right things stream of consciousness that's what i think i was thinking stream of consciousness yes Yes. Or he just gets little, you know, words that rhyme. Little phrases here and there. Or they just sound groovy. Is that the one that has... Track 3: [26:49] I always thought it was Dirty Scots, but then I saw somewhere that maybe it was Sturdy Scots. And I always liked that because I like a lot of Scottish everything and Dirty Scots. Track 3: [27:04] I did, I don't want to ramble on a thing. I just thought of a David Berman thing. Oh, sure. Dirty Scot. I never saw Silver Jews, but love, love, love them. But when I was living in London, David Berman did like a reading at this little dirty bar called Filthy McNasty's. I don't know why Dirty Scott's made me think of that. And that was the one and only time I saw and met him in person. He was very nice and shy. I had tickets for Purple Mountains, but obviously we know how that turned out. Yeah. Yeah, pretty terrible. Yeah. Track 3: [27:48] Back to the song for a moment. I'm sorry. No. What is your relationship with this song? Like, do you have any sort of relationship with this song? You mentioned that Crooked Rain, Crooked Rain, and Planted are your sort of go-tos. Is this a song that you'll pick and choose from Wally's Alley? Or do you pass it up? Or what's the deal? It's a thumbs up for me. Because there are a few that I kind of go like, eh. i'll listen i don't think there's anything i skit really ever um and i kind of like that all the albums have like songs that are like making me feel like i'm gonna cry one minute and they're so slow and sad and then the next minute i'm like jumping up and down and screaming something stupid with them um and that one's more in the like mellow um slow sad thing and i'm yeah i'm I'm a sucker for that kind of song. That's good. I think it's pretty. It is pretty. It's got a great melody. Yeah. It's a good solid one. Yeah. I'd put it on a mixtape for somebody. Okay. Track 3: [29:00] If I was introducing to them a system pavement. That's the highest compliment you can make to somebody, you know? Like, we get that. We get that because of our era. But it is such a high compliment, right? I'm going to make you a mixtape. I remember I burned somebody a CD once, like a mixtape on a CD. And it just wasn't the same. Just wasn't the same. It isn't. It was so hard because you had to fit them into, you know, the side. and I didn't like leaving too much space. I put little parts of movies and shows and like weird little snippets of people talking. Oh, that's badass. I have gotten compliments many years later from many of my high school friends that I did make really good mixtapes. So I kind of need to borrow them from them because they probably were pretty good. People like send me pictures of the track listing and I'm like, ooh, I forgot about too much of those bands. I'm going to go look them up now. Oh, that's great. Track 3: [30:02] Yeah, mixtapes. The children today, they won't know. No, they just really won't. Well, cassettes are starting to come back in a weird way. So maybe they will. Maybe they will. I will say I have a 12-year-old daughter now. And right after we went to see Pavement in 2022, I took a few videos and I was watching a couple on my phone and she came in the room and said, Hey, I know that song. It was Harness Your Hopes. And I was like, I was like, no, you don't. Cause you're 10 and no, you don't. And I don't think I've ever played this around you. And she goes, yeah, I do. And then she like said a couple of lines and I was like, what are you talking about? And then obviously it was TikTok. Yeah. And that blew my mind. And it's made a comeback again. I know. She told me the other day. As we're recording this. She goes, oh, pavement's blowing up on TikTok again. And I'm like, what? Is it the same thing? And she's like, no, it's something with baggy pants and spinning. Yeah. Which she sort of explained to me. Even Mark did it. I saw that. I saw everybody was giving it a little go. Yeah. I'm impressed. Me too. So fun. I kind of love that, though. Track 3: [31:20] Well, it makes sense that they would make a comeback. That was a random song, but it's a random song. It's very odd and quirky and funky. And when you look at its numbers on Spotify, it's incredible. Like the number of downloads or streams it has versus the next song. It's mind-blowing. It is mind-blowing. I hope some of the children explore some more pavement because they would have such a grand old time. Track 3: [31:58] They are obsessed with the 90s right now, so maybe they will. Yes. I have impressed my child with some of this stuff. Yeah. I think she's even impressed about this. Oh, that's cool. Yeah. Well, I've really enjoyed my time with you today. Ditto. Yeah, this has been a lot of fun. It's always good doing this gig right now. Track 3: [32:22] The first time around, I was solo. I did every song in the catalog solo. Track 3: [32:27] Wow. And that was really tough to do because you're sort of talking to an audience that you don't know if they're even there. Uh this time around with the top 50 it's been so great getting to meet people like i've met you know at this point i've met 30 people or 39 people uh-huh yeah 39 people 39 people 29 people whatever anyway you get the point and where are you in the world i'm in toronto canada oh i've been to toronto a bazillion times oh that's great lots of bands there ah any good venues that you can rhyme off um massey hall massey hall is great yeah that's why i saw pavement twice there oh i think i saw damien rice there okay um i think i saw arcade fire there um that would make sense travis okay from scotland um david gray i had a friend i lived with in england and then she lived in glasgow and then she went back to toronto so i would go see her a lot and we go see a lot of the bands that we loved so i love toronto i would live there in a second i wish i could kind of it was a little bit warmer but um uh it's been a spectacular this year we have we had no snow yeah we had three days of snow like through the whole winter so all right And I'm changing my mind, though. Track 3: [33:56] Something awesome. Especially if something happens in November. I said that the last time the creep got in, but... Track 3: [34:06] Yeah, well, you know, you guys have your shit to deal with, for sure. We have our shit up here, too. Yeah. Listen, I will let you know when this episode comes out, because as I mentioned, we are recording this deeply in advance, because I'm a bit of a flake. And I want to make sure I've got all these in the can before I flake out. And that's what I'm trying to do. You sound like you're on top of things, man. I'm impressed. I'm trying. I'm trying. I'm trying. I'm trying. I'm trying. I'm trying. All right. Be well. Stay swell. And wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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This week on the program, jD is joined by Russ Romandini to unveil song 21 on the Pavement Top 50 Countdown. Transcript: Track 1: [0:00] Previously on the Pavement Top 50. Track 2: [0:02] So here we go with Texas Never Whispers. Aiden from Vermont, what are your initial thoughts about this song? Texas Never Whispers is a really cool song. Full disclosure, before you sent me that this would be the song that we were going to be talking about, it honestly wasn't one of the tracks off of Watery the Mystic that really jumped out at me. But after um after you sent it and i knew that we were gonna have to chat about it um i listened to it a little bit deeper and i i definitely found like a new appreciation for it hey. Track 1: [0:38] This is westy from the rock and roll band pavement and you're listening to the countdown. Track 3: [0:46] Hey it's jd here back for another episode of our top 50 countdown for seminal indie rock band and Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and an air fryer. Seriously, is there anything this machine doesn't do? How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week, I'm joined by Pavement superfan, Boston Russ. Boston Russ, how the fuck are you? I'm fan-tastic. and ready to rock. This is great news because it would be a hell of a podcast if you were not ready to rock. That's right. That's right. Thanks so much for having me on. Oh, it's my pleasure. Thanks for doing this. You guys do all the heavy lifting on these, so this is fantastic for me. Let's get right to it. Let's talk about your pavement origin story. Sorry. I think my Pavement Origins story goes back to 1994. Track 3: [1:50] I'm a little late. I'm kind of a late comer in some respects. So back in 94, a good friend of mine, so I got to give him some props. His name was Sean McGovern. We called him Slappy and a few other things. He was in a band in the Boston area called Beeswax. There's some other bands in our area called Beeswax also, but he was in with a few guys. And they did AK-47 and a couple other songs. Sadly, he passed away a couple years ago. He got sick. Oh, shit. Track 3: [2:23] But back in 94, we were good friends, and we hung out a ton, and he just one day gave me this bag of CDs. He left it in my car. He's like, listen to these. And so Crooked Rain was there, and so I put it on, and Silent Kid comes on, and I'm just like. Track 3: [2:41] Who are these guys? And, you know, I played the album some. And it was just, like, I go back and I look at that time. And, like, the album release times were just, like, really, like, fast-moving parts of my life. It was, like, the end of college almost where Crooked Rain came out. It was, like, the end of my junior year. And I was doing a radio show. And I don't know. I, like, never quite linked up to, like, really featuring them prominently. And then wowie zowie comes out like two weeks before i graduated college and you know and get into like the summer in 95 and it's just like it like just blurred and so it's like i heard it like a little bit but didn't like totally like dive in not until bright in the corners came out in 97 and that like i just could not stop playing that album like just word great record and word out and And I wanted to see them in concert. I had been to a bunch of different shows for bands, like Foo Fighters. I got to see Foo Fighters when they were together for two weeks in 1995. Holy shit. They were together. Nobody knew who they were. This is my same friend. So Sean says to me, we got to go see this band play. Track 3: [3:55] Eddie Vedder's wife is doing a percussion band. Track 3: [3:59] And Eddie Vedder is going to play with Mike Watt. And Dave Grohl is going to show up. and do, he's going to play with his new band. And I was like, he's like, you got to go. And it was like this rainy Sunday afternoon. We go to this club called Avalon. So if anybody knows Boston, knows the 90s, we wore Avalon out. I mean, it was like one of the best places to go for rock bands. And Foo Fighters was the middle band. Grohl comes out on lead. And you're like, because you're like, oh, Dave Grohl, new band, going to be a drummer, right? He comes out on lead and does like, and he's holding his guitar tower in hand and it was like that one moment where it's like best ever or total train wreck and he did this as a call comes in with the first lines you know just his voice butter and from there it was it was crazy so like you know i followed like a lot of these bands and went to a lot of these shows and just didn't quite i kept missing pavement and then they broke up and i got old you and me both brother you know and it's like oh and they got together in 2010 and but my My son was like a year old, and I had really moved far from Boston at that point and totally missed the tour. And I was like, ugh, you know, and just kind of feeling like stuck. And so I would listen to, you know, Pavement a lot during the 2010s. They were a big part of Spotify, and I would play them. And I don't know, a couple of years ago... Track 3: [5:26] I was just saying to myself, it would be really great if these guys would really do a tour. Yes. And then it happened. And they came to Boston, and I got sick. No fucking way. I got sick at the end of September. I totally missed the announcement that they were coming, and then got sick, and I couldn't get tickets, and I skipped it. And I was just like, I'm totally beside myself. And I was like, all right. This is okay, because we're going to make up for it. And so, we come to the end of the calendar year in 22, and then one of the best things happened to me. My wife, her best friend calls her up and says, guess what I have? And my wife says, what? And her best friend says, I have an extra free ticket to see Taylor Swift. And my wife is a huge Swifty. All right. Okay? Huge. And, you know, but her best friend lives in Tennessee. And we're in Boston. And her best friend says, the ticket's for Tampa Bay. Track 3: [6:41] Oh, my God. So, because that's where her best friend mom lives, right? Right. So, she's just like, well, I'm going to go from Tennessee to Tampa and go to the show. Do you want to come with me? And and of course you know well i gotta tell my wife i'm like you got it's a ticket of the year i'm like this this is like you got a free ticket to this like yeah you have to go right you have to go so of course like she could i you know she got the ticket we just got her i got her a flight and you know she goes down there and has a ball right they drive they do like a 1300 mile road trip from tennessee to tampa and back they go to the smoky mountains they have like the best time ever right so right after that the ticket um you know i got out of the plane ticket, the pavement in iceland announcement comes oh yes and i'm like pavement iceland and i turned 50 and i'm like she's like, You have to do that. Track 3: [7:40] That is a great wife. Yeah. She is fantastic. And I'm like, I do have to do this, don't I? She's like, I think you do. And I'm like, it's three shows. I'm like, they'll play all the songs. They have to play all the songs just to vote because it's three shows in a row. Yeah. So I went ahead and I ended up booking the trip. And so this was like you know late late i think the release was like late january so like early february it was like a couple of weeks after they released the thing i i got tickets but i still got like fifth row and i got second row for like the last show i got really good tickets they were they were a little slow to sell out of the gate but and thankful for me because you know i'm like so i just i got a flight the flights were very reasonable and so got a flight and just said we're doing this thing. So as the year ticks by, I'm getting ready, getting ready, getting ready. And then I think it was sometime in late June, my birthday passed and all this, getting ready for the trip. And then I get the big announcement that says, in Iceland, they're going to do a walking tour with the band. I did not know this. yeah they put out a walking tour with the band so uh steve and bob participated in the walking tour. Track 3: [9:02] Um so um oh and and spiral also of course um so it was the three of them and then you would buy a record and and buy the tour uh the walk tour so 90 minutes around reykjavik um and there was a host and then they would go ahead and talk about, you know, they would just talk about the musical history of Iceland, and then you could walk around and get to meet the pavement guys. That's fantastic. There were 50 tickets, went on sale at noon. My hand was like on that button, and I was number 21. That's amazing. I could not believe I got a ticket. It and i i you know again i was like is i'm like is this hyping up to be the best trip ever i'm like sounds like i'm like what's happening here and so now we're leading up to the trip the trips at the end of july they did the shows at the end of july so sometime in july i'm on reddit i'm on the pavement channel and um sky posts up and he says who's going to iceland let's form a group, so I'm like great I'm like how about me I'm like I'm going he says hi I'm Mike from DC and I'm like I'm Russell from Boston. Track 3: [10:26] So, I jump in. Another guy, Steve from Milwaukee, jumps in and says to me, so, what do you think the weather's going to be like? I'm like, maybe like a mild Boston winter. Unfortunately, to me and Steve, that meant two different things. Sorry, Steve. Because I ended up considering that to be a little chilly. But I went a little cold. So, it was pretty funny. And so, slowly, this little group of people forms on Reddit and then goes over to WhatsApp. So the day comes, finally go ahead and fly out. Do the flight, no problem, get there. And then when you fly into Keflavik Airport, it's about 45 minutes from Reykjavik, you go and take a bus. Okay. And so, guy sits across from me, he's also from Massachusetts. His name's Curtis, and I strike up a conversation with him. And halfway through the conversation, He's like, by the way, are you here for pavement? And I'm like, yes. He's like, what gives me away? He's like, you know, you're a certain age, traveling by yourself. He's like, me too. I figured you were here for the shows. Track 3: [11:35] And I'm like, I'm on the bus and I'm not even there yet. And we're already way off and running. So we get to the Thursday show, and the moment of truth comes, and I'm walking down to Harpa Concert Hall. It's a huge glass structure. It's beautiful. If you ever see the pictures online, it was amazing. Beautiful place to play. And so I'm walking, and I'm within sight distance of the concert hall. I've already spent the day there. Reykjavik's beautiful. People are nice. Everybody's very relaxed. Track 3: [12:16] And guess who walks right by me is Mark Eibold. Really? Yep. Just walking to the venue. I'm walking to the venue. He's walking away from it. He's probably going out for maybe a quick bite to eat or something. something, you know, we got a little, we had, you know, time before they went on. He walks right by me and I'm like, Mark. And he turned around and I told him hello. And I said, you know, I was here for the shows and everything. He took a quick picture with me and, you know, and that was that. But I got to meet him and I was like, all right, I got to meet Mark. He is the elusive one. He is, he is elusive. And so, but I got to meet him and got a photo and, I mean, super nice. You know, it was like 90 seconds tops, you know, because I just didn't want to take up his time. I mean, you know, he's getting ready for the show and everything. So I was happy for that. And I went up to the concert hall and everybody just started to meet. And it was funny because I think it was Mike in the group said, Yeah. Track 3: [13:23] Okay, so here's the moment of truth. How are we all going to know, you know, who each other are since we don't know each other? Good call. So I said, all right, I'm going to go stand by one of the tables. I'm wearing bright blue pumas. You can't miss me. Because I'm also wearing this, like, bright vest. I tend to wear bright clothing sometimes. And so, like, I got this vest and I got this, like, hat and pom-pom and this whole getup. Can't miss me. I mean, I'm like screaming and everybody's dressed in like black and Reykjavik. So I'm like, I really stick out. Track 3: [13:57] I'm like, can't miss me. And so I think like the first guy that comes over is Steve and Steve's like, Russ. And I'm like, hi. And so that just kind of like broke the ice for everybody and people started to gravitate over. And, you know, like we're having a couple of beers. We're talking at the shows, you know, and just met some like really great people, you know, the merch tables there. And we're talking, you know, other people got tickets for the walk on Friday and it was amazing. And so one of the guys, Eric from New Jersey, Eric says to me, I said, you know, I got Crooked Rain with the tour. I said, but I really wanted Wowie Zowie. He's like, why don't you just buy it at the merch table, bring it with you tomorrow. They'll just sign it. I'm like, genius. Yeah. So I did that, and that ended up working out very well, because they signed both albums. So solid piece of advice from Eric. And so we did the show, and it was fantastic. They started off with Grounded, which is one of my favorites. Damn. And it was really great, because when they just break into Grounded, it's like... Track 3: [15:15] I made it, you know, and, you know, the, the, the months leading up to that were a little difficult. My mom was pretty sick. She's, you know, had, she had some tough moments last year and, uh, it was just like really emotional. I was like, holy crap. I like, I really did it. I mean, this was like 30 years in the making. Yeah. And I just, it was, you know, and it's like when you see that like pavement in Iceland thing and it's like, you look at that and it's like a lot of times you just look at those types of things and then it's like, oh, it should do And you don't end up doing it, you know, for all the reasons to not go and for all the reasons to go. And it's like, I'm here, here. Track 3: [15:59] And it was just amazing. I bet. It was just really great. They did Summer Babe. And, you know, by then, we're like, we're all friends. And, like, we're all yelling all the lyrics to the songs. And, you know, everybody's just, like, carrying on, having a good time. And, you know, go out to the bars after we're out late, having drinks. And everybody's, you know, really just getting to meet each other and have fun and, you know, learn where everybody's from. I mean, people came from Los Angeles, Jersey, D.C. There were people from Europe, Berlin, and England, and all these places. All these people just converged, and they all came by themselves. Really? Yep. Most people weren't by themselves. They all came by themselves. Wow. And so there was this group of people that had all come by themselves. And now it was like we started to become like this little unit. So now Friday... Friday was like really one of the highlights of the trip because we had the pavement walk and it was really, it was just great. Track 3: [17:19] I'll send you a copy of this picture, but like, so I bring Wowie Zowie and I mentioned how I like to dress up in bright colors and my whole get up for the day basically matched the album cover. And i didn't plan it that way but i had like you could see like my hooded sweatshirt and i wore this like green hooded sweatshirt and this you know in a shirt and my vest and hat and everything were all like blue and green and so and i had green puma sneakers like the old you know uh the old sneakers all like i'm like blue and green head to toe right and so i show up the next morning and everybody's looking at me and i'm like hey wowie zowie everybody just couldn't believe it and so you know steve west and spiral come up to me and they're like how you doing and i'm like i'm like i'm so glad to be here and they took a picture with me like right away they were like the nicest and um it was great i got to meet uh bob nastanovich and and his wife carly um who who I get to be really good friends with. She was absolutely amazing. So there's more interacting to come. So we go on the pavement walk. Track 3: [18:40] And it's hosted by a guy from Iceland. And so one of my favorite jokes on the whole trip gets set up, right? So we're walking through Iceland, and he's like, oh, this is where Bjork lived, and this is where this was, and this is what happened here and all of these spots. And then we get to this condominium. Track 3: [19:04] And, you know, he's standing in front of it and gets everybody up there and says, now this, this is, used to be the rock and roll club. He's like, it looks very clean now, but back in the late 80s and early 90s, this is where we would come and we would write songs, we would play songs. This was the club. This was it right here. This is the spot. He's like, this was everything right in this spot. He's like, and we used to. And then he said the thing that just made my eyes go like big bug wide open. And he said to me, we used to get blackout drunk. And I'm like and then there was like this kind of pause which I love because it just kind of sets me up and I have this sense of humor and I just kind of raised my hand and I said. Track 3: [20:11] Did you say that you got blackout drunk here? And he's like yeah and I said and, But this is your old club, right? And he said, yeah. And so I said, so now that it's closed on weekends and shut for good, would you consider this your own personal Hall of Fame? And Steve West is kind of looking at me and then all of a sudden just looks straight down to the ground like really hard. And you hear like three people chuckling in the background who get the joke and i'm sure the people got it but like you know maybe it wasn't their their sense of humor um and i just felt like i'm like he and he didn't get the joke which just to me made it like that much better it made it even better and i was just like you know it was great and so my my friend steve comes up. He's from the Midwest and has this very straight sense of humor. And he's like. Track 3: [21:24] Your joke earlier, that was good. Which I loved. He's just like the perfect straight man. It was so good. It was so good. And so we go on the rest of the walk and I got to meet Bob a little bit more. I got to meet Carly. But then I got probably about five minutes to walk with Spiral. And I got to tell Spiral like how much I loved Date with Ikea which is just like probably, it's definitely in my top five I think I submit it as like number three on my list because I just love that song they're just like songs that just really resonate with me it always makes me smile I love playing the John Peel version because it's just it's quicker and it just really hits every time and it's just funny because like. Track 3: [22:15] I became part of like team Spiral, right? Because like when I would go to the shows, I would stand like on Spiral's side. Like a lot of people buy tickets and stand to the left where Malk is. Yeah. But I like to stand to the right because I can see Spiral, I can see Bob, and I can see Mark and Steve very easily. And I can still see Malk and, you know, and Eyebold and everybody else. But like, you know, Mark's, you know, Moloch stands so far over, you know, but a lot of people gravitate over there. So it's good. And, you know, so, I mean, it was just, just amazing. And did you get to hear them play Date with Ikea? They did. They played it Friday night. They played it. I said, he's like, yeah, he's like, but we'll play it. He's like, we'll play it. And you get to hear it. And, and then, so we went and we went back and they did autographs. We got to meet them. They were just fantastic. They were all just so nice. I mean, everybody was generous with their time. I mean. That was my experience as well. Like, just so gracious and so accommodating. Yeah. Track 3: [23:31] Um, and so it was like, okay, where do we go from here? We did the Saturday show. I did like all, you know, I did some tours. I did Blue Lagoon, which is now like closed, you know, and those are heartbreaking every time we see like the volcano eruption stuff. And, you know, I feel for the people in that area. Cause like, oh, the people were so nice. I mean, just walking around Reykjavik, it was like, so, it was just so great. Cause everybody was like so relaxed. I mean, I was walking down the street one day and I had some napkins kind of coming out of my pocket and somebody comes up to me and he's like, your money. And I'm like, oh, thanks. It's just napkins, but thank you. You know, like, you know, and like, you know, where I live, it's like, everybody would be like, boop, I'll take that, thanks, and keep walking, you know, or let it fly away and, you know, all that. But, you know, we just had this crew and we would get, you know, we got together for drinks on the last Sunday and, you know, and people said their goodbyes and stuff. And it was just, it was great. But everybody's like, so who's going to Brooklyn? Because the tour wrapped up in Brooklyn in September. So in like six, seven weeks later, a lot of us went to Brooklyn. Track 3: [24:52] Jesus Christ. So because they had put the announcement out that the tickets were going to come out. And I told my wife, I'm like, I got to do one more. I just feel like I'm really called to just, I got to go to the last show. Got to go to the last. So I bought two tickets and I called, I have a twin sister. and I called my twin sister Andrea and I said. Track 3: [25:17] Because she used to go to all the shows with me. And she took me to Foo Fighters for our birthday. Like one of her birthday presents to me, we went to see Foo Fighters in Laconia, New Hampshire. Turned back the clock and it was a great time. So I said, well, you did Foo Fighters. I said, come to Brooklyn with me because she loves going to New York. I said, come to Brooklyn and let's go to Pavement. She's like, all right, let's do it. So I bought the tickets. And then we were coming up to the shows, and the only song I didn't hear in Iceland that I absolutely had to hear was Elevate Me Later and couldn't stop talking about it. Um so we get to um we get to brooklyn uh the. Track 3: [26:06] Week of the it was monday september 11th was the first show and everybody did the first show and i had friends there like and now everybody's like totally into it people know each other and and my friend eric the guy from new jersey was unbelievable and basically was just like posting in the chat like okay they're doing this song now Now they're doing this song. Now they're doing this song. And like some people would like post videos into the chat. Somebody tried to do a little live. I mean, like, I mean, the time that people were investing in sharing the information with everybody else was just wild. So I'm just like, I was like, I'm getting a ticket for Wednesday because it wasn't sold out yet. And I was like, I'm buying a ticket for Wednesday. And I worked it out with my sister where we were going to take the train together. And then she's like, I'll just buy a bus ticket. You meet me there and I'm like, I'm going, I'm going out on the train a day early and I'm going to the Wednesday show too. So I get to the Wednesday show and, um, cause now it's like, I'm in it now. Now it's like a minute. So I got tickets for the last two shows. I had to. And, um, I'm like, it was like really just called to do it because I got there, you know, I met up with Steve and Mike and, and everybody and, and, and it was wonderful seeing everybody, um, and met new people too, like, uh, Wes from Chicago, who was really great. And he ended up cutting some videos and some other folks. Track 3: [27:36] But they ended up doing Elevate Me Later on the Wednesday show. It was the only time in the whole tour, the whole year and a half tour, that they played Elevate Me Later. Holy shit. And they did. You were there for it. I was there for it. I couldn't believe it. Because they wrote it out as LS2 on the play sheet. Yeah, yeah. And I was like, are they going to play it? Because and my friend Wes is like well there's like two versions of it he's like so he's like I think so but maybe and then like they kicked into it and I'm like that's my entrance song, and it was like I was like in a hyper trance for like the first 20 seconds of it because like I couldn't believe they were finally playing it and it came out great it was amazing Rebecca Clay Cole, who was there doing the organ work on the tour, her voice on the backing vocal was just awesome with everybody else. It's a great version. It really needs to be on Spotify. Track 3: [28:38] Well, I hope we get some live records at some point from this tour. They were taking video and all kinds of stuff. So I am hoping that they do some live work with it. And if we get that out, produce, it would be super great. Um, so I mean, it was really great. Uh, I mean, um, we, you know, at, at the end of the Wednesday show, uh, we went to the bar across the street and we were having beers. We kind of closed that place down and then a spiral runs out and, um, you know, and he's just like booking it for his Uber. Right. Cause I mean, you know, there's still like, you know, probably 20, 20 of us there hanging out and he's like, yeah, Hey, I'll see you guys. And I'm like, hey, Spiral, it's me from Iceland. And he's like, wait, I remember you. And I'm like, knock back. And I'm like, oh, my friends heard that. And it was just like frivolity because it was just, it was too crazy. And I gave him a high five. He gave me a quick hug and he jetted off into his Uber. And I'm just like, my whole night was made. I guess so. You know, and then like it couldn't get any better except Steve Malkmus walked out and was hanging out on the corner waiting for his Uber. And he's just standing there and he's talking to like you know somebody else he was with and we're all standing there like diagonally across the street from Malk and he's just standing there and another friend of mine says. Track 3: [30:07] Russell, what do we do? And I'm like, we go up to him. And so like, I just started walking across the street and then like, I just like went right after, you know, and, and patiently waited for him to finish this conversation. And I'm like, hello. And I'm wearing my Reykjavik t-shirt, except it says Reykjavik in Japanese. And one of our other friends is Japanese in the group. And when she saw me and she walked into the bar, she was the only person who laughed at me because she's like, Like, your t-shirt says Reykjavik. Track 3: [30:35] I mean, the moments were just, like, amazing. They were all, like, it felt like every moment was like that. And then, so, like, Stephen was the only person I hadn't met. And, you know, again, super gracious, took some photos, you know, and, you know, I didn't take too much of his time because, you know, the rest of my friends all got time to meet him before his ride showed up. And that was that. You know, we did the Thursday show also. And, you know, we got to say goodbye to the band and to everybody else. And it was something else. Track 3: [31:09] And, you know, one last story that my friend Mike from D.C. is very fond of. So when we got back from Iceland, I had the picture with me dressed up in the Wowie Zowie outfit. And I have a picture. When we did the record signing, it was at 12 Tonar. Which is one of the record shops in Reykjavik. So in the back, they have this wall with graffiti, and it's all color. So I'm in my color outfit, and it's all color. And it's this really cool photo that came out, and you could see everything, the sneakers, the whole nine yards, right? And so I posted it on Twitter, and I said, you know, I posted it to Bob and Carly and Spiral, and said, thank you so much for everything. And Spiral wrote back and called me a legend. And that just like broke my friend Mike. He's like, he's like, hold up, hold up, hold up. He's like, do I have that right? He's like, did you call Spiral a legend or did he call you a legend? I'm like. Track 3: [32:18] He called me a legend. That's amazing. And Mike is like, why? Why did he call you a legend? He's like, what don't I know about you, Russell? And I'm like. I wear bright colors. Yeah. I mean, you know, I just, I'm like, I don't know, Mike. You know, I'm thankful he did that, you know. Oh, God, that's amazing. It was just, it's wild. It's out on the interwebs, you know, and it makes me smile. There are just so many pieces that made me smile. At me on Twitter. At me on Twitter with the photo. Oh, yeah, absolutely. I would love to see it. Yeah, I'm happy to share it. So a quick shout out to the whole crew here. So Steve, Mike, Eric, Liz from England, Sasha, Chiaki, Curtis, Chris from Berlin, Manny and Liza, Wes Stevens, Tony, Bacon, and a very large shout out to the man from Reykjavik himself. Track 3: [33:21] Elvar, Elvarsson, who was, you know, we all became friends with Elvar when we were in Reykjavik, and he was the only person in our group from Iceland. And I love his name because, Because in Boston, we always swear at people. And Elvar's name is Elvar, Elvar's son. So he's son of an Elvar. I mean, in our best Boston. And he's such a bright personality, a wonderful guy. He does a podcast called Peeling the Onion. So a shout out to him. And if anybody's out there, it's on Spotify. And he covers a lot of punk rock origins and stuff. So huge shout out to Elvar. And to all the people who were there for Iceland and Brooklyn, my sister, of course, you know, and my family for putting up with the time while I'm away and the incessant playing of the pavement. And, you know, but my son has now kind of become kind of a fan a little bit. Done good work. Yeah, we're driving around. You know, he has his pavement favorites too, which makes me smile. So it's, you know, some good dad work there. So I'm trying. I'm trying. Track 3: [34:39] Well, what do you say we flip the record here and play song 21 and then come back and have a little talk about that? Sounds good. I'm ready for a B-side. All right, let's do it. We'll be back after this. Track 1: [34:53] Hey, this is Bob Mustanovich from Pavement. Thanks for listening. And now on with a countdown. 21. Track 3: [38:08] Today's song is the second song from Crooked Rain, Crooked Rain to appear on the countdown thus far. Today, we're talking all about number 21, Cut Your Hair. Russell, talk to me about your relationship with this song. I love this song, you know, for a few reasons. One, I think because, you know, it's ubiquitous. And when I talk about Pavement to the rest of the free world people are like, I don't remember that band, and if I say cut your hair people are like, yeah I remember that and I think it's great that there's a song that helps people kind of make that connection. Track 3: [38:57] Even though their relationship to the band isn't as deep as ours right um i also love it because like 90s russ had the best hair now for those you know for all my friends and family that know me my my hair is gone now and for all my recent friends all they know is you know russ has no hair but 90s russ and my 90s friends or people People that grew up with me know that like in college, they used to call me Mr. Perfect Hair or the guy with the hair. And my hair kind of came off to the left and it would – on the side, it came all the way around and it didn't move. Track 3: [39:43] It did not move. And it would just come down in the front and it was always perfect no matter like when you saw me. I could roll to the cafeteria at 8 a.m., and it had to be just right. It was always on. And people used to try to do all kinds of stuff to mess it up, and it was his own airtight defense system. It was awesome. It was part of me. You wouldn't see me without it. I didn't have the confidence back then to not have it. Be just so um it was just you know it was part of kind of life in my 20s so like you know the hair was it was just that was it wherever i was i was always able to make sure like i could find an outlet and uh blow dry my hair and uh and make it just so so it was um it was hilarious uh so So, you know, I love the song, and the song is just... Track 3: [40:53] You know, it's everything about, you know, kind of just like that, being perfect. It's like, you have to be so packaged and so, you know, you have to have that image just so. You know, like back in the day when we had the Andre Agassi commercials, image is everything. And that's what Cut Your Hair says to me. It's like, image is everything. Thing like if you're gonna go far as a band like you know like you have to have like this whatever it is packaged image that record company wants you to follow in order for your career to advance and and you can't really be yourself you know um that's how i i see the song is it's almost like It's a song of conformity. If you don't fit the image, you won't move forward. And it's interesting that Cut Your Hair is on Crooked Rain, which really propelled their career. Track 3: [41:59] Absolutely. And kind of got them to the point where the next record really could have put them up and over. And they come out with Wowie Zowie, which is really, people say it's equivalent to Weezer Pinkerton. Right. Yeah, I can see that. Which I loved, and it really kind of got a very cool reception. You know but like if you look at the like how everybody rated it it was like this album's amazing and i'm like well yeah that album is amazing the same thing with like wow he's out where you like it you know if as people reviewed it a lot of people didn't like it and some people like really loved it but when you come back and listen to wow he's out where you like it, You know, it was growing your hair. They made the record they wanted to make, even though it didn't quite conform to what the record companies necessarily wanted. Track 3: [43:03] You know, and they made that art what they wanted it to be. And so that's kind of like what Cut Your Hair kind of means to me, you know? I love it. Tension and Fame, South Korea. Track 3: [43:23] I mean, you know, it's a fun song. It's, you know, it's really light and peppy. You know, it's a song when you go to the show, you know, you're going to hear it, you know, more often than not, you know. And if they, when they played four shows, I think they left it out once, you know, maybe twice. But when we got to Brooklyn, they were really playing like real deep cuts. I mean, we got to hear like, they emptied the cupboards in Brooklyn and that was great. We got a lot of, hearing Half a Canyon and Pueblo and those kinds of songs were really great. But, you know, cut your hair, you know you're going to hear it. But, you know, like, it's fun. And sometimes it can be that song where it's just like, oh, you know, I don't know if I want to hear it because it is so popular, you know, and it is, you know, uniquely Pavement. And it's, you know, like, I want to hear other songs. But it was really interesting because when you gave me the opportunity to come on and talk about it, and I'm like, it really is a great song. It is a great song. You know? And... Track 3: [44:42] You know, I saw out on Reddit, I think it was last week, there's now a beer named after it called The Second Drummer Drowned. Dude, interesting story. The guy who posted that, I just said nonchalant, I said, oh man, it's too bad you couldn't ship one here. And then he DM'd me, got my address, and he is shipping one to me. That is outstanding. It is so fucking cool, and I believe his name is, oh shit, I think it's Mark. I will amend this at some point and make sure that he gets the shout out he deserves. But this leads me to an interesting question for you talking about, you know, this song and the fact that some people can dismiss it because it was their popular hit. It had, you know, it was on MTV rotation, like the music video. Track 3: [45:44] So is this song at 21, is it properly rated? Is it overrated? Is it underrated? What do you think? 21, we're into the great tracks now. Not to say that the whole 50 isn't great, but we're starting to get down to the nitty gritty. Be i have to i'm gonna say i was surprised when you told me that i when i was at 21, i did not expect to see cut your hair here me neither but i understand it in a way and so i will you know i'll share a little bit of my own um you know submission i ranked elevate Elevate Me Later, number one, for a very specific reason. I wanted the points for it because I wanted it to be somewhere in the top 50 because I love it. And so when we say, okay, it's going to be the top 50 countdown, I think about the math behind it and goes into it. So I think that Cut Your Hair kind of gets knocked down a little bit because... Track 3: [47:02] Everyone just assumes it's going to be there. Oh, that's a good call. Okay. So it's kind of like that old Simpsons episode where Bart Simpson, and this is like season one where Bart Simpson runs for class president against Martin Prince. And everybody thinks Bart's going to win and nobody votes for him. And only Martin Prince wins two to nothing because him and his only friend voted for Martin Prince. So it was two nothing Martin Prince. That was it. And Martin won. And everybody's like, nobody voted for Bart. So I feel like cut your hair as Bart. I mean, nobody really voted for it because everybody would just count on it being in everybody's highly ranked list. And here it is at 21. Track 3: [47:40] You're probably bang on the money, man. You know, that's an interesting take. I hadn't really considered that, but I think that's a very solid take. I mean, because I ranked some other songs a little bit higher because I wanted to make sure they made the cut. Yeah. And I put Elevate Me Later number one because I asked for it so much amongst my friends. It's tied to me now. And every time I hear it, I put it on right before we came on just to hype me up because it always makes me smile. but Grounded and then Date With Ikea were my top three. And Date With Ikea, for me, that was properly rated because I love that song. And having that time with Spiral, those few minutes with him in Reykjavik is something I will never forget. Of course. It's tied to it between that and the Twitter thing and the fact that he remembered me in the shows and Brooklyn and all that, I'm definitely like Team Spiral and everybody ribs me for that, good-naturedly, because it's just funny. And, you know, but I think that's- He's a gem, man. He's a gem. He's come on five times. Really? Yeah. He's been on five times. Amazing. Amazing. Yeah. I get it. I mean, they've all been great, you know. And a special shout out, too, to Carly, who's Bob's wife. Track 3: [49:10] We chat occasionally on Twitter and say, hi, how are you? And even during the shows, she would say hi to me and she'd say, hey, I love your energy. And like she was taping, she was videotaping the shows on her phone. And she's like, you know, at like certain intervals, she would just like hand me her phone. She's like, you tape this. And so like, I'm like watching the concert and I'm like holding up her phone, making sure I get good footage for her. It was hilarious. I mean, like the stuff that just happened was just like, I'm like, how am I even doing this? Like, why? Like, you know, why have I been chosen to kind of be in the middle of all of this? I had a very similar vibe when I did my UK trip. I had a very similar vibe. It was just like, who am I? What fucking planet is this right now? Right, right, right. This is my favorite band, and I'm following them around, and I'm getting backstage, and they know me. Like, this is so cool. Right, right. It's like, this can't be happening. That's right. And the whole Iceland trip was like, you know, like people talk about like, oh, I had this trip and everything went wrong. The Iceland trip was everything went right. Everything that could have happened that, you know, that could have turned into a positive turned into a positive. And even the little setbacks I had, like, were so quickly resolved, usually by the kindness of strangers or some good fortune. Track 3: [50:38] It was just amazing how well everything went, and really both trips. I mean, it was the time. I had a wonderful time. Well, you were owed it, I think. And after missing them a few times, I'm glad you got to resolve your story that way. Is there anything other than the Icelandic Gentleman's podcast that you want to plug while you're here? Um no I I think I just want to plug my friends one more time for everybody in those groups you know Steve, Mike, Eric you know all those guys everybody is like just the nicest you know it's like just a quick story like you know Eric bought merchandise for us in Brooklyn and then shipped it home to all of us Wow. And he's like, just Venmo me. Track 3: [51:37] Like, that kind of generosity of his time and trust and everything else. Just top shelf. And everybody was like that. Mike was like that. Steve was like that. I've had a good fortune to see Steve a few times, and we've been able to hang out. And even though he's out in the Midwest, we've been able to connect a few times. Oh, that's brilliant. You know, just all the people just, it made it so great. And it just turned into this giant snowball of good that just kept rolling downhill and just kept getting better, bigger. More people came into the fold. Everywhere we went, more people came in. It was amazing how welcoming everybody was and all the people that we met, how great they were. Keep in mind if you ever do a reunion. Oh, 100%. I'll hit you up on Twitter. And I'm sure we'll wind up somewhere at some point. That would be awesome. You know, what I'd really love is like. Track 3: [52:39] One more like place where like iceland where they played three shows yeah you know brooklyn they played four shows like they're doing a few south america shows it's kind of tough but it's like one show in one location at a big festival and like it's hard to like kind of do that but if they played like three shows somewhere where we could just show up and and like kind of recreate them take over and recreate the magic and yeah and make some new stories and spend that time I'm, I would just, I would love that. And I, you know, I don't know. It seems like it's going to be a while, if ever, before they really say, we'll, we'll do that again. Track 3: [53:17] We'll see. We'll see. Like, I don't know. Like, I think SM is getting ready to release. And maybe by the time this comes out, he will have made an announcement of some sort. So we'll get some new Jicks material, SM and the Jicks, or maybe another, like his last two records have been just him so maybe it'll be just him but i wouldn't be shocked if we see them on the road again because it's uh it's fun for them it's relatively lucrative you know like the the touring market is is a good thing and they've got a loyal fan base you know they do i mean my here's my call this is just this is my take um another person i got to meet on the the Iceland trip, was his daughter, Sunday, who's – Sunday's about 15 years old now. And she was super nice. And I connected with her a little bit because that's my son's age. So, like, I got the whole thing, you know, I understood kind of, like, where she was coming from because that's my son's age. Track 3: [54:22] And, you know, my dad –, piece kind of raised up when we talk about, are they going to hit the road again? I think when Sunday goes to college, I think that at that point, we'll have a chance for them to maybe come back out. But I get the feeling like he'll do the dad thing. She'll get through high school. His wife is obviously, we know she's an accomplished artist. She has her career. He'll make time for her. There'll be that balance of family and everything else. And then when So when Sunday's off to her next adventure, everybody will probably say, one more ride. Track 3: [55:04] That'd be great. So I'm thinking maybe 2027, we'll gas up the truck and we'll make it count, I think, by then. Well, if they wait until 2029, that would be 40 years, right? Yeah. 40 years since the band formed. I hope they don't go that long, but you know. Yeah. I hope so too. Yeah. You know, um, and that's where like kind of the, the old guy in me says, let's get out there before we can't. Yeah. Well, on that note, on that, uh, harrowing note, um, uh, it's been a pleasure to have you on, uh, Boston Russ. Uh, this has been a delight. I'm so glad your story turned out the way it did. That's the kind of feel-good stories we do here on Meeting Malcomus. So, you know, kudos to you. That's what I got for you this week. So tune in next week for song number 20. That's right. We're in to the top 20. In the meantime, wash your goddamn hands. Track 1: [56:12] Thanks for listening to Meeting Malcomus, a pavement podcast. Podcast, where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email, jd at meetingmalkinist.com. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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This week on the Countdown, jD is joined by Ayden Flanagan to reveal song 22 and to share his Pavement Origin Story. Transcript: Track 1: [0:00] Previously on the Pavement Top 50. Track 2: [0:02] So here we go with Texas Never Whispers. Aiden from Vermont, what are your initial thoughts about this song? Texas Never Whispers is a really cool song. Full disclosure, before you sent me that this would be the song that we were going to be talking about, it honestly wasn't one of the tracks off of Watery the Mystic that really jumped out at me. But after um after you sent it and i knew that we were gonna have to chat about it um i listened to it a little bit deeper and i i definitely found like a new appreciation for it hey. Track 1: [0:38] This is westy from the rock and roll band pavement and you're listening to the countdown. Track 3: [0:46] Hey it's jd here back for another episode of our top 50 countdown for seminal indie rock band and Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and an air fryer. Seriously, is there anything this machine doesn't do? How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week, I'm joined by Pavement superfan, Boston Russ. Boston Russ, how the fuck are you? I'm fan-tastic. and ready to rock. This is great news because it would be a hell of a podcast if you were not ready to rock. That's right. That's right. Thanks so much for having me on. Oh, it's my pleasure. Thanks for doing this. You guys do all the heavy lifting on these, so this is fantastic for me. Let's get right to it. Let's talk about your pavement origin story. Sorry. I think my Pavement Origins story goes back to 1994. Track 3: [1:50] I'm a little late. I'm kind of a late comer in some respects. So back in 94, a good friend of mine, so I got to give him some props. His name was Sean McGovern. We called him Slappy and a few other things. He was in a band in the Boston area called Beeswax. There's some other bands in our area called Beeswax also, but he was in with a few guys. And they did AK-47 and a couple other songs. Sadly, he passed away a couple years ago. He got sick. Oh, shit. Track 3: [2:23] But back in 94, we were good friends, and we hung out a ton, and he just one day gave me this bag of CDs. He left it in my car. He's like, listen to these. And so Crooked Rain was there, and so I put it on, and Silent Kid comes on, and I'm just like. Track 3: [2:41] Who are these guys? And, you know, I played the album some. And it was just, like, I go back and I look at that time. And, like, the album release times were just, like, really, like, fast-moving parts of my life. It was, like, the end of college almost where Crooked Rain came out. It was, like, the end of my junior year. And I was doing a radio show. And I don't know. I, like, never quite linked up to, like, really featuring them prominently. And then wowie zowie comes out like two weeks before i graduated college and you know and get into like the summer in 95 and it's just like it like just blurred and so it's like i heard it like a little bit but didn't like totally like dive in not until bright in the corners came out in 97 and that like i just could not stop playing that album like just word great record and word out and And I wanted to see them in concert. I had been to a bunch of different shows for bands, like Foo Fighters. I got to see Foo Fighters when they were together for two weeks in 1995. Holy shit. They were together. Nobody knew who they were. This is my same friend. So Sean says to me, we got to go see this band play. Track 3: [3:55] Eddie Vedder's wife is doing a percussion band. Track 3: [3:59] And Eddie Vedder is going to play with Mike Watt. And Dave Grohl is going to show up. and do, he's going to play with his new band. And I was like, he's like, you got to go. And it was like this rainy Sunday afternoon. We go to this club called Avalon. So if anybody knows Boston, knows the 90s, we wore Avalon out. I mean, it was like one of the best places to go for rock bands. And Foo Fighters was the middle band. Grohl comes out on lead. And you're like, because you're like, oh, Dave Grohl, new band, going to be a drummer, right? He comes out on lead and does like, and he's holding his guitar tower in hand and it was like that one moment where it's like best ever or total train wreck and he did this as a call comes in with the first lines you know just his voice butter and from there it was it was crazy so like you know i followed like a lot of these bands and went to a lot of these shows and just didn't quite i kept missing pavement and then they broke up and i got old you and me both brother you know and it's like oh and they got together in 2010 and but my My son was like a year old, and I had really moved far from Boston at that point and totally missed the tour. And I was like, ugh, you know, and just kind of feeling like stuck. And so I would listen to, you know, Pavement a lot during the 2010s. They were a big part of Spotify, and I would play them. And I don't know, a couple of years ago... Track 3: [5:26] I was just saying to myself, it would be really great if these guys would really do a tour. Yes. And then it happened. And they came to Boston, and I got sick. No fucking way. I got sick at the end of September. I totally missed the announcement that they were coming, and then got sick, and I couldn't get tickets, and I skipped it. And I was just like, I'm totally beside myself. And I was like, all right. This is okay, because we're going to make up for it. And so, we come to the end of the calendar year in 22, and then one of the best things happened to me. My wife, her best friend calls her up and says, guess what I have? And my wife says, what? And her best friend says, I have an extra free ticket to see Taylor Swift. And my wife is a huge Swifty. All right. Okay? Huge. And, you know, but her best friend lives in Tennessee. And we're in Boston. And her best friend says, the ticket's for Tampa Bay. Track 3: [6:41] Oh, my God. So, because that's where her best friend mom lives, right? Right. So, she's just like, well, I'm going to go from Tennessee to Tampa and go to the show. Do you want to come with me? And and of course you know well i gotta tell my wife i'm like you got it's a ticket of the year i'm like this this is like you got a free ticket to this like yeah you have to go right you have to go so of course like she could i you know she got the ticket we just got her i got her a flight and you know she goes down there and has a ball right they drive they do like a 1300 mile road trip from tennessee to tampa and back they go to the smoky mountains they have like the best time ever right so right after that the ticket um you know i got out of the plane ticket, the pavement in iceland announcement comes oh yes and i'm like pavement iceland and i turned 50 and i'm like she's like, You have to do that. Track 3: [7:40] That is a great wife. Yeah. She is fantastic. And I'm like, I do have to do this, don't I? She's like, I think you do. And I'm like, it's three shows. I'm like, they'll play all the songs. They have to play all the songs just to vote because it's three shows in a row. Yeah. So I went ahead and I ended up booking the trip. And so this was like you know late late i think the release was like late january so like early february it was like a couple of weeks after they released the thing i i got tickets but i still got like fifth row and i got second row for like the last show i got really good tickets they were they were a little slow to sell out of the gate but and thankful for me because you know i'm like so i just i got a flight the flights were very reasonable and so got a flight and just said we're doing this thing. So as the year ticks by, I'm getting ready, getting ready, getting ready. And then I think it was sometime in late June, my birthday passed and all this, getting ready for the trip. And then I get the big announcement that says, in Iceland, they're going to do a walking tour with the band. I did not know this. yeah they put out a walking tour with the band so uh steve and bob participated in the walking tour. Track 3: [9:02] Um so um oh and and spiral also of course um so it was the three of them and then you would buy a record and and buy the tour uh the walk tour so 90 minutes around reykjavik um and there was a host and then they would go ahead and talk about, you know, they would just talk about the musical history of Iceland, and then you could walk around and get to meet the pavement guys. That's fantastic. There were 50 tickets, went on sale at noon. My hand was like on that button, and I was number 21. That's amazing. I could not believe I got a ticket. It and i i you know again i was like is i'm like is this hyping up to be the best trip ever i'm like sounds like i'm like what's happening here and so now we're leading up to the trip the trips at the end of july they did the shows at the end of july so sometime in july i'm on reddit i'm on the pavement channel and um sky posts up and he says who's going to iceland let's form a group, so I'm like great I'm like how about me I'm like I'm going he says hi I'm Mike from DC and I'm like I'm Russell from Boston. Track 3: [10:26] So, I jump in. Another guy, Steve from Milwaukee, jumps in and says to me, so, what do you think the weather's going to be like? I'm like, maybe like a mild Boston winter. Unfortunately, to me and Steve, that meant two different things. Sorry, Steve. Because I ended up considering that to be a little chilly. But I went a little cold. So, it was pretty funny. And so, slowly, this little group of people forms on Reddit and then goes over to WhatsApp. So the day comes, finally go ahead and fly out. Do the flight, no problem, get there. And then when you fly into Keflavik Airport, it's about 45 minutes from Reykjavik, you go and take a bus. Okay. And so, guy sits across from me, he's also from Massachusetts. His name's Curtis, and I strike up a conversation with him. And halfway through the conversation, He's like, by the way, are you here for pavement? And I'm like, yes. He's like, what gives me away? He's like, you know, you're a certain age, traveling by yourself. He's like, me too. I figured you were here for the shows. Track 3: [11:35] And I'm like, I'm on the bus and I'm not even there yet. And we're already way off and running. So we get to the Thursday show, and the moment of truth comes, and I'm walking down to Harpa Concert Hall. It's a huge glass structure. It's beautiful. If you ever see the pictures online, it was amazing. Beautiful place to play. And so I'm walking, and I'm within sight distance of the concert hall. I've already spent the day there. Reykjavik's beautiful. People are nice. Everybody's very relaxed. Track 3: [12:16] And guess who walks right by me is Mark Eibold. Really? Yep. Just walking to the venue. I'm walking to the venue. He's walking away from it. He's probably going out for maybe a quick bite to eat or something. something, you know, we got a little, we had, you know, time before they went on. He walks right by me and I'm like, Mark. And he turned around and I told him hello. And I said, you know, I was here for the shows and everything. He took a quick picture with me and, you know, and that was that. But I got to meet him and I was like, all right, I got to meet Mark. He is the elusive one. He is, he is elusive. And so, but I got to meet him and got a photo and, I mean, super nice. You know, it was like 90 seconds tops, you know, because I just didn't want to take up his time. I mean, you know, he's getting ready for the show and everything. So I was happy for that. And I went up to the concert hall and everybody just started to meet. And it was funny because I think it was Mike in the group said, Yeah. Track 3: [13:23] Okay, so here's the moment of truth. How are we all going to know, you know, who each other are since we don't know each other? Good call. So I said, all right, I'm going to go stand by one of the tables. I'm wearing bright blue pumas. You can't miss me. Because I'm also wearing this, like, bright vest. I tend to wear bright clothing sometimes. And so, like, I got this vest and I got this, like, hat and pom-pom and this whole getup. Can't miss me. I mean, I'm like screaming and everybody's dressed in like black and Reykjavik. So I'm like, I really stick out. Track 3: [13:57] I'm like, can't miss me. And so I think like the first guy that comes over is Steve and Steve's like, Russ. And I'm like, hi. And so that just kind of like broke the ice for everybody and people started to gravitate over. And, you know, like we're having a couple of beers. We're talking at the shows, you know, and just met some like really great people, you know, the merch tables there. And we're talking, you know, other people got tickets for the walk on Friday and it was amazing. And so one of the guys, Eric from New Jersey, Eric says to me, I said, you know, I got Crooked Rain with the tour. I said, but I really wanted Wowie Zowie. He's like, why don't you just buy it at the merch table, bring it with you tomorrow. They'll just sign it. I'm like, genius. Yeah. So I did that, and that ended up working out very well, because they signed both albums. So solid piece of advice from Eric. And so we did the show, and it was fantastic. They started off with Grounded, which is one of my favorites. Damn. And it was really great, because when they just break into Grounded, it's like... Track 3: [15:15] I made it, you know, and, you know, the, the, the months leading up to that were a little difficult. My mom was pretty sick. She's, you know, had, she had some tough moments last year and, uh, it was just like really emotional. I was like, holy crap. I like, I really did it. I mean, this was like 30 years in the making. Yeah. And I just, it was, you know, and it's like when you see that like pavement in Iceland thing and it's like, you look at that and it's like a lot of times you just look at those types of things and then it's like, oh, it should do And you don't end up doing it, you know, for all the reasons to not go and for all the reasons to go. And it's like, I'm here, here. Track 3: [15:59] And it was just amazing. I bet. It was just really great. They did Summer Babe. And, you know, by then, we're like, we're all friends. And, like, we're all yelling all the lyrics to the songs. And, you know, everybody's just, like, carrying on, having a good time. And, you know, go out to the bars after we're out late, having drinks. And everybody's, you know, really just getting to meet each other and have fun and, you know, learn where everybody's from. I mean, people came from Los Angeles, Jersey, D.C. There were people from Europe, Berlin, and England, and all these places. All these people just converged, and they all came by themselves. Really? Yep. Most people weren't by themselves. They all came by themselves. Wow. And so there was this group of people that had all come by themselves. And now it was like we started to become like this little unit. So now Friday... Friday was like really one of the highlights of the trip because we had the pavement walk and it was really, it was just great. Track 3: [17:19] I'll send you a copy of this picture, but like, so I bring Wowie Zowie and I mentioned how I like to dress up in bright colors and my whole get up for the day basically matched the album cover. And i didn't plan it that way but i had like you could see like my hooded sweatshirt and i wore this like green hooded sweatshirt and this you know in a shirt and my vest and hat and everything were all like blue and green and so and i had green puma sneakers like the old you know uh the old sneakers all like i'm like blue and green head to toe right and so i show up the next morning and everybody's looking at me and i'm like hey wowie zowie everybody just couldn't believe it and so you know steve west and spiral come up to me and they're like how you doing and i'm like i'm like i'm so glad to be here and they took a picture with me like right away they were like the nicest and um it was great i got to meet uh bob nastanovich and and his wife carly um who who I get to be really good friends with. She was absolutely amazing. So there's more interacting to come. So we go on the pavement walk. Track 3: [18:40] And it's hosted by a guy from Iceland. And so one of my favorite jokes on the whole trip gets set up, right? So we're walking through Iceland, and he's like, oh, this is where Bjork lived, and this is where this was, and this is what happened here and all of these spots. And then we get to this condominium. Track 3: [19:04] And, you know, he's standing in front of it and gets everybody up there and says, now this, this is, used to be the rock and roll club. He's like, it looks very clean now, but back in the late 80s and early 90s, this is where we would come and we would write songs, we would play songs. This was the club. This was it right here. This is the spot. He's like, this was everything right in this spot. He's like, and we used to. And then he said the thing that just made my eyes go like big bug wide open. And he said to me, we used to get blackout drunk. And I'm like and then there was like this kind of pause which I love because it just kind of sets me up and I have this sense of humor and I just kind of raised my hand and I said. Track 3: [20:11] Did you say that you got blackout drunk here? And he's like yeah and I said and, But this is your old club, right? And he said, yeah. And so I said, so now that it's closed on weekends and shut for good, would you consider this your own personal Hall of Fame? And Steve West is kind of looking at me and then all of a sudden just looks straight down to the ground like really hard. And you hear like three people chuckling in the background who get the joke and i'm sure the people got it but like you know maybe it wasn't their their sense of humor um and i just felt like i'm like he and he didn't get the joke which just to me made it like that much better it made it even better and i was just like you know it was great and so my my friend steve comes up. He's from the Midwest and has this very straight sense of humor. And he's like. Track 3: [21:24] Your joke earlier, that was good. Which I loved. He's just like the perfect straight man. It was so good. It was so good. And so we go on the rest of the walk and I got to meet Bob a little bit more. I got to meet Carly. But then I got probably about five minutes to walk with Spiral. And I got to tell Spiral like how much I loved Date with Ikea which is just like probably, it's definitely in my top five I think I submit it as like number three on my list because I just love that song they're just like songs that just really resonate with me it always makes me smile I love playing the John Peel version because it's just it's quicker and it just really hits every time and it's just funny because like. Track 3: [22:15] I became part of like team Spiral, right? Because like when I would go to the shows, I would stand like on Spiral's side. Like a lot of people buy tickets and stand to the left where Malk is. Yeah. But I like to stand to the right because I can see Spiral, I can see Bob, and I can see Mark and Steve very easily. And I can still see Malk and, you know, and Eyebold and everybody else. But like, you know, Mark's, you know, Moloch stands so far over, you know, but a lot of people gravitate over there. So it's good. And, you know, so, I mean, it was just, just amazing. And did you get to hear them play Date with Ikea? They did. They played it Friday night. They played it. I said, he's like, yeah, he's like, but we'll play it. He's like, we'll play it. And you get to hear it. And, and then, so we went and we went back and they did autographs. We got to meet them. They were just fantastic. They were all just so nice. I mean, everybody was generous with their time. I mean. That was my experience as well. Like, just so gracious and so accommodating. Yeah. Track 3: [23:31] Um, and so it was like, okay, where do we go from here? We did the Saturday show. I did like all, you know, I did some tours. I did Blue Lagoon, which is now like closed, you know, and those are heartbreaking every time we see like the volcano eruption stuff. And, you know, I feel for the people in that area. Cause like, oh, the people were so nice. I mean, just walking around Reykjavik, it was like, so, it was just so great. Cause everybody was like so relaxed. I mean, I was walking down the street one day and I had some napkins kind of coming out of my pocket and somebody comes up to me and he's like, your money. And I'm like, oh, thanks. It's just napkins, but thank you. You know, like, you know, and like, you know, where I live, it's like, everybody would be like, boop, I'll take that, thanks, and keep walking, you know, or let it fly away and, you know, all that. But, you know, we just had this crew and we would get, you know, we got together for drinks on the last Sunday and, you know, and people said their goodbyes and stuff. And it was just, it was great. But everybody's like, so who's going to Brooklyn? Because the tour wrapped up in Brooklyn in September. So in like six, seven weeks later, a lot of us went to Brooklyn. Track 3: [24:52] Jesus Christ. So because they had put the announcement out that the tickets were going to come out. And I told my wife, I'm like, I got to do one more. I just feel like I'm really called to just, I got to go to the last show. Got to go to the last. So I bought two tickets and I called, I have a twin sister. and I called my twin sister Andrea and I said. Track 3: [25:17] Because she used to go to all the shows with me. And she took me to Foo Fighters for our birthday. Like one of her birthday presents to me, we went to see Foo Fighters in Laconia, New Hampshire. Turned back the clock and it was a great time. So I said, well, you did Foo Fighters. I said, come to Brooklyn with me because she loves going to New York. I said, come to Brooklyn and let's go to Pavement. She's like, all right, let's do it. So I bought the tickets. And then we were coming up to the shows, and the only song I didn't hear in Iceland that I absolutely had to hear was Elevate Me Later and couldn't stop talking about it. Um so we get to um we get to brooklyn uh the. Track 3: [26:06] Week of the it was monday september 11th was the first show and everybody did the first show and i had friends there like and now everybody's like totally into it people know each other and and my friend eric the guy from new jersey was unbelievable and basically was just like posting in the chat like okay they're doing this song now Now they're doing this song. Now they're doing this song. And like some people would like post videos into the chat. Somebody tried to do a little live. I mean, like, I mean, the time that people were investing in sharing the information with everybody else was just wild. So I'm just like, I was like, I'm getting a ticket for Wednesday because it wasn't sold out yet. And I was like, I'm buying a ticket for Wednesday. And I worked it out with my sister where we were going to take the train together. And then she's like, I'll just buy a bus ticket. You meet me there and I'm like, I'm going, I'm going out on the train a day early and I'm going to the Wednesday show too. So I get to the Wednesday show and, um, cause now it's like, I'm in it now. Now it's like a minute. So I got tickets for the last two shows. I had to. And, um, I'm like, it was like really just called to do it because I got there, you know, I met up with Steve and Mike and, and everybody and, and, and it was wonderful seeing everybody, um, and met new people too, like, uh, Wes from Chicago, who was really great. And he ended up cutting some videos and some other folks. Track 3: [27:36] But they ended up doing Elevate Me Later on the Wednesday show. It was the only time in the whole tour, the whole year and a half tour, that they played Elevate Me Later. Holy shit. And they did. You were there for it. I was there for it. I couldn't believe it. Because they wrote it out as LS2 on the play sheet. Yeah, yeah. And I was like, are they going to play it? Because and my friend Wes is like well there's like two versions of it he's like so he's like I think so but maybe and then like they kicked into it and I'm like that's my entrance song, and it was like I was like in a hyper trance for like the first 20 seconds of it because like I couldn't believe they were finally playing it and it came out great it was amazing Rebecca Clay Cole, who was there doing the organ work on the tour, her voice on the backing vocal was just awesome with everybody else. It's a great version. It really needs to be on Spotify. Track 3: [28:38] Well, I hope we get some live records at some point from this tour. They were taking video and all kinds of stuff. So I am hoping that they do some live work with it. And if we get that out, produce, it would be super great. Um, so I mean, it was really great. Uh, I mean, um, we, you know, at, at the end of the Wednesday show, uh, we went to the bar across the street and we were having beers. We kind of closed that place down and then a spiral runs out and, um, you know, and he's just like booking it for his Uber. Right. Cause I mean, you know, there's still like, you know, probably 20, 20 of us there hanging out and he's like, yeah, Hey, I'll see you guys. And I'm like, hey, Spiral, it's me from Iceland. And he's like, wait, I remember you. And I'm like, knock back. And I'm like, oh, my friends heard that. And it was just like frivolity because it was just, it was too crazy. And I gave him a high five. He gave me a quick hug and he jetted off into his Uber. And I'm just like, my whole night was made. I guess so. You know, and then like it couldn't get any better except Steve Malkmus walked out and was hanging out on the corner waiting for his Uber. And he's just standing there and he's talking to like you know somebody else he was with and we're all standing there like diagonally across the street from Malk and he's just standing there and another friend of mine says. Track 3: [30:07] Russell, what do we do? And I'm like, we go up to him. And so like, I just started walking across the street and then like, I just like went right after, you know, and, and patiently waited for him to finish this conversation. And I'm like, hello. And I'm wearing my Reykjavik t-shirt, except it says Reykjavik in Japanese. And one of our other friends is Japanese in the group. And when she saw me and she walked into the bar, she was the only person who laughed at me because she's like, Like, your t-shirt says Reykjavik. Track 3: [30:35] I mean, the moments were just, like, amazing. They were all, like, it felt like every moment was like that. And then, so, like, Stephen was the only person I hadn't met. And, you know, again, super gracious, took some photos, you know, and, you know, I didn't take too much of his time because, you know, the rest of my friends all got time to meet him before his ride showed up. And that was that. You know, we did the Thursday show also. And, you know, we got to say goodbye to the band and to everybody else. And it was something else. Track 3: [31:09] And, you know, one last story that my friend Mike from D.C. is very fond of. So when we got back from Iceland, I had the picture with me dressed up in the Wowie Zowie outfit. And I have a picture. When we did the record signing, it was at 12 Tonar. Which is one of the record shops in Reykjavik. So in the back, they have this wall with graffiti, and it's all color. So I'm in my color outfit, and it's all color. And it's this really cool photo that came out, and you could see everything, the sneakers, the whole nine yards, right? And so I posted it on Twitter, and I said, you know, I posted it to Bob and Carly and Spiral, and said, thank you so much for everything. And Spiral wrote back and called me a legend. And that just like broke my friend Mike. He's like, he's like, hold up, hold up, hold up. He's like, do I have that right? He's like, did you call Spiral a legend or did he call you a legend? I'm like. Track 3: [32:18] He called me a legend. That's amazing. And Mike is like, why? Why did he call you a legend? He's like, what don't I know about you, Russell? And I'm like. I wear bright colors. Yeah. I mean, you know, I just, I'm like, I don't know, Mike. You know, I'm thankful he did that, you know. Oh, God, that's amazing. It was just, it's wild. It's out on the interwebs, you know, and it makes me smile. There are just so many pieces that made me smile. At me on Twitter. At me on Twitter with the photo. Oh, yeah, absolutely. I would love to see it. Yeah, I'm happy to share it. So a quick shout out to the whole crew here. So Steve, Mike, Eric, Liz from England, Sasha, Chiaki, Curtis, Chris from Berlin, Manny and Liza, Wes Stevens, Tony, Bacon, and a very large shout out to the man from Reykjavik himself. Track 3: [33:21] Elvar, Elvarsson, who was, you know, we all became friends with Elvar when we were in Reykjavik, and he was the only person in our group from Iceland. And I love his name because, Because in Boston, we always swear at people. And Elvar's name is Elvar, Elvar's son. So he's son of an Elvar. I mean, in our best Boston. And he's such a bright personality, a wonderful guy. He does a podcast called Peeling the Onion. So a shout out to him. And if anybody's out there, it's on Spotify. And he covers a lot of punk rock origins and stuff. So huge shout out to Elvar. And to all the people who were there for Iceland and Brooklyn, my sister, of course, you know, and my family for putting up with the time while I'm away and the incessant playing of the pavement. And, you know, but my son has now kind of become kind of a fan a little bit. Done good work. Yeah, we're driving around. You know, he has his pavement favorites too, which makes me smile. So it's, you know, some good dad work there. So I'm trying. I'm trying. Track 3: [34:39] Well, what do you say we flip the record here and play song 21 and then come back and have a little talk about that? Sounds good. I'm ready for a B-side. All right, let's do it. We'll be back after this. Track 1: [34:53] Hey, this is Bob Mustanovich from Pavement. Thanks for listening. And now on with a countdown. 21. Track 3: [38:08] Today's song is the second song from Crooked Rain, Crooked Rain to appear on the countdown thus far. Today, we're talking all about number 21, Cut Your Hair. Russell, talk to me about your relationship with this song. I love this song, you know, for a few reasons. One, I think because, you know, it's ubiquitous. And when I talk about Pavement to the rest of the free world people are like, I don't remember that band, and if I say cut your hair people are like, yeah I remember that and I think it's great that there's a song that helps people kind of make that connection. Track 3: [38:57] Even though their relationship to the band isn't as deep as ours right um i also love it because like 90s russ had the best hair now for those you know for all my friends and family that know me my my hair is gone now and for all my recent friends all they know is you know russ has no hair but 90s russ and my 90s friends or people People that grew up with me know that like in college, they used to call me Mr. Perfect Hair or the guy with the hair. And my hair kind of came off to the left and it would – on the side, it came all the way around and it didn't move. Track 3: [39:43] It did not move. And it would just come down in the front and it was always perfect no matter like when you saw me. I could roll to the cafeteria at 8 a.m., and it had to be just right. It was always on. And people used to try to do all kinds of stuff to mess it up, and it was his own airtight defense system. It was awesome. It was part of me. You wouldn't see me without it. I didn't have the confidence back then to not have it. Be just so um it was just you know it was part of kind of life in my 20s so like you know the hair was it was just that was it wherever i was i was always able to make sure like i could find an outlet and uh blow dry my hair and uh and make it just so so it was um it was hilarious uh so So, you know, I love the song, and the song is just... Track 3: [40:53] You know, it's everything about, you know, kind of just like that, being perfect. It's like, you have to be so packaged and so, you know, you have to have that image just so. You know, like back in the day when we had the Andre Agassi commercials, image is everything. And that's what Cut Your Hair says to me. It's like, image is everything. Thing like if you're gonna go far as a band like you know like you have to have like this whatever it is packaged image that record company wants you to follow in order for your career to advance and and you can't really be yourself you know um that's how i i see the song is it's almost like It's a song of conformity. If you don't fit the image, you won't move forward. And it's interesting that Cut Your Hair is on Crooked Rain, which really propelled their career. Track 3: [41:59] Absolutely. And kind of got them to the point where the next record really could have put them up and over. And they come out with Wowie Zowie, which is really, people say it's equivalent to Weezer Pinkerton. Right. Yeah, I can see that. Which I loved, and it really kind of got a very cool reception. You know but like if you look at the like how everybody rated it it was like this album's amazing and i'm like well yeah that album is amazing the same thing with like wow he's out where you like it you know if as people reviewed it a lot of people didn't like it and some people like really loved it but when you come back and listen to wow he's out where you like it, You know, it was growing your hair. They made the record they wanted to make, even though it didn't quite conform to what the record companies necessarily wanted. Track 3: [43:03] You know, and they made that art what they wanted it to be. And so that's kind of like what Cut Your Hair kind of means to me, you know? I love it. Tension and Fame, South Korea. Track 3: [43:23] I mean, you know, it's a fun song. It's, you know, it's really light and peppy. You know, it's a song when you go to the show, you know, you're going to hear it, you know, more often than not, you know. And if they, when they played four shows, I think they left it out once, you know, maybe twice. But when we got to Brooklyn, they were really playing like real deep cuts. I mean, we got to hear like, they emptied the cupboards in Brooklyn and that was great. We got a lot of, hearing Half a Canyon and Pueblo and those kinds of songs were really great. But, you know, cut your hair, you know you're going to hear it. But, you know, like, it's fun. And sometimes it can be that song where it's just like, oh, you know, I don't know if I want to hear it because it is so popular, you know, and it is, you know, uniquely Pavement. And it's, you know, like, I want to hear other songs. But it was really interesting because when you gave me the opportunity to come on and talk about it, and I'm like, it really is a great song. It is a great song. You know? And... Track 3: [44:42] You know, I saw out on Reddit, I think it was last week, there's now a beer named after it called The Second Drummer Drowned. Dude, interesting story. The guy who posted that, I just said nonchalant, I said, oh man, it's too bad you couldn't ship one here. And then he DM'd me, got my address, and he is shipping one to me. That is outstanding. It is so fucking cool, and I believe his name is, oh shit, I think it's Mark. I will amend this at some point and make sure that he gets the shout out he deserves. But this leads me to an interesting question for you talking about, you know, this song and the fact that some people can dismiss it because it was their popular hit. It had, you know, it was on MTV rotation, like the music video. Track 3: [45:44] So is this song at 21, is it properly rated? Is it overrated? Is it underrated? What do you think? 21, we're into the great tracks now. Not to say that the whole 50 isn't great, but we're starting to get down to the nitty gritty. Be i have to i'm gonna say i was surprised when you told me that i when i was at 21, i did not expect to see cut your hair here me neither but i understand it in a way and so i will you know i'll share a little bit of my own um you know submission i ranked elevate Elevate Me Later, number one, for a very specific reason. I wanted the points for it because I wanted it to be somewhere in the top 50 because I love it. And so when we say, okay, it's going to be the top 50 countdown, I think about the math behind it and goes into it. So I think that Cut Your Hair kind of gets knocked down a little bit because... Track 3: [47:02] Everyone just assumes it's going to be there. Oh, that's a good call. Okay. So it's kind of like that old Simpsons episode where Bart Simpson, and this is like season one where Bart Simpson runs for class president against Martin Prince. And everybody thinks Bart's going to win and nobody votes for him. And only Martin Prince wins two to nothing because him and his only friend voted for Martin Prince. So it was two nothing Martin Prince. That was it. And Martin won. And everybody's like, nobody voted for Bart. So I feel like cut your hair as Bart. I mean, nobody really voted for it because everybody would just count on it being in everybody's highly ranked list. And here it is at 21. Track 3: [47:40] You're probably bang on the money, man. You know, that's an interesting take. I hadn't really considered that, but I think that's a very solid take. I mean, because I ranked some other songs a little bit higher because I wanted to make sure they made the cut. Yeah. And I put Elevate Me Later number one because I asked for it so much amongst my friends. It's tied to me now. And every time I hear it, I put it on right before we came on just to hype me up because it always makes me smile. but Grounded and then Date With Ikea were my top three. And Date With Ikea, for me, that was properly rated because I love that song. And having that time with Spiral, those few minutes with him in Reykjavik is something I will never forget. Of course. It's tied to it between that and the Twitter thing and the fact that he remembered me in the shows and Brooklyn and all that, I'm definitely like Team Spiral and everybody ribs me for that, good-naturedly, because it's just funny. And, you know, but I think that's- He's a gem, man. He's a gem. He's come on five times. Really? Yeah. He's been on five times. Amazing. Amazing. Yeah. I get it. I mean, they've all been great, you know. And a special shout out, too, to Carly, who's Bob's wife. Track 3: [49:10] We chat occasionally on Twitter and say, hi, how are you? And even during the shows, she would say hi to me and she'd say, hey, I love your energy. And like she was taping, she was videotaping the shows on her phone. And she's like, you know, at like certain intervals, she would just like hand me her phone. She's like, you tape this. And so like, I'm like watching the concert and I'm like holding up her phone, making sure I get good footage for her. It was hilarious. I mean, like the stuff that just happened was just like, I'm like, how am I even doing this? Like, why? Like, you know, why have I been chosen to kind of be in the middle of all of this? I had a very similar vibe when I did my UK trip. I had a very similar vibe. It was just like, who am I? What fucking planet is this right now? Right, right, right. This is my favorite band, and I'm following them around, and I'm getting backstage, and they know me. Like, this is so cool. Right, right. It's like, this can't be happening. That's right. And the whole Iceland trip was like, you know, like people talk about like, oh, I had this trip and everything went wrong. The Iceland trip was everything went right. Everything that could have happened that, you know, that could have turned into a positive turned into a positive. And even the little setbacks I had, like, were so quickly resolved, usually by the kindness of strangers or some good fortune. Track 3: [50:38] It was just amazing how well everything went, and really both trips. I mean, it was the time. I had a wonderful time. Well, you were owed it, I think. And after missing them a few times, I'm glad you got to resolve your story that way. Is there anything other than the Icelandic Gentleman's podcast that you want to plug while you're here? Um no I I think I just want to plug my friends one more time for everybody in those groups you know Steve, Mike, Eric you know all those guys everybody is like just the nicest you know it's like just a quick story like you know Eric bought merchandise for us in Brooklyn and then shipped it home to all of us Wow. And he's like, just Venmo me. Track 3: [51:37] Like, that kind of generosity of his time and trust and everything else. Just top shelf. And everybody was like that. Mike was like that. Steve was like that. I've had a good fortune to see Steve a few times, and we've been able to hang out. And even though he's out in the Midwest, we've been able to connect a few times. Oh, that's brilliant. You know, just all the people just, it made it so great. And it just turned into this giant snowball of good that just kept rolling downhill and just kept getting better, bigger. More people came into the fold. Everywhere we went, more people came in. It was amazing how welcoming everybody was and all the people that we met, how great they were. Keep in mind if you ever do a reunion. Oh, 100%. I'll hit you up on Twitter. And I'm sure we'll wind up somewhere at some point. That would be awesome. You know, what I'd really love is like. Track 3: [52:39] One more like place where like iceland where they played three shows yeah you know brooklyn they played four shows like they're doing a few south america shows it's kind of tough but it's like one show in one location at a big festival and like it's hard to like kind of do that but if they played like three shows somewhere where we could just show up and and like kind of recreate them take over and recreate the magic and yeah and make some new stories and spend that time I'm, I would just, I would love that. And I, you know, I don't know. It seems like it's going to be a while, if ever, before they really say, we'll, we'll do that again. Track 3: [53:17] We'll see. We'll see. Like, I don't know. Like, I think SM is getting ready to release. And maybe by the time this comes out, he will have made an announcement of some sort. So we'll get some new Jicks material, SM and the Jicks, or maybe another, like his last two records have been just him so maybe it'll be just him but i wouldn't be shocked if we see them on the road again because it's uh it's fun for them it's relatively lucrative you know like the the touring market is is a good thing and they've got a loyal fan base you know they do i mean my here's my call this is just this is my take um another person i got to meet on the the Iceland trip, was his daughter, Sunday, who's – Sunday's about 15 years old now. And she was super nice. And I connected with her a little bit because that's my son's age. So, like, I got the whole thing, you know, I understood kind of, like, where she was coming from because that's my son's age. Track 3: [54:22] And, you know, my dad –, piece kind of raised up when we talk about, are they going to hit the road again? I think when Sunday goes to college, I think that at that point, we'll have a chance for them to maybe come back out. But I get the feeling like he'll do the dad thing. She'll get through high school. His wife is obviously, we know she's an accomplished artist. She has her career. He'll make time for her. There'll be that balance of family and everything else. And then when So when Sunday's off to her next adventure, everybody will probably say, one more ride. Track 3: [55:04] That'd be great. So I'm thinking maybe 2027, we'll gas up the truck and we'll make it count, I think, by then. Well, if they wait until 2029, that would be 40 years, right? Yeah. 40 years since the band formed. I hope they don't go that long, but you know. Yeah. I hope so too. Yeah. You know, um, and that's where like kind of the, the old guy in me says, let's get out there before we can't. Yeah. Well, on that note, on that, uh, harrowing note, um, uh, it's been a pleasure to have you on, uh, Boston Russ. Uh, this has been a delight. I'm so glad your story turned out the way it did. That's the kind of feel-good stories we do here on Meeting Malcomus. So, you know, kudos to you. That's what I got for you this week. So tune in next week for song number 20. That's right. We're in to the top 20. In the meantime, wash your goddamn hands. Track 1: [56:12] Thanks for listening to Meeting Malcomus, a pavement podcast. Podcast, where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email, jd at meetingmalkinist.com. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD and Brian Glaser get together this week on the Pavement Top 50 Countdown. They of course discuss Brian's Pavement origin story and then they reveal and talk about track 23 on the countdown. Transcript: Track 1: [0:00] Previously on the Pavement Top 50. Track 2: [0:02] A stone-cold classic. This is the eighth song on our list from Pavement's penultimate album, Bright in the Corners. At 24, it's in. Jamie, what are your initial thoughts about this song? I think I remember really liking it kind of when I, you know, when you buy Bright in the Corners, you put it on, you go through the album, and it feels like a sensible, good closing song. The name kind of gives it away. Track 1: [0:30] Hey, this is Westy from the Rock and Roll Band, Pavement, and you're listening to The Countdown. Track 3: [0:38] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the result, choosing an abacus and a woman named Helen, who frankly looked kind of lost. How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week we're joined by Pavement superfan, Brian from New Jersey. Brian, how are you doing, motherfucker? I'm doing alright. How are things in Canada? Things are just dynamite. the sky is bright blue the clouds are nice and fluffy it's sunny you know i'll take sunny even if it's a little bit below zero just uh rather than that gray shit that just you know ruins everything yeah how about you everything's great here yeah it's you know it's uh it's the weekend just getting to hang out i'm getting to talk about pavement yeah that's pretty good right, Well, let's do that then. Let's get your Pavement Origins story. Track 3: [1:52] So my Pavement Origins story, I feel like it is the most down-the-middle, ordinary one. But it's also, from listening to your podcast, it's essentially the inverse of yours. Okay. So I was a college radio DJ in the early 90s. And our college radio station, the music director, would call us into his dorm like once a week or once every other week uh all the djs would come in and he would have all of the recent releases and we would hit play and just see what was happening and what we might want to play on our radio shows and stuff like that and i remember. Track 3: [2:32] Slanted and enchanted dropping into this gathering and you know he hits play on summer babe um and And it was amazing. You know, I'm also, I'm a drummer, so I'm listening to this. And this great song, one of the hooks is the hi-hats. Yeah, that hi-hat wiggle or whatever you want to call it. What do you call that? I don't know. Wiggles as good as anything. But like, think of another song where like part of the hook is, you know, a little hi-hat flourish. So that blew my mind. And then, you know, Trigger Cut comes right after that. So I went from never hearing of this band to, you know, I'm in my, I'm probably like 19, sitting in a college dorm, listening to Slanted and Enchanted, and I am a billion percent in. Like, it's everything I like. Track 3: [3:30] It's everything I love. So, I was then just like, I was there for each record coming out, and I bought them as they came out. And I went to see the Crooked Rain tour, and I saw them on Lollapalooza, and I saw the Brighton the Corners tour. And I think by the time Bright in the Corners came out, I was a music journalist in Philadelphia. And I'm pretty sure I wrote a review of Bright in the Corners for somewhere. Track 3: [4:03] I bought Terror Twilight. So I bought all of them when they came out. I did not see – I missed the Terror Twilight show. I went to the other night of the matador anniversary show because the other one was headlined by Yola Tango and they're my number one I don't miss them uh and a buddy of mine went to the other one said that the pavement show that was when he had like the uh Malcolm has had the handcuffs dangling off of his microphone stand to show his displeasure um Um, And then, you know, after that, it just, it went from being a present tense thing to pavement went into past tense and I bought the reissues when they came out. Um, but I wasn't, when they got back together and we're playing in central park, I think my son had just been born. So I didn't go see that, but they were really just kind of a past tense thing for me. And then kind of two additional things happened. The first was the pandemic. Track 3: [5:16] And just because of the kind of music guy I am, when we got sent home to work remotely, I listen to music when I work from home and I like to set little projects or parameters for myself to make it interesting. I'll be like, today I'm only going to listen to songs that this drummer is on or whatever I'm going to do. Oh, cool. And since I thought we were just going home for like a month or two, I was like, I'm only going to listen to stuff I have on vinyl. No CDs, no streaming. It's just going to be vinyl. It'll make me stand up every 20 minutes and, you know, it'll just be like a fun little parameter because I have a bunch of vinyl, but it's not the biggest part of my collection. And the only pavement I had on vinyl, I had this extra live LP that Matador sold along with the Bright in the Corner, Nicene Creed's reissue. Track 3: [6:20] It's okay. But I also had Terror Twilight, which I had listened to. I bought it on vinyl, I listened to it, and I was like, eh, there's no spiral songs on here. It feels kind of clean. It just didn't connect. But by that time, I was listening to your podcast, and this was the only one that under my rules I could really listen to. So i listened to the shit out of terror twilight you know in 2020 so it had you know it'd been out and somewhere in the back of my head for a while but i really engaged with it um and so now i'm like all in on terror twilight all these years later and you know then they came back for their latter-day reunion shows. And my buddy and I turned 50 as they rolled into Brooklyn. And so we're like, and he lives not far from King's Theater, so we're like, we're going. And we went to one of the King's Theater nights in Brooklyn. And this is like the fourth or fifth time I've seen them. And, and, Suddenly, this was the best I'd ever seen them play. Track 3: [7:33] This is what I'm hearing. This is what I'm hearing about 2022. It was amazing. I guess I would describe when I went to those shows during the initial run, everyone was playing their parts as best they could, which was very good, but they were all just kind of doing their part of the band. Yeah. On this tour, they were together. I thought so, too. Track 3: [8:26] Enchanted in college when it came out. and we're looking at each other like we couldn't believe that this was the best pavement show we'd ever seen that's amazing it just didn't seem possible um right you know because that's not what reunion tours are for no not typically um and then i'll just add you know as part of my origin story it's been it's made me have a different extension of my origin story listening to you and the other people you have on the podcast who generally seem to have come in around Terror Twilight or even after the initial run. Track 3: [9:05] This may sound pretentious or silly or whatever you want to say, but it felt like you're not as invested in the narrative that popped up around Pavement in that initial run and that every record that came out was colored by the Pavement story. Does that make sense? Yeah, I think so. You know, because I think, especially with like Wowie Zowie Bright in the Corners and Terror Twilight, when those came out, They were part of like a reaction to what had happened the year before with them. And it was hard to listen to those just sort of on their own merits because you were listening to them as part of the narrative. Track 3: [9:50] And it's fun, like getting the chance to listen to them, not like that, sort of inspired by the way you're hearing them and your experience with them and the other people that you talk to. And it's really, it's changed my relationship with a lot of the records and a lot of the songs. Oh, wow. Do you have a specific example of a song? Well, I think I'll give an album example instead. The narrative of Bright in the Corners when it came out was, A, they got the shit back together after the wowie-zowie being all over the place. And also, everyone, maybe especially people who are music journalists, were very into the R.E.M. Connection because of the production. So I was sort of talking myself into hearing REM in that record, you know, because I'd heard Unseen Power, The Picket Fence, and I knew that they had REM's producers and all that. So I was like, I listened to it as their REM record. I've never thought of that. That's great. Yeah. Great. Well, and now I can just listen to it as, you know, here's some amazing Spiral Stairs songs and here's the band really playing together. Like that one might be the closest to how they're sounding now. Track 3: [11:18] That's a good call. Yeah. Yeah, I think so. So yeah, so that's an example of how it's changed here, getting out of the narrative. I'll also say something that colored my initial run through Pavement, and I don't think I've heard you talk about this before, is when they were at their initial peak, they were this huge and overwhelming influence on like indie rock so like i remember i was at maxwell's the week that crooked rain coming out not seeing pavement but just another band with you know two distorted guitars and a slacky attitude or whatever and in between all their songs they They talked about Crooked Rain. Track 3: [12:08] That was their stage banter. It was so... Are you serious? Yeah. It was just when Pavement did something, this small but invested community talked about it. And I remember getting the CD to review from this band called Number One Cup that no one's ever heard of. They didn't last very long. I think they only put out like one or two records. And the first song on the album, I remember kind of digging it, but feeling like it felt really familiar. So I'm playing it a few times. And I realized you could sing the lyrics to Summer Babe to this song. And they were essentially just making Pavement songs. They were completely ripping them off. Well, I don't think they were ripping them off. I think they were influenced too heavily. That's so nice. But that's the thing is like Pavement was this huge influence because- Track 3: [13:17] A lot of the other things happening at that time were, strangely enough, when you go back and listen to the Pavement catalog, was a lot noisier than Pavement. Track 3: [13:29] Archers of Loaf, Sonic Youth, Super Chunk, all that stuff, those are louder and punkier than Pavement for the most part. I'm not saying Pavement had a clean sound or anything like that. No, but Crooked Rain is pretty straightforward, you know, and then, like you said a moment ago, Bright in the Corners is, I don't understand how that didn't sell a jillion copies, you know? I know. It's such a good record. Not that the other ones aren't, but it's like mainstream good. Yeah i i mean i think my if i'm putting my critic hat on i think the answer to that is they chose the wrong single um stereo is a weird single right um i don't think anyone hearing that would be like get that right on the radio and you know this is my new pop thrill here right maybe start with shady lane yeah uh start with shady lane something like something like that, could have done it, but also I mean, honestly, cut your hair was a fluke, and I think it created this idea that Pavement could have hit singles, and maybe that just wasn't true. Track 3: [14:50] That's fair. Do you think it's true? Do you think they could have been a hit singles band? Track 3: [14:59] There's just some song every once in a while you hear it's not like father to a sister of thought um like i can see that being in like, like on a tv show like playing in the background near the end of the show and you know they're wrapping things up but no i suppose you're right few and far between there you know there's a There's a few that you can look at and say, okay, yeah, yeah, this has got the makeup of a mainstream hit song. But you're right, not many, because they were doing things that were very different than the mainstream. Very different. Yeah, and I remember going to the Lollapalooza when they were on the main stage. And you've seen the videos of people throwing mud at them and stuff like that. But part of the problem was that stage was just too big for them at that point. They can do it now, but I don't think they were ready for that. Track 3: [16:03] And you saw that show, you said, right? Not the one with the mud. I saw them in Camden, New Jersey on the Lollapalooza, you know, on that tour. And was it apparent there as well? Like it just. Yeah. Cause you know, I, I was sitting out on the lawn. It's, you know, it was touring those kinds of sheds where there's the seats up front and then a big lawn in the back and it's a summer day and you got your little pick a a mcbasket and your blanket and all that and it didn't really translate that far back in. Track 3: [16:35] A way that you know like cypress hill and sonic youth and even back who were on that tour like it translated into the bigger venue and they didn't wow that is wild stuff and i mean i don't mean that as a criticism no i think it's just you know it was the superpowers they had at the time it was you know it was more intimate um and it was you know again i don't think they had whatever it is that they've gathered up with age wisdom whatever you want to call it at this point where they can go out and you know jam on the hex or whatever for 10 minutes um and really make it work i don't think they had that in their arsenal yet no i suppose you're right. Track 3: [17:32] Yeah touring wasn't wasn't their strong strong point you know and yet it was fun and yet every show you saw or every every show that i've ever heard people talk about was amazing you know Because of the venue and because of the context and that good stuff. Yeah. And I mean, it could also be that part of their target audience is, you know, guys like me, guys like you who are, you know, ready to have that rush of emotion from, you know, from the experience that, you know, in our 20s or whatever was just kind of maybe we weren't mature enough for or open enough to. Yes. Yes. Well, should we flip the side here and talk about song number 23? Let's do it. Okay, we'll take a quick break and we'll be back with song number 23. Track 1: [18:35] Hey, this is Bob Mustanovich from Pavement. Thanks for listening. And now on with a countdown. Track 3: [21:47] Well, there it is on the Top 50 Countdown. Song number 23 is the Spiral Stairs Gem, Kennel District. Brian from New Jersey. Track 3: [21:59] Give me the goods. This is ridiculously underrated. I'm going to say this one's top five. Well, or I'll caveat that. Either this or Date with Ikea, which in my mind, they're kind of, they're like, fraternal twin songs um you gotta have a spiral song in the top five like the pavement founding documents say this is a band founded by sm and spiral stairs and if that top five is all, coming out of malchemist i think you've done something wrong you know and if you're gonna have a spiral song in the top five i i would do this one um it's it's amazing i mean it was It was a lot of fun on the reunion tour. Yes. And that's, you know, I remember the night I went to King's Theater, they did not play Summer Babe and they did not play Here, but they played Kennel District. And I remember having like my little list of songs in my head that I was going to be bummed if I walked out and they didn't play. And that was one of them. But they tore it up. It was like it was a highlight of the show. Wow. Yeah, that's great. Track 3: [23:17] And, you know, one of the things, you know, I mentioned earlier, I'm listening to this a little bit as a drummer. One of the things I hear in the song, and I'm curious if you hear this too, I think it's a Gary drum beat in this tune. Track 3: [23:34] Really? Yeah, it's got that little off-kilter stumble. It's not evenly distributed beats. It kind of lurches a little bit as it's going forward. I hear it as Westy playing a Gary beat rather than playing Westy style on this. You know, there's something to that, because in my conversations with Spiral, and then the tracks that ended up, I think, on the Nicene Creators edition, where it's just Gary and Spiral doing songs. Maybe it was around Terror of Twilight time, actually, where it was them doing songs. And, uh... Track 3: [24:30] You know scott's always had a a pretty big place in his heart for gary you know so i wonder if you know in in creating the song even he was like westy can you give me something garyish you know yeah that's interesting it's there and you know i think the other reason i i love the song is like even though this is you know halfway through the catalog in in wowie zowie i don't know I know that this would have been completely out of place on the early EPs. So it's got that overdriven driving guitar. It's got the Gary beat. It's got the distorted vocals, but then the sing-along or shout-along refrain that carries you out. Like, it's, you know, if you place this next to, you know, on the same seven inches debris slide, I don't think you'd be like, one of these was recorded many years later, and I can hear it so clearly. You know, I think they're akin. It's got a little bit more sheen, obviously. Yeah. Yeah, but it's like the ingredients and the style are classic pavement rather than ladder pavement or whatever you want to call it. Right, right. Track 3: [25:56] Yeah, I think if you have a beat on what it could be about. No, like this. Like any pavement song, too tough, right? Right. It's too tough. And this one is even like I was doing a little internet trolling for the lyrics. Like the internet doesn't even agree what these lyrics are. Oh, really? Yeah. I mean, I found, you know, especially the first line of the second verse, you know, I found the one I've got up on my screen right now says, I can't believe she's married to Roe, like fish egg Roe. I have too. And there's no way it's that. And I remember just in Googling a little, I found a couple other theories, but I find that hard to believe that's the lyric. Yeah, me too. Track 3: [26:53] Maybe that's why he's so incredulous. You can't believe it. Yeah, maybe. I also know that there's a lot of songwriters, and you've talked to Spiral a lot, so maybe he's given you some more insight into his process. But I know when you hear from a lot of songwriters, they talk about laying down the track first and just kind of putting some nonsense sounds or lyrics over it. And then some people will sit and write something very considered and serious when they go to do the lyrics. And then some people be like, oh, I almost said the word robe there. I guess I'll just stick with it. I wonder if that's what happened here. Track 3: [27:37] Yeah, because it's an interesting song because you're right. I don't quite know what it's about, but it makes me feel something. Because of the chorus. Um whatever you want to call it why didn't i ask why didn't i ask why didn't i ask and then going out there's something really like almost painful about that question you know like you really feel for the protagonists here like yeah what the fuck man why didn't you ask and what were you asking about and why is it important to you and all the rest but at the very least can Can you answer me the question? Why didn't you ask? Right. And then the delivery with the guitars, the beat, the buildup, you're not only singing along about regret, but you're doing it with your fist in the air. You're just like, you're all jacked up about regret. And there's nothing not to love about this song. Yeah. It's a good one. Track 3: [28:47] And I'm kind of curious. Chris, I know you've talked to Spiral a lot. Based on the sort of relationship you've built up with him over the last few years, do you have a sense of what he goes for in his songwriting, like how he's expressing himself? Yeah. Track 3: [29:09] It's really changed, I think. I think that his vocal has become much more of a tool. He used to sort of sing with that almost break, almost that pubescent break when he sang, and now his voice is sharp. It is right on. So I think he takes advantage of that a little bit more when writing a song, not lyric wise, but when he's writing a song in general, like he can be more melodic. And that's nice. Like that medley attack is a great record. It's a really good record. I'm going to listen to it today because it's really good. And then of course i i just can't help but draw the parallel between terror twilight and let it be. Track 3: [30:02] With paul and john completely shutting george out of the process and then george turns around and comes out with all all things must pass and it's holy shit it's a double record filled with some of the best songs you've ever heard and he had that in him and spiral came out with psoi and And while it's not all things must pass, it's holy shit, you were sitting on all these songs and you couldn't put one on fucking Terror of Twilight? You know? Yeah. And you know, I think one of the reasons I didn't connect with Terror of Twilight at the beginning is... Track 3: [30:39] Spiral to me is that the actual analogy i would use is lee ronaldo in sonic youth oh okay when you have those sonic youth records like you know obviously thurston and kim are the marquee and core sounds in there but like daydream nation without eric's trip and without hey joni it's not the masterpiece that it is without those and the lee ronaldo songs like Like they fit in the band, but they're a little off to the side of the rest of it. And, you know, it's super melodic and it's fun, but it's not what Thurston and Kim do for the rest of the record. And you're always like, when that, you know, when Moat or Disappearer pops up, I think those are his two on Goo. Track 3: [31:29] When those pop up on Goo, you're like, yeah, here we go. We're hearing Disappearer now. Now um did do i have that right that disappears the you're asking the wrong dude i'll have to do a sonic youth uh podcast at some point i mean initially that was my like i had a blind spot with early pavement i had a blind spot with the eps um like the three eps and so i thought well i'll do a podcast where i listen to each ep and you know talk about the ep and i was like well why don't i just do it like song by song you know and then that way i get to listen to everything thing and that's that was the genesis of this little beast yeah and i think you know with sonic youth you'd have the same experience where you know you're moving along and it's the songs you're used to and then this this gem pops up that's you know of a different color and a different tone a different palette and i think that's what spiral brings to these pavement records yeah i would agree with that and the shows like when you get that spiral break when kennel district comes out or date with ikea you're like yeah fuck yeah here we go we're doing this now yeah and we'll get back to that that malchmus thing but it's a great um like i i don't want to say interlude because that's not maybe it's like a great counterpoint. Track 3: [32:50] Yeah there's a bit of yin and yang right yeah absolutely sorry well uh i'll just repeat that my dogs are both in here yeah there's a bit of yin and yang right yeah absolutely, and you know being a fan of the Spiral songs doesn't make you less of a Pavement fan or even less of a Malchemist fan it's just, he's one of the main ingredients again it's this band was started by SM and Spiral Stairs so without him it's not Pavement right, I couldn't yeah I couldn't agree more. Track 3: [33:27] Well, Brian from New Jersey, do you have anything that you would like to plug or discuss with people on the World Wide Web? I guess the only thing I'll plug, I was playing drums in a band here in New Jersey that is now defunct. It went away with the pandemic, but we have stuff up on Bandcamp and everywhere. It's called Diecast Cars. Track 3: [33:52] Diecast Cars. Yeah, like the toy cars for kids. It would appeal very much appeal to fans of pavement we are noisy and a little sloppy but a little poppy and a little rocky and all that kind of stuff and uh the the guitars are loud and and we also have the one of the guitar players you know didn't write as much as the other but he's like he's the spiral the ronaldo of a die-cast cars and that he's got you know two or three things in the what we have on the band camp page and their gems um you know not not to take away from the other guy but you know when they come up you're like okay we're getting we're getting into a different frequency for a few minutes and then we'll we'll go back to that other one cool well check out diecast cars on band camp everybody it's been great talking to to you today brian from new jersey uh you've you've got some wild theories and um some theories that i can actually cleave on to and uh kennel district again at number 23 so this is a lot of fun man too low a lot of fun so uh take care and uh we'll talk to you soon brian and everybody else wash your goddamn hands thanks. Track 1: [35:17] For listening to meeting malchus a pavement podcast where we count down the top 50 pavement tracks as selected by you if you've got questions or concerns. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Jamie Parkins joins jD as his guest on today's episode of Meeting Malkmus. Jamie reveals song number 24 and tells jD about his Pavement origin story. Transcript: Track 2: [0:00] Previously on the Pavement Top 50. Track 1: [0:02] Song number 25 is our first entrant from the masterpiece, Watery Domestic. It's Shoot the Singer, One Sick Verse. David from New York, what are your initial thoughts about this song? Shoot the Singer, I think it's probably one of Pavement's most perfect songs. If you just listen to it, it's such a beautifully textured song. And the production is pretty unique, I think. Track 2: [0:30] Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown. Track 3: [0:38] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own Top 20 ballots. I then tabulated the results using an abacus and a bag full of M&M's with the brown ones removed a la Van Halen. How will your favorite songs fare in the rankings? Well, you'll need to tune in to find out. So there's that. This week I'm joined by Pavement superfan, Jamie from Watford. Jamie, first of all, fucking great name. Second of all, how the fuck are you? I'm very good, thank you for that. it's the uh english variant of the name not the not the scottish variant but i'll take it thank you well that's my name as well so yeah there we go yeah so um let's get right into things like let's not beat around the bush here let's jump right into your pavement origin story yeah wow um, I guess I've been very lucky. So I was trying to tot up how many times I've seen pavement. I think it's 10, maybe 11. Wow. Track 3: [1:53] And then, you know, I've seen Preston School of Industry a couple of times, I've seen Steve and the Jicks. But how I fell into pavement, I think, was just serendipitous. Track 3: [2:04] So I was 15, I happened to be at a friend's house, and he said. Track 3: [2:09] Got a spare ticket for a concert tomorrow. Morrow i'd never really been sort of to a concert i think you know i've been to a couple right at that age when you're 15 you're sort of you know you you're an age where perhaps you don't need your handheld anymore and he said got a ticket for a bank or pavement yeah i'd never heard of them um and i was just starting to get into what we would call in britain kind of indie so pre-brit pop but kind of indie music so bands like carter census things mega city four these might these might mean things to some of your listeners particularly in the uk um i was like yeah great free ticket um it happened to be my birthday the next day um so i borrowed a tape you know good old uh sort of probably what it would have been a 60 minute cassette and listened to slanted for you know over and over again ahead of the gig right because you don't want to turn up at a gig and not not know anything about the music and so that was um august 92 at the marquee in um in london and I didn't know what to expect didn't know what I was walking into certainly didn't know that I was going to become like a you know a big fan of this band wow so what do you remember about the show the actual show so I guess by because of the fact I was 15 and I wasn't drinking um I should I probably remember more than than you know I would from a gig like three years ago um. Track 3: [3:37] So this is going to sound, it's going to sound a bit crazy, but, and, and having listened to the other pods, like there's a common theme here, which is just how open the band are. Right. And how welcoming and accommodating they are. And, you know, I don't, I think they always realize their sort of size and everything. Right. Then they're not, they're not filling out stadiums and they don't, you know, they don't need to be standoffish at all. So we went to the gig. I've no memory of, of, um, uh, the support band, but that's primarily because somehow Somehow, me and my friend managed to end up backstage at the Marquee. We were drinking Port Band's Red Stripe Lager. Track 3: [4:14] And next thing you know, we're talking to Gary. This is Pete Gary when he's handing out like salad and handing out plates of food. And it's pretty grotty. It's actually from a black bin bag, which is not particularly exciting or alluring. But you're there going okay this is the drummer of the band that we're about to see he's handing out food we'll have a quick chat um i i have a vague memory but i don't know if this is just like history playing tricks but i have a vague memory of either steve or spiral one of the two wearing a football top um a luton town football top which for me is a watford fan that's like one of our big rivals so i don't know again if i'm sort of making this up but i have a memory that that might have been, you know, like, why are you wearing that top? You know, and that started a conversation. Track 3: [5:09] And then next thing I know, Gary's handing my friend a bottle of water. So because we were thirsty, it wasn't a bottle of water, obviously, because it was Gary. It was a bottle of vodka. And just all it's just like, this is, this is insane. And the gig hasn't even started yet. And then the concert itself was just fantastic. I mean, you know, 15 years old, um, marquee is quite a famous London venue. You know, I think the stones have played there, you know, it's, um, it's a typically small venue with a low roof and, um, sweat dripping off the ceilings. And it's the sort of perfect place to see a band that's kind of, you know, on that upward curve. Right. Yeah, absolutely. So Jamie, talk to me about, uh, your sort of your go-to record. Do you mention that slanted was the first thing you heard and you listened the shit out of it? Um what was two-part question what was next for you and you got to live it all in real time so that's spectacular uh but what is your go-to record now so there's two separate questions there, yeah i mean stunted was definitely like the the gateway drug as they say um. Track 3: [6:17] And I was lucky you're right right I was there you know every Monday when the new album came out buy the next album you know play it to play it to the nth degree two years later the next album watch them on the following tours that support those albums so I was really really fortunate I feel very very lucky um yeah uh watery domestic I mean that was a pretty fast follow wasn't it from yeah um from slanted I think I think like a lot of people have been on your thing today that was like their high point i think just musically i think you know in the case of four songs they just nailed it they nailed it yeah but i would say the album that i come back to the most is definitely uh crooked rain crooked rain i think i don't know if it's about the age like you know i was what i would have been 17 18 then you know you're kind of really impressionable music i think it also it follows on from watery domestic really nicely there's a kind of um There's a continuity of their style. Gary is, you know, there's still bits of Gary drumming on Crooked Rain, I think, if you kind of go deep into the sleeve notes and stuff like that. So I think, for me, that's the album that, you know, like I'm rebuying my LP collection, for example, and that was the first one I got. Oh, wow. Yeah. I got slanted first. Yeah. It's an expensive habit to start again, right? Jesus, is it ever? Wow. Track 3: [7:43] So, you've seen a bunch of shows, like 10 or 11 shows. You've got Crooked Rain as your record. Is there anything else you want to share about your Pavement Origins story? What else? I've got a couple of thoughts and things I'm happy to share. I don't think they're a great festival band, is my take. Seems that way. I've not seen them. Is it Benicassin? And what was the one they did on their tour back in the famous one? Yes, right. I saw it in Porto and it was really good. They were really good there. There just i think the two times i've seen them at reading festival um and i've seen them at v festival in the uk and that kind of mid-afternoon slot open air i don't think it suits their aesthetic i don't think it suits the way that their music kind of fills the room um whereas you know i saw their last gig at brixton the the night that they kind of quit with the with the handcuffs and all of that sort of you were there yeah i'm not knowing obviously like you know, there's no social media, right? You, you kind of, you know, did I notice the handcuffs on the microphone? No. Um, um, did they look tired yes um and then you know maybe two weeks later you're reading in the music press that you know that that was their last gig and that they're moving on to different things you know. Track 3: [9:06] So at the time i didn't i didn't add up the add up everything i was seeing but um kind of with hindsight you didn't go oh yeah maybe mount must have kind of checked out a little bit and um so yeah i mean but you know as a fan right it's kind of cool to be at their so-called final gig and then they do it again and again and again right they come back. Track 3: [9:29] The um it's a shame i think we're at some of the same gigs in london then because, uh i was i was at two of the gigs last year in london or no it's not last year is it god two years ago now two years ago man yeah i'd hoped to go to manchester but um i had to sell that ticket in the end so i i took myself twice to london so i kind of thought two out of four is not bad i could have done i could have done four but you know there's bills to pay that's That's right. Yeah. Well, I love those London gigs. I thought they were, the Roundhouse is a great venue. It was really awesome. If no one's ever been, you know, it's a really interesting venue, right? And I thought they did it justice and the venue did them justice in a way. Yeah, I think so. It was great. I saw three out of the four. I missed opening night because I was in Liverpool. Right. Well, then we were definitely, that's weird, right? Because we were definitely, if you missed opening night so did i so we're at the same gigs oh that's so what a small world, well should we settle in and listen to track 24 yeah let's do it halfway through right sort of 24 halfway through the 50 or so yeah that's right yeah so let's do that we'll play the song right now and uh we'll be back on the other side hey. Track 2: [10:45] This is bob mistandovich from pavement Thanks for listening, and now on with a countdown. 24. Track 3: [16:18] Well, Jamie, here we are at song 24 on the countdown, a stone-cold classic. This is the eighth song on our list from Pavement's penultimate album, Bright in the Corners. At 24, it's Finn. Jamie, what are your initial thoughts about this song? I think I remember really liking it kind of when you buy Bright in the Corners, you put it on, you go through the album, and it feels like a sensible, good closing song. Um the name kind of gives it away right to the degree and i'll be honest i'm not one for analyzing lyrics and like if you're not one for analyzing lyrics then you've got no chance with pavement lyrics right because mountainous goes all over the shop um but listening to the album recently again i've got two things about the song one is i think the album is really interesting i think lyrically it might be pavements most interesting album i think like mountainous seems to be having a lot of fun like you know i wrote down a few of the you know just on different songs right we know we went dutch dutch on shady lane you know a voice coach taught me to sing he couldn't teach me to love all the above on transported range i just think he seems to be having a lot of fun lyrically um and they kind of flow and um you know there's elements of rhyming in there which you know paper and haven't always done but the more i've listened to this song i've got to be honest and i don't know if this is not going to make me very popular given that people voted for it but i'm kind of ambivalent about this song the more i listen to it yeah oh yeah yeah i I know, sorry. No, don't be. You're in the podcast here now, right? No, no, no. Track 3: [17:47] I'm curious to know why. I was listening to it again today to give it its dues and give it a fair chance. I think my issue with the song, first of all, it's not a bad song, right? I think, you know, I don't have many pavement songs that I would put down as being bad. I think my issue with it is that it's really slow to build up and maybe that's deliberate. Track 3: [18:09] But when you've heard the guitar solo, which is great and you love the guitar so at the end and it closes out the album and it's you know take the name right it's the fin it's the end the first half of song you're just like come on let's just get to the good bit um and i kind of feel like and so the first time you hear the song you're probably thinking this is lovely i'm enjoying the experience but once you once you've had the good bit i actually find the the the kind of first half of the song uh quite slow quite quite interminable um i know sorry sorry um i went and listened to uh a live version um from their recent tour thinking you know do they play at a different speed is it you know is it different and the kind of feeling was the same again and don't think it works if you play it mid gig as well because it kind of it drifts the guitar solo kind of fades away and and if you listen to it. Track 3: [19:06] It doesn't just finish it kind of goes and goes and goes and you can keep hearing the song all the way to the end. And it just gives the impression that like, I think it, you know, am I reading too much into it, but it feels like Mount must, you know, by this point he'd had enough in pavement and maybe this is coming out. He's talking about things that, you know, walled gardens, he wants to get out. You know, is this his way of saying it through music? Because I think terror twilight is the most mountainous and the jigs type album. Yeah. And so I wonder, you know, and I think, maybe someone on your show had already said it that it was the one where the rest of the band had the least amount of writing credit like so i always think terror twilight is almost like his first album was into the jigs and this is almost like him kind of closing out on pavement um and i'm sure that i'm definitely probably reading way too much into it but that's kind of just my it just feels a little bit like yeah this is the end i get the feeling really like the guitar solo but but why are you taking so long to get to it? Sorry. You heard it here first. Shall I publish your email address in the show? So you can get, I'm thinking I've blown any chance of an invite back for the top 10. Track 3: [20:17] But yeah, I think, I think if you're a super fan, right, you're going to like some stuff more than the others. Absolutely. And I think, you know, I've got to, I've got to be fair. I just, I, I didn't vote for it. I'm kind of, like I said, I'm kind of ambivalent towards it. Like, you know, So the Hex, which is maybe a slightly similar sounding song, kind of takes you on the same journey, is infinitely better. And I don't know the rest of this countdown, but I'm guessing that the Hex is probably in the top 10 or so. I would have imagined that a lot of fans would vote for that. I'll never tell. Yeah, I know. I know you want to keep us guessing. That's right. Right so i i guess then it's pretty clear that you think this song is overrated on the list at 24, where would where would you put yes um well does it um probably i mean look to be honest could i count 50 songs you know like do i have the energy to do probably not um but like you know when I think of things and you know this is me showing my you know earlier favouritism maybe but silence kit um. Track 3: [21:34] Heaven as a truck uh frontwood you know these are all songs that would you know get way in front of uh of finn um and you know that's the earlier stuff right um uh so yeah i i think it's probably for me it's probably overrated in the in the countdown but um that's the beauty of music right we all have our opinions and you know some people this means something probably very different to what it means to me absolutely you're a big fan of this album right i think this is your favorite album yeah do you definitely you're definitely thinking this guy jamie's a complete jerk i'm not inviting him back no not at all no this is meant to be water cooler fodder you know like this yeah yeah yeah you know jamie's crazy it's absolutely at 24 or you know i'm totally with jamie it's overrated you know like that kind of thing uh it's meant to be it's meant to be fun so i'm glad you had some fun with it do you do you get people commenting is there a way in which Where do we see what people's hot takes on this is? Track 3: [22:35] Twitter, Facebook, you know, all the usual suspects. I've got to get back into Facebook. I'll have to see what people say. Yeah. Well, it's been great talking to you, Jamie. Yeah, and likewise. I've really enjoyed the series so far. Thank you for doing it on behalf of all of us weird pavement fans. It's appreciated. Well, it's my pleasure. It's my pleasure. And getting to meet cool people like you is always fun, too. Yeah, and maybe there'll be another gig, right? We could hope. Maybe they've got some tax bills to pay. I saw Spiral is selling some of his equipment at the moment. So, you know, maybe they've got some bills to pay and they'll do another series of gigs. That'd be good. That would be cool. Maybe we'll see each other there. All right, brother. Talk to you soon. Thanks, JD. I will do. I love it. Thank you. Cheers, man. Wash your goddamn hands. Track 1: [23:27] Thanks for listening to Meeting Malcomus, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at meetingmalkmus.com. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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MMT50 - 225 28:15

34 weeks28:15

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This week on the podcast jD welcomes David Fieni to the show to discuss his Pavement origin story and then they crack the top 25 with song number 25 on the countdown! Transcript: Track 2: [0:00] Previously on the pavement top 50. Track 1: [0:02] This week we are celebrating song number 26 fight this generation what do you think of this one jeremy from the falls this is probably it bridges like the the best run i think that pavement has on any album. Track 2: [0:21] Hey this is westy from the rock and roll band pavement and you're listening to the countdown countdown. Track 3: [0:29] Hey, it's JD here back for another episode of our top 50 countdown for seminal indie rock band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and a bong made out of a kumquat. How will your favorite song fare in the rankings? Rankings you'll need to tune in to find out so there's that this week i'm joined by a pavement super fan david from new york dude how the fuck are you i'm fucking great i'm psyched to be here chatting with jd oh that's cool another uh pavement super fan yeah yeah absolutely are you uh are you did you make your pre-order for the box set or are you going to i'm going to i'm just like Like, it's crazy because it's like one of those things, I think a little bit like you, I've started, I sort of came to Pavement when, that was like my shift to CDs. And I got all of their stuff on CDs. And then I only started getting the vinyl in the last couple of years. Yeah. And so literally just before this, I ordered my last piece, which was Watery Domestic. What a cool, yeah, Watery Domestic. And then the singles thing looks just freaking amazing. Track 3: [1:50] It does yeah i'll order it uh the shipping to canada is obscene though it's like 60 bucks u.s to ship to canada which is like that's not right that's probably 80 bucks uh a canadian you know so it's like it's like half the cost of the product yeesh i don't know so david let's uh not beat around the bush here let's get right into things you mentioned compact discs and your collection. Tell us about your Pavement Origins story and getting those compact discs. Well, J.D., when I was four years old, Billy Corgan murdered my parents. Track 3: [2:31] Actually, that's not true. So I grew up in the San Francisco Bay Area, and I was right in the – I would have been – if I wasn't such a prick and, like, took myself too seriously, I would have been right in the midst of, like, the beginnings of pavement. Wow. But all the people around me were, like, saying, you know, I was reading stuff, how great pavement was. And I was like, oh, fuck that shit. I'm not going to jump on the bandwagon, the indie bandwagon. And so I didn't really get into them until maybe 1996. Okay. Which is, you know, they're still – they're peaking as they usually did. And so I don't remember if it was Bright in the – no, it was Crooked Rain was definitely the thing that kind of just sucked me in for life. Track 3: [3:19] And then Bright in the Corners. And I'll tell you a quick story about in 1997, I went to Rolling Stones concert. Pearl Jam opened up the Oakland Coliseum. And I drink a lot. And I got about an hour of sleep. And the next day I had, because of lack of sleep, I asked the girl out in my class that I had a hard crush on to go out for coffee. We talked for like three hours. And then I actually ended up marrying her. I've been married for 24 years with her, to her. But after that coffee, I rode my bike over to my friend Walter's house, and he was playing some records, and he put on Slanted and Enchanted. And I have like the strongest memory of listening to here on his little dinky turntable. So I got into the band like 96 and 97. I saw them at – where was it? The Warfield. Track 3: [4:16] Where's that? And that's in San Francisco, yeah. And then I saw them in 99 for Terror of Twilight. And I've seen Jicks and Pavement and stuff since then. And I did see them in Philadelphia this last time around with my friend Seth. So that was freaking amazing. Loved that. So, yeah, I mean, they're kind of like a second wave band for me because I was into stuff like R.E.M. and The Replacements and Husker Du and all of this stuff. And then I got into Pavement and it's kind of like a, you know, it's something that stuck with me. And it's definitely a pretty hardcore relationship. You know what I mean? Yeah. Yeah. I know exactly what you mean. So talk to me about your first real-time record then was Bright in the Corners, right? If you got in in 96, Bright in the Corners comes out in 97. Yeah. Yeah. You know, it's funny. I think, yeah, it must have been Bright in the Corners. Track 3: [5:20] And that's still... I mean, the thing is about the records is like I think that each of them has been a favorite at a different time, including including Terror Twilight, which when it came out, I just I love that record. It's obviously it's like a shift in a different direction in some ways, but it's it's so fucking brilliant. And I just can't, you know, I love all of the all of the records. I'll tell you, I'll come back to that later, but there was an interesting hole in my collection until fairly recently that I'll tell you about. All right. Yeah. So you saw them in Philadelphia on the reunion tour. What did you think this time out? Dude, it was like bliss for me. I was just, I was like smiling the whole time, which is probably exactly the opposite of what I did the first times I saw them when I was, you know. Track 3: [6:20] I thought I was fucking cool or something. But this time I was just grinning the whole time. And, you know, I know you've seen a bunch of the shows. People are singing along, which is like not a super pavement-y thing, but it totally was great. And also a cool thing was that my friend Seth, he has his son and some friends of his. They're all into pavement, and they're like this new generation coming up. And so they were there. And that's obviously so cool because it makes me think of like, oh, when I was growing up and I was into like the bands from the 60s or something, you know? Yeah. Like it's like a cycle, you know, that goes on. What do you think pulled him in? Was it osmosis from his old man or was it Harness Your Hopes or what's the deal? Yeah. Yeah, well, you know, I think it's people who want music that doesn't suck, that's not corporate music, that is just fucking cool and original. And it just, you know, there's a thing that Malcolm has said in this, I think recently, someone asked him, like, why are you going to make another record? And he's all, no. Track 3: [7:33] He said, the songs exist in the present, which I love that. I mean, it's such an obvious, simple statement, but it's also true, right? The songs exist in the present. And so each time you sing it, that song is going back out. Each time you play a record, it's existing right in that very moment. So it's like, I just think there's the music just, the music stands out. Maybe, you know, maybe the whole Harness Your Hopes thing kind of brought in a few people. But, you know, it's just, it's a good, it definitely made me slightly hopeful for the future. Track 3: [8:10] Harness Your Hopes definitely harnessed my girls, my two girls. Oh, yeah. They're both big TikTokers, and I guess that's where they saw it. But my daughter will brag to me that she's got Pavement in her playlist. I think she's got one other song, but I don't know the song. Yeah. I'm guessing it's something like Major Leagues or something. That one, I guess. Yeah, my 12-year-old daughter loves Harness Your Hopes, but she listens to Pavement. I put stuff on. I make playlists for her, and so she gets into that stuff. You raised her well. I know, at least in that respect. Yeah. So what is your go-to record at this point? I know you said that they're all, you know, they've all taken a turn as your favorite, but if you're feeling nostalgic and you want to hear something, which one do you go to? Track 3: [9:02] Um, I don't know. You know, I think maybe Crooked Rain is going to be the one. Crooked, both Crooked Rain and Bright in the Corners. Fellow Bright in the Corners lover. Is this right? Yeah. There's not that many of us. Track 3: [9:18] It's a great record. it is a great record but you're right crooked rain is what is it it's it's almost like it feels timeless like it doesn't feel of the 90s yeah to me uh production wise the low the low fineness of it um it just doesn't have that same 90s production you know that we're that we were so inundated with uh from seattle you know yeah that's right i mean the whole issue of production is is like such an interesting thing to going from like gary yeah as the producer yeah and um and then through the different iterations of different folks and obviously terror twilight has its own story but yeah i mean i think that's part of it like and you and you go back to those early like demos and stuff and it's just they are just fucking around with sound a lot of the time right and um yeah i was listening to i was listening to the because they're streaming the the singles collections you know they are yeah yeah i was listening to that today and so i was just like a song like a song i don't like just put on is it the k dart song or internal k dart internal k dart yeah which is like It's like. Track 3: [10:38] It's not like a fully formed human, you know, being, it's like a sonogram, but it's still beautiful, because you can hear spiral and SM, like kind of experimenting with sounds and how they're going to play off each other and just textures and stuff. And so, you know, that stuff is, is, is really important, obviously. Track 3: [11:03] I love your analogy. It's a sonogram. That's brilliant. It will be fully formed at some point, slanted and enchanted. But early on, on Demolition Plot, it wasn't necessarily. You're right. It was more foggy, primordial ooze, I call it. I like your sonogram-ness. That's very cool. So is there a single in the box set, one of the seven inches that you're looking most forward to? Track 3: [11:34] I don't know. I have to look at it again. But I think it'll be, you know, the singles have a number of songs on each side, as far as I understand. So I'm looking forward to kind of just having a different, because it gives you like a different entry point into the catalog, right? Yeah. Because you're listening to these singles, and then some of the B-sides, and then some of these other tunes. And so, yeah, it was interesting listening to the Summer Babe. It sounds like the vocal is mixed differently from what I'm used to. I mean, the whole thing. I guess they're all remastered, aren't they? Well, I think they are. But on the Summer Babe 7-inch, that's the one with Baptist Black and Mercy Snack, I think. I think so. It's not the winter version. That's the designation. On Slanted, it's the winter version. This is the original, you know, the original. As far as I understand. Right, that makes sense, because it was the single that came out right before. Yeah. Yeah. So it might have had a little bit more work on it on the winter version. So good ear. Good ear on you. Do you want to get into this and flip the record and talk about the song number 25? Let's do it. All right. right let's do this we'll be back right after this hey. Track 2: [13:04] This is bob nastanovich from payment thanks for listening and now on with a countdown 25. Track 3: [16:28] Song number 25 is our first entrant from the masterpiece, Watery Domestic. It's Shoot the Singer, One Sick Verse. David from New York, what are your initial thoughts about this song? Track 3: [16:43] Shoot the Singer, I think it's probably one of Pavement's most perfect songs. If you just listen to it, the textures, it's such a beautifully textured song. And the production is pretty unique, I think, for them. It has this really, I think it must be, this is the Water Domestic is where Ibold and Bob join the Spiral One SM and Gary. And I don't know exactly who's playing on what and all that, but I'd like to think it's Mark. And that bass, it kind of has this kind of cool buzzing sound. It reminded me of Us from Piglib, but then I listened to it, and it doesn't really play out. But it's just a cool kind of – the bass is kind of – has a beautiful sound. It also has – and I don't think I even noticed this until listening to the song a bunch in prep for this. It has a really – what sounds very much like a really perfectly kind of mixed acoustic guitar in the back, but really kind of mixed in just so and you know and that's just like one of the things so like and they have the the verses that have this beautiful kind of more kind of relaxed mellow. Track 3: [18:08] Tone and you hear again like really nice interplay with spiral and and malchmus and then you get to i don't know if they're really choruses but it's like slow it down song is sacred and you know Those two – and then the distorted guitar comes in, and it's really such a cool contrast with the –, and then it goes back to the sort of more little chill verses. And then it has that outro, which is freaking – it's so good. It's just – it's a cool thing because it –. Track 3: [18:45] So, again, one of the lines that stands out in the song is, slow it down, song is sacred. And you hear Malkmus sing, and his vocalization is super, it's really beautiful on this song. I think it's one of his best, really, performances in some way. And it's really kind of, there's like an urgency to it that is not always there, but that's not what you want for every song. And in the end, it kind of is like, it doesn't technically slow down, but it kind of is like he's slowing it down and trying to get more out of the song. And he wants to stay in the music and there's the la da da da da da da and um which made me think about so this is shoot the singer it's a song that has references to music in its title and, maybe a little bit in the song and then it made me think of other songs like cut your hair has that kind of you know the non non words but vocalization right right so a lot of the and And that's another song that's about music. So it's like I feel like there's a few others that I can't remember now that have. So Pavement songs that sort of have like music themes or songs about songs or whatever, they seem to often go into that, you know, la, la, la kind of shit, which is really cool. It's kind of like pure music without, you know, without words or something. Track 3: [20:02] I don't know. This song, I just, it's such a beautiful song. And obviously Water Domestic is, you know, such a, like, masterpiece. And I, dude, I owe you, like, a massive, I owe you massively because I, super fan that I am, you know, I've seen them a bunch. And I had everything. And I was into, I had gotten, like, Westing and all of that stuff and listened to that stuff before I discovered in the last, like, five years. Don't fucking mock me, dude. Watery Domestic. And it was because listening to Meeting Malkmus. So somehow I had seen that fucking rooster, right? I had seen that rooster, but I had never, I had never like listened. I mean, I think I must have heard a song or two, but I was like completely oblivious. And so that's like such a joy to just discover what's. What a cool thing to find that. Yeah. It's and it's, you know, in large part to your, you know, your podcast. So thank you. Well, I'll take the feedback. I love it. But I think that it's important, because I came to Pavement late as well, as well as your situation with this record. Track 3: [21:23] To me, it's an absolute bonus to, in the midst of loving a band. Track 3: [21:35] Uncovering something that you didn't know about, and you're listening to new music that is old, if that makes any sense. Yeah, right. And it's right in that sweet spot, right in the pocket of slanted and crooked rain, right? So, what a fertile period. Yeah, it's peak. Track 3: [21:52] It's total peak pavement. And it's interesting, too, because it's like Gary's last stand, and you listen to it. And I think in some ways, all the love in the world to Westy, right, who just is great. I love him. But like in a certain sense, like Gary, at least at this period, his playing was more like pavement-y. You know what I mean? Sure. It's a little bit more rickety, slapdash, and kind of I hate to say slacker or whatever, but it kind of like it really fits in. Of course, they kind of, Westy kind of you know it's a it's a slightly different direction but i mean i love i love you know i love them both but you know this so this so that ep so it's the cool thing is like i have no nostalgia about the record i just listen to it it's right now it's happening and i you know get into it but um i feel like it's a song that has two standouts and that's front words and Shoot the Singer. Yeah. But they're set up perfectly with Texas and Lyons, Linden, right? Because it's just such a perfect little sequence. You can't get a more perfect EP out there. Track 3: [23:12] And, yeah. So the other thing that I wouldn't mind mentioning is, so I grew up 50 miles away from Stockton. Gee whiz. And so, like, it's hot and boring. And, like, those songs, like, Lions Linden especially, but also, like, Summer Babe and a few others, they totally evoke that landscape of, like, bored people. Track 3: [23:40] Kind of just like, you know, like suburbia. It's kind of like a little bit almost beyond suburbia in some ways. It's kind of this, you know, every street a straight line, all of that stuff. And then there's the Delta and the girl mixing a cocktail with a cigar, all that shit, you know? So it's like very evocative of that whole landscape. Escape yeah i mean i i can't say enough about this ep uh like you mentioned their standouts but i would have it's sophie's choice yeah to pick yeah to pick the number one and i would include lions linden and texas never whispers in in that yeah for sure um it's just so goddamn good And even when you listen to Lux and Redux and you get Greenlander and I forget the other two right now because I'm an asshole, but even those outtakes from Watery are spectacular. Yeah. Oh, I know. Greenlander is another one of those sleeper ones that's such a freaking cool song. Yeah. Definitely. Where do you think in the scheme of things this song was rated 25 so right at the halfway point. Track 3: [25:04] Do you think it's overrated, underrated, perfectly rated? What do you think? I think – I'm glad it's not any lower. Me too. Because I would put this in the top 10, 15 for me for sure. Of course, it changes all the time, like whatever. But I think 25, it's fine. I'm not going to go on a rampage. I'm not going to go on a rampage, J.D., against your fans. Did you vote? I didn't vote. You know, I saw the call, and then I meant to, and then I didn't. So many people have reached out and said, oh, man, I missed this. Yeah. There was enough to make this 100% valid, let me tell you. Yeah, yeah. Track 3: [25:55] Dude, that's what I got. How about you? Is there anything you want to plug or mention? Listen to the Bug Club, man. They're amazing. They opened up for a pavement in the UK a few dates, and I got into them from that, and they've just become one of my favorite bands. The Bug Club from Wales. I don't know, that and Permanent Ceasefire. That's about it. Okay. Well, that's cool. I like giving the tips. That's nice. That's what we've got here. Song 25. Stay tuned next week when we cover song 24. In the meantime, thank you so much, David from New York, and be sure to wash your goddamn hands. Track 1: [26:39] Thanks for listening to Meeting Malcolmists, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at Meeting Malcolmists dot com. You. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMPL IV.V 57:36

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We're taking a brief break from counting down the Top 50 Pavement songs this week. Instead, we offer you PodList IV.V thanks for all of submissions and a special hat tip to Tim from Portland for coming up with the track listing, Track Listing: Shady Lane - Lonely Penguin Painted Soldiers - Malkralph Passat Dream - CARP Recordings Zurich is Stained - Sam Lambson Perfect Depth - Scouting for Cuppas Shoot the Singer - Copeto Haunt you Down Heaven is a Truck - Dark Shandy Shady Lane - Strong Computer Summer Babe - Forearms Type Slowly - Marchica My Radio - Negative Players Box Elder - Christopher Catin Fin - S.W. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - 226 29:50

36 weeks29:50

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This week on the pod. jD welcomes his buddy, Jeremy from Niagara Falls on to discuss his Pavement origin story and reveal song 26! Transcript: Track 2: [0:00] Previously on the Pavement Top 50. Track 1: [0:02] Stephen, what are your initial thoughts about this song, The Hex? The Hex, well, it's a really cool song. I think it's completely different to anything else that Pavement does. I think it's very unique. It's got a style which isn't really there in any... I can't think of any other song that looks like it. Track 2: [0:19] Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown. Track 4: [0:25] Hey, it's JD here, back for another episode of our Top 50 Countdown. For seminal indie rock band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballads. I then tabulated the results using an abacus and a girl named Shannon that might have played bass in an indie rock band. Sigh. So there's that. This week, I'm joined by Pavement superfan, Jeremy from Niagara Falls. How's it going, motherfucker? Track 3: [0:54] It's hot. It's hot. Track 4: [0:56] It's really hot. Track 3: [0:58] It's been hot all week. Yeah. So sorry if there's fan noises in the background. They're here to cheer me on. Track 4: [1:04] Yes, of course they are. And that's very good that they are doing that for you because it will give you adrenaline and strength that you need and require to get through this next question. Jeremy, from the Falls, what is your pavement origin story? Track 3: [1:20] Story um my origin story for the band pavement is a little um stranger than most i i did not come to them by way of their music i i came to them by way of uh discussions about just how cool their uh their albums the the song names were, so i before i ever heard a pavement track which was years uh uh it was it was uh i had a friend who was in a band named uh cindy and they before they were called cindy they they were racking their brains about what they wanted to call themselves and we just got in this deep discussion one night i have heard we started talking about i don't think i've heard of king cobb steely, There's probably a good, I bet a good amount of this audience would really dig King Cub Steely because it's kind of in the same vein. But they had awesome song names. Track 3: [2:21] Luckily, I keep my feathers numbered for just such an emergency. That's a song name, Time Equals Money and Money Equals Pizza and Therefore Time Equals Pizza. Just stuff like that. And we got talking about it. And I was like, yeah, that's really cool. and we're talking about the band Head. Lowercase and an uppercase. Head with a lowercase h. That's right. And an uppercase, yeah, just because it was the 90s. And then my friend turned to me, he's like, I just wish that I could have an album title as good as Crooked Rain, Crooked Rain. And he just, he went on for like half an hour on that. I was like, that is a really cool album title and who is this band? And he's like, Pavement, check them out. And of course, being the 90s, I mean, being dirt poor, I couldn't. That's right. That's the only way you could do it. I couldn't purchase an album. Because they weren't being played on the radio. Track 3: [3:15] Well. That's right. And it was pre-internet. And yeah, they weren't being played on the radio. But, and this is, I like hearing the stories of people out here saying like, yeah, my first experience was like I got onto a torrent site and I ripped all their albums over the course of like a week or however long it used to take. But before that we used to have this thing and it doesn't exist anymore rarely does that's right of uh compilations you remember yeah and there was a big one in the 90s it was really big because of the secret hidden track that i think everyone only bought it for the secret hidden track it was called no alternative and nirvana did uh of uh at the very end wasn't listed everyone who was there It wasn't listed, but they did – it's sappy, but it's also called Verse Course Verse. It was an unreleased track, and it kicked. It was so good. But also on that album was Matthew Sweet, Goo Goo Dolls, and Pavement did Unseen Power and Picket Fence. And who was the second one you named? Goo Goo Dolls. Yeah. Goo Goo Dolls? You know, like rather funky band until, you know, Twister. No, it's not Twister. Until that Twister song. Track 3: [4:41] They did a song on the Twister set. No, it was the Asteroid one. No, it wasn't the Asteroid one. Fuck. Oh, yeah. Dude. It's called Angel or something like that. No, they did a song on the Twister set. It's like Alanis Morissette did a song. On the record, you came uninvited. Yeah, anyway, this is riveting conversation for somebody who tuned in for Pavement. I know. Track 3: [5:13] Beastie boys was also on the alternate and breeders did a really good live live track but but really it was like you could get uh like that was if you did not have a lot of money and you wanted to hear and this is backwards thinking because nowadays you'd be like why would you buy a whole album for one song well everybody did everybody bought it for that nirvana song and uh and then you got a little a little sampler of all these other bands that you could get into And that was my first. Hold on, let's talk about this for a second. So what did you think of On Scene Power? Yeah. It was good. And in comparison to everything else on the album, it's like, oh, this is top ten. This is really fresh and inviting. And I dig the sound. It was kind of rare. It wasn't overproduced. and it didn't have that, you know, that pastina. Am I using that word correctly? You know, patina. Sorry, patina. It's fucking boiling. It's hot. Did I mention it's hot? It's like 55 degrees in Canadian. 55? Celsius. But yeah, I think it's like 40. I was like 55. Your skin would be melting. Track 3: [6:35] Anything after 35, I'm like, it's all the same. I like the heat, but it's not like this muddiness. Yeah. I can't handle it. Really? Yeah, it's the thing. It's not the heat, it's the humidity. No, oven's dry heat. Anyway. Yeah. Again. But yeah, no, I really, I like the sound. And I was also big into Sonic Youth, but I had a bit of a bone to pick with Sonic Youth because their stuff never really seemed to get me to the place where I was like, yeah. Yeah and it felt like pavement was like they got it it was it was kind of this it's like a visceral, sort of song yeah but it's it's it rocks i totally know what you mean you know i mean yeah i've been i've been uh nose deep in in pavement's catalog for almost five years now so, like i mean obviously i enjoyed it prior to that but you know just looking at it week after week week after week you know it's it's been asked me to name a fucking song um title though and i'm usually stumped or or where it falls on a record and there's people that will be able to do oh yes it's right after this and before this and it's like i just can't do that i'm just because that's part of the culture though that's part of like the like we when we lost physical media, like it's like remembering your best friend's phone number do you even know it now i don't Oh, I know my wife's. I don't know my wife's. I don't know my kids. Track 3: [8:03] Oh, really? Yeah. Yeah. But yeah, so that, like that compilation. And then you'd think I would have rushed out and I would have bought, you know, a pavement album, but I didn't because a scant few years later, the Brain Candy soundtrack came out and being the massive kids of all fan I was. Okay. All right. Is R. I was and I still am. Yeah. And will continue to be. And you know who was on that soundtrack oh matthew sweet fuck me really, he followed yeah he follows you around doesn't he yeah but pavement like painted soldiers is, like it's in my top five songs it's in my top 15 for sure no my top 10 and it's the best spiral There is. Other than the unreleased Preston School of Industry. For sale, the Preston School of Industry. But yeah. Track 3: [9:09] And another breakout track on a soundtrack album that has like... They are? Yeah. They play Butts Wiglin'. Yeah. They might be Giants, I think, did a track. Uh, stereo lab and like a real, Oh, and of course the odds were on there, but yeah, it's kind of five. I think there was even a GBV guy by voices song on there. I think that might, it was by first exposure to guided by voices. I got into a lot of music through compilations, something that does not exist. And I wonder how we can rectify this. Yeah. Track 3: [9:57] Well, we have to change the industry one person at a time. Starting at this moment in time. And this is the... It's 66 degrees. Good things are forged in heat. This is... Hey, listen. This is the closest I've ever recorded an episode to drop date. Like, most everything else is done. Oh, yeah? I did it in the spring. You know? So, this is... What is the date? It's June 20th. And this goes out on the 28th. Yeah. Or whatever next Monday is. Wow. Look at me. Look at me knowing fucking calendars. 24th. Okay. Fair enough. Yeah. Yeah. Sure is. Yeah. It's sooner than you think. That's right. No. Into that editing bay. This one doesn't get edited. This podcast doesn't. But yeah. Oh no. All my secrets. Okay. Back to the matter at hand here. There's a lot of... So if you haven't noticed, Jeremy and I are buddies and we're doing some catch up at the same time that we're um that we're doing this so that's why we're getting a little distracted i apologize for that and i hope this is acceptable for your pavement listening uh enjoyment yeah it's a forgiving crowd have you ever listened to the episode of meeting malchus called uh hate mail. Track 3: [11:17] Oh you should look that i haven't heard that one i got a hate mail letter oh yeah i just decided to do an episode on it because it is like a screed it is like it is like martin luther knocked you know nailed something to my door you know and it was like it was like oh deep cut wow yeah now it was type was it written or was it typed oh then you know it's serious yeah listen to that one oh wow if you're just getting into to this because of the top 10. There's a whole other podcast out there where I go through each of the songs. It's called Meeting Malchmus. That's the feed that you're on right now. And there's lots of good... I can only hope that this generates at least one more hit. It might. So from there, you finally buy a record? Or do you get into the torrents? Track 3: [12:11] I bought, oh, and this is shameful, and now I wish you do edit it. I bought Crooked Rain, Crooked Rain through another form of dead media, the Columbia House Records Club. Dude, Columbia House was money. It was so good. It was so good. It was. 12 CDs for a penny? You're paying 30 bucks afterwards, but hey. And it was one of those auto ship deals. That's where they got you. That's where they got you on the lazy. It just shows up, right? Because it was $30 a hit, and you would be like, fuck. But if you played your cards right, you won. The house did not always win, but they must have won enough. Track 3: [12:51] Yeah. I mean, and you could send them back and say, you know what? Liz Fair just isn't my cup of tea. I'm going to exile Guyville. Yeah, this one, I think it was her follow-up. I was like, eh. Never sent me Matthew Sweet. So Crooked Rain, Crooked Rain. Do you know where the title comes from? It comes from, apparently, it comes from Purple Rain, Purple Rain. And Stephen just liked the rhythm of that. Or it may have even been David Berman who suggested it. And, yeah. Track 3: [13:26] If I'm wrong, shoot me an email. JD at meetingmalchmas.com. Would love to hear from you. So you put that one on the old CD player, I'm guessing. Not a turntable. about this point and yeah it starts with silent and that song just melts your brain like right off the bat it is i i that album for me is like a textbook like this is how you start an album like this series of songs like this is how you do it this is how you you break it in so you lay the frown the foundation for the listening experience you're about to undertake and man i yeah i listened to that album a lot. It's a masterpiece for sure. I will fully admit, I thought he was saying Silent Kit for the longest time. I thought it was about drummers. Well, nobody really knows. It's got multiple titles. People will say Silence Kid, and people will say Silent Kid. People will say Silent Kit, and people will say Silence Kit. So I think on the liner notes, it's Silence Kid. So, yeah. Oh, interesting. Yeah. Did you ever get a chance to see them live? Track 3: [14:45] So, jury's out on that. It was the 90s. I was young. I got around a lot. And a friend of mine was like, no, I don't think we do. We did see them. And I was like, I distinctly remember being at, like, the Cool House. Did you go to Lollapalooza in 95? At one point. Track 3: [15:08] Okay. No, I've never been to a Lollapalooza. I was just going to say, because they played that, and that might be something that you saw and forgot. Because I can't imagine, you are going to generate some hate mail. That you saw them live and you don't fucking know that you saw them live? What kind of fucking planet is this? This is so different than the other interviews I've done for this program. I know. I know. But you know what? If I did, I enjoyed it. Well, there's that. that and if i didn't then you know so there's that i i guess i never will do we want i mean somebody had to somebody had to remind me that i've seen wean like several times and somebody was like you know i was like oh i wish i could i wish i could see wean and they're like you've seen like eight times like oh that's oh yeah that's a really shitty superpower to have dude, i know i know i have a very bad short-term memory but my long-term memory is near You're fucking impeccable still. Well, see, my short-term memory was bad at the time. You didn't, yeah. See, I don't create new memories. Yeah. I have a very difficult time creating new memories. Yeah. I still have them, but yeah. Oh. Yeah. It's ever since I got zapped. Okay. What do you say we flip the record over and start talking about song number 26? You up for that? Yeah. Let's do it. We'll be right back after this. Track 2: [16:34] Hey, this is Bob Mustanovich from Pavement. Thanks for listening, and now on with a countdown. 26! Track 3: [21:05] This week, we are celebrating song number 26, Fight This Generation. What do you think of this one, Jeremy from the Falls? This is probably, it bridges the best run, I think, that Pavement has on any album, starting with AT&T, going right through to the end of Wowie Zowie. I started AT&T, I just listen to these tracks over and over again. And Fight This Generation is definitely a staple in that run. Yeah, I think so. And it's a staple of their live show as well at this point. Even when I saw Malcolm on the Traditional Techniques tour, he played a guitar and computer version of it. And it was really quite fucking cool. Oh, really? Oh, I would have loved to have seen that. There's got to be a video of that. I'm sure there is on the old YouTubes. Yeah, I wouldn't be surprised. Yeah. Like, I love the demo version in that enhanced Wowie Zowie release. Oh, right. Yeah, yeah. Nice and Critter's Edition. Yeah. Yeah. Yeah. Track 3: [22:24] But yeah, no, this track does that thing that I like so much in every song I hear it in, where you start listening to it and then halfway through it turns into a different track also. Absolutely. Two different songs mashed together for sure. Yeah. So in listening to this again for this I couldn't believe this track is only like four, it's under four and a half minutes. This feels to me like an epic six, seven minute long track but it's not. It's a tight 4.23. Yeah. Tight 423. That's funny. Track 3: [23:04] I mean, long for a pavement track, but it feels like, it feels a lot longer. Doesn't it? Doesn't it? Maybe I'm just thinking of the demo version. It does because, okay, so not in a bad way for me. No, no. No. But because it feels like two different songs, I think that might give you the illusion that it's long. Yeah. You know? Plus the repetitive outro, like just that jam at the end. That always feels too short. And yet it feels like a day. It feels like a good day. Punching in, punching out. You're friends with the coyote. You're not friends with the coyote. Or the sheep rather no i, you know so there's been like three matthew sweet references and now like two looney tunes all right well um what else do you have to say about fight this generation, This, um, like all, all lyrics are interpretive. Yes. Like, and, and I, and I hesitate because I've listened to everybody else talk and they're so. Erudite. Track 3: [24:27] That's a great word. And I think that's what I'm trying to say. But they, they, they're very, they, they've got very strong opinions and they're very, they're very knowledgeable and they've obviously put a lot of pen to paper and sorted this out and, you know after 18 cups of coffee and and i i'm still i grapple with this one because it's like seeing shapes and clouds and you know you know that old um oh man it's a charlie brown comic from years ago uh and and they're like all sitting on the grass and they're looking at the clouds and the one one i think linus is saying like oh look that's like that cloud looks like washington crossing the delaware and and that one looks like uh rodan's the thinker and and that cloud looks like the the the stoning of saint peter and and they're like what do you see charlie brown he's like i see a ducky and a horsey but you know so i think you can i think you can do that with this track i mean just the the title alone evokes like uh an emotion yes and and the The way that it's, like, the way the song is constructed, how it starts off in 3-3, moves to 4-4 time in there, you get the sense of, like, there's two sides clashing. I'm still trying to figure out, like, for you. Track 3: [25:55] Wait a minute. 3-3. There's no 3-3. 3-4. Track 3: [25:59] At the beginning? Yeah. There's no 3-3. Oh, yeah. Track 3: [26:09] I'm not a music student, but it sounds pretty waltzy to me. Anyways, what is this song about to you? What viewpoint do you see this from? Because I think there's a couple different ones. Is this punching up or punching down? Oh, I don't think it's punching at all. I think this is a jumping up and down song. Track 3: [26:36] Um it's just anthemic and it's just you can get behind the the idea of fight this generation but i don't think any of the other stanzas um support any information about which generation it is who's doing the fighting you know that sort of thing and to me that's what makes it an anthem because you know the kids listening to it right now can feel like they're fighting the gen xers whereas like we were fighting boomers you know um but is it ever like the gen xers fighting the millennials well i suppose a few years ago it may have been because that's that's where i kind of landed on it's like it's the song itself feels cyclical in the way that it's it's like you could probably put it on repeat and it's just this constant like the the themes in it are are such such that it is like there's always going to be this realization, like the fight is part of the progress. It's part of the identity. So therefore it has to exist, but you're in it on one side and then you're on the other side of it. So you're constantly at odds with the generation before you and the generation after you. Absolutely. Yeah. It's very funny that that's the way it's turned out, you know, or keeps turning out. Track 3: [28:04] It's like Battlestar Galactica. Track 3: [28:08] New or old the new one all right the good one the really good one i liked the old one as a kid but it doesn't hold up well the old one had a robot dog and yeah and action figures yes i had a star buck with one arm did it come that way no no i pulled it off i wanted to make him a star wars was villains so that's what i did so listen it's been great talking to you today about your pavement origin story uh fight this generation and uh you know just a basket of other things uh hope uh you enjoyed yourself i know i did and uh that's what we've got for you this week next week we'll we're getting into the top 25 man so we we start to kick out the top 25 next week we're halfway way fucking home. Can't wait to hear it. I'll talk to you then. Wash your goddamn hands. Track 2: [29:05] Thanks for listening to Meeting Malcolmists, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at MeetingMalcolmists.com. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD hangs with Stephen on today's episode of the Top 50 Countdown. First, as usual, he shares his Pavement origin story and then reveals song 27! Transcript Track 1: [0:00] Previously on the Pavement Top 50. You can exhale now because track 28 is Stop Breathing. Amir, what are your initial thoughts about this song? I love this song. It appears in my Top 20 that I sent you. I think it's number 14 there. So it's half of your number. Hey, this is Westy from the Rock and. Track 3: [0:22] Roll Band Pavement, and you're listening to The Countdown. Hey it's jd here back for another episode of our top 50 countdown featuring seminal indie rock band pavement week over week we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots i then tabulated the results using an abacus and some fucker named gene how will your favorite song fare in the ratings well you'll have to tune in to find out. So there's that. This week, I'm joined by Pavement superfan, Stephen. Stephen, how the fuck are you? I'm very good, JD. How are you? I'm doing quite stellar, in fact. It's a good day to be breathing and upright, you know? It is. It is. Spring's in the air. You know, winter's gone. Things are looking up. Funny enough, it's snowing here today. First, you know, we've passed spring. We didn't get any snow at all. And then, you know, it turns into spring and all of a sudden we've got snow. So, you know, who can fucking tell? Track 3: [1:30] No, no, but yeah, thanks for having me on. It's like we said before, just before we started, I've been listening to the whole countdown so far. And, you know, it's been great. It's a nice little pick me up on the Monday morning when it drops. And it's a good feeling to think that, you know, there's going to be one a week for the whole year pretty much. So, yeah, I've been really enjoying it. Well, thank you so much. That means a lot. So let's get, you know, let's make this about you now and let's get right into your Pavement Origins story. Yeah, okay, yeah. So, I mean, I'm 42 now and I got into Pavement when I was about... Sort of 15 16 so it was basically when uh terror twilight came out. Track 3: [2:19] When i was a teenager i was really into radiohead at the time i mean i still am but uh, they were they were my band at the moment so i was obsessively into everything that they did and i would read all the interviews and you know get every release and bootleg and ep and thing that came out uh from that band and i remember i was on holiday once and uh i picked up a music magazine in the airport on the way over and there was a a big article in there about pavement and the terror twilight release um and i'd kind of heard of them a little bit uh i kind of knew off them but it was always but they were always sort of mentioned in the same breath as um, the fall and john peel and things like that and so yeah in my mind i kind of built them up as a kind of scary alternative loud punky i don't know abrasive sort of band that was sort of unlistenable, um and i kind of remember at the time also around that time in the 90s um blur brought out their uh. Track 3: [3:27] Self-titled album the one that has song two on right graham graham coxson was going around on the interview circuit and saying oh yeah this this this album's influenced by you know really really hard understandable american bands like like pavement and i was like oh okay yeah so this in my head i kind of built them up as um something a bit difficult and then i read this saw this article in um this music magazine it must be key magazine or enemy or something and they just came across like a really nice bunch of guys and i thought right when i get back from holiday i'm going to buy that record it sounds really good also so yeah the other thing was that the main draw at that time was uh the radio head rich sort of connection godrich yeah so he he nigel godrich produced it they had johnny greenwood playing harmonica for some reason on uh platform blues and on billy and so i bought the album purely on that uh that sort of thought really i'd never heard any of their songs didn't know anything about them and i remember getting home putting putting the CD on, and the first song is Spit on the Stranger. So that was the first Pavement song I'd ever heard. Wow. And it's got such a lovely, warm introduction, and those sort of synth pops, and the vocal, and the melody. I thought, wow, this is great. This isn't what I was expecting at all. I was expecting something really hard, and almost the kind of stuff that you hear on Westing. Track 3: [4:51] Yes, yes. And so, no, I loved it. I got really into that album. them i loved uh every track on it really um uh especially carrot rope loved carrot rope but i don't i don't quite i don't quite get the kind of uh the sort of online hate that that song gets i think that's a great song um but yeah from terror twilight i then kind of worked backwards and picked up all the cds in kind of reverse order i got i think bright in the corners next, text uh and i kind of worked backwards uh crooked rain wowie zowie was hard to find i think in those days i couldn't find it so it took me it took me about a year or so to track that that cd down. Track 3: [5:33] Um so yeah i wonder why that is i don't know i think it it was in the 90s it was kind of like, you know there wasn't the internet wasn't so prominent you couldn't you almost didn't know what a band's back catalogue was. You had to kind of track it down and search it out in record stores and read about them in magazines and, uh yeah so for whatever reason that that record was hard to hard to track down but uh yeah so it's by the time i went to university i think i had all the albums, uh but then unfortunately they broke up yeah so i kind of missed the boat on the on the sort of original incarnation uh uh but then the the sm debut came out which is absolutely, that is my absolute favorite album by anybody of all time. It's really fucking good. Yeah, it's so good. I mean, I still listen to that album now. Like it's, what was it, 24 years old, is it? 23 years old or something, as we speak. Yeah, pretty close. I think I listened to it last week. I still get something from that album. Me too. I do. I listened to it for like three days in a row, Les, two weeks ago. Listened to it for like three days in a row, just straight. It's still got it, hasn't it? Every song on there is fantastic. Track 3: [7:00] The sort of guitar work, the melody. And I think sometimes with... It's quite a poppy, immediate album. And sometimes those sorts of albums don't really have the longevity. But for whatever reason, this one does. It's really got a lot going on. Um so so yeah so then so from that i i kind of so from 2001 onwards i kind of picked up all the, mountainous solar stuff as it came out uh uh but none of them really grabbed me like the debut did um up until um traditional techniques so yeah that that that's another one that's really got under my skin that album it's a great one um i think it came out i think it came out just at the beginning of lockdown yeah it was 2018 yeah and it might it might be something to do with that you know sort of being trapped in the house with this with this new record and i listened to it every day for for a long time over over lockdown uh but yeah that that's that's a really good one as well yeah um and it was around that sort of time that um. Track 3: [8:14] That i uh found your podcast and uh yeah oh wow it was it was kind of the traditional techniques album that made me kind of think oh i need to get a bit more into to revisiting some of the other mountainous stuff that i've not really got into the first time around and i found your podcast and the uh uh the mountainous conundrum podcast yes yes the guys did yeah that was great so uh yeah kind of that that period that lockdown period for me is kind of synonymous with listening to a lot of pavement podcasts, listening to traditional techniques, and sort of going back and re-exploring some of the other Mount Masolo stuff. Track 3: [8:55] But yeah, so yeah, I didn't catch them live. Well, I saw Mount Masolo a few times when he was touring the first album at festivals and little venues, and that was really cool. Here's one for you. I saw Radiohead, and opening for Radiohead was SM and the Jicks. Oh, really? What year was that? Yeah, that was Hail to the Thief, when they were touring for Hail to the Thief. Yeah, 2004, something like that. Oh, that'd be cool. That's about right, yeah. So they were doing, were they doing Real Emotional Trash or something at that time? What were the Jicks doing? Track 3: [9:40] Whatever came after Pig Lib. uh pig lip okay cool yeah no the one after pig lip uh shit i can't i can't think of what it was face the truth i've got it up here somewhere uh face the truth, Or Real Emotional Trash, one of those two. That's pretty cool. Yeah. So did you get a chance to see Pavement live ever? I did. Well, when they regrouped in 2010, I seem to remember. Yeah. And they did a series of shows down in London. But it was the week I was getting married. Track 3: [10:19] Tough to escape that. So I didn't go, but I thought about it. It was almost like you know travel down to london come back get married the next day and i thought no it's not that's not gonna work so i'll uh i'll skip that but then i thought yeah wise uh but then i caught them on the um on the most recent tour and that that tour was fantastic that really. Track 3: [10:40] You know i was completely obsessed with that tour it was so good where did you where did you see the manchester uh yeah so i saw them in leeds um and manchester uh and then the following year, they played a little one-off uh festival in the uk called blue dot and they were headlining right yeah yeah and that was really cool um yeah you got some of the uk gigs didn't you yeah i saw every every stop except for leeds oh no that's a shame yeah oh so you're at manchester yeah yeah that was a good one i thought yeah too yeah that i remember on that one they, they opened with major leagues didn't they which i think which is a bit i always think that's a bit of an odd uh odd intro song it doesn't really get things going in the same way it sort of set the mood for the night like it was a more mellow show for sure definitely definitely it's but still great still a great song yeah, but yeah no but then so the funny thing about the Leeds gig was um. Track 3: [11:52] I went with my brother and we went for some food beforehand and a couple of drinks. And we're in this Indian restaurant. And the waiter comes over and says, oh, are you guys going to the pavement gig later? Because he must have seen our T-shirts and things like that. Well, oh, yeah, yeah. And he goes, oh, the band ate next door just an hour ago. So there was another slightly more upper class Indian restaurant next door. And he's like, oh, no, they just ate there recently. and so i was like really really buzzing from that i was like oh yeah we've eaten in the restaurant next to the one that pavement ate in so we finished up there and we're walking up to the venue and the doors opened i think at seven and it was probably about you know one or two minutes to seven o'clock and we're walking up through the town center and as we're walking, we kind of notice that we're kind of walking in step with this other group that are kind of walking in this at the same speed and in the same direction you know it's a bit awkward when you're kind of trying to overtake each other and uh i thought hang on they've got they sound like american accent and um so i look over and it's uh it's bob and spiral walking up walking up to the venue um and bear in mind that the doors are just about to open so they're just like strolling up through the city center like they've got all the time in the world. Track 3: [13:15] And I was like, oh, you know, I don't normally, you know, don't normally do this but i'll have to i've got to say something you know and i've had a couple of pints by this point so i was feeling a bit more uh confident but uh so so as we got to the traffic lights i stopped them and said oh sorry guys you know just got to say hello you know you're a big fan and they were really really nice guys just stopped and we sort of stood there by the road and chatted for about five minutes or so and you know they were in no rush at all to to get to the venue or start the gig or anything like that um yeah so really really nice um, really nice guys uh and then and from that point yeah it was just a great gig uh yeah yeah oh that's so fun that you got to meet them they're so gracious right yeah no really good guys and just yeah just chatting like you know like it was like it was nothing you know yeah and you know asking where we were from and you know uh they were talking about how they'd played at the same venue with sonic youth like back in the 90s and you know and stuff like that just really yeah it's really nice little little moment um and then managed to to meet them a second time um at the blue dot festival uh the year after wow uh because they and i don't think this was really. Track 3: [14:40] Picked up online that much but on the first event of the day at the festival it was on the poster described as a listening party, And I thought a listening party with pavement and it was a sort of event curated by Tim Burgess from the charlatans. Okay. He does these sort of online listening parties where he plays an album and people listen along live and, you know, that sort of thing. And so I thought, okay, that's probably just, you know, in a tent somewhere, they're probably playing a pavement album and maybe talking about it on stage, that sort of thing. So I thought, well, I'll head over to that before, you know. Track 3: [15:20] Before we go and see any bands. And so I head over to this tent, turn the corner, and the entire band are in this tent, up on this little stage. And it's probably about, I don't know, maybe 200 people on sort of chairs. It's like a sort of wedding tent, you know, like chairs. And they're playing Wari Zari through the speakers. And they've got this interviewer on stage, and she's just talking to them about the album as they play it through, like track by track. Track 3: [15:50] Um and you know so you got like a sort of track by track rundown of every wow it's like it's so surreal to sort of turn the corner step into this tent and you know mount merson the rest of them were all on stage and they're doing that kind of track by track blow by blow rundown of every every you know every song on the rise alley i was just i was just like i wish i wish i had a bit of paper to write some of this stuff down or to remember what they're saying because it was it was really good really good sort of um director's commentary yeah exactly it's like you know those sort of um uh on tv here on say like you know on like a friday night we might get, a sort of behind the scenes documentary on some 80s band or something and they're sitting at the mixing desk and they're talking about how they recorded this album years ago it was like that but for a band you actually like and for an album you know um an album you're actually really invested in um yeah so that was really cool, uh and then yeah so what's your go-to record these days uh these days i would say it's um yeah uh because i think it's got the most variety sure does uh it's probably like the best. Track 3: [17:10] Single if you were to sort of say what if you were to give one record to somebody and say this This is what pavement's like. I would say it's Wari Zari because it's got the louder stuff, the quieter stuff. Track 3: [17:21] It's really eclectic. Track 3: [17:26] Yeah, when I was younger, it was Crooked Rain that was always the one that I would go to. But I think now it's Wari Zari. Track 3: [17:37] Well, what do you think there, Stephen? Should we flip the record and talk about song number 27? Let's do it, yeah. Alright, we'll be back right after this. Track 3: [23:35] It's the fourth song from Terror Twilight on the Countdown. Song number 27 is the fantastic The Hex. Stephen, what are your initial thoughts about this song, The Hex? The Hex. It's a really cool song. It's, I think it's completely different to anything else that Pavement does. I think it's very unique. um it's got a style which isn't really isn't really there in any i can't think of any other song that looks like it it's um you know it's kind of it's kind of slow kind of lurching, atmospheric um it's got a kind of it's almost a kind of proggy kind of vibe um Um, uh, but yeah, no, no, it's really, it's really cool. Um, I love the guitar solo. It's, it's absolutely brilliant. Did they play at any of the live shows you went to? They did. They did. They did, uh, at Blue Dot. Yeah. I was, um, they, they didn't take leads on Manchester and I was really hoping they would. Uh, and yeah, and then they, they played it at the last one. So I was happy. Yeah. Really happy with that. They really open it up live. Don't they? Oh, it's great. Yeah. Yeah, really cool song live. Track 3: [24:57] It's one of those kind of jammy songs. You know, you can tell it's come from a, you know, a band session rather than something that's been kind of written in advance. Track 3: [25:10] And in fact, you've got the, there's that other version of it, isn't there? And then the Hex. Yeah, and then the Hex. Yeah, that's on the B side. and that's i think that was part of the bright in the corners sessions yeah i believe so yeah yeah yeah and so that that version is pretty cool as well but that's much more it hasn't really got that kind of haunting sort of vibe to it it's more kind of crunchy and rocky it kind of i don't think it really emphasizes that sort of guitar line so much it's more straight into the kind of chorus and then like Magnus is doing the kind of scatting yelling bit over the top, it's quite a cool version. Yeah. So you can kind of see how that kind of rocky jam that they started with sort of evolved into this kind of more atmospheric, proggy song and I'd imagine quite a lot of that is probably down to Nigel Godrich. I bet you're right. I bet you're right. Because it's really dense as well, isn't it? Yeah. Whereas a lot of Pavement songs tend to be sparse production-wise, the whole Terror Twilight is so rich and atmospheric. Yeah. This song is a great example of that. Definitely, definitely. It's almost kind of claustrophobic. You can kind of get lost in it. Track 3: [26:33] Yeah, it's a really cool song. um in fact yeah on the on the nigel gottrich uh sequence i think he puts it at number two, so he obviously thinks it's like uh you know should be up there at the beginning i do think it works a bit better at the end as a uh you know as a sort of finale rather than pin it right right up there at the beginning yeah i like the sequence that that they put together for uh terror twilight uh i think i like it a little bit better than the gottrich sequence but it's cool that we have both. Definitely, yeah. Yeah. It changes the record. It does, it does. It's funny how a sequence can change the feel of something. Yeah. But like I was saying before, Spit on a Stranger is just the perfect opening for an album, I think. It's spot on to put that at the beginning. Track 3: [27:28] But to start off with The Hex, it's pretty dense. It's pretty yeah um but yeah no yeah really cool so do you have a handle on what this song is about, well i was having to think and yeah i mean i've been listening to this song a lot, over the past few weeks in preparation um and trying to get a sense of what's what's going on but to me it feels kind of it's kind of in some ways it's a bit radio heady because i think it's it's kind of, it's kind of a bit about um existence and alienation and feeling sort of lost and uh like some of the lyrics um, He's talking about, you know, sort of been reeling around a parking lot, being, you know, being lost in life and not knowing where you're going. Track 3: [28:27] There's some great stuff in the lyrics. That line about the epileptic surgeons with their eyes X'd out. You know, it's pretty creepy stuff. Yeah. You know, attending to the torn up kid. so you can kind of imagine this sort of you know you can kind of read that as someone who's sort of physically broken or someone who's maybe emotionally torn up like you know life has just got too heavy and right broken them down and you've got these sort of zombie, twitching surgeons attending you know attending to this kid um so pretty pretty sort of nightmarish childish kind of stuff um i love that line about the uh the secondary stumbles because the cadence of the count has led him astray i just love the sort of syncopation of that line it's it's brilliant um and then you've got uh uh the the sort of section about the architecture students which i love that yeah that's got to be one of his uh one of his best lines definitely It's, yeah, really funny. It kind of. Track 3: [29:50] Yeah, he has these lines like the bit about, you know, the architecture students with the itch they can't scratch, and, you know, the surgeons in the second verse and songs like Grounded where he's sort of taking a pot at doctors and it seems like he's got this kind of. Track 3: [30:09] He likes to sort of take the pot shots at the professional classes, I think. I think, you know, he's there from the sort of creative side, the artistic side and he's looking at the people that are kind of dedicating their lives to these sort of, you know to these professional and technical endeavors and he's sort of you know taking little pot shots at that I think that's I think that's great. I like that that's good but yeah it's kind of, it reminds me of a lot of like a Radiohead song something from OK Computer or something where it's talking about the state of the world and alienation and being lost and these sort of little nightmarish, the janets uh here and there um really good really good stuff um the the line about the swallow at the beginning is pretty cool as well i mean i think so too yeah i mean i think that's him kind of in some ways kind of showing off a little bit about some you know his knowledge about migratory birds which you know you can see that so it's quite humorous on that on that side but also i think it's kind of talking about um so so the line is uh swallow answer to your inner voice and please return god installed that radar in your pointy little beak so please return so it's kind of like it's a bit you know you could see it one way it's about nature about migratory birds or you could or you could see that it's something to do with kind of like destiny and fate. Track 3: [31:39] These creatures are kind of, you know, they're drawn back. They've got no sort of free will. Track 3: [31:47] And you can maybe see it like, perhaps it's kind of, maybe like a broken relationship and he's, you know, his partner's broken up with him and gone off and he knows they'll come back because they're drawn back with this sort of instinct, this kind of fate. You know, you can't escape this kind of instinct that's within you. Um good yeah so it's all yeah there's i think there's a lot of stuff in there like that which is i think i think different to to your average pavement song it's a lot more downbeat a lot darker a lot sort of um. Track 3: [32:24] A lot more sort of oppressive um and and that together with the whole sort of rhythm with the thing and the kind of sort of lurching piano guitar line that sort of just you know that sort of those sort of bass notes and then sort of that sort of descending guitar part all the way down yeah um yeah really cool really cool nice stab nice stab on the sm lyrics though because Because, for real, he's really tough to nail down, right? Like, it's really tough to figure out what he's saying because it does change so much. It is like phraseology, in a sense, you know? Like, just throwing out neat, syncopatic phrases and bits of thoughts and bits of ideas, and then you get this structure, you know? Very cool. Yeah, definitely. It's more about the kind of image. which, you know, it's kind of poetry in that sense, isn't it? Because it's more about the image it creates in your head than anything literal, you know? Yeah. Track 3: [33:28] How do you feel about the ranking of this song? Is it properly ranked? Is it 27? Should it be higher? Should it be lower? Yeah. I mean, not wanting to question the abacus, but I think it could be higher. I think uh i was just looking at my my uh submission to you and i think i had it at 13, that sounds more about right like just outside the top 10 i think it's one of the one of the one of the greats definitely i mean it's different i can i can understand why it's lower because i think i don't think it's a pavement song in that sense i think it's more of a it's not really really representative of what what they do it's quite unique um it's more of a shows you that sorry i apologize okay it all well it also shows you that terror twilight just doesn't have the same love that you know that other pavement records have you know like people like some of the songs are held back because you know people like a lot of people have terror twilight is number five. The rest of the records are interchangeable. You know, like, oh, I have Slanted at number one. Oh, I have Crooked at number one. Oh, I have Wally's Alley at number one. But most people have Terror of Twilight around five, it seems. Track 3: [34:50] Yeah, no, I can understand that. And I think maybe because this was the first record that I got, you don't come to it with all that sort of baggage, really. That's right. You can kind of see it as an isolated record rather than in the context of everything else. But no, I think it needs to be higher. Just for the guitar solo alone, it's like, it's so, so, so good. Track 3: [35:16] It's almost kind of a bit Pink Floyd-y, a bit kind of prog-y. It's probably like the cleanest guitar solo that he does really like most most of the guitar stuff he does is kind of you know sort of intentionally sloppy and and you know distorted and he's hit you know hitting these off key notes on purpose and you know like like the um like the solo on thin which is another absolutely fantastic solo but that's all like you know that's that's completely all over the place which you know in a really good way but uh in a great way yeah Whereas this solo is much more tightly controlled and sort of almost like classic rock. You know, it's really nice. Interesting. Classic rock. Okay, I can see that. Yeah, I could see it on the, you know, downside of the moon or something like that. Yeah. I was just listening to Dark Side before we got on the call. Yeah. Nice, nice. Yeah. Track 3: [36:16] Yeah. Well, man, it's been great having you on to talk about your origin story and the hacks. Is there anything that you want to plug or anything like that? No, not really. No, I don't really have much internet presence or produce anything creative. Well, that's cool. That's cool, nevertheless. No, no, no. I really appreciate your time. And I thank you so much for doing this. No worries. it's no it's been it's been a lot of fun i was i was looking forward to this for a long time and you know like i said i've been enjoying the countdown so far uh and uh looking forward to see what seeing what comes up at the top i'll never tell yeah well i'll tell in december but yeah all right steven thanks so much talk to you soon watch your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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This week on the ole Pavement top 50 podcast, jD welcomes Amir from Providence to talk all about his Pavement origin story and to breakdown song 28! Transcript: Track 1: [0:00] Previously on the Pavement Top 50. Oh, I love this song so much. It's a song, I hadn't, it wasn't on my first wave of songs to study, even though I knew we were going to play it. But it wasn't, like, you know, there were other songs I felt like I had to nail more. So this was towards the end. I said, okay, let me get into this type slow jam. Hey, this is Westy from the Rock and Roll Band. Track 3: [0:24] And you're listening to The Countdown. Hey it's shay d here back for another episode of our top 50 countdown for seminal indie rock band pavement week over week we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots i then tabulated the results using an abacus and the kid from the sixth sense wait a minute am i dead how will your favorite song fare in the rankings. You'll need to tune in to find out. So there's that. This week, I'm joined by pavement superfan Amir from Providence. Amir, how the fuck are you? Hello, I'm calling from Providence, Rhode Island, and I'm very fine. Life is good. Excellent. That is good news. It's great to have you here. Let's just not beat around the bush. Let's get right into this. What is your Or pavement origin story. So that's a long origin story. So I live in Providence, Rhode Island, as I mentioned. By the way, cheers. This is local. Cheers. Watery domestic beer from Rhode Island. Narragansett Atlantic-like lager. So... Track 3: [1:37] A little plug for Atlantic Light Lager. Yeah. But anyway, yeah, that's very watery. Anyway, so I was not born here. I was born in Moscow, not Moscow, Idaho. Moscow, Soviet Union, which is more or less the same thing as Russia. And I grew up there in the 80s. And I loved music since I was, I don't know, since I remember myself. I started playing piano when I was four. So I listened to a lot of music it was also the 1980s were an exciting time for rock music in Russia because Russia was like after many decades of like complete censorship it was starting to open up and, rock music suddenly became legal so it was possible to listen to that, if you if this makes you curious I recommend everybody listen to the Wind of Change podcast It's just an amazing story. Oh, it's amazing. I've listened to it. Yes, it's brilliant. So, but, yeah, so I started, like, loving rock music when I was, like, a child. But we are a Jewish family, so we moved to Israel in 1991. Track 3: [2:52] And even though Russia was opening up back then, Israel was, like, always a very open country, open to everything. So we had MTV, or more precisely, we had MTV Europe, which is not exactly the same thing. Uh mtv like in the united states and mtv europe it's not exactly the same thing mtv europe has a lot of uh uk uh bias and uh like because it broadcasted from the uk uh and uh it's it also tried to incorporate some other european music like italian or german but it was mostly like very uk biased so that's when i was growing up mtv was uh important it was like there was no youtube YouTube kind of replaced MTV now but MTV was important culturally like hugely important not just for myself but for a lot of other people, but initially when I started like watching it it was kind of boring at least during the day but then during the night it got much more exciting because they started like after midnight, they started playing much more interesting stuff and there was a show called Alternative Nation I think it was every Tuesday on MTV Europe and they played stuff like Sonic Youth and Pavement and European what you would say alternative bands, like whatever alternative even means. Track 3: [4:18] I tried to figure out what does it even mean that it's alternative? Is it a certain guitar sound? It actually doesn't mean much at all. It's just rock music that is cooler than Bon Jovi. Well, what's funny, it was alternative to the mainstream and then it became the mainstream. Exactly. Like, if you look back at this, like, it was totally the mainstream. Like, Nirvana was alternative, but it was already quite the mainstream back in 1992. And by now, it's completely mainstream. But, you know, whatever. Names of things are sometimes funny. So, yeah. And they mentioned pavement occasionally. Now, initially, they mentioned, I didn't really dig it. Like I remember, I definitely remember they showed Cut Your Hair, of course. They never showed it during the day. They showed it late at night. Track 3: [5:12] I didn't really understand it. I was like, it just looked weird. And these days, I look at the Cut Your Hair video, and now I'm a Dan and I have children, and they look at it and they just think it's funny with the gorilla and the lizard. Yes. And I was just overthinking it totally. Like I was 15 years old. why what does what does this mean i was totally overthinking it um but yeah they should cut your hair and they i remember they showed the gold sounds video um maybe also yeah rattled by the rush like the weird the weird version with the bathtub okay didn't really understand like what's the deal with that so i did love like i did love a lot of other alternative bands like i loved sonic youth i loved therapy if you if you heard that's a band from northern ireland uh i love the, alternative, rock band, whatever that means. Track 3: [6:03] Anyway, so then I graduated high school. And as pretty much everybody else in Israel, I got drafted to the military. Now, what you don't hear, you often hear about the Israeli military on the news. What you don't hear about the Israeli military is that most people there, they don't do combat and wars and stuff like that. It's just, I work with computers And that's like what most people do. They work with, you know, cars, equipment, computers, whatever. I worked with computers. And I had a friend there. And that friend was much cooler than I am. He's probably still to this day much cooler than I am. And he had many more CDs than I had. And he knew alternative music like way better than I had. I did know Sonic Youth. Sonic Youth, which is another Samuel band. I did know Sonic Youth much better than he did. But other than that, he was like the huge expert. He taught me about cool bands like Mogwai and Mercury Rev and a bunch of others. And he taught me about pavement. Track 3: [7:08] And he gave me the Wowie Zowie CD to listen. Interesting. And I was immediately hooked. That was just incredible. So like from the first seconds of We Dance, oh my God, how did I miss that? We Dance is such a brilliant song. I'm just thinking about this. I will make this really weird comparison, but it kind of makes sense to me. Because like I mentioned that I play piano. I played piano for many years, like almost 40 years now. Oh my God. I'm old. And I... Track 3: [7:43] There's another band called Guns N' Roses. There is. Which is nowhere near as cool as Pavement. Nowhere near. But that's like the not-alternative thing that they were showing a lot on MTV. And I couldn't feel like, why are so many people excited about this band? And then I saw November Rain, which, ooh, it has piano. Piano is classy. So it's classy. It doesn't... No, I'm not comparing. I'm not comparing Guns N' Roses to Pavement, but We Dance had the piano, piano is classy. And so I heard like, Ooh, that's a much like, that's such an interesting song. And I absolutely loved it. And I loved the rest of the album as hectic and eclectic as it is and extremely long. I saw it described somewhere as three six-song EPs or six three-song EPs. That's probably the... That's an interesting way to look at it. Yeah, I saw it described like that somewhere. It's a very weird album, but it's so great. It's absolutely like all of it. I love it. And then I heard the rest of it from that friend. And he gave me like Crooked Rain, Crooked Rain, and Brighten the Corners. Track 3: [9:10] And later I just bought them all myself. So slanted, of course. So I have them all twice because they released them with the usual version and then the Lux and Redux and all those. LA Desert, they expanded. So I have them all twice. Track 3: [9:27] Yeah. And yeah, so that's kind of my pavement origin story. And yeah, and I became a super fan, I guess, around 98 or 99. Wow. So you got to experience Terror Twilight when it came out. That one you got to experience, right? In real time? Yep. What did you think of that at the time? It was very different. I did love it. I loved all the songs. I listened to it a lot back then. Track 3: [9:57] It's very different it's very different from if I really have I don't want to but if I really have to pick a favorite album it would probably be Crooked Rain Crooked Rain I really love them all but Terror Twilight is very different, has its own style unlike Wawizawi which has like 20 different styles but yeah, Terror Twilight definitely has a certain and particular. Track 3: [10:25] Integrated feel to it. Yeah, I would agree. So did you ever get a chance to see them live? Yeah. So first time I saw something related to Pavement, it was not Pavement. And it was not Malcolm's solo. It was a show in Israel, in Tel Aviv, in 2004. It was a tribute show, like a bunch of local Israeli bands played a tribute show to Pavement and Malcolm's. Really? It was pretty brilliant. Yeah. Israel has like a very varied music scene. Okay. Rock of all kinds of styles and jazz. I know nothing about it. It's not that known around the world, but it has a very rich, vibrant music scene. Mostly sang in Hebrew, but occasionally in English. So that show had bands singing mostly in English. Like I remember a band that I really loved, they performed Gold Sounds. Track 3: [11:27] And here, I think, uh, that's like, that, that's how I, that's how I found out about that show that like, there was a band that I, that I love. They, they, that band used to be called blush and lure back then. And they sang in English later. They changed the name of the band and they started singing in Hebrew, but, but back then they were singing in English and, uh, yeah. So they performed two songs there. I think it's definitely gold sounds and probably here. Here and uh yeah there was a bunch of other bands and like some of them did like very similar versions to the original some of them completely reworked them as like punk songs some of them translated the lyrics to hebrew like there was a i think it was father to a sister of thought they completely translated it to hebrew that was that was fun so anyway uh yeah that was a cool show. The second time I saw something pavement related was in 2010. Track 3: [12:23] 2010, that was the first big reunion in New York, in Central Park. That was a brilliant show. It's actually possible that you and I went to the same show. Yes, I know. Yeah. And yeah, I absolutely loved it. I think, like you mentioned a couple of times on your podcast, that, how did you describe it? That they seemed tired or something like that? Track 3: [12:48] Yeah, they just didn't seem into it. You know, the same way they did on this newer tour. Maybe, um, maybe I, I was absolutely excited about this. Oh, me too. At least, at least the part, they also seemed like very excited. Uh, the Stanowich was like ecstatic, uh, eyeballed, uh, who is like, usually very like quiet and, uh, serious. He was actually quite chatty on the stage. I remember, like, I remember him speaking to New York and how cool, like he's, he's from New York and how cool New York is and how cool Queens is. He, he mentioned Queens. I don't remember what he's, what did he say exactly, but like, he's like, are there people from Queens or something like that? Like he looked. I don't remember that. Yeah. And he's, he mentioned something like that. So anyway, um, yeah, it was, it was a fantastic show. Such a fantastic show. Track 3: [13:43] Heckler Spray, Summer Babe. Oh, wow. In the Mountain Desert. Uh, just a fantastic, fantastic show. So is the record that you go back to now, like, is it Wowie Zowie when you have a hankering for Pavement, or is it your favorite, Crooked Rain, Crooked Rain? I would probably say, it's so hard to say, I would probably say Crooked Rain and Slanted, but I love them all. I love them all. I listen to them all. There was a third Pavement-related thing I saw, and that was Malkmus. Track 3: [14:18] Malcolm's solo I think it was in 2012 or 13 it was the it was it was. Track 3: [14:26] Oh, I'm, I'm blacking out. Which, uh, which, uh, the album with, uh, uh, Senator, uh, which, which album is that? Mirror Traffic? Yes, that one. Uh, yeah. So that was, that was a brilliant show. Uh, that was a really brilliant show. Towards, towards the end, he did, uh, uh, something like, uh, funny, uh, Faith No More impersonation. Really? yeah like towards the end of the show he played he played a couple of famous so he played here and i think uh speaks he remember and uh at one of the songs towards the end they were like the jigs were getting all uh uh in a good mood and uh jamming and at some point they just started started playing um what's the famous faith no more song epic yeah yeah they just I started playing that. That's so cool. Yeah. Anyway, it was a brilliant rock and roll show. So yeah, so these are the three Pavement-related shows I attended. Nice. Well, what do you say we take a quick break and come back and talk about song number 28? Let's do that. Let's do that. Hey, this is Bob Mustanovich from Pavement. Track 1: [15:43] Thanks listening. And now on with a countdown. 28. Track 3: [20:18] Song number 28 on the countdown comes from Crooked Rain. Crooked Rain, amazingly, it's the first song from their sophomore effort to appear on this list. You can exhale now because track 28 is Stop Breathing. Amir. Yeah. What are your initial thoughts about this song? I love this song. It appears in my top 20 that I sent you. I think it's number 14 there. so it's, half of your number I know maybe I should have rated it even higher it's like it's a brilliant song it's kind of special I made a bit of homework so it has the, it has if I'm not mistaken I learned music for many years but maybe I'm mistaken about something but almost all Pavement songs have the quadruple rhythm 1, 2, 3, 4 okay this one is Because the correct term here is probably the six-eighths rhythm. Oh, okay. One, two, three, one, two, three, one, two, three, one, two, three. Track 3: [21:27] So there are not a lot of pavement songs in this rhythm. On the studio albums, it's just Our Singer and Stop Breathing. And half of Fight This Generation, the beginning of Fight This Generation. Oh, okay. The rest, and well, there's also 5-4 equals Unity, which begins in 5-4ths. And then I think actually the chorus is also in 3-4ths or 6-8ths. And the rest of the pavement, well, in all the kinds of B-sides and bonus tracks, tracks uh there are a bunch of uh um six eighths uh songs uh mercy snack kentucky cocktail so stark sagano stray fire um and yeah that's about it you did do your homework i did do my homework there's also kneeling bus uh also known as rugrat which is a very weird beat that i couldn't completely understand a very very cool one uh but it's like it's neither four neither three but yeah so that's so it's pretty. Track 3: [22:36] It's pretty unique relatively unique in that regard it's beautifully placed in the track list at the third third spot kind of a different mood between like the big rockers the, uh elevate me later and uh cut your hair yeah so that one has a different mood it has very beautiful uh guitar sound uh throughout the song and especially of course towards the end, um so yeah i absolutely love the song one of the best they the pavement has very, pretty much no songs that uh i would like say that they are bad but this this one is really one one of the best so what's your relationship with this song uh crooked rain crooked rain you said is your favorite record so what do you remember about the first time you heard this song or. Track 3: [23:33] Something like that so so this was the this was the second album i heard uh after wavy zowie and it's relatively much more uh much more of a straightforward rock straight absolutely relatively, compare it compared to wawi especially the first song like it gets a bit weirder towards the end but uh the beginning of it it's like it's a relatively very straightforward i agree. Track 3: [23:58] In a classic rock album i i i heard somewhere that uh malcolm called it like disparagingly classic rock like he said that silent kid is a is a classic rock song in like in a not very good way, but he's wrong well it's maybe he was just sarcastic i don't know it was Because Silent Kid is a brilliant song. And Stop Breathing is a brilliant song. It has this really, really beautiful guitar sound and this beat. And it may be, oh my God, this is such a cool rock band with cool melodies. And they do all these things so easily. And it sounds like they were just having fun. But the song, it's kind of somber, kind of solemn, kind of serious. Yeah, I agree. Relatively. It has this special atmosphere. Nevertheless, it feels like while they're playing it, they're having a lot of fun with these guitars. Like, that's a really special guitar sound, especially towards the end. And it gets stronger and stronger. Track 3: [25:08] And oh my God, it's just so beautiful. It's just so inspirational. Yeah. What do you think the song is about? I have no idea. I barely ever listen to lyrics, to be honest. In music, I mostly listen to the melodies and the playing and the arrangements. Track 3: [25:31] Volley. Like, volley has a... It's kind of a... Like, it probably refers to both things. Like, both to the volley in sports. ports and in the war. And that's kind of a menacing word. It's struck by the first volley. So that gets you in a kind of a tragic mood from the start. And then it says, stop breathing. And there's also this alternative version on LA Desert Origins where he says, start bleeding, like stop breathing and then start bleeding. Really? Yeah. I gotta re-listen to LA Desert Origins. My memory is so shit. Oh, well. Yeah. It's like the comment there is that it's from Louder Than You you think, 1993, and it's probably, I don't know, maybe it's a demo, maybe it's not a demo, maybe it was at some point intended to be released. But in the chorus there, he says, stop breathing and then start bleeding, which makes it even more menacing. Yeah. Track 3: [26:46] Yeah. So there's this menacing song, and right after it, there's Cut Your Hair, which is very fun. The exact opposite. The exact opposite. Track 3: [26:55] But menacing, you know, my attitude to music is embodied in a poem that I really love. It was written by a jazz musician who's very old, but he's still alive, I think. His name is Oliver Lake, a jazz saxophone player. And he wrote a poem. And in the poem, he mentions names of many musical artists that he loves. and they're very different artists. Track 3: [27:26] And he's like, and the poem is built like a conversation between himself and the waiter in the restaurant. And then he says, put all the meals in one, put all my meals in one plate. Don't ask me what kind of music I play. I play the good kind. So I like, I actually, I don't care very much about the genres of music and I don't care very much about the mood of a particular song. Like some songs are happy and some songs are sad and some songs are scary like these are all important things but uh eventually i i i judge all songs by like this is the good song or is it not a very good song and uh this song is is of the good kind uh yeah that's that's the really important thing like it like it definitely has a mood uh definitely has a very identifiable probably intentional mood and it's probably placed intentionally in that sequence uh on the album but it definitely has this character. Track 3: [28:25] So this is going to be I think I know the answer to this because. Track 3: [28:31] You've already told me what you rated it on your list but do you think this song is properly rated overrated underrated on the top 50 28 is lowish, I would be very unpleasantly surprised if it was not in the top 50 at all um i like i would probably rate it a bit higher uh maybe it's not my number one song but it's like it's pretty like it's pretty high it's pretty high on my list it's a great song it is absolutely there's nothing to shake a stick at unless it's a complimentary uh stick shaking your dick fun fun fact about uh the tennis part uh the so the song is like you mentioned it uh You mentioned that you read it from those notes that Malthus had in his own songs. And he mentioned tennis himself, so we have it from himself. Track 3: [29:28] I checked it. So I edit Wikipedia quite often in English and in Hebrew and occasionally in other languages. And I checked what is actually Malthus' relation to tennis. Track 3: [29:41] And the English Wikipedia mentions that he loves playing golf and tennis, but he doesn't, Here's where it gets funny. So Wikipedia editors, good, serious Wikipedia editors, try to fact-check everything. And the fact-check in Wikipedia is done by adding footnotes. You may have noticed that Wikipedia has lots of footnotes. So I checked the footnotes. So where it mentions that he plays golf and tennis, it had two footnotes. Both of them were not very good. One of them was a completely dead link. the other one didn't say anything about any sports so I found another source like it's actually a tennis website where he speaks about actually loving tennis so yeah so there's another confirmation that he loves tennis that other tennis website mentioned the song yeah so I improved the English Wikipedia article about Mr. Stephen Maltmes and now it has a better footnote for the tennis information, So, yeah, that's a kind of thing I do for fun. Cool. Track 3: [30:50] Well, it's been really great talking to you today. I'm curious if you have anything that you want to plug or mention for people to look at on the internet or anything that you've created, anything like that. Well not much I'm kind of I'm trying I'm trying to I moved I lived in Israel for many years and I moved to Providence a few months ago my wife is doing an academic project here so we all moved together with the kids. Track 3: [31:21] But I love as I mentioned I love Israeli music I'm, there's not much to plug I'm trying to start a band that would play covers of Israeli songs which is challenging in the united states i it's i'm slowly finding some people to do that but there's not much to say about this right now uh but uh you know you can you can find in the future there might be a band that we can look for hopefully and uh then i would maybe um i would i would probably i would probably mostly play uh covers of israeli music or maybe in the loop on that amir maybe an occasional pavement song what's that keep me in the loop on that shoot me an email when you get it going and I'll talk about it on the pod. I haven't tried that. Maybe an occasional pavement song. Yeah, that would be cool. Well, like I say, it's been a blast spending this time with you today. I really appreciate you doing this heavy lifting on a podcast that is ostensibly yours. Track 3: [32:21] So, thank you very much for that and make sure to wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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This week on the pod I'm thrilled to be joined by Rebecca Clay Cole motherfuckers! We talk about her Pavement origin story, to joining the band on key, and breaking down song number 29! Transcript: Track 2: [0:00] Previously on the Pavement Top 50. Track 1: [0:02] At track 30, we have Spit on a Stranger. What the hell do you make of this song, Devin? I'm really glad I got this song because I love this song. And the thing about this song is that there's a real tension within the song that truly appeals to me. because I believe that musically and in the verses, this is the most romantic song that Pavement has ever recorded. Track 2: [0:31] Hey, this is Westy from the Rock and Roll Band, Pavement, and you're listening to The Countdown. Track 3: [0:39] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballads. I then tabulated the results using an abacus and all my fingers on my left hand, except for my thumb. Fuck you, thumb. How will your favorite songs fare in the rankings? Well, you'll need to tune in to find out. So there's that. Track 2: [1:06] This week, we're joined by Pavement superfan, well, not Pavement superfan, Pavement superstar, Rebecca fucking Clay Cole. Rebecca, how the hell are you? Track 4: [1:17] Hello, I actually, I'm a fan. I don't know if I'm a super fan, because I've met some super fans. And I don't know if I have the level of technical knowledge. But I'm a fan and in the band. So nice to meet you. Track 3: [1:30] Nice to meet you as well. You definitely have the technical knowledge. I saw you guys play on the 22 reunion tour eight times, I think. And it was tremendous. I had so much fun. I was at the Fonda show. I saw two shows in Toronto and then like six shows in London. Track 4: [1:48] Oh, great. Track 3: [1:49] Or not London, but UK. Track 4: [1:51] Cool. Track 3: [1:52] So very, a lot of fun. Track 4: [1:54] A good range of shows there. Track 3: [1:55] Yeah, I think so. I was pleased. I wanted to go to Iceland really bad, but that didn't fall on the cards. Track 4: [2:02] Well, maybe we'll be in Iceland again someday. Track 3: [2:04] That would be cool. Track 4: [2:05] Join us if that happens. Track 3: [2:07] I will do that. So let's get right to the punch here and talk about, this is sort of funny to be talking about something, Sort of funny to be talking with somebody in the band about their Pavement Origins story, but obviously you came late to the band, and we'll talk about that. I really want to know what it's like to join a band that's an established band, but hasn't been on the road in a while. I want to know that as well, but I really want to know your Pavement Origins story. Track 4: [2:36] My Pavement Origins story. Well, I think the first time I was aware of Pavement was when they were opening for Sonic Youth. It was maybe Sonic Youth Mudhoney Pavement at Red Rocks. Track 3: [2:52] Oh, really? Track 4: [2:53] They were the first band to play and I had never heard of them. I hadn't heard of much because at this point I think I was six months in Denver. And before that I'd lived like on a farm and on an island. So I had no cultural touchstones at all for a teenager. I was really, I wouldn't say ignorant, but I just sort of formed my own musical education. I'd never been to a punk show. There were no punk shows in the Virgin Islands, you know, or in the farm in Kentucky. So all of that is to say some friends took me to Red Rocks to see this show. And Pavement was the first band. So that was my first introduction to Pavement. Track 3: [3:29] And what did you think? Track 4: [3:31] I did not understand it. I didn't understand it at all. But Gary was in fine form, and I remember not spending a lot of time behind his kit. And I just was confused what the performance was. I didn't understand it. I didn't have the language to understand it at the time. Track 3: [3:49] That's phenomenal. And Red Rocks, to boot. I've never been, but it's supposed to be just a fantastic venue, right? Track 4: [3:59] Maybe Pavement can play it again with me. Track 3: [4:02] Oh, that's awesome. Track 4: [4:04] I'll just plant that seed out there to the universe. Track 3: [4:06] Yeah. Track 4: [4:07] We'd like it to grow. Track 3: [4:08] So where did it go from there? Did you... At what point did you click? Did it go, oh, yeah, I get this? Track 4: [4:17] You know, not much later. Maybe a year or two later, I was... I found myself joined into an indie band. And this was 90... 94 maybe okay um 93 94 95 for sure um and so pavement was of course i should maybe it's not and of course but it was just like a touchstone you know it was like they were one of the coolest bands doing it and someone that everyone in my scene looked up to very very greatly and so i saw them touring wawi zawi they had my friends the apples and stereo opening for them for a section of that tour and so I got to see that show with Apple's opening which was great um so yeah I would say Wowie Zowie was that era where I like I definitely remember thrifting for my first set of stage clothes for the Minders like listening to that cassette going to the thrift store with my friend Tammy oh. Track 3: [5:12] That's a cool memory. Track 4: [5:13] Getting ready for our first gig yeah. Track 3: [5:15] That's so cool what What was the name. Track 4: [5:17] Of the band? The Minders. Track 3: [5:19] The Minders. Is there anything out there that people can find? Track 4: [5:24] Yeah. Check it out. Track 3: [5:26] Yeah, I will definitely check that out. Yeah. So from there, we fast forward a number of years, and it's now 2021, I'm guessing, when you got the call, or was it early in 2022? Track 4: [5:43] I actually, Steven had asked me in 2020, 19. Track 3: [5:50] Oh, right. Because they were going to go on the road in 2020. Track 4: [5:54] Because the Jicks were at Primavera, I think. Track 3: [5:59] Okay. Track 4: [5:59] If I'm not mistaken. This is how I remember it in my time. I'm friends with Joanna. She played briefly in The Minders. And we're just really close in addition to that. And the rest of the Jicks. I'm friends with all the Jicks. But anyway, Stephen had asked me about 2020 and not to tell anyone. And so I hadn't. And so then somehow, because they were in Barcelona, he must have mentioned that I was doing it or that it was happening or someone in Barcelona. I don't know. But I got a lot of angry texts from the jigs like, why didn't you tell us? Track 3: [6:30] Oh, man. Track 4: [6:31] It's like, well, I was asked not to say anything to anyone. It was really hard. I'm glad someone knows now. Track 3: [6:37] You're a person of your word. That's great. Track 4: [6:39] In this one case, I was, yeah. Usually I'm that terrible gossip. it so. Track 3: [6:45] That happens and then obviously covet happens so that doesn't that doesn't you know pan out but 2022 comes around and you guys all assemble in portland to um to jam and to rehearse like a shitload of songs. Track 4: [7:04] What was what. Track 3: [7:06] Was that like for you how much prep work did you have to do going into that. Track 4: [7:11] Um I took it pretty seriously and I did a lot of prep work I pretty much took the three months before those rehearsals were just me rehearsing for rehearsals and I set up my my rig basically the same rig I use live I set up a version of that in my living room, with a mixer and an amp and like you know tried all sorts of different keyboard configurations and tried to figure out what I wanted to use live. And then from there, sort of figuring out, you know, there was programming a lot of sounds. It was important for me to learn the catalog in such a way that, that my goal was like if steven just played any riff like kind of randomly started noodling it that i would be able to know like the song its title where to find it in my notes like does it have keyboard and do i have that part ready to go or percussion or vocals or anything so that was sort of the level i wanted to be prepared for practice the first full band rehearsal which i I think, actually, I think I met my goal. I took, I had extensive notes. Track 3: [8:16] You posted them on social, right? Track 4: [8:18] I think Bob posted that picture first. Track 3: [8:21] Yeah, yeah. Track 4: [8:22] I was surprised you wanted to, like, but yeah. Those were the distilled notes. I mean, like, some songs have pages and pages where I've just painstakingly, like, transcribed, you know, using music notation, like, how the part looks on the sheet so I could read it and understand it that way. Other notes are a little more esoteric and squiggly. So yeah, that was the prep, three months of that. And I got, of course, by the end thought I wasn't ready at all. And then I showed up to practice and realized I was pretty ready. Track 3: [9:00] So you walk into the room. I'm sorry to keep painting these pictures. But you walk into the room, and this is an established group of people. Although they haven't seen each other in 10 years probably or close to or some of them haven't seen each other. How difficult is that to insert yourself or be inserted in something that is already established like that? Track 4: [9:25] And something I love. Not just like something that it's established for me in that way. Track 3: [9:32] Yeah. Track 4: [9:33] It was sort of heavy actually. I made it heavy in the preparation I guess. Like, I was nervous. I was very nervous about, uh... I mean, it sounds silly to say now that I've spent some years with them, but I was just hoping everyone would like me. Not like personally, necessarily, but what I'm bringing to the songs. Was everyone in the band equally on board with having a keyboard player? Am I stepping on any parts? At first, I was concerned, does Bob still want to play some keyboard lines? Track 3: [10:06] Oh, yeah. Track 4: [10:07] I wasn't quite sure how it had all come to be. And so I just, I, I, I walked in to not timidly, but just like trying to get a read before I really started asserting myself. But I, but then I forget my filter only lasts for a little bit. And then it's like within an hour or two, I think it was fine. Track 3: [10:27] Oh, that's so cool to hear. Yeah. Track 4: [10:29] I forget to be nervous. And then I'm just myself for better or for worse. Track 3: [10:33] No, that's great. great so from there we go to LA and we go to the Fonda show which I gotta tell you that show like kicked all sorts of ass that was so good you guys played so long and such a varied like we didn't know going into it that the set list was going to be as varied as it was um you know we We knew that you guys had practiced a lot of songs, but it just, it was surreal. What was it like for you? Track 4: [11:06] Surreal. Track 3: [11:07] Surreal as well. Track 4: [11:08] I mean, we'd done all, we'd done the rehearsal in Portland and, you know, the team, you know, for musical building, but also for me, some team building, like who are these guys exactly? And like, and then we did some practice in LA on a soundstage before the Fonda as well. And I was nervous. It wasn't even like I was nervous. I was just unsure. I was really unsure what to expect. I now had practiced with them for like eight days, and I had watched so much YouTube of them live. But I hadn't been on stage to feel, like I wasn't sure what I was going to feel on stage, if that makes sense, like how it was actually going to feel to perform the music. Track 4: [11:48] And like rehearsal and performance are two different energies. Strategies, just wasn't sure what I was going to get from the five guys as far as all that went. Track 4: [11:56] And I also was really unsure what I was going to get from the crowd. It's like, I was like, yeah, I have eight days of practice with them. Like, I feel pretty good that they like my contribution. But now the question is, like, does anyone else like the contribution? Is it going to work? Track 4: [12:12] Will it be unfavorably compared? I had a lot a lot of that swirling in my head i was and it was uh yeah i wouldn't say nerves both under and overstates the situation it wasn't like i was shaking in my boots but it felt heavier than that it was like too heavy to be shaken in my boots but then steven did this really cool thing and maybe he could tell i was nervous i i will also say i don't think i was the only one with jitters i think they also hadn't played out in over a decade together so a lot of those questions maybe they're asking themselves as well um but steven rallied us really classic but and maybe like a little maybe it seemed pat to say it now but at the time it felt really good but he was just reminded us all that we practiced hard and it was going to be fun um and it's the strangest thing jd because as we walked on stage all of that tension left and that's really gifts that's been the hugest gift for me of playing in this band I got it on the first show and it's no fear it was just like this is fun these guys are fun the energy is fun and that is how it feels on stage to play with them I learned that night the reason the tension goes away is because it's about something. Track 4: [13:34] More important than And like, did you execute your part properly? Track 3: [13:37] Right. Track 4: [13:38] You know, it's like, are you in the right head and heart space? And they probably don't use these words for it. This is how I'm describing it. You know, to make the music matter, there has to be a feeling there. And they all excel at that. It turns out I had nothing to be worried about. Pure joy being on stage with those guys. Track 3: [13:54] Okay, I'm curious about your favorite songs to play. What are some that you had a lot of fun with? Track 4: [14:02] I mean, they're all so fun. And I'm not just saying that, I mean. Track 3: [14:06] No, that's cool. Track 4: [14:07] They're all pretty fun to play. Even when I'm just shaking a tambourine half of one chorus or something of a song, it's like, I can't believe I get to play the tambourine on this part. They didn't just invite me up. They're paying me to come up here and play this tambourine part. Track 3: [14:26] That's so cool. Track 4: [14:27] It's just like, what a dream gig. Track 3: [14:29] Yeah. I love how you did Trigger Cut, like how you did the sha-la-la-la-las in Trigger Cut. Track 4: [14:35] Oh, yeah. So cool. That's so fun. That's really fun. And that is a fun one to play. Like, obviously, like, anything that finds just me and Bob, like, in a tambourine party is fun. Like, any, you know, the more tambourines, the better. It's always good. It's always fun. That's just, there's never a night where I look up and see Bob playing tambourine and don't immediately get completely lifted. Track 3: [14:57] Oh, that's so cool. Track 4: [14:59] So anything where I'm doing that is fun. Working out something like Embassy Row was kind of fun because we, like, practiced the beginning part and, you know, then it rocks at the end. It's sort of like seeing those songs kind of work out in practice and then singing. Track 2: [15:13] Yeah, yeah, I get that. So what do you think? Should we get into the track, song 29? Track 4: [15:24] Let's do it. So it ranks 29 of 50? Track 2: [15:27] That's right, yeah. We'll be back on the other side with Rebecca Clay Cole. Hey, this is Bob Mastandovich from Pavement. Thanks for listening, and now on with a countdown. 29! Track 3: [21:05] There it is, the sixth song from Bright in the Corners on the Top 50 Countdown, also the sixth song on the record. This week, we're talking about song 29, the fantastic, the jammy type Slowly. Rebecca, what is your relationship with this song? Track 4: [21:21] Oh, I love this song so much. I mean, it wasn't on my first wave of songs to study, even though I knew we were going to play it. But it wasn't like, you know, there are other songs I felt like I had to nail more. So this was towards the end. I said, OK, let me get into this type slowly jam. And putting on the hat of Stephen playing that piano part and like figuring out where he put his hands and why for that song on that recording was like. I feel like a little peek behind the curtain there to the mind of the man. Track 3: [22:02] Wow. Track 4: [22:03] Because I play the piano most. That's my primary instrument. And so thinking about how he was approaching the piano on that song was cool. And I scored every note out. There's a score that I've written of everything he does. Because everything he did was so cool. And I wanted to be sure to capture not all of it verbatim, just understanding where he was coming from with all of those parts. So by the time we played it live, I had that sort of intimate relationship with it where I had been in my headphones on an edible and just flying high and really getting into the, was that a 32nd note rest or a 16th note rest? Really too over-processed on that probably, but in a fun way for me because that's how my brain works. And so by the time we put it live and I got to sort of use some of that and throw some of that out, it just kind of became a song in the set I always liked to see. I always like to see Types Lully in the set. Track 3: [23:09] That's fantastic. I like to see it as well. Bright in the Corners is one of my favorites. So I'm glad to see it's represented a lot on this top 50 list. And there's definitely more to come from Bright in the Corners. What do you think in terms of this ranking do you think it's properly rated overrated underrated like you seemed surprised when you said 29 out of 50 a and I don't know what that what that surprise meant. Track 4: [23:39] Yeah, I guess I don't know either, because I don't know what's 50 to 30. Track 3: [23:46] Right. Track 4: [23:46] So that's one of the things. So I don't know what came behind it. I can probably guess half of what's ahead, at least. But I don't know. To me, I think of it as a live track. Track 3: [24:00] Oh, OK. Track 4: [24:01] A song that was built for live. And I don't know if it was. but it just takes it takes so much life on on the stage um that it's almost like one of those songs that was made to do that when. Track 3: [24:18] You guys got it prepared to go on the road did you know you were going to do the jams in it or was that sort of like organic on the road the. Track 4: [24:29] Jams are organic they had jammed that song before so it wasn't a surprise at all that they'd be jamming and And the song as it is on the record is a bit of a jam. I mean, I did count it out measure for measure for the purpose of my scholastic exercise, but I knew we weren't going to deliver that just like that on stage. If I had to get out the sheet music to make sure I could make sense of it, I mean, no, you know, it's not worth that. So I knew there would be jams and the jams changed. Changed you know it was it's the for me type slowly is the most me i get to be on stage with pavement oh wow because i'm not yeah well it's a jam and so and there's a lot of freedom in the jam for me on the piano because the part was free to write it was very free freely written kind of thing and in and out play when i want don't play when i want stop playing the piano and just shake something else for a while or play one note and whatever I do kind of seems to work I don't even think Stephen has me in his monitor so it's not like but in my mind maybe he does but in my mind it's like you know the guitars and me and then I'm and sometimes I'm with the rhythm I'm kind of I get to jump into everyone's show on that song like I'll be with Mark for a couple minutes. Track 4: [25:51] Then I'll jump over and watch Steve West and then it's like what's Bob doing and then oh yeah yeah, Stephen's doing something cool. Let me pop over. Let me get my attention back over to the guitar and see what's going on. And Spiral will come over and jam. So for me in the set, that's like my most, I'm not really thinking about it as a pavement song, monolithic and unchangeable. I think about it as like a pavement song in the now that's still being kind of designed. Track 3: [26:17] Oh, that's a really cool way to look at it. Live music is, there's a singer that I've heard say that a song isn't finished until you play it live. You know, like you've got it written and performed, but until you take it on the stage, it sort of hasn't fully gestated. Track 4: [26:38] I think that might be true. Yeah. A song like this might never gestate. It might never be done. It's just a grower. Track 3: [26:47] Yeah, that's a good way to think of it. Track 4: [26:49] You know, it's always going to evolve live. Like, I'm sure the next time we play it, there'll be something that's not. Everyone takes different positions. musicians and yeah and then sometimes steve west will think it's time to end type slowly, and it's not or sometimes we're like we could totally end it like why hasn't it ended or and sometimes i'm the one out there like i'm still playing and it's like oh crap we're already to the next verse and i'm still oh the clouds like it just is so loose like that i love it you could never do it the same way twice which is probably why i love it so much that's. Track 3: [27:23] Very pavement as well Wow. It seems very pavement. Yeah. Track 4: [27:27] On brand. Track 3: [27:28] Is there anything else you want to say about Type Slowly? Track 4: [27:35] Um, no, there's nothing I really want to say about Type Slowly. I was wondering if you were going to ask me about Slowly Typed. Track 3: [27:42] Oh, I didn't even know. I didn't. Track 4: [27:45] But you didn't. So no, we don't, we don't have to talk about Slowly Typed. Track 3: [27:48] Well, now that you've opened the door. I would like to hear your thoughts. Track 4: [27:52] I mean, my only thought about Slowly Typed is that it shows the way that the scaffold that song hangs on now into that live jam that it's played on, I think, is how it was meant to be. Or how it does its boast power. The Slowly Typed version is, not going to ever be a nine minute epic live jam okay maybe i mean maybe i don't know maybe i'll throw that challenge out for the next round of shows but yeah um so i just think that's sort of an interesting thing to think about like i actually looked when i was doing all my homework for this tour i thought okay let me go see like if there's any like live slowly typed nine minute jams i can find on YouTube. And I couldn't find any, only the type slowly jams. Track 3: [28:40] It's, it's wild how YouTube has changed things, right? Like, I mean, the fact that you can just go and like, look at these shows to, to do your notations and to do the things that you want to do very neat that you didn't have to sort of fly by the seat of your pants. Track 4: [28:54] I mean, it felt like I was flying by the seat of my pants. But no doubt it was helpful. Like, because you listen to something on record, and it's like okay that's on record a record that was recorded 30 years ago and this band has probably played it live 500 times since then so they don't remember their body memory of the song is probably not like the recording version it's like some live version somewhere that i need to go find and there were a couple other songs not type slowly where i was sort of playing it true to the record and it would be like don't do that i'm like but it's like exactly this is exactly the parts too much or it's you know and i'm like and then i realized it's just oh yeah right because it hasn't been there for 30 years. So it's good to go back and look at the live versions of things to just sort of watch, kind of like what you just said about how a song, it doesn't really go until it's performed for an audience. But if you've performed that song for 30 years, it might have traveled somewhat from the recorded version. Track 3: [29:51] Yeah, I would guess so, now that you've said it. It wasn't something I considered before, but now that you've said it, It's like, yeah, that seems pretty clear. Track 4: [30:02] Yeah, I found that to be on a lot of songs. So YouTube was a really great resource. I would just be like listening to something. I'm like, there's no way Bob played this live on the keyboard. But I know he played the keyboard. So then I'd go back and watch the live version and watch what he was doing on keyboard and split the difference between Stephen's part recorded and Bob's part live. Track 3: [30:21] Oh, okay. Track 4: [30:21] But use that YouTube as a, it was a great resource for me. And it still is. I learn a lot of songs in general. So it's usually a little goldmine of knowledge. Track 3: [30:30] Are you always are you always finding yourself noodling and learning stuff yes yeah yeah i can't. Track 4: [30:39] Really not think about it. Track 3: [30:41] Just listening to you talk so far it's like yeah you seem to have that very analytical you know sort of uh view of things right um like to to to do this which is yeah i think. Track 4: [30:55] I'm more analytical than a lot of uh musicians or at least my creative flow is in an analytical way I like math, I like charts I like spreadsheets, and that just really helps me get into my own flows of things even when I was trying to figure out I went over to a friend of mine's studio when I first started learning these pavement songs and I was just like help, I don't even know where to start, there's like maybe a hundred songs, I just didn't even I'm like how do I even and start it. Track 3: [31:29] Yeah. Track 4: [31:30] And he was like, make a spreadsheet. That's what you do. And I totally did that. I made a spreadsheet with the album, the song. Does it have piano? Does it have percussion? Does it need me to go find some kind of synthesizer sound? I don't know what. Just like I made a spreadsheet, and that's how I, yeah, I'm pretty analytical. Yes. Track 3: [31:50] That's a pavement first, I would think, a spreadsheet. Track 4: [31:55] Well, for the music, maybe. Maybe. Maybe there's... No, I bet there's got to be a set list spreadsheet. Track 3: [32:01] Oh, okay. Track 4: [32:03] That's a lot to keep track of. Yeah. Track 3: [32:05] Maybe not. Track 4: [32:05] Maybe Bob does it all from his heart and head. But maybe if I were him, I would... But then again, I'm the one that loves the spreadsheets. Track 3: [32:14] Right. Yeah. Well, Rebecca, it's been dynamite talking to you. You know, especially seeing as it's tough to... It's been tough to hear from you these last couple of years, like to read in magazines or stuff like that. I haven't, you know, I haven't seen a tremendous amount of pavement information with you included. So this is really special to me. I'm really thankful that you decided to stop by and do this. Track 4: [32:44] Yeah, thanks for asking. It's fun to talk about it because it's just like a really fun experience that I've gotten to have. And I'm like the luckiest music fan on earth, I think, in certain ways. Track 3: [32:54] Oh, that's a great way to wrap it. That is great. Thank you so much. Track 4: [32:59] Thank you. Good luck with the rest of the countdown. Track 3: [33:01] All right. Wash your hands. Wash your goddamn hands. Track 2: [33:05] Thanks for listening to Meeting Malcolmists, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at Meeting Malcolmists dot com. Oh. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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MMT50 - 230 31:10

40 weeks31:10

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31:10

Devin Faraci joins jD today on the podcast. Beyond listening in on Devin's Pavement origin story, you'll hear him wax nostalgic about song 30. Transcript: Track 2: [1:00] Previously on the Pavement Top 50. Track 1: [1:02] At 31, give it a day. What do you think, Scott from North Dakota? This is a gem, and I love it so much. I love the whole EP. This would have been something I did not discover until well after I knew all of Wowie Zowie, all of Bright in the Corners, and it wasn't something I easily could have. have it. Track 2: [1:27] Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to the Countdown. Track 3: [1:34] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the results using using an abacus and 28 grams of the best weed you've ever smoked, along with some drifter named Larry. How will your favorite songs fare in the rankings? Well, you'll need to tune in to find out. So there's that. This week I'm joined by Pavement superfan Devin from LA. Devin, how the fuck are you? I'm doing pretty good. I'm doing pretty good. Really glad to be here. Amazing to be on the World Wide Web talking about Pavement so many decades after I first started listening to them. Well, let's get right into that then. Let's go back a few decades and get your Pavement Origins story. You know, I have a lot of Pavement history. I started in around 92. Oh, wow. Yeah, so Slanted and Enchanted. And I'm pretty sure it was Summer Babe Winter Version that was the first song that I heard, I have to guess. Track 3: [2:50] And it was a weird time in my life I was a college student, I had been kicked out of college. Oh, shit. I had earned a 0.0 GPA. And not for cool reasons, mind you. I think that it was 1992, and my college had what they called a VAX computer system, which was the early internet. And I was on the early internet all night playing multi-user dungeon games and did not go to school. Track 3: [3:24] So I got kicked out of college for playing video games. Really ahead of my time. It's like big Gen Z energy, I feel like. And I was living with my dad in Illinois, who was living in the suburbs, and it was the most miserable year of my life because the alternative rock world that I had been in back when I was living in New York City had exploded. And I was stuck in the Chicago suburbs and I couldn't drive. And all of these amazing things were happening and I was not part of any of it. But there was a cool record store. And so I discovered Pavement and I have loved that band ever since. And, um, yes, that's my original pavement experience trapped in the suburbs of Chicago, New York city kid trapped in the suburbs of Chicago, uh, watching the world explode into cool alternative rock shit all around me, but so, so far away. Track 3: [4:24] So what was it like when you walked into that record store? Was it the album cover that got you? Had you heard of the band through like zines or anything like that? Or was it just like a random purchase? I probably had heard it from a magazine, probably Alternative Press, if I had to guess back then. I read that shit religiously. And I might have already heard the song, but I'll tell you, man, when I heard that album, it was like somebody had finally recorded music that was aimed directly at my particular personal brain. Wow. You know, just sort of the discordant, weird lo-fi sound they had on that first record, especially back in the day. But with melodic pop sensibilities, it was incredible to me. It really was incredible. And Malkmus' voice just really was, I mean, just got me, just nailed me. Track 3: [5:15] Yeah, it's very, I mean, they're very unique in a, in a world at the time where things were not yet starting to sound the same, but, and our guys were signing everybody out of Seattle. They could, you know, this bright beacon of hope from Stockton, California, um, really shone a light for a lot of people. I wish I could have been there at the time, but I didn't catch on until the late nineties. So yeah no i was pretty happy to be there which means that i got to experience some pretty cool pavement stuff in real time um you know the greatest t-shirt i ever owned was a pavement t-shirt it had two fried eggs on the tits yes uh it's one of the great t-shirts of all time but i also have two really memorable i've seen pavement a few times but i have two very memorable pavement concert experiences all right share them uh so one of them was at the tibetan freedom Freedom concert in New York City. And there were two stages. And I forget who was up against Pavement on the other stage at the time, but nobody came to see Pavement. And so it was this big stage at Randall Island in New York City and Pavement playing. And it was like me and 30 guys. Track 3: [6:30] Are you serious? There was nobody there. I got right to the front. Like it was incredible. They were really playing to like the sparsest crowd you could imagine. It was, I honestly forget who was up against them, but that was packed. Um, and, and, and the pavement was, it was dead. It was just incredible. Um, which I'm sure wasn't great for the band, but for me, uh, was a delight. I mean, just an absolute delight, but the greatest pavement concert experience I've ever had. Track 3: [7:00] They did a secret show at CBGB, which is a very small venue and also disgusting and very historic. And so I got tickets to this secret CBGB show, and I honestly forget what album this is, so I don't remember what they were playing. But the big memory of the secret CBGB show is the band had been on for a minute. And then Keanu Reeves entered CBGB wearing a tuxedo with a woman in a evening dress, evening gown of some kind, like they had just come from an award show or something. It looked like. And every time the band finished a song, Keanu Reeves would yell, Freebird, which is something I know. Track 3: [7:52] Uh, for maybe the younger listeners don't realize that there was a period in rock music history where people would go to concerts and yell free bird at the bands in between every single song. And I will tell you that shit did not fly with a pavement crowd. Uh, the pavement crowd was not excited to hear this. And so that was a very strange experience, but what it made it even stranger was years later reading an interview with the band. And they talked about that night. And they talked about how Keanu Reeves had tried to come backstage and meet them. And they turned him away. Because the other thing people have to remember is that in the 90s, Keanu Reeves before The Matrix was not cool. He had started making a bunch of like really crummy movies and sort of for Gen X, Keanu Reeves sort of had crossed a boundary that we did not necessarily like. And so he was not cool at the time. That's why when he was cast in The Matrix, it was kind of a joke. Like, you know, you couldn't believe that that guy was going to be in this movie. So they didn't let him come backstage. Track 3: [8:54] And then they talked about, after the show, they were leaving the venue and they were walking somewhere and they walked past this very famous downtown restaurant, Veselka, which is like the heart of the village. There's a documentary out about it right now, actually. But anyway, they were walking past Veselka and there by himself sitting in a window, sadly eating Ukrainian food, was Keanu Reeves. And they felt terrible that they had turned him away from backstage. Oh, that's a fantastic story. Yeah. Jesus. Keanu Reeves yelling Freebird. I can't believe it. It was unreal. And a friend of mine, who's actually now a music executive, heckled Keanu at the show. As Keanu was leaving CB, my friend yelled, Dogstar, love that band, which was Keanu's band at the time, his bad band at the time. So, yeah. Yeah. So are there any records that you cleave to now, or do you go back, for nostalgia's sake, to Slanted? Track 3: [10:11] Man, you know, it's a great... I mean, I gotta say, for me, Crooked Rain. Crooked Rain is the peak, I think. And I love every Pavement record. But Crooked Rain is the one that I just find myself drawn to again and again and again and again. Again um you know and that was the album you know where they started getting like videos on mtv which was a truly bizarre experience too uh you know when cut your hair debuted on 120 minutes and made its way into regular mtv programming uh was very strange because this was such an odd band uh for the time you know and and and crooked yeah crooked rain is i mean i love all of them Wowie zowie's amazing, bright in the corners. But it's crooked rain. Track 3: [10:59] Yeah, I think so. I just went for a walk earlier this morning. It's unseasonably warm here in Toronto. And I went for a walk and I just had a hankering to listen to Crooked Rain, Crooked Rain. So I threw it on and walked until it was over. And I just forgot, even though I know deep in my bones that it's a great album, like I had forgot just how cohesive it is and how big it sounds. And really it sounds completely different than slanted right yeah i know it's a total step forward but i think what's amazing you know so in the 90s i was a real diehard flannel guy you know i had my real deep opinions on selling out and for crooked rain they went much more rock oriented slanted than they had been on, on, uh, slanted. And, um, but it worked like there was no sense of selling out. Uh, it was more like a band fulfilling its promise. Um, even though I love the lo-fi stuff, you know, uh, you know, Westing by Musket and Sexton. I love that. Like that, love that noise. Give it to me. Uh, but, uh, but yeah, I mean, Crooked Rain, it just, it feels like a band blossoming into what they can be. Track 3: [12:18] Oh that's nice i like it yeah is there anything else you want to share about your pavement origins i mean i guess just that. Track 3: [12:33] Pavement is a really special band to me you know partially because of um, Where I was when I found them, you know, I was so trapped in the suburban hell that I just didn't understand and I was not part of, you know, this was the era when I had, um, like a blue undercut. Like I had like that top knot thing going on the sides and back of my head shaved and my hair was dyed a little blue and I wore ripped jeans and flannels. And when I was walking to work in the suburbs along the side of the road where they had no sidewalks, I had a car drive past me and throw a beer can at me and shout the F slur at me as they drove by. So I'm not saying that I'm an oppressed person, but I'm saying that I was living in an environment that was not friendly to me and my kind of people. Track 3: [13:27] And I heard this band and it was like somebody talking directly to me. And so as a result, it has always been just an important band to me. And because I am still partially that Gen X, quote unquote, hardcore, never sell out kind of a guy, I love that Pavement never sold out. I love that Pavement never ended up becoming some kind of a big, massive band that like the worst people you know got into. to. Pavement has gotten more well-known and it has a great legacy, but it's closer to the way that the Velvet Underground used to be. The Velvet Underground has sort of crossed over. People know the Velvet Underground now, but there was a very long time where you could say to somebody that you love the Velvet Underground and if they got it, you knew they were a cool person that you were going to like. Pavement has that right now. If I tell somebody I love Pavement and they They actually know Pavement. They don't just know two songs or something. Track 3: [14:35] Then I know, oh, that's a person who I can be friends with. That's a person who gets me. Because part of the deal is that Pavement... It's not just this amazing music, but there's a thing I love about Pavement, which is that the kind of brain that I think it takes to really appreciate Pavement, because so many of the lyrics are close to nonsense, but not nonsense. And it requires a brain that's willing to engage with that. And I think it's sort of like really fun and smart at the same time that it can be incredibly dumb sometimes. But, you know, that's, I think, the defining line for Pavement for me. Those lyrics that, like, have silly things in them and have nonsensical things in them, but very often they add up to something that is emotionally true that you can really understand, even if you can't understand it as language necessarily. And also every now and again drops in bizarre stuff that's like smart people stuff, you know? You know, how many bands have songs about how the kids that made acid couldn't get laid? I mean, like, you know, that's like an amazing thing to drop into the middle of a song out of nowhere. So, you know, yeah, so that's my Pavement, yeah. That's nice. I like it. Well, what do you say we take a quick break and come back to the other side and talk about song number 30? Sounds good. All right, let's do that. Track 2: [16:01] Hey, this is Bob Mustanovich from Pavement. Thanks for listening. And now on with a countdown. Track 1: [16:09] 30. Track 3: [19:08] Song number 30 on the countdown comes from Pavement's fifth and final album, Terror Twilight. It's also the third song from this album to make the top 50 thus far. At track 30, we have Spit on a Stranger. What the hell do you make of this song, Devin? Track 3: [19:29] I'm really glad I got this song because I love this song. And the thing about this song is that there's a real tension within the song that truly appeals to me, because I believe that musically and in the verses, this is the most romantic song that Pavement has ever recorded. 100%. Like some of these verses are things that you would say at a wedding. Track 3: [19:58] And then you get to the chorus and there's the you're a bitter stranger. And it's obvious that it's about a breakup of some kind, but it has those that tinge of love in the verses. And again, musically that I think make it really beautiful and really melancholic in a really incredible way. The song, you know, you're a bitter stranger, but the song is not bitter. Uh which i think is amazing and i just tender yeah i love the the the the tension within it i just it's it's so good because it's not an obvious tension like if you just listen to this song and don't pay attention to the lyrics it's just a beautiful lovely song that uh if you catch a couple of the verse lyrics you go that's really gorgeous you know um and then and then we listen to the whole thing there's like a lot more going on i i i adore this song yeah it's a it's a it's a standout on terror twilight for sure not just because it's a single it it just i don't know it just pops off that record um what's your relationship with the song do you remember hearing it for the first time or do you remember what that was like. Track 3: [21:10] I don't remember hearing it for the first time. I can't remember if this was a single before the album came out or not. I don't recall. I believe it was. So I probably heard it as a single. I'm sure I heard it on the radio or I bought the single before the album came out. But I don't really recall. I remember when this came out and this album came out that this was a song that I fixated on pretty intensely at the time. This was kind of a track I kept going back to again and again and again and again. And I just I just fell immediately in love with it. It's funny, because now, with many years gone by, and the world having moved on and learning more about the making of this record. Track 3: [21:58] There's something beautiful about this being the opening track on their final record, because now I know behind the scenes, they were in the process of breaking up. And so in some ways, this is a song about that process in some ways, you know, and that speaks to what the band was going through. So I think that's a cool thing that has kind of grown on me over the years. But like this is definitely a song that i have from just again from the very beginning, just latched on to i just think that some of those lyrics are just so beautiful and i just think that they're so lovely because i think that they're beautiful in a way uh. Track 3: [22:41] That feels relatable. It's not over the top. So it's like, however you feel, whatever it takes, whenever it's real, whatever awaits, whatever you need, however so slight, whenever it's real, whenever it's right. I mean, that's like a beautiful everyday idea of what love is, right? It's a beautiful everyday piece of it. And then again, obviously, the choruses get a little different. But I really just keyed into that because this is not a band that traditionally had a lot of songs that I would have felt super romantic about. This is not a band that has a lot of songs that I would say, oh, I would love to play this for someone to let them know how I feel about them. Yeah, yeah, yeah. Not a lot of those. But this is one that does have- You're not going to play Debris Slide. Track 3: [23:31] Uh, but this is, this is one of those. And, and so, yeah, it's always been a very special song to me. What do you think about the production values on Terror Twilight and this song specifically? When you think back to putting on Slanted and Enchanted and hearing that real lo-fi and that crushing riff and that drum riff as well on Summer Babe, and then flash forward like seven years, eight years, and you've got this song that is, like you said, melancholic and beautiful. But so lush as well. Yeah, it's a very thick production. It's very crystal clear. Track 3: [24:14] I mean, I think it's really important for me, because of how I experience pavement, I experience them in real time. The gap between 92 and 99 is enormous. I mean, just sort of like what the world was like and what the music scene was like. And so in 99 was the year of the second Woodstock. That's right. And so we're looking at a world with all of this new metal and stuff, which, as a guy who had been a big... Track 3: [24:46] I was a metal and punk guy, you know, when I was younger. And when grunge broke through and heavy rock hit the radio airwaves and MTV, I was like, we won. We did it. Like, this is incredible. This is really great music. And then that all turned into Nickelback and Linkin Park and stuff like that, which I hated. And so by 99, I felt like we had lost the war. A lot of what I was listening to was more electronic at that point. You know, a lot of the bands I liked had sort of moved in that direction. And this gorgeous, gentle sound felt like an evolution that I could roll with because the rest of the world had become so ugly in so many ways. The rock music scene had become so gross. And so as a result, this album sounding this way, I think, feels alternative to what was happening then. Ah that's nice yeah i would i would say you're bang on the money because uh this was the time where pop music really reared its head you know with the spice girls and n-sync and backstreet boys and then on the flip side of the coin mainstream wise hip-hop was finally you know crushing through so rock really was left behind and the flag bearers for it were pretty trash Yeah. Track 3: [26:03] You know? So for this band to come out and release Terror of Twilight at the time that they did, you're so right. It was maybe the last battle, but it was a battle nevertheless. And also, I mean, again, I mean, for me, I mean, I'm going to be very personal here. You know, when I first heard Slanted and Enchanted, I was 19. And, you know, seven years later, I'm heading to my late 20s and I'm about to be 30. And a lot changed. Changes in that decade, you know, a lot changes. And I had begun a process of growing and changing in a lot of different ways and that the band grew and changed worked for me. I didn't need them to stay what they were, I think is the thing. Track 3: [26:51] Yeah, and it just leads to like, what would a sixth album have looked like? I'm so pleased that, you know, despite two reunions, they haven't ventured down that path. We're just left with these five great records and multiple EPs that stand the test of time, quite frankly. Yeah, no, I agree. I have the controversial opinion that I'm really glad when bands don't do new records or I'm not going to say, I don't know how to say this in a way that I'm not going to get in trouble for, but like, it's not good that John Lennon died, but I'm glad the Beatles didn't get back together for Live Aid and then release some terrible late 80s record. Do you know what I mean? Like, so I obviously it's horrible. Like, it's terrible that John Lennon was shot dead. But I'm glad that today I don't have Kurt Cobain on Twitter because I'm afraid of what he would be saying. And so as a result, sometimes it's good when things just end. Track 3: [27:54] And these days, people don't let things end. And the fact that the band Pavement has let Pavement be a thing that exists in this one decade. Decade uh i mean it still exists because they do reunions but like it is of that decade they're not out here trying to do new songs for soundtracks or shit like that i really respect that and i like that me too i i couldn't agree with you more i think um there's a time and place element to it all like you said uh i discovered them when i was uh just approaching 30 probably just approaching So I got to go back and zip through it, but through my 30s. And it was a similar type thing that you experienced because you know that the difference between 30 and 40 is enormous as well. And so by the time I got to really experience Terror Twilight in a way that it was meant to be experienced after, you know, um, pouring through the other four records, it, it did live up to that for me. Track 3: [29:02] It's so funny. We're such old motherfuckers and the band's a bunch of old motherfuckers. And this is honestly, especially the early records are young people music, but it still really holds up as an old guy. I mean, like Crooked Rain is young people music. They're over there talking shit on other bands and stuff like that. I mean, like, that's what you do when you're a young little snobby hipster. Uh and here we are i'm 50 man and uh i still listen to the exact same tracks i listened to when i was 19 um so either i haven't grown at all in any acceptable or understandable way or perhaps this music is eternal and speaks to us at every stage of life oh i'll take the latter then. Track 3: [29:46] Yeah absolutely well devin it's been absolutely a thrill to have you on and you know to talk Walk through song number 30, Spit on a Stranger. I'm wondering if you have anything you need to plug or you would like to plug. Yeah, so I have a couple of podcasts that I do, and I have a Patreon where I do writing about pop culture stuff. So you can go visit that, patreon.com slash cinema, sanga, S-A-N-G-H-A. And you can go join and get access to the writing and get access to my numerous podcasts that happen over there where i am being told today my sound quality is pretty good i'm very happy to hear this because this is my number one concern in life is how my sound quality is so yeah it's great thanks so much thank you for having me i really appreciate it all right wash your goddamn hands thanks. Track 2: [30:40] For listening to meeting malchus a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns please shoot me an email JD at MeetingMalchemist.com. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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MMT50 - 231 34:32

41 weeks34:32

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Lejátszás később

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Today on the show Scott joins jD to talk all about song number 31, don't worry we get to his origin story too! Transcript: Track 1 [1:02] At track 32, we have the song, Grave Architecture. Come on in. Sorry. I was trying to stick that in, yeah. Oh, damn. I stepped on it. That's okay. I should have prepared you. What are your initial thoughts of Grave Architecture? This was a funny one that when you said it to me, I have a long, like I think I said before, I think the album that I really kind of really felt like really grabbed me was was wowie zowie and um and yeah this song is like the come on in like right away like oh yeah, hey this is westy from the rock and roll. Track 3 [1:41] Band pavement and you're listening to the countdown, hey it's jd here back for another episode of our top 50 countdown for seminal indie rock band pavement week over week we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots i then tabulated the results using an abacus and an old pair of socks you know the kind that have toes in them how will your favorite song fare in the ranking you will need to tune in to find out so there's that this week i'm joined by pavement Pavement superfan, Scott from North Dakota. Track 3 [2:19] Scott, how are you doing, motherfucker? I'm doing well, and you, sir? I am excellent. I'm always excellent when I get to talk Pavement with somebody. Absolutely. Track 3 [2:29] So tell me a little bit about yourself. So, you know, grew up in Minnesota, a small town, but not that far from the Twin Cities. And it's small towns. You don't things come slowly. And I was I don't want to say a late adopter to pavement, but I graduated in 1996 from high school and I was all about the grunge movement. You know, Nirvana, Pearl Jam, all of that. And I didn't know much about indie rock at all or any indie anything until I went to college. I had heard of Pavement when I was in high school. I had friends who were into them, but I was so set on grunge that it's like, this is what we're going to listen to. And I kind of wrote them off at first without hearing them because I for whatever reason, I was like, oh, Pavement. It's like going to be heavy, more industrial, you know, maybe like East German KMFDM or, you know, something really that I might not enjoy. Yeah. And then I was completely wrong about that. A friend, a friend had, I was just riding with a friend and he had, it was right when Brighton the Corners came out and we were just riding in his car and I was like, what is this? And he's like, this is pavement. And I was like, no. Track 3 [3:46] And I was like, this is not what Pavement sounds like. And it literally from there was just a beeline to the store to pick up everything I could get my hands on. And, you know, it was, it was, would have been my last, you know, two years of college, give or take. Track 3 [4:01] And it was obviously Pavement was up there. And then right at that same time, Built to Spill, Modest Mouse, all these, you know, other indie bands. But Pavement was the one that I was just like, oh my God, where has this been my whole life? Oh, yeah. Track 3 [4:45] On the internet so you just had to go and buy and see what happened and i picked up terror twilight which divisive record you know for some people for me absolutely loved it there's so much same stuff in there that was just jangly and interesting and different and fun but also i mean, It's hard to explain, but I remember growing up as a kid, and radio was all we had. And every song was about love, and it was just straight up hitting you over the head with it. And here was something that you had to go decipher these lyrics, and you could decipher them in a thousand different ways. And if you got sick of the lyrics, you could just go and listen to the music itself. Track 3 [5:35] And that was just something that I had been looking for forever. So that would have been roughly like 1998, 99. And I was living in Minneapolis. I got an internship and I got to see them on that last tour. So the first time- In 99? Yeah. I got to, I saw them. I remember this too, because they played two dates and I only could go to one because the other date I was seeing Slater Kinney. They were like back to back nights. So I was an intern at the time. So, you know, I was working during the day and then as much as I can, I'd go to First Avenue where the show was. And I remember very little because it was, again, 1999. Track 3 [6:17] But I remember they opened with Here, which I thought was just such an odd opener because it's just such a chill, just laid back, you know, didn't come out with a big punch. And it just set the tone. And i i remember um what i remember about that gig is steven or malchmus had uh like uh christmas lights but they weren't around his microphone stand and that was that was just about it for, stage presence and again this is the first time i've seen this band uh when i'd only seen pictures before that i actually when i looked at them i didn't know who the singer was and i thought i I thought, uh, I thought Mark was the singer. Cause he stands in the center. Yeah. I was like, oh yeah, that he's gotta be the singer and nope. You get there and I'm like, oh, okay. Track 3 [7:08] And you know, I, I remember, you know, buying after that, you know, the, the major league EP or the single with, with the additional ones. And, you know, I got very into them and then they went away and I was like, oh, well, this sucks, you know? And they never were far from my playlist. They were always there. And... Track 3 [7:35] It was the first band that I really remember going, oh, I won't get to see these guys again. And that was frustrating because I had felt like I had only gotten into them a year or a year and a half before. And yes, could I have gotten to them earlier? Sure. If I had been born in a bigger town with better radio, with better, you know, a college town, maybe where that could have been a lot, a lot more easily found. But, uh, you know, growing up in rural Minnesota, you got AM radio, you got farm reports, and then you got pop radio. So it was very difficult to find those, but yeah, that's, that's kind of my beginning with the band and, uh, just becoming infatuated with them. Track 3 [8:16] So question yeah um oh shit it slipped my mind oh no what was the question oh the question was so did that lead you to sm solo work or psoi or anything like that yeah uh i was and and that's, what we'll get to that uh we'll get to i have some linkage there but that's okay um yeah i i I immediately went out and followed the solo work, which again, the first record just blew me away. And I listened to it on just repeat forever. And I would say at least with the solo stuff, the first four albums, I just ate up. Um, and after that, it wasn't because I thought the music was any different. It's more that I just got older and I was listening to less new music. And that's something I've been. Weird how that happens. I hate it though. You know, I, I, I'm finally, I finally figured out that if, you know, and it took me till here that if you keep listening to new music, if you make time for it, it comes right back the enjoyment, you know, and I've tried to set aside and, you know, just shut the TV off and listen to music for an hour and it's really helped. Track 3 [9:30] I do that every morning, every morning I get up around five 30 and I listened to at least one record, um, you know, or a playlist or whatnot. And that sort of sets the tone for my day. Yeah. See it. And I'm, uh, I'm an accountant and a teacher by, by trade. So I teach at a local community college, but I do taxes on the side and this is busiest time of year for me, but I can can pour through you know six seven albums in a sitting you know just having the music on while i work and just pound away and pound away and work work work work work and the music will still just kind of seep in and upon you know second or third listenings all of a sudden i'm going back and i'm like i gotta hear this song particularly again because there's something in there and that that's really helped but long story longer uh yeah those solo records were and and whether it was you know technically him or him with the jicks and i saw him i don't know a couple times on those tours when he would come through minneapolis and again loved it loved it absolutely loved it um yeah and you know he did it in store uh at the electric fetus in minneapolis a pretty famous record store for minneapolis and uh i remember being intimidated because that just the stuff you read oh he's he's He's aloof. He's kind of standoffish, you know, but he's, he's very intelligent. Track 3 [10:55] And he played, I don't know, three or four songs off whatever record that was. And then you sign up and you shake hands. And he talked to me for like five minutes and he couldn't have been more gracious with everyone in line. And I was like, Oh, this is, this is great. You know, they say, don't meet your heroes. And I'm like, well, no, this was, this was fantastic. This was a really nice situation so yeah i've only ever had good experiences but i'm like you very nervous because he's just so goddamn cool you know like that's like you can't you can't plan for that intangible right the coolness factor you know. Track 3 [11:35] It's it's difficult to relate to especially for me i'm cool and underqualified oh yeah i didn't and i'm just like like grew up southern california you know playing tennis and you know doing doing all these things and you know but also with skateboarding and then you know he was in bands like still when he was in high school and stuff and it's all these stuff that you know i had kids like that in high school too but i felt the same way i'm like ah these guys are cool and i mean i I took piano lessons forever, but I never translated that into, you know, thinking about, oh, you could be in a band or you could do something. And it was just like, nope, it's piano. It's nerdy. It's never going to work. And it's like, eh, you know. Ben Volz would argue with you. Oh yeah. Yeah. Yeah. That's true. That's very true. So what's your go-to record at this point? Is it Brighton still? Like, because that was your first or. No. Obviously it changes over the years. Uh, for, for the longest, for the longest time. It was crooked rain, crooked rain, just because it is a masterpiece. Yeah. It, it, and again, just out the, out the gate, just how, just how the shambling start of that record and then, you know, the, the, the cowbell kicks in and just. Track 3 [12:51] Yeah i still get goosebumps from that and for a long time that was it and my least favorite not least favorite but i thought wowie zowie for the longest time was there's so many weird songs on there like you take you take a song like half a canyon which i adore but. Track 3 [13:11] It is weird it is out there and he's just you know screaming and it's kind of nonsense and i find myself now going to wowie zowie um because it is so i mean just starting off with we dance which is again just this kind of slow burning kind of almost ballady at points yes and then just the rest of that record with you know grave architecture and pueblo and and grounded and uh you know those are just the ones off the top of my head but again uh at&t and it's top to bottom and it's a little bit longer record which i like as well um yeah when you've only got five lps to sort of satiate yourself now there's lots of eps too but yes five main lps along is nice right right right which again just to i always have liked that in in uh i'm a modest mouse fan as well not that you know we need to get into that but their first modest mouse's first two albums were like both 74 minutes and wow this is also back yeah this is also back when like a cd would cost 15 to 18 dollars and. Track 3 [14:26] I didn't have a lot of money so you know i would buy these records that had so much music on it um when i could and i just appreciated that but that longer album uh and it really ebbs and flows as well which which i love and it can go from just something that's really simple and straightforward forward to something that other bands it might end up as a b-side or on the cutting room floor because it is that different but absolutely love that record now that's that's my go-to yeah yeah it's a good one and it harkens back to those original three eps with some of the more you know minute and a half uh like noise art sort of um gems that are on there which which again um, You know, getting into watery domestic and all of that, you know, like the first time I heard like forklift, I'm like, what is this? And you compare that to, you know. Track 3 [15:27] Anything off the later stuff and it's a weird transition but you know a lot of bands do that uh you know they're they start off you know either fast and punky or weird or they don't know what they're doing and the songs are like a minute and a half but you can still sense the structure there you can sense that this could be you know building to something and like a lot of those first i don't go back to a ton of the stuff prior to slanted i think because of that because i didn't find out about a lot of these i didn't have access to them you know you couldn't download them most of it was out of print uh you'd be lucky if you could find it in a second hand bin um and if you did hooray you know uh really hunting for records and uh yeah i don't those are the ones i don't revisit a ton but there are also so many gems in there as well that i'm like you really need to do give that give that a better chance it's nice that it's on vinyl now too yes the westing compilation is on vinyl that's a treat absolutely yeah. Track 3 [16:30] Because those eps are especially sight tracks is tough to get your hands on yeah yeah and i i i don't i don't buy as much vinyl as i used to but i used to have a big problem of going on to ebay and just any seven inch i could get my hands on you know know, um, like anything that I could really, really knock down. And, you know, if it's a reasonable price, I bought it because why not? And I've, I've, I've tapered that a little bit, but I have, I don't know if I'm missing like at least a U S single. I'm not sure. I can't, I can't remember. I haven't looked in a while, but, um, I, I grabbed as many of those as I could, uh, just because I couldn't get them anywhere else. Right. Right. Track 3 [17:15] Yeah. Did you, did you go to any of the reunion shows like in 2010 or in 2022? Yep. Uh, in 2010, um, they played at a terrible venue in Minneapolis called the Roy Wilkins auditorium, which is, um, it's an auditorium that was built, I don't know, in the twenties or thirties. It's, it's just concrete. The sound is miserable. Track 3 [17:38] Um, it has a huge main floor, which gives you room to spread out which was fun and they opened with cut your hair which i was like yep perfect perfect you know just get it let not get it out of the way but so tongue-in-cheek that i i just loved it and i got to see them there and then i went to pitchfork fest that year as well uh to see them so i got to see them to twice there where was the pitchfork fest in chicago yep Yep. Yep. In Chicago. And I'd been to that a couple of times. Well, I lived in Minneapolis and I had my, uh, I was, I was seeing someone whose brother, uh, lived, he was going to grad school down there. So we had a free place to stay, which makes, oh, look, yeah, Chicago is reasonable now. Yeah. We can drive down, we can take the L and, uh, just have a great time. And you know, it's a festival, so you're far away. Track 3 [18:33] But I, you know, had my stupid little digital camera i still have videos somewhere you know of that but no wow well it was one of those things where it's like this is a band that was so important to me at when they were a band like in a two three year period and like there's still stuff i'm listening to it's still always going back to it but now they're coming back and again it was it was a thing i'd never thought would happen so it's like that the pixies were never going to happen just like the replacements were were never going to happen and those happened so i was yeah ecstatic never yeah exactly exactly so what do you think we get to track 31 uh give it a spin and come back on the other side and talk about track number 31 sounds like a plan all right we'll be right back hey this is bob mistandovich from pavement uh thanks for listening. Track 1 [19:27] And now on with a countdown down. 31... Track 3 [22:09] Well, there it is, track 31, Give It a Day, the first track from the Pacific Trim EP, also available on the Sorted Sentinels edition of the Wowie Zowie reissue. This is a great song. Track 3 [22:49] At 31 give it a day what do you think scott from north dakota this is a gem and i love it so much i love the whole ep because again this would have been this would have been something i did not discover until you know well after i knew all of wowie zowie all of right in the corners and it wasn't something i easily could uh you know have it and they they said we're not going to waste this time so they came together and i mean the whole the whole ep itself less than 10 minutes but it is so much fun the entire time and give it a day itself like i i don't i love lyrics i love knowing the lyrics and i don't often put too much thought into that but when you go read i mean about the people that are in the song you know referencing uh increase mather and and john John Cotton and Cotton Mather and the Puritans. And it's like, it's almost like was somebody reading a book about the Puritans and the Salem Witch Trials and these people. And we're like, you know what? We can actually, I just read something about this. We can throw it together. Track 3 [24:09] And it's just top to bottom, just lick after lick after lick and the poppiness and the looseness of it. And yes, I mean. Total pop jam. Track 3 [24:20] Total pop jam. I mean. and the melody is infectious and it it's one of those two where it clocks in i got wikipedia i'm looking at here but it clocks in at 237 and i'll find myself listening to just that song for like 10 15 minutes in a row because it's it's and and every time you know whether it's the chorus whether it's the very beginning where the lyrics start right away whether it's the the last the last line of the song, what did you do to him to make him think. Track 3 [24:51] Which again, it's, it's kind of like the, I think it's at the end of crooked rain, crooked rain, or maybe it's the other one where it just kind of trails off. It's like almost a sentence, but not. Yeah. And, and. Track 3 [25:04] Top to bottom, just fun. And again, on that EP with followed up with Gangsters and Pranksters, which another gem that's just very, very fun. Track 3 [25:15] They were in a fun mood, weren't they? yeah and and it does and this is this is the kind of thing too where it does it it brings me to some of his early solo work that there's just fun songs in it and these are fun songs it's not you know there's a certain way i feel when i hear grounded or you know we dance that it's almost like this not solemn but i'm not happy when i'm listening to it like if if grounded comes on at a certain time, it cripples me. And this will never cripple me. This will always pick me up. And I love that in a song. You can just put it on and be happy. Do you remember Nike used to have this app that you could have on your phone and you could program a power song. So if you were running and you got to the near end, you could click right to your power song and it would drive you through the finish line. My power song happens to be Walking on Sunshine by Katrina and the Waves. Wow, that's amazing. Because it's so bouncy and so fun. But I could easily see it being Give It a Day because it's also very bouncy and fun. Now, obviously, the lyrics are darker, but the way he's singing them, the cadence of the way he's singing them, like the phrasing is just sublime. Track 3 [26:41] And again, like you said, there is a ton of dark, you know, connotations in there that unless like, again, I went and looked up Wikipedia cause I was like, I know these names and I think they have something to do with this. And then I read about it and I'm like, oh yeah, this is a, this is a, I mean, this is a dark part of American history. And it's just like, no, it's just, just, you know, eyes and eyes and teeth to teeth, but mine are rotten underneath. It's like just the wordsmithing. ah yeah i love it yeah and the funny thing is he probably some of it like melodically. Track 3 [27:19] Came up with it on the fly you know like uh like in that in that session like i don't know how many days they they recorded but i don't think it was many i thought they said it was four okay i mean even to come up with anything and one and they did again i learned this reading but they the the, uh, no more Kings, which is on that schoolhouse rock record. Oh, they did at the same time, I guess, which that was news to me. So, um, but that's, I mean, that they got that much done in that little time. And yes, there were only three of them, you know, uh, spiral and, and Mark weren't there, which, which again, kind of leans me into his solo work a little bit. Cause there are things that, you know, you look at Jenny and the S dog, which is, you know, just a gem. You know, it tells this story and same thing here. We got this really light and poppy and just repetitive, like a song that you can repeat really quickly and easily. But if you dig into it, it's like, oh no. Track 3 [28:22] So yeah, I'm with you. I'm with you. 110%. Is there anything else about the song that you want to discuss? Yes. I think it's, I think it's interesting that there's only one chorus. Yeah. It's, it's just in the middle and it's just, it's repeated and, and how he does it and how he staggers that I've always loved, you know, cause it's, it's like, it's all, it's each one is slightly different. Yeah. And the last one just kind of fades out and it's like, could we have added another section to that? And would that have added or taken away from the song? Cause I, I, I'm not a huge short song person because I like, I get to the end and I'm like, I got to hear that again. I got to hear it again. Track 3 [29:11] But if you give me something that's 12 or 15 minutes, sometimes I can, I can just kind of get lost in it. Right you know certain things you know like old mogwai and you know old old other stuff that is a huge just really dense chunk of material that i can't see trimming down but if you added to this would it take away from it as well i think i don't know but the one thing i can i can venture a guess on is if it had another 45 seconds this would be like a single like a like i i don't know if it would have been a smash hit single but to me it's got single written all over it it's it's so catchy it's so goddamn catchy yeah yeah and again so that's this uh that you said this is 31 31 so is it properly rated in your book or should it be higher rated should be lower rated it it's it's tough it i always find that tough with with any band ranking them when you look at eps and you you know, maybe split singles because it's, it's not an album release. And this is, I mean, someone quoted that, Oh, it's right here. It isn't much more of a, than a throwaway, but an extremely enjoyable one. Track 3 [30:26] And yeah, I think, I think where it is, it's, I don't think it's overachieving. I think it's really close. I don't know if, I don't think it would make my top 20 just because i was so ingrained on the lps for so long and i i mean i didn't even have an actual copy of this until uh the the expanded edition of wowie zowie came out um i had heard it plenty of times but i never had owned a copy so i didn't have the repetition with it like i did everything else so i think it's pretty close i think for it to for it to be a two minute and 37 second song that is just enjoyable front to back. No, all killer, no filler. I think it's pretty close to where it should be. Nice. Well, that's what I've got for you. I really want to thank you so much, Scott, from North Dakota. Yeah. Do you have anything you want to plug at all? Not really. Track 3 [31:22] I just did a music enjoyer that, you know, I'm so happy that these guys did another reunion tour as well, which now that I had, well, I had time and a little bit of money, so I got to see them three more times on this tour, which. Oh, brilliant. Just, yeah, I got to see him in St. Paul and then I just went to Chicago for two shows. And again, what, what amazed me about those shows too, is the, you know, the first tour they went through the set list, I guess, didn't move that much. And about the only song I didn't get to hear that I wanted to three nights in a row, they didn't play frontwards and I was dying to hear frontwards. They played it the night before and the night after. character um but night to night to night i think the set switched because huge sets too they're playing three and a half hours yeah and i think the songs changed almost 50 percent night to night to night which if i'm gonna do themself oh my god if i'm gonna go three nights in a row and i'm gonna get you know sure i'm gonna get maybe cut your hair all three nights which is fine it's not my favorite song but you know i got pueblo i got grounded twice i got uh folk jam which i love folk jam just such a weird funky little song and i get the hex yes we got the hex the fuck out of that right oh my god and that's that's the thing like i used to think. Track 3 [32:45] Finn was my favorite closing song and going back and listening to the hex with the guitar solos like i love finn because i love how it fades out and just keeps fading and fading and i just keep turning up the volume until it's absolutely gone. And the hex is just this beast of a sprawling thing and just do, do, do, do, do, do, do. Oh yeah. Yeah. Love that. So, um, and the, the last night I. Track 3 [33:16] I treated myself. Uh, I literally was orchestra pit front row center. Oh, I was like, I, I'm a single guy. I don't have anything, you know, outside of, you know, I don't, I don't have kids or anything to spend money on except myself. So I can be, be a little bit, uh, no, no, no, whatever, but absolutely worth it. Uh, just being right up front and hope, hopefully whatever these guys keep doing, they keep doing it. but they seem to be enjoying it. They're obviously due for a break and to get back to, you know, Preston school industry and Malcolm's solo stuff and whatever the other, and, you know, and the Stanovich doing horse stuff. Track 3 [33:57] You know, they, they have other interests, but that they've been able to do this for now, you know, two years. Yeah. That's fantastic. Dan, I couldn't be happier with it. If I had, if I was a man of unlimited means, I'd be going to South America for sure. Absolutely. Yeah. Yep. I mean, luck, luckily for me, it happened during its, well, um, it was in Chicago. And again, I teach, I get two personal days a year. I used them both in September because of course I'm not going to miss pavement. So for the rest of the year, I had no personal days. I'm fine with that. Absolutely fine with that. No problem at all. You, you, you did, you did well and you did well today too. I really want to thank you so much. Yeah, this was awesome. So take good care of yourself and make sure to wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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On this episode of the Pavement Top 50, jD has a lovely conversation with Zac from Amhearst about his Pavement Origin Story and song number 32 Transcript: [1:02] Bob, what do you think about Transport as Arranged? Jamie. I just think that, I think Transport as Arranged, when the record was made in Kernersville, North Carolina with Mitch Easter, was just kind of viewed and the feel around it was that, okay, that's another song that definitely should be on the record. But isn't the kind of song that it you know maybe should be a single or something like that it was just it was just a song that was like really solid and good hey this is westy from the rock and. Track 3 [1:41] Roll band pavement and you're listening to the countdown hey it's jd here back for another episode of our top 50 countdown for seminal indie rock band pavement week over week we're we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and gluten. Just joking, there's absolutely no gluten. Zero. How will your favorite song fare in the rankings? Well, you'll need to tune in to find out. So there's that. This week, I'm joined by pavement superfan man, Zach from Amherst. Dude, how the fuck are you? Track 3 [2:21] I'm okay. How are you? I'm great. Thanks for asking. It's good to be here with you. No, it's great to be here. Yeah, I'm excited to be a part of this. Well, let's not dilly-dally. Let's get right to it and go to your pavement origin story. Yeah, I've listened to a few and sometimes they have really good stories, but But mine's like, I think I was home from break from college or something. And, uh, my brother and sister were like playing a mixed tape of things and, and, uh, cut your hair came on and, uh, yeah. And, um, and it was apparently it was being played on their radio station all the time. So, uh, you know, and so at the time we would just constantly make copies of whatever. So I had like crooked rain, uh, just sort of stuck in my car forever and just wore it out. Track 3 [3:16] Um, but you know, it was kind of in the mix and then it was really more, uh, wowies, always when it kind of took off, um, for me, um, that was the first tour I saw them like that was, uh, you know, but, um, so you got to experience it in real time. Yeah. A little bit. Yeah. Yeah. Not quite slanted. And so I'm not, I'm not that. No, but, but wowies alley. That's, that's pretty cool. Yeah, yeah. Um, so, so, um, on that tour, when you went to that tour, what, what were you thinking? Track 3 [3:48] Well, I, so I, you know, I was, I was just obsessed with going to shows and seeing bands. Um, and, uh, I was pretty psyched to get a ticket from Ohio originally. Okay. And, uh, so I was pretty psyched to get a ticket in Cleveland, which was still like two hours away from where I lived. Um, and I was taking my little sister and, uh, yeah, it was just, we were really excited. My dad even went along because he was worried about taking my, I don't know, 14-year-old sister to the big city. So yeah, I got to see them with Come and Dirty 3 in the Algorra Theater or Algorra Ballroom, one of those in Cleveland. Track 3 [4:34] But yeah, I just listened to Pavement nonstop at at the time and um yes yeah just it's like one of those like that's how i always picture them they're just that's that night um and i've seen them plenty of times since but uh yeah what other shows have you seen uh so i you know i saw that one and then like that summer i saw him at lollapalooza um it was before the infamous west virginia mud fight um but But it was like when they came on right after Sinead O'Connor, she was still on the tour at the time. And then I saw them like, you know, so what was after that? Like Bright in the Corners. I saw him a couple times on that tour. Dude. Yeah. And then I saw him. Track 3 [5:22] There's like one or two other times in there. And then I, like, I remember that I did the one that really sticks out to me. That was, uh, I saw their last North American show before they, well, when they sort of, we thought they split up the first time. Right. Um, for terror twilight in Cincinnati, Ohio at Bogart's. Yeah. So yeah, I saw that. And then we thought, Oh, is this the end? And you know, and then it was like maybe a couple of weeks later, he did that infamous show somewhere in England where he's like, Yeah, the Burstyn Academy. Yeah, he had handcuffs and everything. So I saw him right before all that. And then I've seen him, like I saw him twice on their first reunion tour. And then I saw him once, like the year before last. And I haven't been able to make any of the others since, but yeah. So I've seen him a few times. Oh, yeah, you've seen him a lot. That's great. And different eras as well. Yeah, yeah. Very cool. My first time was the first reunion, right? So that was my first time seeing them. Well, their reunion shows were like, they're just so tight and so together. Track 3 [6:28] Some of the early shows, they were sort of a mess. Like, I remember once watching Stephen kicking Steve West off the kit and to show him how the part was supposed to be played. What? Because they kept starting the song, and he kept screwing it up. So he's like, no, no, no, no. And he went back there, and he played the part. And then he went back behind his mic and got his guitar. And then I guess Steve played it. The right way holy shit i've never heard that story yeah that was uh in columbus ohio that i think that was a brighton the corners tour i think yeah damn so what are your what are your go-to uh tracks these days go-to records rather so it always kind of like changes but i i tend to be like between crooked rain and wowie zowie back and forth um i just uh like i crooked rain is like a perfect album like perfectly see well i think pavement secret is that they sequence every album perfectly. Track 3 [7:33] Sometimes the songs, like sometimes there's weird stuff in between and sometimes the songs are hits, but like, it's just perfectly sequenced. And Crooked Rain is just a perfect record. I think Wowie Zowie is just like bizarre and all over the place, but still like well sequenced. And then the only, my only issue with Wowie Zowie is that I think it finishes with like three or four closers. So it's like you hit one of those like last three or four tracks and you're like, oh yeah, that was great. Oh here's you know well that's a great way to close and then they have another so yeah. Track 3 [8:07] That's awesome was there anything else you want to share about your pavement origin story, oh um i don't like i just think you know this was like pavement was a band that like like sort of binded my brother and sister and i together um we just uh that's sort of weird sets of humor summer they're sort of strange like sports fans um we all have like weird interactions, with them here and there that we just kind of um i don't know we're all awkward socially awkward and so like it so you know i don't know we just kind of like um this is oddball group that just always spoke to all of us and sort of held us all together that's really cool that you're into it with your brother and sister are they both younger than you or yeah they are yeah my brother's like a year and a half younger my sister's like uh five five and a half years younger so you got to show them the way well they i mean like i said they introduced me at first but then um this was a band we kind of all like became obsessed with kind of together um so yeah that was fun yeah Yeah, that's a lot of fun. Cool. Well, shall we take a quick break and come back and talk about track number 32? That sounds great. All right. Well, we'll do that. We'll see you on the other side. Hey, this is Bob Mustanovich from Pavement. Thanks for listening. Track 1 [9:33] And now on with a countdown. 32. Track 3 [13:53] Song number 32 on the countdown comes from Pavement's masterpiece, well, one of them, Wowie Zowie. Track 3 [14:37] At track 32 we have the song grave architecture come on in yeah sorry let's try to stick that in yeah oh damn i stepped on it that's okay i I should have prepared you. What are your initial thoughts of grave architecture? This was a funny one that, that when you said it to me, I have a long, like, I think I said before, I think the album that I really kind of really felt like really grabbed me was, was wow. And yeah, this song is like the come on in like right away. Like, Oh yeah. Humanity. So it always sticks with me that way. Yeah. Yeah. It's always very cool when you can bring something cool into school right yeah, well and actually um i i didn't mention this before but i'm actually a fourth grade teacher ah and periodically i'll have pavement playing when the kids come in but um like what's this i'm like don't worry about it's pavement, um but i guess back to the song uh so it's it's kind of that um it's kind of like i always felt the song was kind of jazzy kind of like the. Track 3 [15:48] Uh five minus four equals unity from crooked rain like it has a bit of that you know you kind of like groove to it um and then almost from the beginning he's going you know saying grave architecture and that whole like the jerky uh sort of segmented way um mouth like uh sort of phrases things and songs especially when he's He's live and he's playing around with it. You know, that's always like, that's how I sing half the songs I sing along to. So I just, that one always, that always touched me. But yeah, I don't know. I just love the song. It just grooves. Like, yeah, you can just kind of sway back and forth and just kind of take it in. Track 3 [16:34] Yeah. And then I thought a lot about what it meant. And a lot of these songs, I kind of put my own. I'm sure this is not what they think. But I always think of when I hear this grave architecture and walk the marble malls, I think of the monuments and the buildings in our world that were built by the, say, super rich in their name and are sort of left there as their monument. And the rest of us sad folk don't have anything like that. And so, they sort of left their imprint everywhere. And so, you walk through it and it's imposing everywhere. And they're almost like graves, literally, only to maybe their money, to their wealth. Um you know he even says like stiff the crypt so i'm like already it's like still graves are in my head um yeah there's just a bunch of like little things like that in the song um that i really appreciate yeah little breadcrumbs right yeah yeah yeah yeah because nothing is ever straightforward with that sound oh no no and that's i think it's probably why we all love them i think so too yeah you have to do a little bit of digging a little bit of investigative work um not the first song I don't think it's a song that he mentions architecture either, which is interesting. Yeah. Oh, what was that? Oh, it was that, I'm terrible at song names. You're just going to have to name it. Oh, shit. Track 3 [18:02] I thought I'd written it down, but I guess I hadn't. I'm so bad at song names. With an itch they cannot scratch. Track 3 [18:11] God, what song is it? Is it The Hex? Oh, yeah. When I was trying to research a little bit, I read that same line. I'm like, oh, yeah, that's right. But yeah, he mentions art throughout, art and architecture and all these sorts of things. He's married to an artist. It's a huge piece of him or part of him. And then I think the history, I believe he was like, was he like a history major at Virginia or something? I'm not sure. Okay. Uncool and underqualified to the bitter end. No, that's all right. Half the stuff, like I said, talk out my ass still. Track 3 [18:52] But, you know, but then there's like later there's lines, you know, you know, it's like, you know, found on shady ground. And I sort of, that's reminding me of hollowed ground and sort of like as opposed. Like there's a little bit of critique in here. You know, I always hear her too. There's like, um, and needs the talent to breathe. Um, I always said that I still sing it this way as breed needs the talent to breathe, which I'm sure it was breathed, but I also know that sometimes Malcolm S plays with words that way. And so I always just think like, oh yeah. Okay. So you could breed, there's more of you pass on your wealth when you're not building, you know, or whatever it is. Oh, I like that. Yeah. So yeah. Yeah. So it was, it was fun to, to be able to kind of revisit a song that actually does, I have thought about and have loved for a long time. Yeah, I always get worried when I do these that, you know, somebody's going to get matched up with a song that they just don't vibe or resonate with. But that's so cool to think that you took this one, you know, and talked about it in class. Yeah, I won't tell you how old I am, But yeah, when I was in college, sure. Track 3 [20:11] And yeah, I remember my girlfriend at the time was just like, I don't know how he knows all this stuff. And I'm talking about Sonic Youth and Velvet Underground and trying to like make it all connect. And somehow I thought Pavement was important. I mean, they are in retrospect, they're super important in all this. But at the time, they probably, I mean, they could have not been important. They just were. Yeah. Well, they're important to a lot of us. Oh, for sure. Yeah, yeah, yeah. Yeah. So where do you think this song lands on the countdown? It comes in at 32. Is it properly rated? Is it overrated? Is it underrated? What do you think? I mean, you know, I think somewhere in the middle makes sense. Because I think once you start naming other songs, you're like, oh, yeah, I like that one better. So I think somewhere here in the middle makes sense. Yeah. Yeah, it seems about right to me. Honestly, I have to confess, I did not submit a list. Well, that's fine. I know, I got really busy, and so I felt bad. And also, if I rated them, if I ranked them, I would just change my mind the next day. Ah, I think so, too. So I think 32 just sounds great. Track 3 [21:28] Yeah. Well, is there anything else you want to mention about grave architecture? Texture any memorable live performances of it or i mean you know i. Track 3 [21:40] Honestly, I go back to that first show. I remember these kids made the band t-shirts. They ironed on pavement. They were wearing homemade t-shirts. Every song in that set was just perfectly placed. Grave Architecture had its spot. I remember just even fans were out. We were all shouting out what we thought would come next. It just all made sense. And Grave Architecture is just like, I just think it fits perfectly on Wowie Zowie. If there's one thing, like, I know it's all over the place, but there's a few tracks that really tie it together. And I think Grave Architecture is like, and I think it's right in the middle of the album, if I remember correctly. And so it's just, it just fits and it just works. Um i think even when i look at the the image of the album cover like just something screams to me like grave like this whole album is grave architecture i think in a lot of ways even if it's not maybe my favorite or the best song in the album it just it just is the album it is wowie zowie interesting yeah i notice over your over your left shoulder you've got that, wowie zowie oh and you've got the bright in the corners and crooked rain as well yeah and i've got to slant it over there i only have like four the steve king the guy who did the painting yeah um he did like like recently well he started selling things on ebay and so i was able to. Track 3 [23:08] Uh score like a set of four of these um like they're great and it was like super reasonable he even like people kept outbidding me he's like don't worry i'll make it work and so he made sure that i got these four paintings um and then they even put out an art book of all of his stuff recently yeah it's just low I don't know if you've seen it you probably have like it's just loaded with like a bunch of um pavement artwork um a bunch of those um have you ever seen the they made I think it was for Brighton the Corners they made like these signs that stand up freestanding signs and it's painted in his style like he's done it um and they were like yeah they were sent out to different record stores around the country as part of the promotion for Brighton the Corners and um there's a few people that still have them they're like every once in a while you see one online but yeah his paintings are great they're like super affordable, yeah so yeah, wowie zowie got me into his art so yeah yeah I love it I think it's great. Track 3 [24:11] Well, speaking of great, it's been great talking to you today and I really appreciate your time and I really appreciate you doing this. It's a lot of heavy lifting on your end. For me, it's like a vacation, like I'm used to doing these alone. So to have somebody to bounce things off of, somebody as passionate as yourself, that's a lot of fun. So thank you very much. Oh, yeah. Thanks, J.D. Thanks for having me. Do you have anything that you need or want to plug? Man i wish i did i used to blog a lot like i used to have a blog where i actually i was breaking down each pavement song and i only got like 30 or 40 you're like way better, at this than i am and then i started doing a blog that was called um uh well it was the original title was building coalitions through beer and pavement now it's just called beer and pavement um but i don't i haven't updated it in forever but some people might know it some people might I might not care, but that's it. I don't have time. I have kids and I teach, so I don't have time. Yeah. You're busy as hell. Track 3 [25:16] Well, once again, thanks so much. And, uh, we'll talk to you on the flip side. All right. Thank you. And wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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This is so fucking cool. Bob Nastanovich joins me this week to talk about a whack of shit including song 33!!!! Transcript: 1:00] Loretta Scars. Alex from Portland, how are you feeling about Loretta Scars? It's a great song. I've got all kinds of thoughts on it, but it's on Flannid and Enchanted, which is a great album. it's, Slanted and Enchanted is the least varied album in my opinion like, most of the songs on it are kind of of one vibe and this is definitely no exception I think it's a great vibe I enjoy it Hey this is Westy from the Rock and Roll Band. Track 3 [1:40] Pavement and you're listening to The Countdown Hey it's It's JD here back for another episode of our top 50 countdown for Seminole indie rock band Pavement. Week over week we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballads. I then tabulated the results using an abacus, a bicycle pump, lotion, and some biscuits for Kevin, my homemade from uni. How will your favorite songs fare in the rankings? Well, you'll need to tune in to find out. So there's that. This week we're joined by pavement superstar bob fucking nastanovich bob what is up no okay cool and you're aren't you a toronto person sure am yeah how are things there bright blue sunny skies today about five degrees celsius so that's like spring weather for us especially yeah that's nice yeah we've got I don't mean to show you up Jamie but it's 63 degrees Fahrenheit here with a light breeze and a bright sunshine oh man here in Paris Tennessee you know like a typical winter day here is kind of gray and 44 but it's especially nice. Track 3 [3:03] Today which is pretty awesome that sounds about right that sounds like good you know good walking weather so yeah how are you doing all right with this project so far so good i'm like like people are lining up to do it uh like i'm caught up through march uh i've got to do some interviews this week with people so basically people seem to be like i was like i don't know how people respond to a top 50 that they have to listen to every week but i don't know my numbers are good and um like good for me you know yeah they'll get into it yeah i think so and like just a little bit of water cooler debate right what's that bud just a little bit of water cooler debate yeah exactly you know like what if what are you fucking thinking greenlanders like greenlander was 46 six and you know people were really pleased that it made the top 50 but then there's another cohort that are like that's crazy it should be at least in the top 30 you know or whatever so no that is so weird i mean i don't um i do know people that love greenlander and i um ineffectively insisted. Track 3 [4:18] On trying to get it played live in iceland and that would have been cool yeah and um he we sound checked it and it sounded just fine for about 70 seconds and malchus was. Track 3 [4:43] Like i don't want to do that one you know and then um with him you know his attitude was so. Track 3 [4:53] Sterling in 2022 and 2023 that um you don't and he was willing to play so many, different songs because in the past like specifically in 2010 um i just think it's uh i mean i remember his attitude back then was sort of uh. Track 3 [5:18] It's going back to a more juvenile style of songwriting for him, which is more direct, but I guess maybe it kind of reminded him of certain aspects of his life. I mean, especially the earlier stuff, pre-Steve West, seems to give him a certain amount of actual PTSD, which is a word I never use. Track 3 [5:48] Self-reference um just because of um the stress caused by gary like i sat next to him when we watched the screening of gary's documentary and um it he did not i mean it's a great documentary have you seen it i did yeah it's a great documentary and i don't think they really could have done a better job and um i mean i would have been wildly pleased with it i know gary was um so cool that he got to see it before he passed at least right i can't i can't believe he lived that long i mean no way you know i mean i mean for him to make it to 70 um should give us all belief that we can do it too um but he comes from really supremely great genes in terms of longevity his parents lived well into their 90s and uh for some reason despite. Track 3 [6:49] Every possible attempt without actually attempting suicide he basically tried to shorten his life um man i mean he was just what was it like when you first met him bob what was that situation exactly like every other time i met him um he uh i mean at first he was kind of suspicious of me because he i mean you know very briefly he was suspicious of me because he thought that i was like a friend of malchmas's who could probably drum and was there to replace him so So for the first, until a day or two in, we practiced in his parents' house the first time we went on tour in 1990. And when I say practice, I think we only had 12 songs and we only played six or seven shows, I think. And when he realized that I couldn't play drums, he... He relaxed a little bit. I mean, I think he realized that I was there to, like, kind of carry gear and make things happen and drive and then... You do more than that, dude. You do. I mean, back then, I actually did very little. There's this je ne sais quoi that you bring. Well, yeah. I mean, I developed my role over the years. Track 3 [8:09] It's hard for me to really accept my overall importance. But back then, there were some shows, you know, shows back then were 45 minutes or whatever. And there were some shows where if he was on, I really didn't have to do a thing but sort of stand there. I mean, it was, it was strange. I mean, there was a few, there's like, there were times where I would actually be like, um, pretty embarrassed because people in the audience must've thought, you know, why does the, why does the guy who doesn't do anything have to stand on the stage? And um and then also after the first time we toured europe in 92 and it was we played like maybe 28 shows in 31 days or something and we we finished in belgium somewhere and remco, was doing our sound for the first time that far back he goes i didn't realize that He goes back. The very first night we met him was about five o'clock on the day that we opened for My Buddy Valentine and Super Chunk at the Old Ritz in New York. What a lineup. Track 3 [9:27] Yeah. And he, uh, we played for 25 minutes and we played seven songs and, but whatever. So we met Remco outside the old Ritz. Um, we were on a, um. Track 3 [9:46] On a label called Big Cat, which was run by this rather scurrilous fellow named Abbo, Stephen Abbott, who was in a band called UKDK. And as it turned out, he was actually kind of a thief, but he knew Remco because Remco had worked with the band Copshoot Cop. And so he kind of figured that this young Dutch kid should do sound for us because we needed a sound man because we would turn up in a lot of places and we'd be so disheveled and disorganized and unprofessional that local sound staffs would be like, who are these assholes? You know what i mean like back then in the 90s if you didn't sort of show up. Track 3 [10:41] I mean if you showed up at least in the manner that pavement did a lot of these people you know you were really at the mercy of people um who you know hypothetically were into sound garden started and if you didn't sound like them then you could fuck right off um and if you didn't bring that some level of professionalism or panache um then you could really get the shaft because people would just be like really annoyed that they had to work with you and that's and and that's really what it's like when you have to depend on the house unless you've got one of of those rare situations where they give a crap. Right. So from that point on, you guys were on the road with Remco. Yeah, pretty much. Ninety seven percent of the time, like in 2010, like those one off things in North America, we wouldn't fly them over. Bob Weston did set them sound for us a few times. Now we've got this guy named Aaron Mullen. Track 3 [11:54] Who did a few shows this year. I mean, it's just if it makes no sense. Financially for Remco to come over for a short stint. I mean, obviously doing sound for pavements, not rocket science, but Remco was proved his effectiveness generally at festivals. Festivals um he's pretty passionate about making sure the bands he works for sound good because it's big time ego gratification for him um if like if people go around and say you guys sounded really great you know you know and so he's he's very competitive in that regard which worked in our favor yeah sure did you guys sounded great at the festival i went to the Primavera in Porto. That was a fantastic show. Yeah. I'm happy that I see Barcelona didn't sound very good. Um, cause Remco didn't come to the practices, um, had trouble getting his visa. So he was completely unprepared for Barcelona. He didn't really even have Rebecca turned up. Track 3 [13:08] And then a lot of the stuff that I'd learned because she's in the band now, um, Which I hadn't done before, weren't even turned on in Barcelona. And then in Porto, I'm not sure if you're aware of it, but I showed up for sound check and the bright blue case that had all of my bits and bobs of percussion, some of which I'd had since the early 90s, got stolen. Are you fucking kidding me? No, I didn't know that. No, I had no gear. I had no gear. I didn't even have anything to mount. I didn't have a tambourine that you can hit, and I didn't have anything to mount it on. And I had no tambourine maracas, cowbells, whistles, all my tricks, and claves. And thank goodness that Rebecca... Track 3 [14:16] Was in the band because at first rebecca was just going to kind of come out there, and do keyboard parts and either come and go or just kind of sit there and she's a really good i mean she's a great drummer and she's a really good percussionist um so i said no you're gonna do something on every song and then we you know quickly find out found out that she can do background vocals on anything and that's great she can scream and obviously and she's also very joyful performer um and she was you know she's a good very good percussionist so thankfully i was able to use some of her stuff um that night but it was still was not my stuff i I mean, it was very, very, it would be like if. Track 3 [15:11] Well, actually, I think it kind of, I mean, it would be like if, like, guitars got stolen from a guitar player. I mean, that actually, it happened to Dinosaur, I think maybe in Porto, Dinosaur Jr., all their guitars got lost and they were still in Italy when they played. Oh my god yeah so they had to play i think they bought guitars um you know that's so whatever i mean i'm happy that it was me because if it had been like anybody else then they probably would have had a harder time i mean i was able to just you kept it cool i'll just wing it you know what what i mean like it was funny because nobody you know people you kind of realize the level of. Track 3 [16:07] How, uh, you know, the, the immense level, you know, of your bandmates, they're kind of focused on their own deal. Like they couldn't deal with that. My bad news. Um, only Rebecca could like only Rebecca could like, you know, I mean, she's great. She's great. she was really a neat addition like really uh from the fonda show i mean i went to the fonda show that was just it was mind-blowing that was a that was my favorite show of the tour like that was the first i can see why i mean it was long if you're a big fan i mean we played tons of songs and it sounded fine and it was small and the atmosphere was good and i mean at least 90 90% of the people in there were way into the band. Oh, yeah. So, I mean, it was kind of an ideal time to see Pavement because we were fresh off the shelf and in a mode where we kind of had to give everything a go. Yeah, it was tremendous to be a part of it and experience it. One thing I wanted to talk to you about was Rebecca Clay Cole and you know, her, um. Track 3 [17:29] Her contributions, I suppose, to the overall pavement experience, like, um, is she sort of a permanent member at this point? Is she coming to South America? I mean, of course she's coming to South America, right? Yeah. Oh yeah. Yeah. No, that's it. And that's it. I mean, right now that's it. Sure. Sure. It's 2024. You guys have been on the road for two years, man. Yeah we haven't done anything those for a long time we haven't done anything since um cincinnati, and um it's going to kind of be interesting because one good thing about south america is we don't obviously haven't played there um a couple of the places we've never played and, and we've only played three shows down there ever so we can just you know basically play we don't have to learn 70 pavements to relearn 70 payment songs you know not that, not that they're immensely challenging but at the same time. Track 3 [18:35] You know i basically could make the four set lists now and um you know we're you know it's not going to be you won't be hearing um greenlander no but uh you go with the uh you go with the essentials not the deep cuts yeah and i think we've got i think i'm in a list of 32 that i sent out to them about six six weeks ago oh that's good yeah sounds all right well if i come into any money i'll see you in uh i'll see you in south america but let us know yeah yeah let us know i But, you know, times are tough. Well, should we talk about track number, what is it? Track number 33 on the countdown? Okay, that's pretty good. All right, let's do it. Yeah, that's pretty good. Hey, this is Bob Mustanovich from Pavement. Track 1 [19:32] Thanks for listening, and now on with a countdown. 33! Track 3 [23:28] Okay, that was Transport is Arranged from the fourth record released February 11th, 1997, Bright in the Corners. It's the third track on the album, and it's the sixth song from Bright in the Corners that is on the countdown at this point. So Bright in the Corners is representing the bottom portion of this top 50 so far. Bob, what do you think about Transport is Arranged? Jamie. I just think that, first of all, it's cool to hear that Bright in the Corners got a lot of action, having a lot of love. It is a very listenable pavement record. I love it. And I think Transport is Arranged, when the record was made in Kernersville, North Carolina with Mitch Easter, was just kind of viewed and the feel around it was that, okay, that's another song that definitely should be on the record. Track 3 [24:33] Um but isn't the kind of song that um it you know maybe should be a single or something like that it was just it was just a song that was like really solid and good and then as the song got played over and over again on tour and over the years um i think it's become rather clear to me that, you know, aside from kind of the more bubblegum-y songs on the record like Stereo and Shady Lane, that it would have stood up as a truly special pavement song. And I just think that it's, for the most part, an outstanding example of, Of not only Stephen's songwriting ability and composing, but I just think it's an unusually good set of lyrics. I'm with you. When I think about like verse three, I swung my fiery sword, I vent my spleen at the Lord. He is abstract and bored, too much milk and honey. Well, I'll walk through the wilderness with nothing but a compass and a canteen setting the scenes. I mean, it just got this certain depth. Track 3 [25:57] Of course, you know, I am the worst of my kind. I want to cremate the crush. It's funny, some people think that that's crutch, but it's I want to cremate the crush actually has a lot of personal importance to me because that's an expression I used to use. Track 3 [26:17] Really? Yeah, Cremate the Crush. I would actually say that that's a valid lyrical contribution from my notebook that was usurped by Balchmus, which he was more than welcome to do that. That um cremate the crush was often used when one of your mates had um regardless of. Track 3 [26:45] Gender orientation had fallen really really hard for somebody and it became clear to yourself and everyone around that it wasn't going to work and it was a really bad idea. Track 3 [26:58] And um so you had to pull your friend and that believe me that happens whether you're You know, no matter how old you are, you know, sometimes you just, um, I think we've all seen it in our lives. We've seen people that fall really hard for the wrong person and rather than just sit back and watch them go through a very vile, um, heartbreak, um, an effort needs to be made to cremate the crush. Um wow and that's the expression that i used um all right man like this is ridiculous like because you see it all the time like yes obviously amongst my dude friends like dude man, you're really barking up the wrong tree there you know what i mean not yeah whatever whatever series of reasons um but really transport is arranged um as that song got played there's a a really unusually good version of it really good recording and filming from an italian show that we did um it's on youtube um oh i'll have to look that up mouth miss had really really short hair um it was this really strange festival that i believe was somewhere in the vicinity of venice um. Track 3 [28:18] And it was one of these festivals that you turn up to in the early afternoon, and the people are still, like, kind of making the stage, and you're sort of, like, in this state of disbelief that any concert's actually going to happen there today. And this was the vibe. We were just like, whoa. Oh, you know, because usually it's like, you know, the Heineken banners are already up and like, you know, the kids are already listening to, you know, a band that sounds like Green Day and, you know, people are drinking or you see the tent village. This festival, it looked like they'd gotten the days wrong, and it was going to happen two or three days, but somehow they whipped it all together, and we played a very memorable version of Transport is Arranged. Track 3 [29:13] And you know it pretty much became a staple of our live show from the bright in the corners tour forward um it's just has a good um mid-tempo vibe to it good lyrics good guitar love the tone of his voice the tone of his voice is really like in a sweet spot, i agree i just say to me it's just like a great pavement song it's always really relaxing um, kind of in a grounded sort of way but like even more relaxing and like, yeah i mean some people you know at times think that pavement doesn't rock and then when we actually do rock we're just like pretending to be hardcore or pretending to be like jokey metal or or something like that. I actually feel like Transporter is arranged, if it's played with a proper punch, kind of is truly a rock and roll song. Oh, when you get to that, when you get past the solo and you guys all get into it, it sounds so tight and it sounds. Track 3 [30:23] Yeah, it sounds very tight and it sounds very rocky, you know, like rock and roll. It rocks. It's a great rock and song. it kind of stomps and but then it gets really mellow it just has really really good dynamic and yeah I can tell you like whenever I put it on a set list we don't, We don't really start with it because it doesn't, you know, sometimes songs with like kind of a very mellow lead in, it's not such a good idea. But you can sort of stick it after anything kind of noisy. Track 3 [31:00] And then, so then people can sort of like return to like sort of a serene vibe. And then after a certain period of time, it kicks back in again. So, um, I just love, um, I love that song and it's always a pleasure to see, to put it on a list and see it coming up. And, um, in fact, depending on who I'm talking to, if they've never heard Pavement before, um, and I sort of get a general idea that they like rock music, then it's a song that I would almost play first. First um to sort of you know give them a feel and then when i do play transporters range they're like oh okay like yeah like 90s um college rock or something and uh yeah yeah which is fair special it's more special than that but i i hear you you know but i'm talking about complete newbiles they um because if you play them something too cute or i mean obviously you know i'm in the horse racing profession and there's a lot of people that you play father to a sister of thought and range life and other sort of country tin songs because they you know would absolutely there's a lot of people i know a lot of my friends um who know of pavement don't like pavement because. Track 3 [32:26] It to them it sounds too harsh um you know because a lot of people don't really have any punk rock background right okay um they don't want to hear anything like unfair or serpentine pad or they don't want to hear anything medium fire lo-fi like debris slide or forklift i mean like something like forklift just sounds like 13 year olds making a horrible racket um to them like they don't see the cool in that you know yeah um you know of course There's... Track 3 [33:01] I mean, I haven't listened to it on vinyl in a long time, but Forklift, you know, I remember it sounding kind of maniacal and frenzied in a very 1990s sort of way, which was kind of cool. But I can understand, but Transport Is Arranged kind of ticks all the boxes, like Grounded would sound like kind of like too much, like a stoner type thing to people. People um shady lane might sound kind of like listless summer babes kind of repetitive and some people might think like oh you guys wanted to be nirvana or something um which we certainly did not um that didn't look like much fun to me and uh but yeah no i just i just love the song and i think that it's it should definitely not be a forgotten song transport is arranged i think it It should be sort of at the forefront of anybody making a mixtape or a tape of 10 to 15 pavement songs. I like that. Yeah, it stands up. So then you would say on the countdown, it's underrated at 33, right? Yeah, and I would, I mean, for me, it would always be in my top five. Top five? Holy shit, Bob. Yeah, it would be in my top five. Track 3 [34:26] Unquestionably top 10 But probably top 5 In fact people ask you know sometimes like, You know, one lazy question by anybody is like, what's your actual favorite pavement song? And, you know, when you say transport is arranged, you're not being entirely obvious. And then if they've only heard 10 pavement songs or 15 pavement songs or just the hits, then you're kind of forcing them to listen to a great pavement song that they may have not heard before. So it would unquestionably be in my top five um it's under four minutes i mean um, i really am very much of the you know when it comes to a band that's a rock band in sort of the, three minute form like pavement is i mean um you know my general belief. Track 3 [35:23] Maybe it has to do with attention span or something like that but songs over five minutes better be pretty awesome for you to justify them being that long agree um totally agree it's a little pretentious brilliant right there's so many great bands who have made so many great songs and they just fall prey to loving their groove so hard that they do it one or two passes too many and a song that might have had like you know major appeal whether it be like sort from a venom sense or from a sweetness sense is just um loses its effect if it's got too much length so um i think it weighs in under four minutes i think it's you know it's i think it's four minutes are justified i don't think there's any wasted motion i think it's got good dynamics and again one of malcolm's best sets of lyrics um you know and i think you know obviously. Track 3 [36:30] David and Stephen were both very good lyricists and, you know, David's a poet. He was celebrated for it. And I think that David, you know, was an influence on Stephen and sort of challenged him from a lyric writing perspective and would get annoyed when Stephen was being too lazy about lyrics. And I think very much in, you know, the Stevens sense, it's a unusually or just a very good set of lyrics from a lyricist who had at that point very much found his way. You know, something that had been sort of a discardable aspect of the band, even to an extent through a lot of Slanted and Enchanted. And then, you know, I mean, some people think that his lyrics are just garbled nonsense. And to an extent, you know, by intent, they are, you know, fairly good. Track 3 [37:44] Senseless but i mean you know i think of songs like um this song and from a completely different era um lyrics like trigger cut um i just think that you know he he's he does not get, the he gets the respect he deserves as a guitar player but perhaps not as a lyricist i think you know transport his range has both yeah i'd agree totally agree what is the whole pillars of eight thing. Do you have any insight on that? What's that? The pillars of eight. Do you have any insight on that? No, no, no, I don't really have anything of that. I think it probably has to do with, um, just, uh, you know, then you're falling into him. Um, and I think you've probably seen some of his scrawlings and notebooks and stuff like that. Um, you fall into him choosing expressions and just simply sort of loving words and how they look and how they sound coming out of his mouth and then so then using uh you know sets of a set of words like pillars of eight and putting in a place where it's going to fit you know obviously that you know eight rhymes with a lot a lot of things and fit you know i'm saying so yeah yeah you know he's. Track 3 [39:06] When you're in a situation where not only are you going to have to write lyrics but, you're going to also have them um analyzed then i think that you force yourself to you know put a certain amount of time into that process and i think throughout the course of um his entire songwriting history. Track 3 [39:38] I think, you know, perhaps it's a bit freeing since Pavement ended that things are a little bit less under the microscope. Track 3 [39:47] But certainly in 1997, they, you know, were very much under the microscope. In fact, this album, I remember getting really slammed by a writer at a major music publication for the lyrics in Blue Hawaiian. Um, they were actually misconstrued as sexist in, um, this, um, particularly the line, the slap is a gift. Your cheeks have lost their luster. Um, Oh my God. I would have never put that together. I would have got there from that. You know, this slap is a gift. I mean when I mean then you know in some ways like um you could see how the journalist made that point I suppose but I mean I yeah like you I never really thought along those lines because maybe if you know the person and you know that they're not like a misogynist creep then, you don't even really think about them in that context but um perhaps um that person did and I just remember, you know, when you write songs, which I don't do, then you are just like any type of writer, you are susceptible to... Track 3 [41:10] To criticism and then you know then of course you've you've reached a certain mantle when your lyrics are being picked apart and every pick of you in detail is being brought to the fore um and but that's like also a compliment that people you know care that much about what you write that's um yeah but you know at the same time like you know some things that are almost like unfathomable to a songwriter, um, come to the, you know, come, come to the floor when, when people go over them with a fine tooth comb. Um, but, uh, no, I've never really heard anybody moan about Brighton the Corners, um, lyrics and, you know, maybe it's because it is like in the thirties. Um, but I really don't think it should be a forgotten song. I think that in some ways it's as good as Late Period, and when I say Late Period, I would say albums four and five, as good as Pavement was in terms of sounding like Pavement. I mean, there isn't much of Terror Twilight, which can be described as sort of typically pavement, but there is on Bright in the Corners, and you definitely cannot describe a song like Stereo as typically pavement. Track 3 [42:40] So, yeah, no, pleasure talking about one of my favorite pavement songs, Jamie. Me Bob it's been a pleasure talking to you period it always is anytime man I'm basically just basking in the glorious winter sunlight here in Paris that's spectacular yeah with my unmade bed, And, um, I don't even know what I'm going to do. I actually have to go grocery shopping, but yeah, a pleasure, pleasure to talk to you and good luck with all of your endeavors. And, uh, let me know if you need anything more from me. Awesome. Thanks so much. Always, you know, uh, shall I remind you again that, um, Steve West would probably be, you know, gladly help, um, help you out. Oh, I'll ask him. Yeah. He'll definitely do it. Cool. I can also hook you up with Rebecca if you want her to do one. It would be cool. That would be really cool because then I could ask her that question that you planted in my head. Yeah, it'd be really good actually, because then, then you'd be the first, um, prominent music journalist that tackled that question. Track 3 [43:51] Anyways, love you, mate. And, uh, have, have a, have a great, uh, Canadian afternoon and I'll, I'll, uh, pass on. You've got all the Wes information, right? I do. Yeah. Yeah. I'll pass on Rebecca's. Cool. Oh, all right. All right. Take care of yourself and keep on flying the flag. You betcha. All right. Enjoy yourself. My pleasure. One more thing. Wash your goddamn hands. Thanks for listening. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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This week on the program, Alex from Portland talks about his Pavement Origin story with jD before they gab about song 34! Transcript: Track 1 [1:00] It's Half a Canyon. Ryan, from Soundtrack Your Life, what are your initial thoughts about this song? It's a great song. I really like this song. For some reason, for a long time, I thought this was the last song on Wowie Zowie. It kind of has that epic, you know? Yeah, it has that epic finale, you know, with how it ends and just this big jam of chaos. Hey, this is Westy from the Rock. Track 3 [1:33] Roll Band, Pavement, and you're listening to The Countdown. Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to countdown the 50 essential pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the results using an abacus and a pool cue I broke over my knee in a moment of rage. How will your favorite song fare in the ranking? You'll need to tune in to find out. So there's that. This week we're joined by Pavement superfan Alex from Portland. Alex, how you doing, motherfucker? Fucking great, JD. How are you? Oh, man, I am stellar right now. I am feeling good. Yeah. How about you? Feeling good myself. I apologize if my vocal cords crack. I decided to sing karaoke last night. Oh, nice. Yeah. What'd you sing? Rocks Off by the Rolling Stones. Oh, wow. I went really, really hard in my Jagger mode, too. So if I sound like a mid-pubescent boy, that's why. Track 3 [2:50] That's great. Well, what do you say we talk about pavement? I'm so ready. All right. Hit me with your pavement origin story. It goes like this. So I am a millennial. I was born in 1990. So when they were doing their initial, when they were an active band recording music and touring originally, I was way too young to be a part of it or even know about it. But how I came to Pavement is, I was 15. This would have been 2005. We had a local coffee shop where I'm from, a small town in Indiana. And you would walk down there on a given night, and there would be live music. It was usually acoustic bands. And we were there, me and a couple friends of mine. And we're watching this like i don't know kind of like weird sort of indie band they were acoustic but they were still kind of like doing heavier stuff and they were catchy and interesting and weird and the lyrics didn't really make any sense and i was fascinated like at 15 years old the shit was blowing my mind and i was like hell yeah dude this band's great and i look over and we see Matt the cool kid and Matt's like this mysterious kind of you know all the boys want to be him all the girls want to be with him he's shout out to Matt that kid was just the coolest kid in our town. Track 3 [4:17] And I remember going up to Matt after the show and saying like man that band we just watched was really cool and he he takes like you know a probably a five second drag of a cigarette just goes they're just ripping off pavement man oh wow and i uh i had never i didn't know who that was but of course i'm trying to be cool for cool matt so i'm like yeah dude totally totally ripping off pavement yeah they're they're way better so i i rushed home i open up lime wire of course yeah i've been pavement into the search bar and and by the way i did want to uh i wanted to reiterate something i wrote into you when you were doing your old show uh in 2005 if you opened up you know a peer-to-peer illegal downloading app uh and you typed in pavement harness your hopes was by far the top thing that would come up really even on limewire even back then it wasn't even close like it was harness your hopes with however many thousands or hundreds of thousands of downloads And then I think cut your hair was like number two, but it was down by quite a margin. That's wild. So harness your hopes has been the fan favorite for a lot longer than people have noticed. Track 3 [5:37] I wonder if that's because people were looking, you know, if they're looking for pavement, like the idea of a B-side is so savory, you know, and B-sides weren't always easy to get. Yeah it's it might just be their like you know undisputed best song and everyone just knows it or something i don't know but i heard it and i just i walked away with two thoughts after listening to that which is one this doesn't actually sound anything like that band i just heard at the coffee shop and number two this is definitely my new favorite band the the word blew my mind the The guitars were kind of jangly, but also kind of grungy, which like jangle pop and grunge are pretty much my whole wheelhouse. And they sort of combined them seamlessly into one thing. And I'm like, yeah, dude, I'm all in. And from then on, they've, you know, my favorite bands shift, but they've been in the top five ever since. Wow. Track 3 [6:36] So when you when you finally decided to jump away from LimeWire and purchase your first record, what was the CD or cassette? What was it? What did you end up with out of the shoot? dude? Oh, wowie zowie. That was the one that I was just like, my favorite, you know, my favorite record is definitely wowie zowie. So when I had the chance to purchase it, I had the vinyl. I used to have a picture, but I was wearing, I was wearing a shirt of a band that's now canceled. So I deleted the picture off social media, but I had a picture of me holding up the smooth blank fourth side of that record yes if you know that record is uh it's it's two and a half side wow. Track 3 [7:23] Or three sides yeah yeah yeah you know what i'm saying it's it's a record and a half yeah absolutely it's yeah yeah i was so fascinated by that and uh yeah i i'm i'm now a completist i've got all the i've got all the reissues i've got all the you know lux and redux and and all that basically everything that i could get my hands on and yeah i'm the same i'm the same every Every time I come up with something new, it's like, man, and we're recording this, you know, uh, in February right now. So we've heard of this seven inch box set coming out, but we don't know what it is, uh, and what it will entail. I'm very curious about it, if it's going to be a must purchase or not. I mean, it's going to be just because I'm a completist. Even if it's not my favorite or whatever, Terror of Twilight is my least favorite pavement album, but you better believe I bought that thing when it came out a couple of years ago. Yeah. Well, we waited so goddamn long for that. Track 3 [8:31] So they really over-delivered, I thought. I thought we waited a long time for it, but it was completely worth the wait once I put the records on my turntable. And so, you know what else I waited a long time for and finally got in, I think it was September of 2022, was I got to see them live for the first time. Oh, I was just going to ask you about shows. September 2022. So where was the venue? In Portland. Well, in Troutdale, which is like northeast of Portland, but they have a venue out there that was big enough to kind of suit the size of the show. Gorilla Toss opened for them. I'm a pretty big fan of them. We're in their like hyper pop era, which is really fun. I think I saw them on the road with Gorilla Toss as well. I think I'll have to ask Tim from Portland because he's got a way better memory than me, but we saw them in Toronto. Track 3 [9:29] And I'm pretty sure Gorilla Toss was one of the opening bands and I enjoyed it. Yeah, yeah, I had a blast at that show. Also, one little funny tidbit, when they played Rangelife, Malkma found a way to work in All Cops Are Bastards into the Run From the Pigs, the Fuzz, the Cops, the Heat. He somehow worked that lyric into there, and the crowd went absolutely apeshit. That was the most excited the crowd got on it. He definitely knew he was playing to a Portland crowd. It was really neat. That is cool. Cool. Well, I mean, he's a transplant now, right? He's part Portlander at this point. He's been here a lot longer than I have. Yeah. Also, I wanted to mention another cool thing that happened much more recently, about a month ago on my birthday, actually. Dinosaur Jr. played Portland at the Revolution Hall. All and what i don't know if you've been following their tour or not or if you're even a fan um i didn't catch the band sorry dinosaur jr oh okay yeah dinosaur yeah yeah yeah so they've been like. Track 3 [10:48] And they've been getting like a local musician from whatever city they're playing in to like join them for a song on stage their whole tour. And like, I think it was I think when they were in Philly, they got Kurt Vile to go up with them, stuff like that. And when they were in Portland, you know, guess who the special guest was that came out and sang a song with them. I fucking saw that. I saw some video. Yeah. How spoiled were you that night? It was amazing. It was like two of my favorite 90s bands getting up there and jamming out together on one of their best songs. And it was just a lot of fun, and I enjoyed it. To see J and SM dueling guitars would be fucking so cool. They're both so different, but so good, you know? Oh, yeah. With the guitar. Track 3 [11:45] Yeah, it was phenomenal. phenomenal also they're they're doing uh where you've been in its entirety and that's my favorite dinosaur album so and it was my birthday and i was like yeah the the universe kind of gave me this as a present like you know got to see malchmus get up there so it was a lot of fun dude that does sound like fun god damn it that's fun well what do you think should we get into to track 34 i think i'm ready to get into it then let's do this we'll be back on the other side with track 34 hey this is bob nastanovich from pavement uh thanks for listening. Track 1 [12:23] And now on with a countdown 34. Track 3 [15:23] Okay, we are back. You heard it here first. The first song from the original version of Slanted and Enchanted to appear on the countdown, Loretta Scars. Alex from Portland, how are you feeling about Loretta Scars? It's a great song. I've got all kinds of thoughts on it, but, you know, it's on Slanted and Enchanted, which is a great album. It's slanted and enchanted is the least uh varied album in my opinion like, most of the songs on it are kind of of one vibe and this is definitely no exception um i think it's a great vibe i i enjoy it but uh yeah um i guess if i can start. Track 3 [16:14] Out the gate with With my only really negative take on it. Sure. It kind of feels like. Like the meme of like. Hey mom can we stop for summer babe. No we have summer babe at home. And it's this. Track 3 [16:30] They're different chords. But they're played in the exact same structure. And the drum beats the same. It's that classic Gary Young. Boom boom. You know. Kind of thing. But it's still a great song. I'm definitely not shitting on it at all, and I'm ready to say all good things from here on out. I just figured I would get that out first. Well, hit me. Hit me with some good stuff. Hit me with your best shot, Pat Benatar. So, when you... Okay, how do I put this? When you're listening to the bulk of the lyrics are just, how can I, how can I, how can I make my body shed for you? you body shed around your little scars. If you're listening to the how can I, how can I part, it sounds like he's like drunk or something, like he's slurring it, like he's not keeping up with the rhythm. Yeah. So just earlier today as a fun little exercise, what I tried to do was sing it myself in a way that would fit the meter and it's impossible. Really? Yeah, you can't do it. There's no way. I don't know if it's because How Can I is three beats and the song's in 4-4, but for whatever reason, you can't really make it go with the beat. And yet, when it gets to... Track 3 [17:52] Make my body when he comes in on body it's always perfectly on beat again even though he like every time he does it it gets a little bit slower and more drawn out kind of drunker sounding uh he nails it every time so i i really respect the way that the words are delivered from a standpoint of like this shouldn't work but it does right yeah i can i can see that it's very sparse lyrically very sparse lyrically it's funny because uh like one of the things i love about malchmus and it's the same thing i loved about david berman same thing i love about bob dylan dan behar sometimes neil young and joni mitchell is like you'll be listening to a song and you're so like emotionally invested and you feel the power of it and it's such a great song and then you're singing along and you stop and you're like i don't know what the fuck i'm singing about right now at all and that that's most if not all malchus lyrics but yeah i would agree with that but this one i'm like you know and i i even did the thing where i went to genius just to see what they would have. Track 3 [19:08] To say and uh you know it's just i think it's one paragraph that someone wrote in that just says like the narrator clearly doesn't know how to help the person named loretta and it's like okay thanks for the information yeah that's really gets us nowhere but that but that's all you're gonna get you're gonna get nowhere if you like i gave up a long time ago trying to like. Track 3 [19:33] Grab any serious meaning from a lot of Pavement's catalog, if not all of it. Maybe Grounded is like, you know, doctors are these rich assholes that don't give a shit about people. You can grab that from Grounded, but most Pavement songs don't really... I don't think they have a meaning. I don't think that's the point. Track 3 [19:56] Yeah, I think there's bits and phrases that you can glean something from, you know, thematically in a song. But few and far between is there like a narrative, which was so different when he released his first solo record. And all those songs had like total narratives, like protagonist, beginning, middle, end. And like, there's so many songs on SM's debut that showcase that he's not just somebody who's just throwing phrases at a wall, but he's really got it. So I don't know, you know, like he told me when I spoke to him that he can compartmentalize Pavement and his solo stuff. Track 3 [20:40] But there's, to me, there's a little bit of bleed. There's a little bit of bleed on some songs. And I, of course I don't have them in top of my mind right now, but, uh, I tend to agree with you, but I think that there are some that, you know, yeah, no, for sure. And, and I'm, I'm just, of course I'm overgeneralizing, but like, so you're thinking about Loretta scars though. Like that's the, that's the song we're talking about right now. And I mean, I, I, I don't have, I don't know what your thoughts are on what the lyrics could possibly mean but i've gotten nothing yeah well what is the deal with metal scars at one point he says metal scars how can i shed around your metal scars like is this a robot is this like what the fuck man well if it's a robot it's probably not loretta lynn. Track 3 [21:32] Oh right yeah only only loretta i know of so yeah it's a not a common name. Track 3 [21:39] Or cleveland's ex-wife from family guy i never watched family guy so you're you're better you're much better off for it what else have you got on loretta scars i anything much else i mean it's a tough this is a tough ask it there's literally six lines you know and then they're repeated it i like how you broke down the music though there's about three chords for most of it there's the gary drum beat that he does on summer babe um we could talk about gary's drumming though for a minute because i i understand me too i don't i like and this has been said a million times by a million people including people on your podcast um but you know westy is probably the more like. Track 3 [22:33] Technically proficient and varied drummer but gary's got this like certain style of playing this swag this kind of like vibe that he creates with the way he hits the drums and it doesn't sound like anyone else and i really appreciate that for what it is and you can tell gary's song right away yeah you're right you can tell a gary song right away oh yeah and this this is a great it like this would be a good song to demonstrate that point if i was going to play a song for someone and be like this is gary young drumming you know yeah this would be the one you would choose it would be it would it would be close i mean like i said there it's the same drums on summer babe and then you've got uh. Track 3 [23:22] What's the, what's the song after a flamethrower where it's only one like line that he says over and over again? I can't remember the name of the song. Yeah, me neither. But that song is basically the same drum pattern. So whoever's going to be listening to your podcast is going to scream at the phone, whatever the name of that is. And good for them. I do that too. But, uh, yeah, no, it's, it's a good. It's a good example of that Gary Young drum sound, and I'm not a musician, so I can't explain it in technical terms, but because I am like a diehard music obsessive, I know when I hear it and I know when I don't. Gotcha. And you like it. I love it. Yeah. I love it. I mean, I don't know if there's like a bad pavement song, even their like fuck around, throw away B-sides are usually funny. Track 3 [24:18] Agreed yeah i i totally agree with you you know uh there's a lot of a lot of good stuff on the b-sides my question my next question for you though is where does this song fit in the top 50 is it rated properly should it have been higher should it have been lower what do you think yeah Yeah, because I only know what like 47 through 50 are, it's difficult for me to like, it would be so much easier for me to come up with my own top 50 if I knew if I could like argue yours, you know? Right. But yeah, just as far as it being fairly rated, no. Track 3 [25:01] Yeah because i don't even know if it makes my top five on slanted but but it's also a great song so agree yeah so would i put it in the top 25 no but what i put it in the top 50 yes so 33 sounds about right sounds about right yeah that's what i think it's a top it's a top 40 song because it's from that debut record you know uh which turned so many of us on to pavement not me because i came so late to the party and you you came late to the party but those cool fucking mark kids matt it was matt you said right yeah yeah his his his cohort you know we're probably into slanted like you know not him specifically but his cohort we're listening to slanted you know when it dropped and reading zines and whatnot every every like town every city has got at least one of those mats and probably some of them are named mark and, yeah yeah they're they're always going to be a little bit cooler than you and uh when you're a teenager i think you need that that's like your north star you know and then you sort of use that as a branch to find your own way and pave your own path and uh i'm grateful i'm grateful I'm grateful for that kid, and I'm grateful for his little comment that made me go search out Pavement and fall in love right away. Really cool origin story. Track 3 [26:30] Well, that's what I've got, so I'm not sure if there's anything else you want to say or if there's anything you want to plug. Track 3 [26:39] Well, premature plug, but I don't know when you're releasing this, so maybe it will be out by then. I am starting my own podcast. It's going to be a music-obsessive deep dive, and I'm going to attempt to connect a bunch of dots between bands. Track 3 [26:58] Themes, record labels, the culture around it, tracing back from 60s stuff until. Track 3 [27:05] Now, 90s, everything in between. Uh it's gonna be sort of like the charlie day meme where he's got you know the he's in like the post office basement he's going through his whole conspiracy with that's right all the string and shit it's it's gonna be like a music version of that so if you're yeah if you're a music obsessive like me and you think i'm funny or crazy or interesting then yeah uh i'll have jd plug this when it's ready to go cool awesome if you don't mind of course i just volunteered you to plug my show at some point absolutely well alex totally all right brother well that's what i've got and that's what alex from portland has so we thank you for tuning in and wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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MMT50 - 235 24:00

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This week jD is joined by Ryan from the Soundtrack Your Life podcast, to discuss song number 35 on the countdown. Will it surprise you? Download and let me know! jd@meetingmalkmus.com Transcript: Track 2 [1:00] Previously on the pavement top 50. Track 1 [1:02] So there it is track 36 on the countdown is harness your hopes from the june 22nd release of the spit on a stranger ep and then later on the bright in the corner nicene creators edition reissue chad from los angeles what are you vibing with this song talk to me it's funny i i like this i mean let me preface it with i like this song a lot um is it my favorite pavement song no you know um it's probably not in my top, 25 or 30 favorite pavement songs but that is that doesn't mean that it's not a good song it's obviously it's it's a really good song i really enjoy it. Track 2 [1:51] Hey this is westy from the rock and roll band pavement and you're listening to the countdown countdown. Track 3 [1:58] Hey, it's JD here back for another episode of our top 50 countdown for seminal indie rock band, Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and 10 metric rulers and a box of rat poison. How will your favorite song fare in the rankings? Well, you'll need to tune in to find out. So there's that. This week, I'm joined I'm joined by pavement superfan Ryan from Soundtrack Your Life. Ryan, how the fuck are you? I'm doing great. Excited to talk about pavement. That is good to hear. Yeah, and you came to the right place then, because that's what we're going to do. And we'll kick it right off. We won't mess around. We'll kick things right off with your pavement origin story. Track 3 [2:48] So I was in high school, and I have an older sister. I have many older sisters, but I have one specific older sister who was working in the music business, and I think she had a big hand in telling me, like, there's more to music than just what you hear on the radio. Right. And I don't know exactly how that conversation came up, but Pavement was definitely one of the bands that she recommended for me. And in 97 she was working at Capitol Records and Capitol Records co-released Brighten the Corners I did not know that yeah so they did a few different albums with Matador they did. Track 3 [3:38] Um, a couple of the John Spencer blues explosion records. Um, and they did, I think Liz fairs, white chocolate space egg album. Whoa. Okay. And so my sister sent me bright in the corner. So I think that was my first pavement album. Um, and I think I'd been exploring them, you know, through music videos on MTV. And, um, I think there was a website called like the pavement internet archive. That's some guy at some college hosted where like he had like some of the, uh, BBC sessions and stuff like that. So, you know, since I was on a high school budget, I couldn't just go out and buy all the records. So I was trying to figure out how to listen to Pavement without owning anything. Track 3 [4:21] But, I mean, eventually I got them all, but that's kind of how it all started. It was a good time to look for free music in the late 90s. I mean, with Napster and LimeWire and that kind of stuff, it was easy to track down. Was there a lot of pavement out there on those types of services when you were looking? I think the albums were out there. I think as far as like the, you know, the single B-side tracks, I don't think those were as available. I mean, once Napster got really into full gear, like everything was available. Yeah. But, you know, in like 1998, I was going to this guy's website and I think he just hosted it through like some, his college. And he just had all the B-sides and all the BBC and John Peel sessions. That must have been like a treasure chest when you found that. Oh, yeah. I remember not having enough hard disk space on my computer, but I just kept downloading them. Track 3 [5:24] Oh. Did you ever get a chance to see them live? I did. So I saw them on the Bright in the Corners tour. And I lived in San Diego at the time, and a lot of bands like Pavement, they only played like 21 and up venues. Oh, really? But Pavement, because they were bigger than the average indie band, they played an all ages show, so I was really excited about that. Oh, wow. Tell me a bit about that show. Track 3 [5:57] So they were on tour with Royal Trucks and Biss. And my sister got me into the show because she was working at the label and i remember like i had like a hard curfew at like 11 o'clock and pavement had only been playing for like half an hour um and i remember they they kicked things off with father to a sister of thought and he sounded great and uh yeah i mean i wish i could have stayed for the whole show i had to leave of early, but at least I got to see a little bit of pavement. Did you make, did you make up for it and any of the reunion tours and see them again or? Yeah, I saw them three times on the 2010 reunion tour. Oh, whoa. And I saw them. What, where did you see them? I saw them twice in the LA area. And then I went to one of the Central Park shows in New York. Awesome. Yeah, I was at one of those shows too. Yeah, I met up with an old roommate from college, a couple of my roommates. We all met up to go see Pavement. Oh, that's a lot of fun. And then you were about to say that you saw them on the 2022 reunion as well? Yeah, I saw them two of the three nights that they played in LA. Track 3 [7:17] What venue did they play? They played the Orpheum. Oh, okay. Like a 3,000 seat theater. Okay. Yeah, it was sort of strange. Like, I saw them at the Fonda, and then I went to Europe to watch a bunch of shows. And it was interesting to see them in theaters, like to see people starting, I guess it's our age, right? Like, starting sitting down and then having them, you know, sort of make their way to get us on our feet sort of thing. Right. I think L.A. was pretty good at just being into it from the beginning. Yeah the fonda show was in la and it was tremendous it was it was absolutely tremendous uh do you want to shout out your sister for um for hooking you up with this pavement knowledge yeah uh shout out to my sister amy she's not in the music business anymore but, um if i have to talk about my musical taste usually she um gets a shout out because she She has a big part in that. That's really cool. She's actually credited on that Tibetan Freedom concert record. Track 3 [8:28] What? She's in the credits as an assistant A&R. Really? Yeah. Oh, that's fucking cool. That's really cool. Yeah. Is there anything else about your origin story that you want to share? Or anything else about pavement in general that you want to share? Track 3 [8:48] Um i have a little funny story uh sure a couple months ago i was uh taking my kids to lego land which is in san diego okay and there was you know just some like teenager selling me an icy and i was wearing my pavement shirt and he goes oh what's that shirt mean i said oh it's uh for this 90s band called pavement and he goes oh yeah that's what i thought harness your hopes right, and i was like yeah and he was like yeah that's a good song cool like that's a cool band, oh and like yeah my mind was totally blown but i guess that you know that song had a moment on tiktok so like a new generation of like kids are like listening to pavement now my 14 year old knows it as well like she's like yeah dad i know pavement and i'll be like what what do you know No. She'll be like, harness your hopes. So funny that that song has had a life of its own. Right. Yeah. Well, shall we flip the record and talk about the song of the week, track number 35? Yeah, let's do it. Let's do it. We'll take a quick break and we'll be right back with song number 35. Track 2 [10:00] Hey, this is Bob Mastandovich from Pavement. Thanks for listening. And now on with a countdown. 35. Track 3 [16:13] All right, song number 35 is the fifth song on the list from Wowie Zowie. It's the penultimate song on that record. Yep, it's Half a Canyon. Ryan, from Soundtrack, Your Life, what are your initial thoughts about this song? It's a great song. I really like this song. For some reason, for a long time, I thought this was the last song on Wowie Zowie. It kind of has that epic, you know. Yeah, it has that epic finale with how it ends and just this big jam of chaos. Jam of chaos. I love it. But it's one of my favorite Pavement songs where you can't really hear the vocals that well. Agreed. Yeah. And from a Bank for Your Buck perspective, it's six minutes and ten seconds, and it's only got two paragraphs of lyrics. Like it's it's very sparse on the uh on the vocal part but you're right it is like a jam of chaos as it continues yeah and there's been times where like i'll just have that uh beginning riff like stuck in my head and i'll have to like remember like where it's from. Track 3 [17:31] Like i'll know malchumus wrote it and i'm like where's that that riff from like it's so catchy and it's kind of bluesy but in a very malchemist way yeah i agree so what is your relationship with this song you got you you jumped on for bright in the corners how did it look going backwards at what point did you start to go backwards and look at wowie zowie and records like that, and um and what did you think of this song when you when you first heard it so you know once i I got Bright in the Corners, I immediately went back to try to get whatever Pavement albums I could find. I think Wowie Zowie was maybe the last one I was able to pick up. Track 3 [18:15] And I think at first the album in general didn't quite grab me the way, you know, like Crooked Rain, Crooked Rain or even Slanted and Enchanted did. But this was definitely one of the highlights early on because, you know, that riff is so catchy and because it's such a visceral sort of rock song at the end. And so it was definitely one of my highlights of Wowie Zowie. And Wowie Zowie is one of those albums where I feel like your favorites from it always change. There's so many tracks, right? Yeah. I feel like what I liked at 20 and what I liked at 25 and 30 and so on, if you were to ask me my five favorite songs from Wowie Zowie, I'm sure it'd be different every time. Oh, that's funny. Track 3 [19:12] Um, yeah, it's a, it's a, it's a dense record and, and it varies in styles. Like, whereas Crooked Rain is, you know, Malcolmist has called it his classic rock or their classic rock record. It's tough to summarize what Wowie Zowie is in like a short sentence. Yeah. It kind of just goes all over the place. Yeah. But it still is a cohesive album. Yeah. I agree. Yeah. So talk to me about a little bit about what you think. This is tough. This one's going to be real tough. What do you think this song is about? Any ideas? Well, he does bring up witch trials quite a bit. That's true, yes. I cheated a little bit, and I went to Genius to see if there was an actual meaning for the song. Oh, what did they have to say? They pulled up a snippet from a Malcomus interview from 2018 where he's like, yeah, the lyrics are just there for decoration. Track 3 [20:19] I feel like that's so many songs you know that he would he would say it that way even though you know we enjoy the songs and look for content in his word salad uh it doesn't surprise me that he would say that that it's just sort of a costume for the skeleton of the song Yeah. And my friend who I went to one of the Central Park shows with, he says that sometimes that he just feels like Malcomus is just like rapping. Oh, that's interesting. I hadn't really ever thought about that. Hmm. Well, I gotta ask the question. Do you think this song is overrated, underrated, properly rated? And I realize it's tough to do when you don't have the whole list in front of you. But this comes in at number 35. Should it be higher or lower, or is 35 about right? Track 3 [21:19] Like I said, with Wowie Zowie, I think it's an album where even the deepest cut has its fans, so I can't say that it's overrated. Right. I'm going to say properly rated. Okay, I'll take that. I'll take that. Yeah, I think so. Around 35, it's a memorable track off Wowie Zowie. Track 3 [21:49] Yeah, 35 sounds about right to me as well. Well, Ryan from Soundtrack Your Life, do you have anything that you would like to plug before we button this sucker up? Sure soundtrack your life is a podcast that i host with my friend nicole we talk about awesome soundtracks uh with guests we've had different musicians um we've had like lou barlow from sebado on the podcast get out uh correct legend from shutter to think cool um we've had a daniel ephraim who put together the steve keen art book and he's the manager of the apples and the stereo. He's been on a couple episodes. Um, so, uh, we just talked to people about soundtracks and needle drops. And, um, obviously we've done an episode on brain candy. Cause yeah, I have to do an episode on that one because of, uh, soldiers is so good. Track 3 [22:44] Um, but you know, it's, uh, we released two episodes a month and it's a lot of fun. I think if you're a pavement fan, you'll probably like a lot of our episodes. Episodes so find that at soundtrack your life is it is it.com or dot net for that on your dot net and then if not search for that on your podcast app yeah and you'll and you'll likely find it yeah where you can find this podcast you can probably find a soundtrack your life as well cool well thank you so much ryan uh it was a pleasure to meet you today and i'm real happy that we got to do this yeah um it is an honor to talk pavement on the meeting alchemist podcast oh thanks dude that means a lot uh take good care we'll talk to you soon and don't forget wash your goddamn hands thanks. Track 2 [23:31] For listening to meeting malchus a pavement podcast where we count down the top 50 pavement tracks as selected by you if you've got questions or concerns please shoot me an email jd at meeting malchus.com, Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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MMT50 - 236 35:27

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jD is back and this week he's got Chad from Los Angeles in toe to discuss song 36 on the countdown, and to share his Pavement origin story. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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MMT50 - 237 37:12

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jD is joined by Pierce from Detroit to discuss his Pavement origin story and wax poetic about song 37 on the countdown. Enjoy! Transcript: [0:00] Hey, it's JD here, and I just wanted to throw something down, somewhat of a challenge to all you musically inclined folks out there. We are going to be doing a pod list again this year, and a pod list is simply a podcast playlist. It's a pod list. The previous four pod lists have consisted of talented members of our Pavement community submitting songs that they have covered from the Pavement oeuvre. Pavement adjacent songs are also welcome. So you could do PSOI, you could do Jicks, you could do Malcolm is Solo. Anything is fair game, truly. So get your band together or grab an acoustic guitar and just play your fucking guts out. From there, submit the song to me by email and we'll go from there. So please submit those songs, jd at meetingmalkmus.com, or even better, use wetransfer.com if it's a big WAV file. And WAV files are what I prefer. That will work out just magnificently. That's what she said. Podlist 5 coming July 8th. So get those songs in and be a part of something special. Thanks so much. Now, on with the show. Previously on the. Track 2: [1:26] Pavement Top 50. Without further ado, number 38, Date with Ikea. Daniel from Chicago. Hey. Talk to me about your experience with this song. Well, it was the first Pavement album that I was able to buy on its release date. So it has a special place. It was released, I think it's April 17th, 1997. And I went to my local mall and walked in and bought this album. Hey, this is Westy from the Rock and Roll Band Pavement. Track 4: [2:13] And you're listening to The Countdown. hey it's jd here back for another episode of our top 50 countdown for seminal indie rock band pavement week over week we're going tocount down the 50 essential pavement tracks that you selected with your very own top 20 ballots i tabulated the results using an abacus and a small group of children in the fourth grade,How will your favorite song fare in the rankings? Well, you'll need to tune in to find out. So there's that. This week, we're joined by Pavement superfan, Pierce from Detroit. [2:47] Pierce, how you doing, motherfucker? I'm good, I'm good. It's good to be here. Oh, it's great to have you, man. [2:54] How's the weather in the city right now? It's been unseasonably warm yesterday. We got close to 60. I think we got to 60. So you know every people in shorts and uh it's not going to be here forever it's going to be nice today again and then it's going to go you know it's uh we're still in february so. [3:16] It it's going to be some jacket weather before you know it yeah i bet yeah how about you how what's the what's the weather like there it's been the same here it's been unseasonablylike i wore a vest yesterday instead of a jacket right like kind of nice yeah i mean you know aside from the existential dread but we won't go there yeah i suppose you're right yeah so let'slet's get right to this let's talk about pavement uh you mean my favorite band your favorite band of all time yeah oh man yeah i uh i you know i i kind of i listened to a uh previous episodeand then i you know got my mind you know i'm always jump chomping at the champing at the bit to uh relay my pavement origin story. So, I mean, I don't even know if it's like, it's not anything spectacular, but I mean, I guess the thing that really strikes me is just how much the band means to me and how much musicmeans to me. And, you know, so I'm always, you know, looking to knock on somebody's door and tell them about pavement. [4:26] So where did it all begin? Well, I mean, um, you know, so I came, I found pavement, um, in high school um i uh you know i i was really into just like a lot of corporate rock youknow i was all about like you know back and bc boys which are still i i still like and value those but uh you know i mean it's listening to like the sublime and 311 and you know all thatand And not to say that that's not, if that's your bag, that's your bag, you know, but like I, I, uh, so then in my sophomore year, a friend got me into fish and, um, and so like fish, you know,I, I've had like, I've kind of estranged myself from fish. Um, and I realized that, uh, starting at the top of a pavement podcast, talking about three 11 and, uh, and fish, I don't know if that's the coolest start, but, uh, you know, so I remembervividly, I got an entertainment weekly fish feature magazine and, uh, I guess the summer of 2000. [5:45] Summer of 2000 and just going just before going into my junior year in high school and uh there was a fish a to z and key they had uh like a little cartoon of the guitarist treyworshiping at this pedestal with slanted and enchanted like a little a little drawing on it and uh so key he, the A to Z P for fish was pavement. [6:12] And, uh, I was like, okay, well, I'll check that out. And, um, you know, I got slanted and enchanted and it just, uh, it was like instantaneous, you know? [6:23] And, uh, and so then I think the same day I went out to another CD store, I think I bought it from either a local CD store or from Best Buy. And then I went to another local CD store and i bought the major leagues ep so like wow my first two were like you know slenderman major leagues and uh i was like wow this this iscompletely different but i love it totally so different and so then you know i think within like a couple days i had bought um wowie zowie you know and then i went on uh a week-longsummer uh like a band camp thing to interlocking and uh so i remember being in this school bus and like hearing half a canyon you know and it just it blew my mind i was like in thegarden state natalie totally right i mean the headphones was like this is gonna change you know and uh and i mean um you know the uh the ensuing years of like and even just moments oflike trying to like play it for friends and having them be like oh okay that's cool man but you know and then gradually getting more people into it but yeah I mean man you know it's so it'sjust wild to think that you know. [7:49] My musical adventure really, I mean, I don't want to like put it all on pavement, but I feel like, like that, that really was the catalyst for so many, so many things that I've, um,discovered and enjoyed in the last 24 years. [8:07] Talk to me more about that. What does that look like? Oh man. I mean, so, you know, I'm just, you know, that that was the age of Napster and Audio Galaxy and LimeWire. And so you'd connect your audio galaxy. If you connect your you disconnect the phone line and connect it to your computer and then like try to download three songs and then go to sleep. And then you wake up and like one of the songs would have downloaded and you'd be like, OK, I'm good. Now i know about dinosaur junior you know it's like they would uh that it was just uh it was a wild time and then yeah then the advent of uh you know you had like music mags like thebig takeover and you had um the starting of pitchfork and so just you know over the last however many many years, just, I mean, it's, we just, we live in a, an age of renaissance. I mean, the reissues of just classics and never heard classics. Like I'm into like light Italian library music and like, you know, world music and. [9:28] These niche like i got into vaporwave over the pandemic and i got into dungeon synth and it's just like it's this exploding cosmos of never-ending musical discovery and at the sametime i mean you know at the end of the day pavement's still my number one favorite yeah you know and and terror twilight is my favorite album of all time okay that's which is i i realizedthat that's uh that's kind of like the one of the wildest takes i could have but sure yeah yeah i mean i just uh yeah i mean i when it comes to pavement i would say every just. [10:13] Just about every song every release is like i mean there's something so special i i know i don't know if we're supposed to like lead into this or but i'll just say like you know the earlystuff you know know the the original eps and and seven inches that are collected on westing or yeah um it i mean it's just magical i mean uh yeah there's just there's such a swirling vortexof melody and dissonance and feedback and i mean it really it's it's all it's all thanks to those three individuals that you know were just like conjuring some kind of alchemy out of youknow obviously they had they had their their you know pavement they had their artists that were informing them but I mean the way that Malkmus and Scott and and Gary like. [11:19] Did that i mean it's it's still it's just they could have just done those eps and i would still probably talk with the same reverence but then you know you see you see that line uh andand so you know coming to pavement you know pretty much at the end of pavement without i did too that's So that's my story, too. [11:41] They, you know, I was able to kind of just, like, find this tome of amazingness. And, I mean, with the reissues, I mean, there's clearly still so much to be discovered. I mean, I think we're so fortunate. I mean, with Terror Toilet being my favorite album, like, that reissue, like, last year or the year before. I mean that that was like the greatest thing that matador could i i've been like on you know uh mouth miss and pavement message boards crying for this for just so long and i mean idea orsince 2008 rather yeah and um and i mean it just like it really you know minus it's it's it's missing missing you know just one or two tracks from the at home with the groove box with thegroove box comp but i mean i i have that comp so i i also think it's missing for sale the person school of industry oh right like the actual version right right and um you know that's funnytoo because i i was going to mention that later i feel like the brief slide i feel like hold on. [12:59] Let's come back because we don't mention in the first half at all oh sorry yeah no that's okay Okay. It's all building up to that. Oh, sure, sure. So, yeah, I mean... [13:13] You know, I, I, I was able to see one of the, the Central Park shows. Oh, me too. And, and, oh, awesome. Which one did you go to? I forget now. I think it was the one on the, I want to say it was on the 10th or 11th of September. Okay. All right. Yeah. I think that might've been. [13:36] So I've got the, I've got the poster hanging in the other room. We went to the third night, which was Thursday night. Um and i think the night before uh i had some friends that went and it was there was a downpour, okay so i don't go to that one so i guess i'm fortunate oh so you saw the one with the ocsopen don't worry i have a very poor memory okay well that's okay i'll just say you know pavement is my number one and the ocs are by number two really yeah and so that that that thatsung not seeing that particular show um especially that era like that was like the warm slime uh which i i did i saw the vocs the week before and i told them how excited i was for them tobe opening for pavement oh man were they excited oh yeah and and john doyer like signed my uh signed my my albums that i brought and he like gave me a poster i've got the poster thathe gave me like hanging next to the central park pavement poster um yeah but i mean like. [14:47] You know so that was my at the time my girlfriend now my wife's first time in new york and we like went right up to like we got there probably at like five in the afternoon oh wowand we're like standing right like probably like 20 feet from basically where malchmas would be standing you you know, for the rest of the night. [15:12] So like, you know, we made it through this marathon set and pretty close to the end, like, I think my wife, my now wife was like, I need to go to the restroom. Like, I've been standing in this one spot, you know, because as you're standing there, just people continue to compact. And so eventually you're just kind of stuck, you know, know especially if you want to hold on to your spot um and i was i was standing next to this dude that was like heckling malchus tolike play like deep cuts from like territory which like i'm like thinking in my head like yeah i i want that too but i'm not gonna like not right harass him yeah yeah yeah so that was uh thatwas a really amazing experience and then then we get to see, uh, the Detroit show, um. [16:12] Not last year, but the year before. 2022, yeah. Yeah, yeah. And that was also, that was incredible. I mean, just, wow, what a band, you know? Right, agreed, 100%. So what's your, okay, so just, you're in a rarefied air with Terra Twilight as your number one. What is your least ranked? What's your number five? And I mean, I know these are difficult and often sort of ridiculous questions, too, because it's more like 1A, 1B, 1C, 1D, 1E, right? Right, right. I kind of, I bring it on myself when I throw something like that out there. [16:56] Um but you know i mean i'll say my number five when i first heard brighten the corners i thought that it was my favorite uh i think over time i've come to so with terror twilight ismy number one i think my number two is uh wowie zowie just because i mean it's it's a masterpiece and then then three i think goes to slanted just because again i mean how many timescan you have a masterpiece but they apparently did and then i would say. [17:34] Brighton and then crooked rain and i i you know i know no disrespect to crooked rain because no of course not this is just you know this is just what it is yeah yeah but i mean um,The other thing is just the hidden tracks, the B-sides. I mean, I think that really is what, I mean, I don't know. I would say that the five studio albums are enough to make it like pavement, pavement. But but then this rich, rich undertow of of just amazing songs that, you know, should have made the albums or, you know, in some cases, for sure, at least, you know, at least we havethem. Um you know i i really i i heard you mention uh in a previous episode that there's like a seven inch box coming yeah and uh i'm curious what what that looks like is that me too straightsingles or i don't know are we gonna get a remastered clay tracks like Yeah, but the Secret History. [18:53] You know, they launched that first volume of the Secret History, which is, you know, it's basically just extra tracks from, you know, Slenderman, Enchanted, Lux, and Redux. Um but you know i feel like crooked rain uh uh the desert sessions and uh and what was that we sent no addition like those those are crying to be double or triple augmented yeah yeah imean you know it always it's interesting because when you're putting something like that I mean, I remember being on the Stephen Malkin's forum once. And people, you know, when they came out with the first Secret History Volume 1, they were like, I have all these tracks. But it's like, yeah, I mean, I have those tracks too. And I don't even think at the time, like, Spotify was what Spotify is. But, I mean, there's having the tracks, you know, on CD, and then having the tracks on a 45-7 inch or a 12-inch. But like the joy of being able to put down a two a double lp set or a triple lp set and like flipping it over and having i mean again um what matador did with uh the spit in a stranger ep. [20:19] Uh you know i mean like that's that was a dream come true i mean i i kind of wish that they did that for the the um major leagues one too but you know i mean that i i did get a 4lpbox set as well from them that kind of combines those two into one disc i want i want uh like you can go out and find the nicene creators uh right in the corners on vinyl yeah um like thebox set like like the reissue. But the other three are not. They didn't even issue them on vinyl. So I hope there is, like you say, a reissue of Ellie's Desert Origins and Sorted Sandals and Blacks and Redux. I sure hope that happens. And then I do hope they come out with a Bright in the Corners one again because right now you can only find it on Discogs and it's like 300 bucks. I know. And you know, when I first bought that, I bought it for like, you know, list price for like 90 bucks for Mandador, I couldn't buy it fast enough, right? Right. And then... [21:28] They sat on them for so long because again people i remember that there was a strong reaction to it was like why am i buying this i already bought this as a double cd set and i'mlike nice you're missing the point here this is amazing right yeah and uh and so i ended up buying like two copies for like 20 dollars or something liquidated from matador because theywere just like they couldn't get rid of them fast enough of the vinyl boxes of the vinyl boxes so i was like giving them i gave two out for like christmas or birthday presents what the hell iknow and you know i mean hindsight it's 2020 right i wish that i had uh built my empire but you know i mean um i mean i i can't really see them doing that for the for the first threebecause i but you know i mean who am i to you know weigh in on on what matador will or won't do i mean right we'd have to imagine they like money they're gonna keep monetizing thiscatalog in any way they can what it looks like is what it looks like is anyone's guess right yeah right right but i mean you. [22:44] Know it not to beat a dead horse here but that that tear twilight's i mean like i just i love you know because then following malchus into his solo career i mean there's just so manygreat you know demos and songs that are in with what i presume is the groove box or you know kind of proto uh groove denied and i mean i mean rooftop gambler corpus and the handgrenade those are like Two of my favorite songs. Wow. [23:17] I just love it. I love it so much. Damn. Well, I wonder if you're going to like the song that we're covering today. Oh, definitely. Should we get ready to give it a spin? Let's do it. All right. We'll see you on the other side with track number 37 on the countdown. Hey, this is Bob Nestanovich from Pavement. Thanks for listening. Track 2: [23:39] And now on with a countdown. 37. Mmm. Track 4: [25:38] So there we have it. Debris Slide is the first song on the countdown from Perfect Sound Forever. It's a 1990 EP. This song is side two, track two. It's Debris Slide. What are you thinking here, Pierce, from Detroit? Oh, man. I mean, it's classic, right? I mean, I would say, you know, know when i think about the the tracks from the first few eps the first you know perfect sound forever slate tracks demolition plot g7 you kind of have agrab bag of like just kind of wild, noisy experimental quote-unquote pop and then you know occasionally they're gonna throw in like those capital s songs to kind of anchor out you knowand kind of uh totally give it give it a little bit more substance so i think you know if if you were to be looking for the song uh to play for someone off of you know westing by musket andsextant outside of summer babe i mean that And even that, I can't really say that, because, like, Baptist Black Tick. [26:59] Box Elder. Box Elder. I mean, and so I feel like Debris Light kind of takes, like, the song, the songiness. It's not the song, Box Elder, but it's the songiness, the kind of verse, chorus, verse, chorus. Yeah. Distilled. and then it marries it with like all of the wild zany scuzzy distortion and it's got like that frantic energy which you know i'm sure you and and anybody listening to pavementrealizes but it was definitely eye-opening to me when i started first like playing records out like pavement doesn't have a whole lot of amps up tunes, you know, like, like they have, youknow, unfair and they have, uh, you know, flux equals rad. And there's, I mean, there's a host of other songs that like have a, have a, I mean, embassy row. Right. But like for the most part, pavements wheelhouse is, um, you know, just. [28:15] Uh a song that opens up and is uh is just kind of giving you this walking tour of uh milk missus uh thesaurus and dictionary and guitar traps um so like so this song is really it's kindof a weird one because i mean i feel like you know normally you're getting just these these really weird, you know, similes and metaphors and, and weird word placements. And this one is kind of like, he's just playing with like homonyms, you know, he's like, and I mean, it's great. It's, uh. [29:00] Without wanting to make a completely wrong, um, hot take, you know, it's kind of like, uh, i don't know like just just like a you know punky yeah you know kind of tossed off itdefinitely i mean that that's that's one of the attributes that's so fantastic about all these early songs is just how uh like easy it sounds to them like they're just inventing magic if you if youwere were to listen to just the music without the melody and lyrics it would sound like a pretty hardcore song you know i was gonna say like black flag and you know i just like got intoblack flag in the last year or so um and and so and i know that that that was an influence i mean uh. [29:57] It really it's it's kind of unusual for for pavement but at the same time you can see why you know it it became a perennial favorite for like setlist and also i mean i feel like it thissong maybe in particular informs so much of slanted you know i mean yeah well it's so melodic like it's got a great melody it's got the bop bop bops you know make you nod your headand throw you back to a different time uh like a music making and yet they do it so it's almost flippant like it's really it's really pretty cool that they're yeah you know almost thumbingtheir nose at this traditional pop but they're performing it at the same time yeah really really fucking cool yeah and then you know uh i was gonna mention it earlier um just the uh. [30:54] The ba-ba-ba-da-ba's kind of are referenced again all those years later by Scott with For Sale, the Preston School of Industry. I mean, I don't know. [31:09] That just came to me just before we were getting on. I was like, I don't know in the back of my head if there are any other pavement songs with ba-ba-ba-da-ba going on in them. Um well there's a lot that like have something that rings similar to that right like you think cut your hair you think um uh painted soldiers um okay just off the top of my head uh yeah youknow thinking about it quickly but there yeah there it is almost a pavement hallmark this you know this melodic sort of la la la kind of thing yeah you know um yeah obviously not likelike rock solid blueprint because there is no blueprint for this stuff. They, you know, they just, when you think, you know, the answer, they change the questions, you know? So where, so what are you thinking? This song comes in at number 37. Is it properly rated? Is it overrated? Is it underrated? Where, where should it have appeared in your mind? No, it's hard because I think, you know, I, I've participated in any number of threads, you know, your top 10, your top 20. [32:29] What are your favorite Pavement songs? And I mean, I feel like because this band means so much to me, I kind of tend to dig a little bit deeper. I mean, like, from the perfect sound forever, I mean, Angel Carver Blues, Melodjazz Duck, that would probably be my pick from here, or even Heckler Spray. But, you know, just because I love all these songs doesn't mean Cut Your Hair isn't amazing, right? Right, exactly, yeah. I would say, you know... I think this song is pretty well-rated. [33:21] I mean, again, with a band this expansive and with such awesome tunes, I mean, they're going to take you some places. So, like, I don't really feel like any top 20 or 50 is going to look, I mean, you know, I've got, like I said to you earlier, like the porpoise and the hand grenade rooftop. I mean, those that go in my top 10, and I don't think that would really, I mean, I really, I just love it. You're a big haul guy. [34:05] Uh but i mean i i i love debris slide so i i would say it's perfectly rated oh well i love it that's great well pierce it's been wonderful talking to you this afternoon yeah thanks forputting up with my uh oh shit this it's always great talking to people yeah after doing this for three years just with myself i'm like kicking myself why didn't i have people on earlier earlierit makes it so much easier no this is this is so cool and uh super you're super easy to talk to um i and and so i i really relish the opportunity i'll jump at the chance of talking about aboutthis music as often as i can uh i don't know if you you want me to uh set up my uh my, my pitch here, uh, throw it, throw in a little, so I've got, uh, a website that I started, um, um. [35:06] Just last year, and it's kind of based off of a cartoon that I drew like maybe 15 years ago. But it's like a mixtape slash comics website. It's kind of like loosely based around paranormal peanuts, kind of gumshoe ghost. And he, uh, he researches capers and it's a lot of nonsense, uh, uh, non sequiturs. And then a lot of mixes that, you know, feature pavement and the fall and Sunra and, um, all, all, all manner of things. So that the name of the website is ghostropolis.com. Ghostropolis.com. Yep. Yep, g-h-o-s-t-r-o-t-o-l-i-s.com. And it's Ghostropolis Radio. You can also do GhostropolisRadio.com. So if you put Ghostropolis in the Google machine, you'll likely get where you need to go. I think so. From the fertile mind of Pierce from Detroit, Ghostopolis.com. [36:22] Ghostropolis. Ghostropolis. Oh, shit, I just fucked it up already. Oh, you're good. no hey i appreciate it man all right buddy i appreciate you thanks so much for doing this all right thanks for having me all right wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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jD is back and he's joined by Daniel from Chicago to discuss his Pavement origin story and dissect track number 38. Transcript: [0:00] Hey, it's JD here, and I just wanted to throw something down, somewhat of a challenge to all you musically inclined folks out there. We are going to be doing a pod list again this year, and a pod list is simply a podcast playlist. It's a pod list. The previous four pod lists have consisted of talented members of our Pavement community submitting songs that they have covered from the Pavement oeuvre. Pavement adjacent songs are also welcome. So you could do PSOI, you could do Jicks, you could do Malcolm is Solo. Anything is fair game, truly. So get your band together or grab an acoustic guitar and just play your fucking guts out. From there, submit the song to me by email and we'll go from there. So please submit those songs, jd at meetingmalkmus.com, or even better, use wetransfer.com if it's a big WAV file. And WAV files are what I prefer. That will work out just magnificently. That's what she said. Podlist 5 coming July 8th. So get those songs in and be a part of something special. Thanks so much. Now, on with the show. Track 3: [1:24] Previously on the pavement top 50. Track 2: [1:27] What do you have to say dan from rochester about playbook oh man so um first of all when i i listened to this a lot this week and there's three versions so i did some some deepdiving into comparing the different like studio versions that are out there but the first thing that surprised me was the length is relatively short it's slightly less than three and a half minutesand to me that song always felt like very epic. Track 3: [1:58] Hey, this is Westy from the Rock and Roll Band, Pavement, and you're listening to The Countdown. Track 4: [2:05] Hey, it's J.D. here, back for another episode of our Top 50 Countdown for the seminal indie rock band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballots. I then tabulated the results using an abacus and a six-pack. [2:24] Okay, there were only four left, but I was thirsty. see how will your favorite pavement song fare in the ranking you'll need to tune in to find out so there's that this week we're joinedby pavement superfan daniel daniel how are you doing motherfucker uh doing good how are you i am excellent today it's a bright and sunny day out i did a 10k walk it's uh just fantastic itis a good day it's like i'm in chicago and it's uh 50 degrees and so that's like summer so yeah right to have that in february is like just another another planet it's amazing yeah so let's getright into this let's talk about your pavement origin story daniel from chicago i am from a town in the south called montgomery alabama Okay. And I'm also 45, late Gen Xer. Discovering music in the early 90s, you really had to try to search out cool stuff, and especially in a shitty town like Montgomery, Alabama. Alabama. [3:42] There were like only one record store that was independent and you kind of had to like know a person to get there. And. [3:52] So that's a big part of my origin story is I am from a shitty place. And the more I get to know pavement, I realize that Stockton is a lot like Montgomery. It's strip malls and crime and not a lot to do, not a lot of real culture. So I see that connection now. When I was a teenager, I was into classic rock like Neil Young and Bob Dylan and Steve Miller Band, I guess, was my intro to what my dad showed me about rock and roll. But I started 10th grade and I noticed a guy had the iconic pavement sunny side up shirt. Right. And I said, this guy knows something. He kind of shined with this aura. And at the time, I didn't know much about indie rock or alternative rock. But I knew a lot about film. I was into Tarantino, and that led me to John Woo and other independent film. [5:17] I knew a lot about beat literature, like Kerouac and Ginsberg, Burroughs. So we met, and he helped me with the pavement and the Sonic Youth. We traded CDs. I traded VHS, independent film, with him. And we eventually started a shitty noise band in his garage. Oh, that is so cool. Yeah. Yeah. And we talked about Pavement and Sonic Youth, Daydream Nation. At the time, I think Crooked Rain was the big one, and Wowie was pretty big on our playlist. List um but i'm really thankful for that meeting and his taste was just um beyond anything of people from montgomery so i that's my story and i i continue to love pavement my entire lifehas been my favorite band and i felt very special uh having them as a part of my life and i i'm not sure who it was that said. [6:38] I think it might be Mark Arm from Mudhunt Honey said, when you listen to Pavement, you feel smarter. And I feel like I'm in on some kind of secret. Yeah. And I feel enlightened when I listen to Stephen Moutmiss and his poetry and his lyrics. I feel smarter. And coming from a place of like education was not valued and no culture, it meant a lot for me to like have pavement as this kind of avant-garde art band that led me todifferent bigger cities and bigger ideas. Is so so what was take take me through your experience daniel take me through that so you saw him wearing the sunny side up shirt what was the first spin like like what did you spin firstif you remember i remember and and what was going on in your head when you heard it i got crooked crooked rain crooked rain first and i remember the disc and people these days missout on the artwork of the disc right it's got that layer of like kind of red and maroon art. [8:01] And i spun it and i was like first off i've never heard uh a vocalist sound like this before right and i was like is he singing or is he like speaking um and they're in the liner notesthere's a picture of like a singer but i always thought it was that that was mouth mess or that was spiral stairs i wasn't sure but it turns out it's like just a random collage um i wasn't sure ifthe the singer was playing guitar or was just like singing. Wow. Like something from a different world completely. And unlike any music. [8:46] That i've uh ever encountered even since it's um now i can kind of associate what not miss was doing with like lou reed yes big time uh but at the time it was just like what is thisvocalist doing and then there were parts of the guitar playing it was like kind of dissonant guitar and i was like is are these guitars even in tune like it sounds like noise in some parts but somelodic and others and so melodic and others and that's their secret yeah um. [9:25] And then i started listening to the lyrics um the first song that comes to mind i wrote on my uh we used to have book covers of paper to cover the book i wrote the entire uh lyrics forstop breathing this is like the most poetic I don't know what he's talking about but I was also I went to it like an art high school and I was in creative writing and I would do my best to tryto emulate in my poetry what mountainous was doing with like his prose or his lyrics right Right, okay. So he was talking about, I think, stuff around a father-son relationship in that song, and I had struggles with my dad, and as we all probably do. Sure. And I was like, abstractly, he's talking about stuff that is really hitting home. And so there were some songs I didn't get at first, like... [10:39] But yeah we'll talk about some of that stuff later sure okay yeah um so that was your first experience with them and crooked rain what a great jumping off point and just to followup on you know like who's playing what and what are they doing it wasn't like you could tune into mtv at the time and see a great deal of pavement you know and and sort of match it uplike you could with with other bands. You know, in this case, they were so rarefied. It would be tough to get your hands on, you know, live footage or anything like that. So that leads me to my next question. When did you see them live? Did you see them live? First, my first concert by them was. [11:28] It must have been early my first semester at auburn university i went uh started uh 97, i went to birmingham alabama at a place called the nick i think that's what it is and so it musthave been september or october of 1997 and it was a like maybe uh, 100, 200 person venue. It was a very small venue. And me and my two friends from Auburn, we got there nerdy, super early and waited at the rail of the front row. [12:18] And it turns out that we were right across from Spiral Stairs guitar setup. Okay. And it was in support of Right in the Corners. So, amazing show. I think at the time, what they were doing was they were playing about 15 songs with an encore of three songs. And they played Credence. Sinister Purpose was their cover that they played. And they they had their set list on paper plates which i thought was very diy and cool and spiral at the end of the set uh he picked up his paper plate threw it like a frisbee and i caught it soi had the the set list i don't have it anymore but oh damn one time it was in my dorm it was in a collection as i moved around the country of course of course but i wish i had had thatamazing moment. Probably, I would say it's probably my third or fourth concert ever. Um, and. [13:35] I went to REM and Radiohead in support of Monster. That was my first. So it's in good company. Yeah, I bet. So how did you find like-minded people in uni? Was it easy or did you have to seek them out like you did in high school? Or how did you find your compatriots to go to that show with? This is so funny. uh the first day of english class the teacher asked what what what do we like and get to know you ice icebreaker questions and me and this guy cleave we both put thesame bands we really liked pavement number one lemon heads number two rem number three we we wrote those identically, and it's it's like this uh serendipitous kind of thing happenedwith us and we became, very close friends and at the time he was like really into pink floyd and i said hey man you got to get really back into pavements better than pink floyd so weobsess over our mutual love of malchmas and uh pavement so that that's how that connection happened but other times in my life i've never really found someone who says pavement's myfavorite band and maybe you're my probably my. [15:04] Like third person i they always seem to be like a french band no one is like so obsessed like i am or possibly you are. And that's okay with me. Like, this is something, it's very special kind of in this time where everything feels like homogenized. I'm glad that this is a special thing for a few of us. Yeah, I think so too. We can unite in that, unite in our solodom. In our solitude. dude. Um, What's your go-to record these days? [15:51] Well, it's grown. It's changed over time. Of course. As it should, probably. I think the most bang for your buck and artistic expression of what they represent is Wowie Zowie. Sure. Yeah, I can get behind that. It is their version of the White Album in that it is so many different genre attempts. And it feels loose it feels fun um it's thematically all over the place yeah and, i just it just feels like a real expression of what they were going for as a band yeah i i i'm not sure if it's likethe best album but for me i think it feels like pavement and what they wanted um and the the go-to for me i hope it makes your list is uh grave architecture okay i find that to bequintessential uh a pavement song but yeah Yeah, it's just so all over the place and wacky that I love it. What do you say we take a quick break and we come back on the other side of track number 38? Sounds good. All right, cool. Track 3: [17:18] Hey, this is Bob Mustanovich from Pavement. Thanks for listening. And now on with a countdown. Track 2: [17:26] 38. Track 4: [20:04] Alright, track 38 is Date with Ikea, the first spiral jam on the countdown. It's the fifth from Pavement's fourth record, Bright in the Corners, after Blue Hawaiian at 50, Embassy Row at 44, Old to Begin at 43, and Starlings of the Slipstream at 40. Without further ado, number 38, Date with Ikea. Daniel from Chicago. Hey. Talk to me about your experience with this song. Well, it was the first Pavement album that I was able to buy on its release date. So it has a special place. It was released, I think it's April 17th, 1997. 97 and i good went to my local mall and walked in and bought this album and, it's a banger it's a really fucking good album and 100% it's it it rocks and this song is a rocker and you feellike there's some shimmering layered guitar going on yeah Yeah. Um. [21:30] I'm not sure what the song's about. It feels like... Tough to discern. At the time, I didn't know what Ikea was. Now I know. I think it's a Norwegian furniture store, wholesale furniture. [21:50] So now I think I know what the meaning of the song is. Because I've had a date with Ikea. I bought a house, and I've had to go to Ikea to celebrate needing furniture. And I remember going to Ikea going, oh, this is what the song is about. Maybe domestication. Maybe it's a union. I like domestication. Yeah. But the lyrics are about a relationship strife. The actress is always breaking things. That made me think something's going wrong in the relationship or he's annoyed with his partner. Not sure. But Spiral's songs have always had their own feel to them. And this feels like a quintessential uh spiral stairs song not what what else does it sound like in those years maybe uh like super chunk like no pocky for kitty, i don't know if you know ofany other bands that might sound like but. [23:08] No, because it's tough, because his cuts sort of stand alone on a pavement record, because they're so radically different than the stuff that SM does, right? I think that's what I'm trying to get at, yeah. [23:24] But lyrically, you can go down the same bottomless pit with both of their lyrics. I think Malk tends to be, he's got the turn of phrase, right? He's got the gift for a turn of phrase in a way that Spiral doesn't necessarily have the same horsepower at this stage in the game. If you listen to PSOI, like that first record, All This Sounds Gas, man, is he firing on all cylinders on that record. I think so. So that is prime beef. And I love it. Uh, his two outings on brighten the corners are both, you know, I think they're both a great jumping off point for what you need to get from, from spiral. That's just my take. I think you're right. Uh, the idea that it can be on the same album and feel so different. [24:25] Right. And I'm okay with that. Sort of their secret weapon in a way, right i think so i there and i'm in a lot of ways i'm not sure uh spirals influence on what mountainous does that'skind of a mystery i i believe it showed up more on probably slanted and yeah the early stuff yeah the eps off the top i think they were much more collaborative collaborative but i'm likingwhat i hear this this is a rocker this feels like it's got the. [25:04] Almost like a classic rock feel to it of maybe tom petty in there and the heartbreakers, but um got the sing-along chorus here's the a weird thing about uh the spiral Spiral stuff. When I would go to the shows, the crowd would cheer so much for Spiral. It was almost like we were rooting for this underdog. [25:40] And when spiral was playing his, uh, cuts like mountainous, what it seemed like he didn't know what he was supposed to be doing. He would not, he wouldn't have a guitar part to it. He, he would just kind of like Panama. I'm playing guitar. And, but I noticed how much the crowd would get behind, uh, like spirals chance to shine. Shine so you happen to see any dates on the most recent tour in 2022 i did i saw one of the chicago okay i found that steve was much more uh on board with the spiral stuff if if for lack ofa better term if he wasn't on board in the earlier years and i don't know that i'm i'm prescribing that on him. I shouldn't, but I sort of am. And I just feel like they were much more cohesive, like band-wise, this time out. I saw the same thing, and I think I read in interviews where Mountmess before had seemed kind of apprehensive to put his ball in the pavement court, per se. He was very much on board with being a band that was reuniting and good vibes in general yeah but at the time i think what you notice about uh. [27:07] Bright in the corners is oh he's starting to get his own voice mountainous right and it's, it has to feel um daunting to have other people in the band wanting to collaborate whenyou're you're like really finding your groove. So with Wowie, there's, I think, maybe one spiral cut, Brighton two, but then with Terror zero, you're starting to see, Mount Missus realizing that I have something to say and I want it tobe the singular vision. [27:53] That's just my take. I add a lot of meaning and interpretation that might not be there. No, that's what we do with our favorite bands, right? They add, they give us that to sort of interpret. But I feel like. [28:09] Mount miss really was hitting his groove and maybe spiral was hitting his groove as well and they just it was a sign that they needed to take some time off hey listen i don't want tomake this comparison too apt but it's interesting to me that having watched the beatles documentary george is shut out of that song and then he immediately rips off all things must passwhich which is a double record, which just shows like how he had all these songs in the bag. And it's like, how did John and how did John and Paul not include any of his stuff on Let It Be? And then, you know, 40 years later or 30 years later, you have Terror Twilight, which I think is sorely lacking a spiral song. Like, I think that there's part of that record that, that, you know, because a lot of people, it's their number five. And I think it's their number five, because it doesn't sound like a pavement record, necessarily. It sounds lush and rich, production-wise. I continue to call it a beta test for Steve's first solo record. [29:27] It's just interesting to me that it's lacking this something, and I think that something is a Spiral Gem. you might be on to something with that. And, and I'm, I'm, I'm, while I'm glad they both had a great solo careers, um, it is, it's sort of missing something. Yeah. So where do you think in terms of the ranking, this comes in at 38, what do you think, uh, is it properly rated? Is it overrated? Is it underrated? Uh. [30:02] I'm a little, I've been thinking about this. I think it might be overrated. If you would have asked me in 1997, I would have said it should be up there in the 30s. I don't think this has aged for me as well as it should have. I don't know. [30:25] Nowadays, I listen to Brighton and I go, what's the song three on there? Oh, he had to ask me that. I'm cool and underqualified is who I am. I don't have that stuff at my fingertips. No, I've got this. So if you listen to Transport is Arranged. Okay. Going right into Old to Begin. Yeah. Those... It kind of is in between transport and old to begin. And I feel like those are like way stronger songs. Like, and also those are songs where Malcolm is really starting to have his own voice. And it's like very unique rock. And I think those songs, since I heard old to begin, it's like 44 or 43. I I think it's I think those two songs Transport and Old to Begin, are better than Date with Ikea so for some reason I'm feeling like. [31:40] The lack of cohesion of this album, give it a shot, listen to it without Date With Ikea. It's a different album, and it's an interesting choice by the engineers and the producers to put Date in between those two. I think it should be ranked lower. I'm sorry, JD. No, that's okay. That's why I asked the question. [32:08] Hopefully uh transport somewhere in the top 50 i think that's such a a fucking rocker and it's so heavy at the end um but yeah i would put date and probably in my uh, a little bitlower would it crack the top 50 still i don't think so i if i'm going to be completely honest it's going to be in the lower 50 maybe 60s or 70s okay wow you heard it here here first folks stilllove it chicago still love it though it's one of his children but he just disparaged it uh daniel do you have anything that you would like to plug at all is there anything that you're known foron the internet or oh let me tell you i am a therapist here in chicago and i uh as you can see by my uh many plaques on the wall i'm trained to do uh psychotherapy Therapy in the westernsuburbs of Chicago. If you know anyone that wants therapy or wants to try it out for the first time, I specialize in anxiety, depression, addiction, and men's issues. Oh, boy. I ticked a few of those boxes. [33:26] My greatest hits right there. Yeah. Well, it's been great talking to you, and I really appreciate you taking the time to do this. So thanks for that. Thank you for having me on. It's my pleasure. Wash your goddamn hands. Track 3: [33:43] Thanks for listening to Meeting Malcomus, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at meetingmalcomus.com. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back and he's with Dan from Rochester to discuss track 39! Transcript: [0:00] Hey, it's JD here, and I just wanted to throw something down, somewhat of a challenge to all you musically inclined folks out there. We are going to be doing a pod list again this year, and a pod list is simply a podcast playlist. It's a pod list. The previous four pod lists have consisted of talented members of our Pavement community submitting songs that they have covered from the Pavement Ouvra. Pavement adjacent songs are also welcome. So you could do PSOI, you could do Jicks, you could do Malcolm is Solo. Anything is fair game, truly. So get your band together or grab an acoustic guitar and just play your fucking guts out. From there, submit the song to me by email and we'll go from there. So please submit those songs, jd at meetingmalkmus.com, or even better, use wetransfer.com if it's a big WAV file. And WAV files are what I prefer. That will work out just magnificently. That's what she said. Podlist 5 coming July 8th, so get those songs in and be a part of something special. Thanks so much. Now, on with the show. Previously on the. Track 2: [1:26] Pavement Top 50 So Cam from Toronto What do you think Of Starlings of the Slipstream This is a great little song I love I love this song just as a stand alone item I love this songGoing right into the song Finn To wrap up that album But those might actually be My two favorite songs Right in the corners What a great one to punch to close things out Finn isprobably actually my favorite song on that album. Track 4: [2:05] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 Ballads. I then tabulated the results using an abacus and six boxes of M&Ms. How will your favorite song fare in this ranking? Well, you'll need to tune in to find out. So there's that. [2:31] This week, we're joined by Pavement superfan, Dan from Rochester. [2:35] I can see you right across the lake dan hey toronto oh do you remember when there was the ferry for a couple years i heard tales of that yeah yeah people were more interested ingoing to toronto from rochester and i don't think the torontans were very interested in coming here unfortunately i thought it was a cool i thought that's that's what i heard yeah yeah iwould have uh i would love if that was still a thing because uh driving to toronto you have to go all around the lake so yeah exactly it's the shortcut you know it was it was totally perfect inever used it but it was totally yeah yeah so let's talk let's talk about pavement yes let's this is this is why we're all here why we're all gathered around the fire to listen to rochester regale uswith his pavement origin story yeah so take us set the scene yeah set the scene so the scene was the the mid-90s and uh you know i was in high school and uh getting into into music anduh basically you know the internet was new um you couldn't really download songs you know if i needed if i had to if i wanted to hear a song i had to buy the cd so it was kind of uh youknow i had limited funds and limited accessibility to get to a cd store you know we had the one um one place it It was called Media Play. It was like a chain that sold CDs, you know, so it's kind of like a Best Buy or whatever. [4:02] Okay. So, you know, that was, you know, that was what I had to do. So I would sometimes take a chance on bands or CDs that I'd heard about. [4:12] And I had gotten really into R.E.M. And they were like my favorite band during that time. And so I heard about this band called Pavement that had a song about R.E.M., which I thought was so cool. [4:27] So I ended up getting that CD, the No Alternative compilation. I remember that one. Yeah, and it had Nirvana on it, and it had Smashing Pumpkins and a bunch of big bands from that time, and it had Pavement. And so yeah, I got that. So that was the first Pavement song I heard. Yeah. [4:47] And, you know, it was cool. I just loved the novelty because of, you know, a band singing about another band. I just thought it was funny, you know. Sort of meta in a way now. out yeah yeah it was so cool and that really put them on my on the map for me because i was like i was seeking out all the rem stuff all the b-sides you knowand i had a book and stuff so yeah just hearing about that i was like i have to hear that so you know and it was cool you know i loved the song i was starting to move kind of from that likealt rock um kind of scene to getting getting into the more indie stuff and, uh, whatever it was about, uh, pavement, what I had read about, you know, really piqued my interest. And then hearing that song, you know, and it wasn't, I would say like, it's not my favorite pavement song, but like, you know, it's, it's cool. It was fun. I liked it probably now. Yeah. Oh yeah, totally. Yeah. Yeah. So, um, and then, uh, and then this was probably in, I I'm guessing just cause of the release date. Yeah. 99. So So probably like months before Pavement broke up, I was doing this. [5:57] And I went to the media play and I bought one of the cheaper CDs that I could find, which I have right here, which is the Spit on a Stranger single EP. Nice. Because it was cost effective, you know? It had five songs and it was pretty cheap. So I don't remember what else they had available at the time, but I took a shot on this and I took it home. I listened to Spit on a Stranger. I loved it. [6:22] I skipped to the porpoise and the hand grenade because I liked the title and you know that song I thought it was good didn't blow me away I don't think but then I went back to tracktwo harness your hopes and that was that was really the one that that cemented it for me that song really yeah which is is awesome because as we know it's a big Spotify hit now in thestreaming era. [6:44] And uh it was back in in 99 that was the hit for me and my friends too we we all really love that that song so uh so that was the one that did it for me and then i started uh startedcollecting them all so and here we are i guess you got into it too right at the right at the point where they started to do the reissues so you were yeah able to get those yeah it was greattiming because yeah that's a good point even though like the band had broken up by that point you know a few years later i was in college and uh for the first time in my life hanging outwith people who also knew who pavement were and the slanted reissue was coming out and it was like a big deal and everyone you know some people were new to pavement so i got tobe like oh you got to hear this you know and so yeah we were it was good times for sure it's it's always cool when you get to be somebody's sherpa you know yeah right that's exactly justguiding them through this you know this mountainous uh region of songs that they don't know exactly yeah yeah and um you know i I had a, I had a radio show at school, so it was fun,uh, digging up all the, all the weird stuff to play and, uh, everyone hanging out. What was your playlist like on, on the radio? Um, you know, uh, let's see, Guided by Voices, of course, big one. [8:09] Um, I, I was into bands like, uh, there's this band, Idlewild, who had just released a record that I thought was really cool. Okay. You know, just all the class, you know, Matador stuff, Yola Tango, of course. Yeah. And, you know, I would get into some weirder stuff, too. Like, you know, I'd play the shags or like, you know, Captain Beepart or, you know, eclectic stuff. Pretty classic. Oh, that must have been fun. Freeform, like college radio. Yeah. Yeah. It was super fun. All my friends were music nerds, you know, so it was just it was a big party every week week hanging out on people's shows and just coming up with cool creative weird uh musicalthings to do so and you know pavement was like the the guiding light you know it was like the the band that united everyone. [8:58] That's so cool because that's i didn't get that experience at all i still you know that was one of the reasons i started the show initially was just i didn't get people to i didn't have peoplein my life to really talk about pavement with so yeah i was like i'll talk about i'll stand on my soapbox and talk into the ether sometimes yeah sometimes it's rare you know to to get tointeract with yeah people like like that you know i met lots of cool people doing it like including it It seems like you have. Yeah. Yeah, man. So if you had to rank the records, you came to Terror Twilight. That would have been your first record that was released in your fandom. Right, right. Where does it rank for you? You know, I always say to myself, like, they're all pretty much more or less equal, equal ranked. I mean, they're all like five star records to me. Agreed. Um, I went through a phase where, um, brighten the corners was my favorite. That was definitely my favorite. And I would say it's not anymore. [10:03] Um, I, I don't know if terror twilight has spent too much time on the top, like the, you know, the, yeah, the personal top slot, but, uh. [10:11] It, it, it deserves, it deserves a spot. You know, I've, um, I've talked to, you know, I have friends who consider that their pavement pavement record and i always say i respect that because some people some people uh viewthat one as maybe like slightly less for some reason and i don't i don't get that at all yeah i don't get that at all and uh yeah i mean we we need terror twilight you know it's just uh the factthat pavement made that record with uh nigel godrich and had that kind of cool uh shiny production production um yeah i mean that's that's so crazy to go from slanted to the back rightand then you have everything in between so it's just yeah it's all it's all good it's all great yeah yeah terror twilight spent some time at the top for me yeah um not not that much but uhbreak the corners is currently my favorite oh nice yeah yeah uh beside watery like i mean i think watery deserves a spot. [11:08] On the mantle all to itself like that's kind of like a very perfect release you know it's like isn't it yeah it's so crazy how good that fucking thing is yeah and then even the even the thesession tracks that didn't make it to the sumi jack greenland greenlander so right like they're all stone cold classics it's bonkers it is it's absolutely bonkers yeah and having those allcollected on on that reissue was just it's so great um i would always listen to those peel session things you know yeah like kentucky cocktail and all that and. [11:48] Back when they were just bootlegs you know just like a tape someone made off the radio so it's it's really nice that um they released proper you know nice sounding quality versionsof those because because westing is on final now right yeah yep yeah i don't have it but uh i i should probably get it because i've got the eps but i've got them built into my wall is likeartwork work you know oh yeah uh like um here i'll show you how cool yeah i have never i've never encountered uh one of those in the flesh um one of those actual eps you know so that'spretty cool yeah it's fun i'll turn on my light for some somehow there we go i'm an old man when it comes to this technology jesus yes right you're doing great i used to do so well i used toknow know at all internet wise and shit but now it's uh well enough about me it happens is there anything else you want to tell us about your pavement origin story should we uh take abreak and you know that pretty much covers it i got you know this again it was early internet so i was i was rocking like the uh the pavement message board back in the day there was alittle community yeah um and uh it it was it was cool it was good times you know i i met some people there that But later on, I actually got to meet in person. And for a few years, that was a pretty cool scene. [13:13] I remember the message board got bought out by another band somehow. I don't even know how that was possible. What? Yeah. So one day, you show up to the message board URL. It was like ProBoards or something where it was like, anyone can start a message board. but I think some other band somehow had the clout or the money or whatever to buy the URL. And, uh, it's like, yeah. Oh man. [13:44] How about shows have you seen any shows oh i knew this was going to come up i have never seen pavement oh that's that's fine i i have seen mulchmas um but yeah you know imissed them uh in the 90s just a little too young coming in late i missed them in the 2010s i don't know really what i was up to but i was kind of um just not in the right area like i mean ilive in rochester i i always have to drive and sometimes i'm just not not up for it and then the newest one i was i was kind of eyeing uh toronto but yeah i didn't make it so oh man i knowbut i've listened to so many live pavement uh bootlegs and shows and stuff uh but yeah my first time seeing mulchmas was on piglib tour oh right you know this is back in college erathat's really when i started going to shows a lot so yeah we went and saw him at the knitting knitting factory i think it was in new york yeah yeah and i saw him open for radiohead i sawhim open for radiohead too in montreal yeah oh sweet yeah yeah mine was uh where was it i think i want to say uh like baltimore area oh cool dc yeah yeah yeah yeah yeah well if you getthe chance i mean it seems like Like, they're on the clock. [15:06] You know? Like, I don't know that we're going to get many more. Yeah, I really should. I know it's, you know, I know it'll be amazing. Next time you get the opportunity, right? You have to pull the ripcord. Yeah, I need to. That'll be so cathartic. Well, let's take a quick break here, and we'll come back, and we'll talk about track number 39. Okay Alright Hey this is Bob Nastanovich from Pavement Thanks for listening and now on With a countdown 39. [19:08] Okay, we are back, and that was, of course, Pueblo, the 16th track on Wowie's Alley. It sits between Kennel District and Half a Canyon in a nice little sandwich there toward theback end of the record. This is the fourth Wowie's Alley song on the countdown after Best Friend's Arm at 49. Motion suggests itself at 48, and We Dance at 46. So this is so far the highest ranking Wowie's Alley track at 39. And uh what do you have to say Dan from Rochester about Pueblo? Oh man so um first of all when I I listened to this a lot this week and there's three versions so. [19:46] I did some some deep diving into comparing the different like studio versions that are out there but the first thing that surprised me was the length is relatively short it's slightly lessthan three and a half minutes And to me, that song always felt like very epic to me, maybe just because it's sandwiched toward the end of like, you know, the end of a long, epic record. It's right by like half a canyon and it kind of it vibes with that song. But I would have if you had asked me before how long it was, I would have said like five minutes or something just because it's it has a very languid pace in it. It kind of just sprawls all over the place of language. Thank you. Yes. [20:30] Yeah. So, you know, it felt bigger, I guess, longer than it really is. But, you know, it does what it does in a relatively short time. So that's cool. That really led me on the path to kind of figuring out like, hey, what's going on with the song structure, you know? And it's a simple song, but it has a kind of like spacey jam in the center.Sure does. And that's like, to steal your word, epic. Those guitar swells? Swells yeah you know they make this song so epic and then that blistering blistering is the wrong word because it's not blistering it's it's it's not languid anymore but yeah it's it's crushingit's heavy fucking great so yeah right yeah oh yeah you know um yeah so i i love that that's good mix of, you know, that's the wowie zowie like archetypal sound. It's like the noise, the, the beauty, the catharsis, the kind of surreal, you know, you don't even know really what the song's about until I listened to your earlier episode, which was geez,like three years ago when you first talked about the song on your show and you were, you told a story about how it was about like a hanging thing. [21:48] And remember this at all. Yeah. So I think it was something Malkmus said. It was like, uh, like a story about some, a guy, like a mayor of some Southern California town. And, you know, there was a, there was a guy getting, getting hung or hanged, I guess it is. And, uh, like a love interest. And he, I guess Malkmus had some, you know, story behind it, which I thought was interesting. Which is rare for him really yeah it yeah it it kind of reminds me of a song like pink india you know which he would write much later it's kind of that story song kind of vibe and the songshave similar vibes too in the sense that they're kind of slow and have this guitar part that's kind of lyrical you know and so it it lends itself to telling like some sort of narrative um but alsoSo, like, at that point, Malkmus wasn't really writing narratives that you could, like, parse just by, you know, they might not have defined words or anything. You know, he kind of has, he had a way of just singing stuff and it would be evocative without really, you know, without you being able to tell what he was really trying to communicate. [23:03] So, you know, that's Malkmus' like big talent, I think, or one of them. I do too. like just mashing phrases together that just work rhythmically and from a cadence perspective yeah but they're so obtuse you know yeah yeah um this song i love the dynamicslike i i love that like how it does go from those guitar swells to that again i'm going to use your word again that those you know the the i i called it chill guitar to start and then you go intothe main verse verse with with very slowed down lyrics it takes him almost you know 30 seconds to get the first two lines out you know before you before you get into the thick of thingsquestion for you yes you as soon as you listen to the episode and i did not uh and i have a very poor short-term memory yeah it's very funny i was with some friends yesterday and wewere talking about work uh from 15 years ago and i was naming people's first and last names that you know know we haven't seen in 15 years yeah very good long term but short term boydoes it suck it's uh. [24:10] It's uh i have a difficult time making new memories so yeah it's uh it's a shitty thing but my question here is um who is jacob right right so uh i was pondering this because of coursea few songs earlier on the album he's talking about jacob javits so i'm like you know know that's like a new york city landmark or something like that or that's right yeah um so i was likewell is that connected i don't think so um i mean pueblo so it's on the i mean, Maybe in some subliminal way, but I don't think it's supposed to be the same guy. You've also got this Spanos County, I think that he says. Right. And in the thing you quoted on the other episode, he referred to Spanos as like a person. Like it was a, you know, like this mayor of this town. Oh, okay. Yeah. So, yeah, I really don't know. No, but I think, you know, Jacob, I guess, is the protagonist of the song who's getting ceremonially or unceremoniously murdered. I, you know, I think. But again, in the context, you're not really sure. Is he like pleading? He's saying, you know, Jacob, you move, you don't move. Like, so. It sounds like, doesn't it? Like, if you move, you don't move. Yeah, right. Yeah. Yeah. [25:36] And Jacob is also mentioned in the Pueblo Domain version of the song, which is the Peel version of the song. Okay. I was comparing these two. So, you know, that one was recorded. [25:55] Uh in february 94 like a few days before crooked rain came out so you know this song we know has been kicking around for a while uh before it was eventually released and it kindof went through some some changes so the peel session version is it's he's saying like jacob you glow you you know you won't go and um but the the lyrics in there are so very abstracteven you know more so than the album version uh really yeah and it's hard to the the song the the early version is really different too it's it's longer the chorus repeats more times the umand you know there's kind of like more more to the meat of the song and less jam oh okay version yeah so i i always i always thought that version the peel version was was like thesuperior one um but i i never really realized how different they are like they really are um so i kind of i'll send you if you want or i don't know if i can do a screen share here but istructured them out it's probably not too interesting for a podcast but you know i i wrote down like you know verse one chorus one you know and mapped out the two different songs tocompare and they're pretty different they're pretty different yeah the um the wowie zowie version basically does verse chorus chorus, jam, verse, chorus, and then outro. [27:20] And then the Pueblo Domain actually repeats each of the choruses twice. It's twice as long. And then it does verse, two choruses, verse, two choruses, then a little jam, and then it ends on an instrumental version of the chorus. And it's a little louder and more boisterous and energetic. energetic so i uh. [27:48] It's on the Sordid Sentinels. It's on the Crooked Reign. It's on the Crooked Reign? Yeah, so check that one out for sure. Especially, yeah, and just anyone, if you haven't heard that, it's worth checking out the Peel session at the end. Tucked way at the end of that Crooked Reign reissue. They do also Brink of the Clouds, which ended up as a Wauwizawi B-side. [28:14] But it has a section at the end, like the kind of rocket and uh part of the song that's not on the studio version and yeah it's good you know it's cool i just you know pavement doinglike the unreleased songs on the radio sessions was just such a so cool and it's so cool it really lent to their mythos you know the yeah the mythology of the band like what you know theyhave all these songs like where where's all this stuff coming from why why does Malkmus just essentially just throw these gems away kind of thing? So, you know, which goes back to Hold on Hope and all that stuff. You know, he's just, he was so productive around this time, you know, and if you look at those reissues, you know, all the B-sides, all the stray tracks, it's just, it's amazing. [29:03] Yeah. Oh, like from 89 to 93, they were so prolific, right? right? Yeah. And there's so many songs on that Crooked Rain reissue that ended up on Wowie Zowie. So it's almost like right after Slandered and Enchanted was a huge burst of songs that ended up going out into the next two or three albums. Yeah. That's far out. Yeah. So what do you think about where this song is rated? Are you a fan of this song? I am a big fan of the song, but I think it's probably properly rated. It feels right. It feels like a song where... [29:48] Like i do really like it but i think it works best in the context of the album or at least it really shines as as a kind of almost penultimate track on wowie zowie you know it it's almostlike the climax of that album um like the emotional climax along with half a canyon you know just like i can see that yeah you know um and i also i i don't know for sure but i kind offigured that like a lot of pavement fans might not know like it by the title or something because it's not you don't really hear the title in the song no i don't think he sings it in the song hedoes on the peel version oh he does in the first line yeah i didn't realize it for a while but i was just listening and he said something about pueblo right right in like the first line but uh butyou know regardless like it seems like a song that's a deep cut but also well worthy to be a fan favorite you know because it it it's very pavementy it's almost like you couldn't really getmore. [30:50] In a certain like pavement mode of this kind of like it's almost a little countryish but it's just noisy and crunchy it's a little jammy and spacey it's just it's pure pavement yeah i thinkit would fit on watery like i i think you know i think it could like it yeah it's that good you Yeah, oh yeah. And if you hear the other version of the song on Crooked Rain, not the Peel version, but the, they call it the Beach Boys version. Right, yes, yeah. And all that is, is an instrumental. It's that pretty guitar intro and verse melody and everything. And Malkma's doing some just kind of wordless harmonies. [31:34] But just listening to that version, the way the guitar sounds is less twangy and is more sounds like, you know, In the Mouth of Desert or that kind of slanted style. Okay. And you can kind of hear how it fits into that kind of zone and how it kind of changed and fits into the wowie zowie zone where the guitar is more like a little slidey or a little liketwangy. It's really clean, right? Yeah. Like there's no distortion coming through it. Yeah. It's very clean sounding. Yeah. I would guess that, you know, the sound of the song kind of influenced the lyrical direction a little bit. It feels just like a, it feels a little country-ish, a little like desert-y or something. Yeah. There's a lot of that on Wowie Sowie, isn't there? Yeah. But yeah, and to me, that sounds like, I would connect that to sounds from the watery era too. Too, like even like Greenlander is kind of this almost like kind of stark and almost like these desolate songs he was doing around this time, like Rain Ammunition's another other one.Right. I don't know if you talk. Did you talk about like Rain Ammunition on the year first? Didn't get to it. You didn't do like the B-side stuff. Well, the initial thing was to use the bonus feed as B-sides. I think I got through 35 of them. Yeah. there's like 40 episodes on the bonus feed. Now there's the bottom 100 or the bottom 50 of this top 100 as well. [33:02] So I think, well, I can't give it away. I can't tell you that. Don't give anything away. Rain ammunition is on that bottom 50 or not. You know, I don't know. I'm just, I love all those stray songs around this era. So yeah, you know, there's a very defined vibe. Also kind of similar to like the early Silver Juice stuff that Malkmus was on I think you could connect stylistically that kind of like. [33:33] Deserty uh watery domestic slanted vibe and see how it kind of morphed into like the more country, tinged uh wowie zowie thing yeah and that's around the same time that davidwas doing starting to get a bit more twangy as well yeah yeah and i know i talked to bob recently and he you know he talked about how david pushed steve a little bit um well not a littlebit probably a lot lot right like lyrically like there was a lot of competition between those guys you have to think they pushed each other yeah yeah to like i mean how cool is it that thesetwo like amazingly talented guys got to meet and work together in their lives you know it's fucking insane this is really converged yeah and i i get the impression that you know mulchmiss everything kind of came easy to him and i think berman was someone who had to really push himself a little little more, like, you know, maybe like a little more dedication to craft orwhatever. I think he would look at Malkmus as like, you know, what, you know, like, how does he do it kind of guy, you know, just had to kind of like, you know, they had to like one up each othera little bit, you know, like a friendly, competitive kind of thing, you know? Well, I think Bob says, you know, he feels fortunate. I think I've heard him say that he feels fortunate to have worked with one of the best songwriters to ever live and one of the bestlyricists. Yeah, totally. It's so, so cool. [34:58] Yeah, Bob's had a great, lucky, you know, it's awesome for him to be able to work with those guys, I'm sure. Yeah. I can't even imagine. Nope, me neither. Yeah. So, that's what I've got for you this week. Is there anything else that you want to tie up? Is there anything that people can plug or anything that you can plug for people to look up? Sure, yeah, actually. That you're doing? doing uh i uh i'm in a band called rectangle creep and rectangle creep yeah we're pretty um pretty guided by voices influenced and there'spavement and we have 10 000 songs we have we do we have a lot of albums and stuff but if anyone you do have albums oh yeah like you know check check the band camp check theband camp and i do some i have a lot of different projects so So maybe I'll just mention that one, but it's a whole universe of bands and stuff like that. But yeah, it's fun. That's great. [36:00] You know, music is awesome. So go to Bandcamp and search for Rectangle Creep. Yeah, Rectangle Creep. And yeah. [36:08] Cool. Well, it's been great talking to you, man. Yeah, definitely. Thanks for letting me be a part of this project. It's really cool what you do. Yeah, well, thank you very much. Of course. We'll be back next... Oh, sorry to interrupt. I was just going to say how much I really love your interviews with Spiral. And it's really cool how generous he's been with talking to you. And all the other guys too but I mean I love how accessible he is and it's so cool learning about that stuff so I'm looking forward to you know whatever new pavement stuff comes out ifyou know whatever news and projects you know I appreciate that you help bring this stuff to light I'll fly the flag forever man do it yeah well, great talking to you again Dan yep thanks alot wash your god damn Sam Hance. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - Trailer 2:00

1 year2:00

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2:00

jD is back for a new year of fun and mayhem! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM140 - Spiral Stairs V 39:09

1 year39:09

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39:09

jD is back and he's got some questions for Spiral Stairs. Transcript: [0:12] Hey. [0:15] It's JD here and I'm back for another episode of the Meeting Malcomus podcast. How are you doing, motherfuckers? I hope you're doing well on this lovely Monday, December 25th, Christmas for some of you. I hope you are with family and friends regardless and are just enjoying yourself. If you're not, well then what can I do to help you? Maybe a spiral stairs interview? It's a wide-ranging piece. Uh we talk everything from riding lawnmowers to uh well there's a delicious scoop in here that you're going to need to save up for in 2024 so i hope you're ready for that uh i'll let spiraltell that story though uh i i also have a scoop of my own and that is that next week we will be be releasing the trailer for our new Pavement-themed podcast, the countdown, the PavementTop 50 countdown. And in a staggering piece of news that I'm revealing here in the intro, I don't tell Spiral this, I'm actually going to count down the whole 100. I'm going to count down the top 100. On the bonus feed, I'll be counting down from 100 to 51 every week. There will be a new episode in in the bonus feed. [1:42] Three bucks a month to sign up for, 20 bucks for the year. You can't go wrong. It's going to last a year, this whole excursion into the countdown. So there's that. Enough shilling. Let's celebrate. Let's. [2:03] Raise a glass of milk to the end of another day. That's what I have for you and why don't we kick it off with a song first before we head right into that interview this is For Sale, the Preston School of Industry on Meeting Malchmas apavement podcast. [2:27] There it is. Track 5: [5:29] I just remembered. Oh, shit. It's 10. Life of a rock star. Track 4: [5:38] Mowing the lawn on a Saturday. Track 5: [5:40] Oh, yeah. Oh, yeah. It needs a little bit. Need some mowing. It's not a big lawn. It's just, you know, takes about 40 minutes or so. Track 4: [5:54] Gotcha. Track 5: [5:56] I used to have. I used to have a ride-on mower. Last time I lived in Australia, we had like an acre of land, so I had a ride-on mower. That was really fun. Track 4: [6:06] That would be fun. Got pulled around the side. Track 5: [6:10] Yeah, it was great. It was great. That would take like over an hour, maybe even more, to do that long. Yeah, I was pretty bored, so I think I would mow it once a week. So how you doing man yeah good yeah all good excellent all good the kid just graduated her primary school they yesterday so we're all excited here they start they start high school herein seventh grade so oh really yeah so now we've now she's on, she's on vacation now until she starts high school February maybe February 1st. They get quite a long break here. Track 4: [7:04] So they go back February 1st and when are they done? Track 5: [7:12] December 6th or something. Track 4: [7:15] Oh wow. So they go right through. Track 5: [7:19] Yeah yeah it's you know it's different we're opposite here in the southern hemisphere. [7:30] Where are you you're in Portland I'm in Portland right now yeah and I'm disappointed that it's not just indie music playing on all the, street signs or something you know other thanthe coffee and the beer are great yeah it's mostly mostly uh meth heads trying to step out of the way of meth heads, yeah well there's a lot of that too yeah geez. [8:03] So uh talk to me a little bit about touring because it seems like you guys have been on the road for two years now Yeah, sort of. I mean, you know, 2022 was... Were on the road for a lot of, I mean, not really. I mean, it was kind of off and on, you know, I mean, really the only major touring we did was, uh, the U S tour. And then, you know, the kind of the European tour, which kind of just came right after that. And then we just did, you know, the odd festival and, um, and then it just, we just kept getting offers to play, you know, we, And so it kind of got, kind of led us through 2023, you know,to where we could, we did the Iceland thing. And then, you know, we had the Iceland offer. And so we just kind of built some shows around that. And then kind of the same thing with New York in, when was that? Track 4: [9:10] In the fall. Track 5: [9:11] In the fall. We just kind of built some, you know, shows around the festival offers we got. And, and yeah, and then now it's just, you know, we were always planning to do South America, but we were just kind of waiting for the right, the right offers. And so now that's taking us into 2024. And there are a lot of but yeah it feels it feels like we've been on the road for a long time but it's it's actually we've had long breaks in between each each which is kind of cool because,you know kind of we have to get together every time, and rehearse so it's it's it's a nice reunion with everybody because you get together and you You know the songs, but it's just likegoing through them and making sure they're... Track 4: [10:06] Just going through endings and stuff like that. Track 5: [10:09] Yeah, yeah. So it's, yeah, we got to do that again. I don't know. I don't know where that's going to be. We're going to still trying to figure that out, but... [10:21] So that's exciting. I mean, it's in May. And then I don't know. We don't have anything else planned. But, you know, you never know. It's, I mean, Steve kind of said he didn't. He was kind of exhausted by it. But that was just after the New York shows and everything. So, you know, as months go by, I'm not playing. we could always get an offer and get something really fun and cool you know you might see a tweet, oh wow I don't know we'll see thismovie's coming out next year I think so um, maybe there'll be something associated with that not quite sure how much can you talk about that, um Um, I don't know. What, what do youwant to know? I just don't know if it's like embargoed or, you know, well, it's not done yet. It still needs to be edited, but we, we saw, we saw a, um, kind of Alex's, um, version, first kind of edit version and it's like over two hours long. [11:43] So everybody's like that's a little too long but i don't know we'll see what alex thinks, he's it's pretty cool it's pretty cool it's uh everything i've read about it is just like it's gonnachange movies like it's like a different different version of a movie that's what yeah Yeah, that's, I guess, I guess, I mean, it's, yeah, it's different, different. It's, it's, uh, I don't know. I'm just a little too close to it, you know? So it's, I mean, the people that have seen it who, I mean, I don't, I don't know. I guess he's shown it to focus groups and stuff and they seem to like it. So, I mean, I like it. Track 4: [12:31] It's fucking radical. Track 5: [12:33] A payment movie in 2024. I know, right? Hopefully. Track 4: [12:39] If you've ever guessed. Track 5: [12:41] Yeah. So, yeah, we'll see. Track 4: [12:44] Speaking of movies. Track 5: [12:46] My fingers are, you know, they're not quite... The calluses are still kind of there. They're going to go away at some point because... Mowing the lawn, you don't get really any calluses from mowing the lawn. Track 4: [13:05] No, I guess not. Track 5: [13:07] Unless you play good. Track 4: [13:08] Well, then that leads to two. That's two things that I want to ask you. I'll pin one. I don't know why there's balloons. Oh, that's weird. That was weird. The first one is you were doing a lot of stuff with the Gary movie. Track 5: [13:25] Yeah. Yeah. Track 4: [13:26] Are they still releasing it at festivals and things like that? Or now that he's passed, have they... Track 5: [13:34] Yeah, I think they've kind of done their festival run. I'm not quite sure what's going to happen. I mean, I think they were talking about kind of filming an epilogue and kind of trying to fit that in somehow. But I think, you know, I think they still plan on trying to do a real release of the movie at some point this next year. I haven't really talked to the guys much since Gary died. And, um... Or Jerry. I talked to Jerry a bit. Um, Gary's wife kind of around the time that we played New York because Gary's brother came to the show and, and, uh, with his son. And so it was nice to see him. And, um, yeah. Track 4: [14:38] Yeah. Track 5: [14:38] So you have to go through that, man. Oh yeah. It was, it's kind of crazy when I'm, you know, watching the, Alex movie I was watching it just kind of I was like whoa that's rightGary died, very strange very strange to think that he's gone but yeah, legend that guy yes, so there was a question that came in from Twitter or Reddit, I'm not sure which one, but it wasactually asking about the Terror Twilight outtakes with you and Gary. Track 4: [15:26] The tracks from that, they were saying that there's not been a whole lot said about those. So they were curious. Track 5: [15:37] Well, pretty simple. I mean, really, we those kind of came you know after i think when we decided to i think domino wanted to put out, major leagues as a as a single uh like an epand yeah you know they said do you have any, extras and we didn't really have any extras you know i think steve had steve had you know a couple all those um, He had demos for acouple of the songs. [16:17] And I think I had been talking to Gary about it, because I was starting to think about doing my solo record around that time. And yeah, I just went in and had these two kind of songs I had. And Gary's drums were perfect for it. They were really cool. And they kind of felt like Pavement songs with his drumming. And so I just sent them to Steve. And I said, you know, let's. And he's like, fine. That's perfect. Put them on there. And yeah. I don't know. I guess you know because it was an ep or whatever no one really heard them at the time because, they were it was a british seven inch i mean maybe with the terror twilight reissue nowyou know they're on they're on the in the digital world but. [17:27] Yeah yeah they're cool songs you know the the first one um your time to change i think it's in the movie in Alex's movie a little bit so that would be kind of fun to hear that there,yeah but yeah Gary's it was you know we went into his studio, He still pretty much had it together and ripped those out pretty quick. Track 4: [18:02] Cool. Track 5: [18:03] Yeah, like the old days. Track 4: [18:06] Yeah, especially I guess at the same time you were working with Nigel Godrich, right? Track 5: [18:11] Yeah, but that was way before. That had been done at least a year before, really. Track 4: [18:19] Oh, before the Major League's EP came out. Track 5: [18:21] Oh, yeah, yeah, yeah. Yeah, we recorded that record. I don't know. I don't know when it was. It was just... It was at least a year before we... The record kind of came out. All the singles came out. Track 4: [18:38] Gotcha. Track 5: [18:39] Yeah. It was kind of near the end. Yeah. Track 4: [18:45] What about you after Melody Attacks? Is there any more... Spiral Stairs or Preston School of Industry. You were talking about the Cowlitz. Track 5: [18:57] Yeah, I don't know. That would take care of those. I just did a little solo show at a bar here near me. It's actually called Wowie Zowie. Track 4: [19:08] That's fucking great. Track 5: [19:09] These cool guys have this great bar there. They had a show, and so I did a little solo thing with, I don't know three weeks ago or something like that so I ended up doing I ended upplaying a couple Preston school songs that I've never played in a long time so those are really fun, kind of rehash I did uh Walk of a Girl and Treasure at Silver Bank I think I, And yeah,so it was good to kind of relearn those. And then I did a bunch off the new record. And so I don't know. I mean, I'm playing guitar and making up songs. I just don't really have any material yet to record. But it's all here, ready to go when an idea pops in my head. Track 4: [20:10] Do you have a studio at home? Track 5: [20:12] Not really. just a little computer set up. And then if I go, I'll probably go to LA if I record in my friend's studio there. But maybe in May. Maybe I'll write maybe I'll do some songs in May. I don't know. I'm not really that, worried. Track 4: [20:37] You just chill, man. Track 5: [20:38] It comes when it comes, you know? Yeah. Track 4: [20:43] There's no, this isn't the nineties where it's like you have to have a CD every. [20:49] Year or every year and a half. Track 5: [20:51] No, no. I mean, I did those last three pretty quick, pretty quick in succession. Um, but I don't know. I mean, I've, it's the last, you know, two years being kind of on the, all over the place, you know, California and Australia. I'm on tour, you know, it's been hard to write anything, but I just need to be at home for a while and start complaining about things. Track 4: [21:29] So I guess that means when you guys are doing tours and you're on the road, has there been anything in the way of exchanging ideas for anything that could be construed as newpavement? I don't think I'm in the camp that necessarily wants new pavement, but it's a cool thing to think about. Track 5: [21:56] Yeah yeah i mean there was a time kind of when we were playing some of those shows you know when we were kind of you know we could have we you know there was amoment maybe some moments where we were like you know we maybe we could have thought about doing some new stuff but i don't know, it it's fun playing the old songs you know imean we we yeah we the songs stand up pretty pretty good to where we're not bored by them um maybe if we were bored we'd be like all right let's make up something new but i don'tknow you know you never know i mean we're we're a much better band than we were in the 90s or 2010 um i think you know we're definitely way more confident and their abilities toplay. Track 4: [22:52] That's cool. Track 5: [22:53] But yeah, we're not really, you know, it's not like the old days where, you know, in Soundcheck we're just kind of jamming and making up kind of thing. I mean, in Soundcheck we would just kind of, if we would play other songs besides ours, they'd be just like covers of R.E.M. or Led Zeppelin or something. Track 4: [23:17] A lot of foreign stuff. I would love to hear Pavement covering Led Zeppelin. That is fucked. Track 5: [23:27] And yeah, so, but you never know. I mean, it would be fun. I'd be into it for sure. You know, like it would be, I think it would be interesting to try to try to write a song after 30 years. Track 4: [23:42] Yeah. Track 5: [23:44] What does that even look like? Track 4: [23:45] Right? Yeah. Track 5: [23:46] I don't know. You know, I mean, I write. song. I definitely have written songs where I've thought in the back of my mind this could be a Pavin song. Track 4: [23:55] Right. Track 5: [23:56] Maybe Steve does too. We got the hits. Track 4: [24:07] That's true. I don't know if you know what my next project is. Track 5: [24:11] No. Track 4: [24:13] So on this feed, next year, every week of the year, I'm counting down the top 50 pavement songs as voted by the listeners. Track 5: [24:27] Okay. Track 4: [24:28] So I basically sent out a call for people to submit their top 20 lists. And then I assigned a score to everything and then put it through a spreadsheet and it spit out 50 top songs. But what's really interesting, this shows you how deep your catalog is, is even though I only asked for top 20, I ended up with 120 songs mentioned. Track 5: [25:01] Yeah. yeah so there's 70 that I won't be counting down wow but 50 I'm going to count down starting January 8th you can have your own Sirius channel, yeah there you go I waslistening I was driving down to LA I had to go back to the states a couple weeks ago and, I was driving from Cambria down to LA to get my flight and there was they had free serious intheir rental car and it was like it was like there was like a bruce springsteen channel and uh uh you know all these kind of chant pearl jam channel and, beatles channels i listened to thebeatles because i hadn't heard them in a while you know, they're such a rare band to listen to um uh and it was like a countdown of the top top hundred Beatles songs, you know. So, yeah, I don't know. There should be a Pavement one. I bet you there would be, you know. [26:08] You know you can get a serious channel yeah i'll work on it you know they had like they had like uh guest djs you know for every song which was a little annoying but um we kindof tell a story every song in the countdown yeah or every three songs you know is a different person but it's like you know the typical people like david fricky and you know it's like you know but uh, pavement. The pavement one would be kind of fun. You get like, you know, pretty weird people to do it. I bet. I hadn't even thought about having guests. There you go. Track 4: [26:47] That's a really good idea. Track 5: [26:48] Yeah, you should look into it. There's probably some advertising money there. Serious. Track 4: [26:56] Yeah. Track 5: [26:58] Money. Podcasting. Well, that's cool. So, yeah, countdown. I wonder what number one would be. Probably different for a lot of people. Yeah. Track 4: [27:09] There was a total consensus. Track 5: [27:13] Oh, really? Track 4: [27:14] There was one that really rose to the top. Okay. Track 5: [27:19] I wonder if I would guess. Should I guess? Sure. I can't tell you though I would probably say it was, Rangelife, what song? Rangelife oh that's a good pick it's definitely in the top 50 oh the top 50 we're in the top 2 yeah, yeah it'sit's it's that is that are you just gauging that from like the, the crowd reaction when you guys play yeah yeah basically you always well crowd reaction i think the i think on this last tour itwas uh harness your hopes kind of got the best crowd just because all the kids in the audience these days. Track 4: [28:25] What a trip. Track 5: [28:27] Yeah, I know, right? Track 4: [28:30] To have the song just bubble out of nowhere. Track 5: [28:34] Yeah, I know, right? Yeah. Had that happened by the time you did your Medium Alchemist on that song? Had that song become big yet? Track 4: [28:52] Yeah, because I asked Steve about it, and he had a theory. Track 5: [28:58] He had a theory yeah his theory was that somebody who works in the algorithm department at Spotify was a pavement fan, and sort of dropped it in a playlist and then Bob's youruncle yeah I could see that probably makes more sense than, than that whatever the What was the excuse they gave us? It was just randomly in there somehow. Track 4: [29:33] Yeah. Yeah. Track 5: [29:36] I don't know. Track 4: [29:37] Either way, though, it went viral. Track 5: [29:39] Yeah. Oh, it helped us for sure. Track 4: [29:42] When people heard it, they fucking liked it. Yeah. Track 5: [29:47] They really did. Good song. Track 4: [29:50] My daughter didn't know it was Pavement. Track 5: [29:52] She knows it. Track 4: [29:53] She was really surprised. Track 5: [30:01] So, yeah. Well, that's cool. So, you got a whole new thing going on. Hey, did you go to Iceland? Did I see you in Iceland? Track 4: [30:10] I didn't go. Track 5: [30:11] Oh, you didn't go. No, I couldn't make it happen. It couldn't happen. Track 4: [30:15] No. No, I would have loved to. Track 5: [30:17] Yeah, there were some people that said they were going to Iceland, and I didn't see them. And I was just, I was like, oh, I wonder if they went and just never, they got too exhausted by the hike to the volcano or something. Just never really. Yeah, maybe. Track 4: [30:38] It's definitely a weird country though, huh? Track 5: [30:40] It was fun. It's really fun to be there. Small, small town. Track 4: [30:46] But it just looks, it looks so different. It looks like outer space or something. Track 5: [30:51] Like the ground and the rocks yeah very volcanic you fly into the airport and it's like there's no trees at all and, it takes you an hour to get into the town it was kind of strange but itwas cool people that came were really they were really, great crowd you know we played really, three different sets, songs and yeah most people went to like all three shows I'm guessingright yeah I think so yeah yeah that's so neat, yeah I exhausted my travel budget following you guys in the UK yeah. Track 4: [31:51] Um, any news on the front of like vinyl reissues or anything to look for in 2024? Track 5: [32:05] Yeah, we've got other than the movie. Yeah, we've got, uh, the seven inch box sets coming out next year. Um, whoa. Yeah. Seven inch box set. It's uh it's looking really cool uh i just saw the mock-up of it is this something i can include in the podcast yeah sure yeah okay cool yeah it's cool it's all the seven inches and they're, andthey're b-sides um wait and they're b-sides or just the seven inches, oh no it's all the seven inches and they're b-sides yeah it's the actual seven inches, it's not just uh it's not it's the actualvinyl yeah so uh and then it's got like you know the other kind of seven inches we did as well like the blackout one and the um i think that came free with one of the records and, So ifyou're a completist, you're going to want this. Yeah, and it's really cool. It's a really beautiful package. [33:24] Yeah, if you're a completist, you've got to have it, for sure. And if you're not, it's just a really cool kind of artifact. The artwork is really... There's some new artwork in there. That and um liner notes and really cool yeah i mean seven inches that's kind of where we started and and we kind of kept that kept it up every record you know back in those days whenyou yeah we do that and uh you know like i would i would collect seven inches from bands like i think i i just went through my seven inches here and i was like why do i have like, 35REM 7 inches. You do? Yeah. Oh, yeah. I used to collect all their 7 inches. Smith's. Got all the Smith's 7 inches. Zach and the Bunnymen. Yeah. Track 4: [34:27] They're touring again right now. Track 5: [34:28] The Bunnymen. Track 4: [34:31] Yeah. Track 5: [34:31] Oh, yeah. They constantly tour. I don't think they know what to do when they're at home. Can't get good cocaine at home you have to get you know, okay don't say that part all right i'll cut that. Track 4: [34:57] Well, man, it's always good to talk to you. Track 5: [34:59] Yeah, that's basically it. I mean, probably at some point, maybe a real box set. But we haven't even looked into that yet. There's been talk of... Track 4: [35:16] Got to reissue the Lux and Redux on vinyl. Track 5: [35:21] Yes, we've been talking about that. That um but we've also been talking about a cool thing maybe like a subscription thing for um, live records um oh yeah we're thinking about thinking about doing maybe i went to matadorwhen we were in it when i was in new york and they they uh a couple of old fans have sent them you know huge libraries of debts from the 90s, and uh you know we're thinking maybe ofstarting to look into that about maybe releasing some of that stuff on vinyl and and maybe some of the some of the stuff from the last from this last tour a lot of really good shows so yeahmaybe like a subscription thing would be really fun, you know, so look out for that that's real cool yeah yeah and uh yeah but he said who who, Somebody said something really funny thatMatador will never be out of the pavement business. I guess, you know, it's kind of all right. Track 4: [36:50] 35 years of going strong. Track 5: [36:52] Yeah. Track 4: [36:54] Yeah. Track 5: [36:55] So, yeah, that's it. I mean, hopefully, you know, like I said, hopefully this movie kind of clicks and maybe we can um maybe that kind of helped, you know stir the pot a little bit fornext year or the year after and maybe there'll be more shows but uh well that would be right now if you know you want to see us you got to come to south america, that's right so what arethose dates again I think it's May starting in May May 13th I think we're in. [37:35] Maybe in Santiago Chile and then we go to, Buenos Aires Argentina then we go to Montevideo. [37:45] Uruguay and then we end up at a festival in Sao Paulo and Brazil zone so that's yeah quick little run and yeah should be fun a lot of flying for me yeah I guess so long way to goyeah, wouldn't want to commute no all right right dude it's been great talking to you as always okay good luck with everything thanks so much. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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1
MM139 - Pavement on the road again 13:50

1 year13:50

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jD is back and he wants your top lists! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM138 - Updates and what not. 22:06

1 year22:06

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jD is back and he's got some updates for you. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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Pop Culture Five Trailer 1:35

1 year1:35

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1:35

There is a new podcast is debuting on Dewvre podcasts and such next week. Check it out and subscribe where ever you get your podcasts! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM137 - Gary Young 15:19

2 years15:19

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15:19

jD is back and h'e the bearer of bad news. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM136 - The Fonda Redux 2:06:21

2 years2:06:21

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jD is back and he's sharing a show! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM135 - Louder Than You Think 1:01:09

2 years1:01:09

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MM134 - Pod List IV and more! 12:37

2 years12:37

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12:37

jD is back and he's got some updates. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM133 - From Cantos for James Michener: Part II 11:43

2 years11:43

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11:43

jD is back and he's reading Actual Air! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM132 - Crooked Rain turns 29! 15:56

2 years15:56

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15:56

jD is back and he brought a birthday cake! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM131 - Brighten the Corners turns 26! 11:04

2 years11:04

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11:04

jD is back and he's blowing out 26 candles. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM130 - That night in Toronto 1:48:42

2 years1:48:42

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MM129 - Lou Reed 12:42

2 years12:42

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12:42

jD is back and he hates temporal discourse! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM128 - jD's Record Club 12:01

2 years12:01

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12:01

jD is back with an announcement! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MMBE001 - Terror Twilight Contest 14:20

3 years14:20

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14:20

jD is back and he's got a contest to tell you about! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM114 - The Hexx 39:57

3 years39:57

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39:57

jD is back and he's got a bone to pick. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MMPL02 - Pod-List (Winter Version) 1:27:11

3 years1:27:11

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jD is back with more of your great jams! Merry Christmas! Tracklisting 1. Theo PB - Gold Soundz 2. Bitter Greens - Two States 3. Junkyard Todd - AT&T 4. Ben Collins - Embassy Row 5. Dean Frost - Major Leagues 6. Devils of Summer - Here 7. PET HATES - Father to a Sister of Thought 8. Paul M Carlin - Zurich is Stained 9. Trapdoor - Spit on a Stranger 10. Robb Roncs - Middle ‘Mercia 11. Yaaard - Secret Knowledge of Backroads 12. Negative Players - Kindling for the Master 13. Abigail May - Here 14. Scott McGivern - Grounded 15.Todd Cooper - Shoot the Singer (One Sick Verse) 16. Pregnant Teenage Hospital - Same Way of Saying 17. Urban Spaceman - Fame Throwa 18. Marchica - Frontwards 19. Ira Fog – Fin Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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HM01 - Hate Mail 21:34

3 years21:34

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21:34

jD gets Hate Mail and he wants to share! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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SSI003 - Spiral Stairs 48:56

3 years48:56

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48:56

jD is back and he's got Spiral Stairs with him! They talk about the TT reissue, the upcoming tour, and Spiral music. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM113 - Speak. See. Remember 29:19

3 years29:19

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29:19

jD drinks a coffee at 3:30pm! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM112 - Billie 26:35

3 years26:35

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26:35

jd is back and he's never seen his mama change. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM111 - Ann Don't Cry 18:37

3 years18:37

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18:37

jD is back and thinks you should all buy the Unmastered Masters record. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM110 - Platform Blues 21:29

3 years21:29

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21:29

jD is back and he might be fucked up! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM109 - Major Leagues 35:21

3 years35:21

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35:21

jD is back and he's not talking shit! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM108 - Cream of Gold 41:18

3 years41:18

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41:18

jD wonders What If... Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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TGS001 - The Goderich Sequence 43:44

3 years43:44

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43:44

Here is Terror Twilight as envisioned by Producer Nigel Goderich, what do you think? Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM107 - You are a Light 43:28

3 years43:28

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43:28

jD is back and has news! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM106 - Folk Jam 19:53

4 years19:53

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19:53

jD is back and he is drooling all over a live version of Folk Jam. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM105 - Spit on a Stranger 59:37

4 years59:37

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59:37

jD is back and he brought Bobby from Atlanta along as they discuss the album artwork for Pavement's last LP, Terror Twilight. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM127 - Watery Domestic 30th Anniversary 22:40

2 years22:40

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22:40

jD is back and he's listening to his favourite EP on its birthday. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM126 - U.K. Roundtable 1:14:25

2 years1:14:25

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1:14:25

jD is back and he brought some friends! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM125 - Extravaganza! 1:41:56

2 years1:41:56

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1:41:56

jD is back and he's having an extravaganza with count 'em two, two, different interviews! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM124 - Spiral Stairs 4 1:01:48

3 years1:01:48

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jD is back and he's chatting with Spiral! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM123 - The Berman Project 29:12

3 years29:12

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29:12

jD is back with a big announcement! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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Pod-List (trois) 1:03:17

3 years1:03:17

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jD is back with his annual birthday Pod-List, a compilation of Pavement and SM tracks covered by listeners of the show! Thanks so much to everyone that participated! Track Listing: Bewls & Fattyma - Here Stephen - Church on White Rohit Ganapathy - Trigger Cut St. Alia of the Knife - Westie Can Drum Slanted Corners - The Hex Robin Graves - Texas Never Whispers Casey Lyons - Transport is Arranged Michael from Valley Street - Debris Slide Pregnant Teenage Hospital - Harness Your Hopes Junkyard Todd - Silence Kid Marchica - We Dance Mark Hex - Two States Strong Computer - Nigel M-m-m - Stop Breathin Energy Tigers - Here Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM122 - Porto and Beyond 22:52

3 years22:52

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22:52

jD is back from Porto and wants to tell you all about it. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM121 - Meeting Malkmus Meetup 14:12

3 years14:12

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14:12

jD is back and he's butchering Portuguese addresses! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM120 - The Fonda 30:16

3 years30:16

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30:16

jD is back and he is reporting on his experience at the warm show held recently at The Fonda Theatre in Hollyweird. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM119 - Loladamusica 38:20

3 years38:20

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38:20

jD just watched, now you should listen! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM118 - Steve Keene Art Book 51:52

3 years51:52

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51:52

jD is back and he's talking Steve Keene with Daniel Efram! As a special to Pavement fans, Hat & Beard Press is offering 15% off The Steve Keene Art Book, a 264 page, 6 lb., 12" x 12" coffee-table-of-a-book that fits on your record rack. Includes gatefold centerfold. Printed in Bosnia. Link to buy: bit.ly/3rFXjaD Code: FAREWELLHORIZONTAL2022 Discount amount: 15% Applies to: The Steve Keene Art Book Expires: 5/19/22 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM117 - Announcement 11:10

3 years11:10

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11:10

jD's back and It's been a minute. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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CC001 - The Pilot 5:30

3 years5:30

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5:30

jD is back with a sneak peak at his new project! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM116 - Epilogue 55:15

3 years55:15

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55:15

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MM115 - Carrot Rope 41:02

3 years41:02

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41:02

jD is back and it's the end! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MMT50 - 240 50:27

50 weeks50:27

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50:27

jD is back and this week he is joined by Cam from Toronto to discuss his Pavement origin story, talk about indie music and of course to break down song number 40 in the countdown. Transcript: Track 2: [0:00] Previously on the Pavement Top 50. This is the second song from Terra Twilight on the countdown. You Are a Light was number 45. And here we are at number 41 with Major Leagues. Pete, what do you think? So I love this song. I was talking earlier about the early days of me discovering Pavement and those burned MP3 CDs. And I always loved this song. I mean, this song was the soundtrack to breakups and heartaches and lonely times. Track 3: [0:40] Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown. Track 4: [0:49] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and, strangely, a wizard's hat. All that's left for us is to reveal this week's track. How will your favorite song fare in the ranking? You'll need to tune in, or whatever the podcast equivalent of tuning in is, every week to find out. So there's that. This week, we're joined by Pavement superfan, Cam in Toronto. Cam, how are you doing? I'm good JD how are you thank you so much for having me on I'm you know I'm the better part of good we've had some technical snafus here and we're working through it so yeah I'll beI'll be fine but enough about me let's get into you and find out your pavement origin story. [1:46] So my pavement origin story, and I was just saying off mic that I've been on many podcasts over the years, but I've never had a chance to talk about pavement in long form. So this is quite the treat. um so yeah my origin story pavement goes back to high school um so with me i mean you can really extrapolate to my kind of like what i'll just call my coolmusic um origin story that i i think for me really started in i'd say like the fall of 1994 and i always credit um major league baseball going on strike in 1994 you know as my sliding doorsmoment where maybe I would have never even cared about pavement if that didn't happen I was because I guess in that fall I think I just entered grade 11 and I was mainly just like a hugesports nerd so all I wanted to do was watch baseball and fancy baseball and NBA statistics and trading cards and like real advanced like like, sports nerdom. And then Major League Baseball went on strike, and there's no World Series that year. And I was, like, heartbroken. I needed something to fill my time. [3:02] And I don't remember exactly why. It's like, I'm going to get really into music. But I started listening to CFNY here in Toronto, where I grew up north of the city, and slowly started to get into, like, a lot of those, like, gateway bands. Bands um so there's also the the post grunge crap that was on the radio i thought i should talk crap it's all like all that stuff so like you know stone temple pilots or you know a lot of thecan con bands appear that i still love but you know i would also hear some songs by like dinosaur junior or i'd be listening on the oliver press show and they play the pixies or i hear thebreeders so you know little by little then you get into those bands and then you discover of our Sonic Youth and it quickly led me to Pavement who never had any songs on the radio but Iquickly understood that this is a band you were supposed to like if you were cool um. [4:01] And it's like Sonic Youth were definitely my first sort of favorite cool band in this post Major League Baseball strike phase. And I still really like them, but I still to this day find them a little atonal. Because at heart, I still love like Top 40 and like Pop Hooks and stuff. So Papin were sort of the best version of sort of, you know, poppy, hooky songs, but still weird and noisy and kind of like snarky and whatnot. So they sort of ticked a lot of boxes for me. And clearly those guys like classic rock, too. But they also knew about, you know, the Swell Maps and the Tall Dwarves and the Clean and the Fall and all those bands that, again, you were supposed to like. And I feel like to some degree I still pretend like I like a lot of bands. Some of them are pretty bad. But yeah, Pavement, I mean, is long time my favorite band. And um i've been lucky because i actually got to i've seen them i guess in total four times um i did see them when they played lollapalooza in molson park and barry the sort of the. [5:14] They say in the i'm sure you have the slow century dvd but i remember there's like a, clip of like scott kanberg or button astanovich maybe where he said that was the tour that killedthe touring version of Lollapalooza because it was so badly attended where Sonic Youth headlined and Papen played fourth. So that was my first time seeing them. I don't think I had any of the albums. That point because i guess that was a summer like wow he's that we came but i knew sort of, some of the songs and then i feel like by that fall 1995 i remember having slightly theiralbums were very expensive too they were like 20 each unlike sonic youth who's doing like their dgc reissues where you could get like daydream nation for 10 bucks but um crookedCrooked Rain would be $20. So yeah, I definitely had Crooked Rain first. I remember getting it at Fairview Mall in Toronto on Boxing Day for like 20% off. Yeah, so it was good value. And then I definitely had all the albums by the time I went to university, which was in 1996. [6:23] So yeah, they were like Pavement, Sonic Youth, Master Junior, Pixies, And then some of the more OG alternative bands, you know, The Clash and The Cure. That was sort of the bedrock of sort of my sort of fandom. But yeah, my origin sort of pavement goes way back. So yeah, I saw them twice before they broke up. Lollapalooza, then they played. Oh, no, I've seen them five times, actually. Three times before they broke up and then the two reunions. And yeah, they've always been with me. I've never really stopped listening to them. And almost every other band I have phases where I'll go sometimes, I'll need a break of a few months or a few years. But no, they've been consistent in my life for, God, I don't even know, around 30 years now. That's crazy. That is crazy. Yeah. [7:16] Yeah, they just celebrated the 35th anniversary of Slay Tracks, recording Slay Tracks on January 17th. So that was 35 years ago. And that's when they kicked it off in earnest. I feel like, uh, yeah, they didn't really break till 94. Yeah. Is that the one you got the Instagram shout out to the podcast from there? Yeah. Yeah. That's huge. No, you were the one who pointed that out to me. I was, I couldn't, I couldn't figure out why my Instagram was blowing up. And, uh, you told me that and I looked at it and then it was like, oh yeah. Yeah. Matador reposted it as well. Yeah. retweeted it as well. I'm trying to think, because I had the Westing by Sexton and Musket that sort of collected all those really early gnarly stuff, which is great. I don't know if those ever came out individually on CDs, or if they did, like they were real collector's items, and like the Drag City stuff, from what I recall. Because I never had the actualCDs. Yeah, they were just on vinyl. I've got them hanging on my wall because I didn't have a turntable. I went out and collected them and uh, There they are. Very good. Demolition plot.Perfect Sound Forever. Yeah. [8:36] Chaotic artwork that goes with all the tape and albums. Very haphazard. Yeah, like haphazard. And like you said, gnarly sounds. I prefer the more hooky, melodic stuff as well. So tell me about the other couple times you saw them live before we carried on. Yeah, so first time would have been Ninety Night Bob, Lollapalooza, playing alongside side sonic youth and hole and cypress hill they they played in the afternoon i remember, rememberthis show because uh shenaid o'connor uh rep or shout out to ridley funeral home as her friend tron might could say um was supposed to play but she was like pregnant so elastica, subbedfor her um yeah so that they played in the the afternoon i remember seeing a mosh pit like I didn't go down to the front of Molson Park but it's just sort of weird in hindsight because theywere touring Wowie Zowie, not really the most moshable tunes on that one. [9:36] I almost think it was like it's half country music but they were they've been playing right between Elastica who are probably never more popular in North America. [9:47] So right after Elastica and right before Cypress Hill who are real crowd pleasers with the oversized, Buddha on stage and like smoke billowing so I think you know Paper Wardefinitely set up to fail and again this was I think referenced in the Slow Century DVD so that was the first time, second time I saw them at the Phoenix Concert Theatre, here in TorontoYou saw them at the Phoenix? Yeah so that was the Bright in the Corners tour that was a fun show. I bet Yeah so I obviously they played most of bread in the corners and whatever else um and i remember they did an interview with the new music with sookie and lee on that tour i thinkit was malchus and steve west i want to say um and malchus is they were for some reason they were in a used car dealership, um for some reason i don't know if there was one close to thevenue and malchus had like very short hair at the time i remember because i had this on vhs because i watched them many times um but that that was a good show i remember being in aparking lot before and drinking uh bottles of samuel adams beer not having a bottle opener so we're sort of we weren't cool enough to do that sort of like pop top thing where you take liketwo bottles so we're trying to use the curb and like one of the bottles the neck of the bottle broke we were so poor we still drank it which is probably not a good idea. [11:14] Um that was one of my memories do not drink from a broken bottle yeah don't do that it's a good way to sort of shred your uh esophagus or whatever uh but anyway live to tell uhbut yeah that was a good show and then the third time i saw them at uh the government no longer those crack beside the cool house in toronto um that was that was the funeral home yeahexactly that was the terror twilight tour um that one was less remarkable i mean i think they're already the rumors they were breaking up and they seemed like they were kind of mailing itin um at that point and seemed fairly disinterested um and definitely terror twilight still a good album but of the five full lengths easily my least favorite i would say um so yeah that wasthe fourth the third time fourth time was the reunion tour when it hit toronto they played it on the island uh which is very cool toronto island for your non-toronto listeners it's like uh thinkof it like central park but in a great lake i guess um so they played there like a package show with the broken social scene who else band of horses played beach house and somebody else iwant to say destroyer wow Wow, what a lineup. Yeah, so that was cool. [12:40] I missed that. I was living in LA at the time. I missed that tour. Did you see their first reunion tour? Did you see them? Yeah, I saw them in Central Park. Central Park, okay. Well, the first time I saw them was in 2010 when they reunited. I didn't become a fan until Terror of Twilight. So I was really late to the party. Really late to the party. and then um saw them in central park and then on the most recent reunion tour i went to the uk and followed them and like went to like eight shows in the uk anduh went to portugal and saw them in porto and um saw them both shows in toronto and then saw them in la at the fonda so i don't know where did they play i've been there before it's likewhat type of venue were they at it was a big festival it was the primavera festival so it was like i don't know it well enough to tell you where it was but it was like yeah it was a big festivalground um gotcha i'm sure i'm sure they do other events there because it was a really cool space and it was a it was a good back went on back was on right before they went on and he waselectric and uh yeah they were work right yeah very very cool yeah did you drink a port while you're in porto. [14:02] I did not. I'm not a port guy. Not a port guy, yeah. But I did have the sardines, the big plate of sardines. Absolutely, yeah. Portugal's fun. Only been there once, but I had a great time. So yeah, I saw them on the most recent reunion tours, the fifth of five times at Massey Hall in Toronto the first night. That's very cool you got to follow them around, because I know they were very conscious about mixing up the set lists. Yeah yeah which is which is very cool um so that and then malchus solo i probably i don't know maybe like four times mainly at lee's palace um in toronto and then i did see scottcannenberg, live when he toured solo he played the horseshoe he's played solo a few times in toronto because i know he played the dakota tavern that's very very small and i believe heplayed here when he he was doing the preston school of industry um oh wow i would love yeah so but so yeah i saw canterbury i feel like it was right before covid he played with someguys and did a combination of his solo stuff and some pavement tunes i know he played like kennel district and a few other a few other jams and then i also feel like one of the times i sawsonic youth was when mark Mark Eibold was in the band. I seem to remember seeing him during that iteration. Yeah. Like. [15:31] Like that was around like the album rather ripped or something okay um from what i recall so i feel like i saw that um so yeah i've had the good fortune to see like pavement orpavement guys yeah pavement and jace um probably into the double digits i'm very feel very fortunate and then you know pavement proper five different times which is yeah i think therewas only one toronto show i didn't see they played that the place that's no longer around called the palladium um where was the palladium was like near main and danforth um i i feel likeit's a shelter now but it was a big for a few years and i remember i feel like on my blog i did like a infographic of all the bands who played the playdium is quite the array everyone frompavement to my bloody valentine played there there was like a hip-hop double bill like tripop quest and de la slow and they did sort of the native tongues package tour um i feel like thelemonheads might have played there. [16:36] Again it was it was kind of right before i got into music and those shows probably would have been 19 plus so it wouldn't have been of eight but yeah i'm pretty sure that was theonly other time paven played um toronto and that would have been like the crooked rain tour um that's great Yeah. So, yeah, in terms of like payment live and then try to get any other like anecdotes with them beyond just like buying all their stuff. [17:04] They've got a lot. Yeah. Yeah. Coming out with a seven inch box set this year. Yeah i'm i'm curious how long they'll keep this going this reunion because i believe because they do have like other shows coming do we say when we're recording this i feel like this issort of evergreen content so we probably shouldn't put it in time and place but you know we're in the early early days of 2024 and i know they have shows coming up i think in southamerica, um and elsewhere so i will be curious to see how long they keep this uh going uh this this this reunion tour because it i never got the vibe malchus was that into things likereunions but um i don't know this one it's gone longer than i anticipated and they're certainly hitting a lot of countries me too let me ask you this did you notice a big difference betweenthe first reunion and the second reunion like in terms of malchus's um i don't know his sort of behavior his attitude i guess i i think he seemed a bit more at peace with it the second time inin good spirits maybe i just caught him on a good night um because i i think he was always very. [18:23] Indifferent wouldn't be the word but i feel like and from what i understood the other guys in the band were more into the idea of a reunion than he was because obviously as a soulartist he's been been quite prolific um oh my god i think i think there's more malchus and well there's definitely more malchus or malchus plus jicks albums than pavement um by a longshot now big time and he's been very consistent putting out but yeah he seemed in good good spirits and um, I don't know. It's interesting because when I saw them in Massey Hall and justseeing the crowd that was there and they did two nights of Massey Hall in Toronto that's you know, I'm trying to get that. I feel like it holds 3,000 people. So that's like 6,000 people. It almost felt more like they bridged over into classic rock somehow. [19:15] Which I don't know if it's like a discovery thing because of Spotify where where it'd be interesting, I always like comparing, you know, look at Pavement on Spotify and then go tothat tab where it said, people who like this band also like these bands, and how that morphs over the years. And then you have kind of curiosity, and there's a few bands of the Pavement ilk that have a situation like this, where Harness Your Hopes becomes this weird viral era sensation, whichit's a fine B-side, but I never gave it too much thought. And i'm not sure i really need to hear it live but again here we are and i think that's their number one stream song on spotify i know duster jr had a track like that that for some reasonbecame a big viral hit in japan from the uh without a sound album so again strange times we're living in the street age absolutely um yeah i feel like pippen's done pretty well it's sort ofcrossing over into sort of the youth as much as any band of that era considering those Those guys, I think, are all close to 60, if not older at this point. I've got a 12-year-old and a 14-year-old, and they both know Harness Your Hopes. Like, beyond osmosis, like, from me, they know that song from TikTok. And it's so bonkers to me. Yeah, it's so interesting. [20:39] Just while we were working through our technical difficulties, I noticed Mary Weiss, the lead singer of the Shangri-Las, Laws just passed away. Oh, shut up. Yeah. Which is, which is a shame, but it's like, there's a whole generation of kids will not know and probably won't care that this. [20:57] Person saying probably their favorite tiktok hook that oh no no no that you've heard on a million rap songs a million tiktok videos sung by mary weiss lisa the shanker laws theywill not know they will not care it's a time we live in i feel like people's relationship with music is just so it's just different i don't think it's good or bad or i don't know i you know as muchas everyone i missed all dick in the good old days but it's also like things change all the time yeah um so harness your hopes tiktok hit sure why not why not it's like totally believable idon't know it's a it's a pavement anomaly so speaking of relationships with music uh what's your go-to record i i understand from your conversation that terror twilight is like number fifthuh number five with a bullet uh what's your what's your number one what's your what's your one you'll pick up on a on a day like like today and you might just want to listen to somemusic so you throw it on yeah i mean probably depending on what mood you catch me. [22:03] I would say wowie zowie more often than not but the actual answer honestly is probably perfect rain i i feel like it's just because again i feel like i'm sort of a top 40 person at heartas much as i pretend not to be although i sort of love it all and i feel like that's sort of their closest as to doing a CCR record, famously. Yes. And that's not an original thought. I feel like that was sort of a reference point that a lot of rock critics mentioned. [22:30] It's work. Shout out Ridley Funeral Home. Yeah, exactly. [22:36] So yeah, in terms of something to listen through, 1 through 12, Crooked Rain for sure. But Wowie Dowie is just such a peculiar record. Record and probably had i'd say either like grounded or father to a sister of thought or amongst my like favorite songs they're just so unique um the father to a sister of thought is amazingyeah i i feel like the only problem with that album it's a little long and there's a few tracks mainly like flux equals rad that i would just like skip over uh they're like, fairly annoying umsomewhere out there is a is a spiral stairs uh curated version of wowie zowie like he had a track listing that's the only record he didn't get to do the track listing but he had it as a 10 song a10 song album classic rock album is is what he called it interesting yeah because it's what yeah i feel like it's 16 tracks like the original 16. [23:36] Or 18 yeah yeah yeah i think you're right it is 18 um you know it's got country music it's got like stuff that's sort of resembling krat rock it's got sort of just like throwaway dirgeslike the aforementioned flex equals rad um you know starts with a song we dance that's just like a really slow tempo song and a very atypical album opener um you know rattled by therush was the the first single, which I mainly recall. I feel like Pave and fans don't like that song, generally, and famously was featured on Beavis and Butthead, where they said the band was just lazy. Try harder. And Weirdly had, like, two videos, too, from what I recall. Oh. Like, there was sort of the main video, and then one where it was just, like, a bathtub filling with water, with the other video, like, playing on a tile. That's right. Yeah, that's the one I'm familiar with. that's the one i'm familiar with yeah i'm not really sure what that's all about but yeah that that album was all over the place but it's justlike a wild album that the cover art is is great, um you know you mentioned like a wizard hat off the top it had like the wizard on the back saying paving his rad yes um yeah some iremember like the liner notes were like all scribbly and i. [24:58] Probably is like Papin working as blue as they ever did in some of the liner notes or some of the, which I don't want to repeat because I don't know who had clipped the sound, butsome like rudeness in there. But yeah, what an album. And again, I, I, I definitely remember getting that album in high school before I really had sort of the broader context of this whole indie rock thing and justbeing like, what is this? It's very different from anything that was going on at the time for sure. Yeah, totally. Totally. And around the same time too, like I also got, um, at least one of the silver Jews albums. [25:33] Ah, like really early because again, I knew that, uh, Nisanovic and Malchus were on at, uh, not American water, the twilight, twilight Walker, I think was the name of the album.Starlight Walker. [25:46] Starlight Walker. Right. Yeah. Uh, yeah. Which was like great. [25:51] And like, you know, was, was not, not a huge stretch if you're into pavement and certainly if you're into wowie zowie gang into that album was fairly easy and but that's sort of aregret too i was supposed to go see the purple mountains or like david berman and was obviously canceled when he decided to uh check out a couple years ago and i'd say that's probablyalso my number one concert regret the one and only time the silver juice played in toronto um i think it was like 2009 um i forgot. [26:24] Out which album the lookout c lookout look i'm gonna look at c yeah yeah i feel like maybe it's maybe that album uh i should have gone i don't know i feel like i was just like in agap in my silver jews listening and now that's the mr burman's with us there's clips of it on youtube so yeah i've enjoyed those yeah yeah well tragic what what a talent oh man yeahabsolutely um um love love him and uh if you're listening to this and and you enjoy this maybe you'll enjoy the berman project which is another podcast i do so uh if you're out therelistening i didn't even know check out the berman project yeah we're gonna plug yes yeah well to appeal to your to appeal to your top 40 sensibility we have you kicking off the top 40 thisis track number 40 coming up should we uh go to it yeah absolutely all right we'll take a quick break and we'll be right back after this with track number 40 hey. Track 5: [27:25] This is bob nastanovich from pavement thanks for listening and now on with a countdown 40. Track 2: [30:41] So track number 40, Starlings of the Slipstream, is the 11th track on BTC and the fourth song on the countdown from Bright in the Corner so far behind Blue Hawaiian at 50,number 44, Embassy Row, and of course at 43, which we just heard a couple weeks ago, was Old to Begin. So Cam from Toronto, what do you think of Starlings of the Slipstream? this. Track 4: [31:10] Is a great little song i love i love this song just as a standalone item i love this song going right into the song finn to wrap up that album yeah um but those might actually be my twofavorite songs on on right in the corners like what a what a great one to punch to close things that finn is probably actually my favorite song on that album but yeah i i think starlings andin the slipstream is is a great song it's a great pavement song but i do also feel like it would not be out of place on that first season of miss solo album i think it's a good part i think it's agood harbinger of things to come because it's it's really well produced it's really well played. [31:57] Um and it kind of has that same like languid breezy almost like california it's not really a california song but i don't know i could just sort of hear it on that first mouth that soloalbum alongside um like the latter half of that album with like trojan curfew and deto and those sort of more you know mid-tempo songs um it's a great little song it's really short thoughlike how long is it it's like two minutes or so yeah two two i don't have it in front of me but like i want to say 220 or something like that it's it's uh it's a short it's a short um song with withsparse verses. Um, yeah, you know it's um i love the tone of sm's voice in this song like he he's he's using a really nice version of his voice like it really is a lovely a lovely song yeah imean i i think a lot of his best songs and again this is not an original thought but just sounds so effortless yes just even some of the lyrics in this song like you know i'm sure i'm sure hewrote them on the back of a napkin and they're even like you know the the 10th best verse in this is probably more creative than anything i've ever done in my entire life um like i think ofthat. [33:20] Darlings on the split screen and yes like just that little word play in there and i i know you mentioned this when you talked about the song before but you know in terms of like i sortof, jokingly alluded to the liner notes of Wowie Zowie Not things that have been aged well, Darlings on the split screen I think when you talked about this song before on the podcast yousort of referenced Revenge of the Nerds That's what it reminds me of Porkies, I feel like there's like a spy cam in a sorority, but just what are just like lyricists but. [33:58] That whole album I find interesting because i don't find it like a very high energy album but no it does feel like a very late 90s album like bridging this you know functionally thegrunge era was dead but we weren't into kind of the 2000s with like the strokes and interpol and those bands so i find albums of this of this era from like indie rock or a lot of british stuffyou know i think of like spiritualize or the verve urban hymns are really interesting because it was a bit of a no man's or no person's land i feel like if you're into indie rock and alternativein that time because we're also like right on the precipice of like the boy band britney spears era and also like the new the new metal era yeah so an album like right in the corners comeson 1997 um you know i feel like a a lot of alternative band, the air works are having an identity crisis. Um, that album, I think of it in the same terms when I think of that blur self-titled album, um, where Damon Albarn was in rain pox. And especially we're saying how influenced they wereby pavement. Right. That's the one with song two on it. Right. That's right. Yeah. And like beetle bum and stuff. Right. Right. Um, yeah, it's a really interesting time in music, but I don't know, like, I feel like right in the corners I didn't think about for years, but. [35:25] It's my favorite. Yeah, the longer I sit with this band, it's like, that's really a kick-ass album. And even the singles were great. It's definitely a more refined pavement and I think it's a superior album to Terror Twilight, but just smoothed out every rough edge that came with Wowie Zowie. [35:46] It's almost weird in hindsight that a song like Shady Lane wasn't a big radio hit. I mean, it's not a difficult song to get into. [35:55] Agree at all but there's you know there's there's tons of great songs and some also some good b-sides of that including i think this is where uh harness was harness your hopes was ithink that was a carrot rope b-side or it is oh shit or was it like a shady lane b-side i forget it was definitely one of these albums i could look it up but you know i am uncool andunderqualified qualified and i often just wing it um but that one i do not know i do not know the answer if you're listening to this and you're screaming at your uh device right now send mean email jd at medium alchemist.com and let me know what uh where harness your hopes comes from i'm yeah but it is definitely it's a an ep yeah and i want to say it's i want to say it'smajor leaks but i might be wrong yes oh you i think you might be right i feel like it actually it is a terror or twilight era b-side um but yeah sir starlings is 15 you know it's it's a great song idon't know i i feel i definitely feel like it's an overlooked song in their catalog for sure as far as malcolm as lyrics go as well like i think that first verse is is narratively cohesive right likeso So I've done some further research than I did for the prior episode, and I learned what a slipstream actually is. [37:21] And it is like, uh, I've got it written down here. Um. [37:26] A slipstream is the area behind a jet or any moving object. So it's like how race cars can do drifting and things like that. So the slipstream will often catch birds and suck them toward the plane in the engines. And so the starlings of the slipstream, I heard what you said. The leaders are dead. They're robbing the skies and I can hear their followers cry. Fry so to me that's like fairly straightforward as far as malchemist goes because he's usually word salad right like it's it's beautiful the way he does it but it's like you said it's effortless. [38:07] And uh and i was gonna say what do we know about actual starlings are they like a migratory bird i'm just are they getting like sucked up in the slipstream en masse um becausethey're they're they're pretty big for like a i don't know if they qualify as like a songbird but they're bigger than like a sparrow for sure that's right yeah they're kind of like a grackle sizewow i did not realize i had a bird expert yeah no i was pretty well again before baseball and before indie rockers they were like really into animals as a kid and it's i have a lot of latentknowledge of like birds and amphibians and man that's great yeah also i don't know if you remember i don't know know if you're from canada originally there was a uh i shouldn't sayfailed there was just like a can con band called starling i don't remember them from the late 90s early 2000s i want to say they were from ottawa um and i feel like they got sort of a majorlabor push for like one album i remember seeing them in the cutout bins in and around toronto uh not not long after bright in the corners came out starling was was getting a bit of a pushwow yeah very cool fun fact yeah. [39:24] Fun fact you can't help but drop the lexicon in i know i know if you're not if you're listening to this and you wonder where a lot of this language is coming from shout out ridleyfuneral home and uh fun fact there's a particular episode you should listen to of toronto mic'd and it is uh an episode all about lexicon and cam is on it and the vp of sales is on it uh tylerand of course mike is on it and it's uh it's a great addendum to the podcast as i mentioned i've been on the toronto mike podcast many many times over the years and pavement does comeup every every once in a while, but Mike's knowledge of pavement has just, he heard cut your hair on the radio a few times. [40:13] And even that, I don't know, like I feel like in Canada that did not really, get spins the only time i recall hearing it on the radio was uh kind of club 102 nights it would get played inthe opening hour when you might hear some more uh eclectic stuff that's skirax yeah like i remember hearing cut your hair and and um like the band adorable like how almost like thethird tier british stuff the new fast automatic daffodils or whatever that band the new fads right um adorable homeboy maybe a little ned's atomic dustbin or the boo radley's uh every oncein a while you hear a paving for a pixies track but not not really dance music no cut cut your hair i don't think and certainly starlings of the slip screen definitely not no um dance music atall so was this was this album always your favorites um no i went there twilight was your entry point yeah that was my entry point and then the steve solo record and then i went andcompleted the catalog first one i got was. [41:20] Crooked rain and fell in love with crooked rain and then i just bought everything and uh just through listening that was part of the medium alchemist idea the concept behind it wasme listening to every track so that i could you know get a better sense of why they were so awesome and like why was it that i liked them i i couldn't ever really put my finger on it so ithought well i'll just go through every track and and see very cool and that's what i did yeah yeah i don't know like i i got i don't know if you've talked about his first solo album much but ii fucking love that album i i think it is really underrated yeah yes um to me it feels like a person reborn where you know there's the old adage if you're a band you know you have yourwhole life to write your first album and you have six months to write your second album or whatever it is. I just felt like all those songs Malikmas had been sitting on, I could be wrong. You're the actor, so maybe you know this for a fact. But I feel like those songs you're probably sitting on for quite a while. But they just, for whatever reason, they didn't feel like pavement songs. [42:34] Because they just seem so fully formed and both familiar yet a new thing when it came out. Totally. Even that album cover is like, what is he doing? He's on the beach. He looks all breezy. His hair is different. print uh he almost looked like a sort of a mad night idol he's never been more sort of dashing than he is on that album cover umbut it's great i'm trying to remember when did that come out as a 2003 2001 is it 2000 wow okay wild is it 2001 or yeah i'm pretty sure it's yeah i think you're right yeah it wasn't fouryears between that and terror twilight certainly so yeah i think you're right and on the terror twilight box set there's a couple uh sm demos that like he was demoing for pavement but likeyou said must have just been like this doesn't feel right and sat on them and then they show up you know two years later three years later on the record yeah well it was interesting to seewhen he started bridging out even you know in the last few years of pavement during their first iteration um i remember having the soundtrack to the movie suburbia the richard linklettermovie where the first song was elastica featuring. [43:54] Stephen malchmas doing a cover of the x song the unheard music have you ever heard this song no i'm not yeah that that's worth digging up it's not i i definitely know it's not onspotify um that's one of the great i wouldn't say it's like a lost soundtrack i think people know about that soundtrack but that's a really cool cover in my opinion and i don't know if you youget with elastica magic the second time we're talking about elastica weirdly maybe they met they probably met on the lull blizzard well he was dating the singer of elastica for a while oror something along those lines there was some intrigue was dating uh justine freishman from it did Did Malthus date her, too? Is that true? I think there was some sort of dalliance at some point, yeah. Okay. I don't know. We might need to get Robert Lawson in. I'm not sure about that. But regardless, maybe it's on YouTube, but that's definitely worth digging up in terms of an early Malthus external foray outside of Pavement that I think is a very cool song that we don'thear anymore. More that that album or that soundtrack also has the first version i think it was before. [45:09] A thousand leaves came out the song sunday by sonic youth that was the first time it appeared was on that um and beck's on there and super chunk and i believe the bipolar surf orsome previous i think it's all like previously released stuff mainly that was a combination like besides and other stuff um but definitely worth digging up because i don't think that albumfor sure act is on uh spotify but that. [45:31] That covers great and i feel like it's weirdly been lost history because i don't consider it for steven moccas nor elastica particularly obscure obscure in this day and age but that thatsong's just uh falling through the cracks oh man well cam it has been absolutely wonderful picking your brain here about pavement and music in general uh you've got a real greatknowledge of things and you're right in my wheelhouse age wise as well i'm going to be 50 this year but um but very similar vibes so i i get you know a lot lot of what you're putting downis there anywhere that uh you live in the online realm that you want to share with people or is there any projects you're working on that you want to share or anything like that yeah i meanpeople can follow my or take a look at my music blog. [46:22] Completely completely ignored.com um i used to call it sort of think nate silver but for music is how i describe it but now i feel like nate silver is like half canceled so i'm gonnaneed a new analogy for this but think of it like fun musical info infographics cross maybe like money ball crossed with indie rock oh that's very cool yeah it's all about sort of usingnumbers and and graphics and visuals to tell little fun facts and anecdotes about music a lot of stuff like things like ticket prices and like stream counts on spotify and fake posters likethere's a lot of like fake Coachella posters on there of like, you know. [47:10] CanConChella was probably my biggest viral hit from that blog. That was you? Yeah, that was me. Oh, that's fabulous. [47:20] Yeah, yeah. So that was a big hit with Alan Cross and sort of the Indie88 crowd. But again, it was a bit of a one-hit wonder, much like Cut Your Hair With Pavement. There's been a few viral hits from that blog, but yeah completelyignored.com if you want to check it out there's all sorts of stuff on there that uh probably if you're listening to this so youwouldn't be totally offended by what's on there there's some fun stuff cool well i'm going to check it out right after this cool thanks again for coming in and thanks for putting up with mytechnical difficulties that was great um that's what i've got for you this week everybody next week we'll be here with track number 39 and we'll we'll do this all again. Thanks Cam. Awesome, thanks for having me. Wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is talking to Pavement super-fan Pete from Malaga this week on the pod. You'll learn all about his Pavement origin story and hear their breakdown of song number 41 on the countdown Transcript: Track 1: [0:00] Previously on the pavement top 50. Track 2: [0:02] Okay track number 42 easily fooled comes from the rattled by da rush ep and um it's the third track on that ep and it later appeared on the sorted sentinel edition of wowie zowiereissue along with its ep bandmate false scorpion and it was track number 22 on that uh second disc of the sorted sentinels uh collection three issue so alan yeah what do you think ofeasily fooled love it love it love it love it it's on like i said to you off off air it's probably one of my favorite tracks alongside here yeah it just it's just such an amazing track Love themeandering nature of it. Just really acerbic lyrics. And yeah, it's an awesome, awesome track to jam along to. Track 3: [1:01] Hey, this is Westy from the rock and roll band Pavement, and you're listening to The Countdown. Hey. Track 6: [1:09] It's JD here, back for another episode of our top 50 countdown for seminal indie rock band Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballots. I tabulated the results using an advanced abacus and some spilled toothpicks on the floor. And all that's left for us to reveal is this week's track. How will your favorite song fare in the rating? You'll need to tune in or whatever the podcast equivalent of tuning in is every week to find out. So there's that. Track 5: [1:43] This week. Track 6: [1:44] We're joined by Pavement superfan, Pete. Pete how are you doing motherfucker getting over the fact that you said abacus and toothpicks you're like you're you're like you're like a Idon't know you're a cross between like an old Chinese medicine man and fucking rain man didn't he didn't he count toothpicks he did. [2:13] I'm good man i'm good i'm thanks for thanks for having me no it's my pleasure to have you on the show the legendary pete marchica of marchica easy easy easy so talk to me a littlebit about your pavement origin story pavement origin story um so i think it's fair it's it's it's important to point out that early on so I came to pavement right as they broke up like I was likediscovered this amazing band and the record that had just come out, was Steve Malcolm's self-titled debut and so this is the in after days and a A buddy of mine, Moe, who you know I'vespoke of a number of times, who incidentally knows Spiral well, he was burning discs like nobody's business. He was a master pirate and was burning a bunch of pavement stuff. Track 5: [3:22] I'm like. Track 6: [3:23] This band is fucking awesome. And I really couldn't at the time differentiate between the Malcolm of Souls stuff and pavement itself. And. Track 5: [3:34] I mean. Track 6: [3:35] I think probably the first Pavement song maybe I ever heard was... [3:41] Elevate me later or stereo one of those two both good songs to start with yeah and then got to the point to where i had a couple of these like compilation burns of napster tunes frompavement and uh and they just i just listened to the shit out of them i would sometimes i would leave them in my car and i noticed my mom started liking like pavement stuff because therewere like some PSO I sprinkled in there too oh yeah yeah yeah there was one song actually that was a spiral tune I want to say it was date with Ikea right and when you downloaded itfrom Napster there was a there was like a a opener tag like sometimes you get the file and the file would just be be whatever that person that was on the file sharing gave you andsometimes it wouldn't be the song but you know this happened to be the song but it would start with this really cool jingle, and this beautiful woman with a beautiful voice and she wouldjust say encoded by easy mp3. [4:55] It was uh i guess it was a mp3 encoding software that was early on and uh so i i never like i I think the first time I ever heard date with Ikea without encoded by MP easy MP3 in thebeginning was like. [5:13] I don't know when I bought my first payment record. Cause I, I ended up buying them all obviously in the years to come. And it was probably 2006, 2005. So I was listening to payment for like a good four to five years. Thinking that date with Ikea started with coded by easy. [5:38] Yeah it was like it was some random shit but oh the nowadays that brings me back man, It was a wild west, man. And you know what's crazy? And I may have told this on the... It's only relevant because of the town that I grew up in. I grew up in Downey and this high school I went to was a high school of James Hetfield from Metallica. And so they were, if you remember, at the forefront at the time of just being like, Like, fuck Napster, they're destroying the music industry, and Sal Park made the episode, this, that, andthe other. So I remember having, like, and my dad used to be a musician before he, like, quit playing music and started a trucking company, this and that. Track 5: [6:27] Dude. Track 6: [6:28] We used to have, like, discussions at the table, like, the dinner table. These would be, like, long, drawn-out discussions where I'd have to make my case as to why what I was doing was okay. Really? Yeah, my dad was just like, that is just sheer theft. You are stealing from people. And man, I mean, he wasn't wrong. Right. He wasn't fucking wrong. And I can't say that I really think that the way the landscape has changed for musicians making music nowadays via streaming platforms is better becauseit sucks. Just ask any musician. Hi. Yeah. Yeah. Pete Barchiga here. Um it fucking but yeah dude i remember that um and and pavement was probably. [7:20] Yeah they were probably the band that i had the first band that i had really discovered via like napster like i had heard the floyd i had heard guns and roses i had heard all the ledzeppelin shit on cd prior to that i had friends who had all those albums and i had a lot of those albums but like I didn't have any pavement I had no idea who they were you know so like I,I guess you could say that like, cause I mean, nowadays, I mean, I bought, I've bought all the records I've seen fucking pavement three or four times. I've seen Malcolm as countless times. Track 5: [8:00] Um. Track 6: [8:00] I've bought their records, bought their merch, paid for their concerts. Like, so there's sort of a case to be made that like Napster helped me fall in love with that band. Track 5: [8:11] You know. Track 6: [8:11] It just was a really slow burn. Track 5: [8:14] You know. Track 6: [8:15] For the band. It wasn't like, Hey, I bought your record. Or do you get this much money from it it's like hey i'm gonna fucking steal all your music and then 20 years later it'll that investment will you know appreciate if you will when you thinkabout how many different formats there have been for these for these properties right like that we you know that we that we bought different versions of them on cassette and then on cdand then back Back to LPs, in the middle, MP3s, you know, like. Track 5: [8:50] Yes. Track 6: [8:50] You could steal on Napster, but, you know, you could also buy on iTunes. And, like, my digital library is just a mess now, you know? It's just a mess of stuff that I've imported in, Apple Music, and then stuff that I've bought. And it's like, my play counts don't work correctly. And it's really, you know, just a mess. Yeah i remember back in the day before apple really got a hold on like you know encoding. [9:21] Having software that basically prevented pirating you know i would borrow friend cds and rip them to my hard drive put them on my ipod if i didn't have those cds and i waslistening to them that way um and then you know the iphone came out that sort of changed everything but it's interesting you say that about the different formats because i rememberbefore moving to europe the first time a friend of mine who is a huge apple guy like i think he's a former employee like you as well told me he said don't sell your media keep your mediado not wow like told me and i was like good out of here like yeah i didn't listen to him obviously no i didn't either and it's like god like i would have it all i would have all my cds still ihave some cds ironically most of my pavement stuff i never sold like that was the only real band and a few other gems but it's funny bring up the the different formats like vinyl cd tapeand then now what we're looking at is the fucking the reissues with the b-sides and the blah blah blahs and yes yeah and like. Track 1: [10:42] It's cool if you're like a Pokemon. Track 6: [10:48] Got to catch them all kind of guy. And I know, like, I guess what I'm trying to say is the right way because I don't want to sound like a prick. But I think I'm going to sound like a prick either way. So I'll just say it. Track 5: [11:04] Like. Track 6: [11:05] I was reading something about Taylor Swift recently, who's got more money than God. Track 1: [11:09] And you know she's coming out with like how they kind of like not scam their fans but like you know they'll come out with the same record but like the green edition and it's thisone's gold now get the gold one it's the same fucking record but this one's gold and it's like, and you know most of the Taylor Swift fans are you know, not I'm not knocking Taylor Swiftor her fans but I'm just saying like, if zepp if zeppelin came out with fucking you know houses of the holy and then and i got just a regular standard black vinyl and they came out with likea translucent one i tell robert plant to go fuck himself like you got my money already dude same fucking songs i don't need to fucking get a different edition but you know i guess it's coolif you if you if it's the only only one you have but when you're buying the same record over and over it's kind of like but then on the other hand when it comes to payment dude like dudevery few bands make money you don't really make money on vinyl even nowadays no matter how much you produce you know, they're making money on touring yeah. Track 6: [12:25] I mean, and you can see that, right? They're touring their faces off right now. Track 5: [12:29] You know? Track 6: [12:30] Yeah, I mean... They're putting in their time. Yeah, yeah. What's the... I don't know who it was. I think I've heard Spiral talk about it before. Track 5: [12:38] But vinyls. Track 6: [12:40] The point of vinyl records, and I said this too, are not to make money off of them. They're really an indicator of who's going to go to your shows, who's going to spend that $50 or $75 or whatever it is to go to your show. Because if somebody's committed to buy a vinyl of your band, chances are they love you enough to go plunk down $50 for a ticket. Yeah, that makes sense. [13:09] $50 for beers. and that's money that that goes more directly in the band's pocket than you know vinyl record but what do i know i'm i'm you know even though that's true i'm stillwaiting like to build my pavement vinyl collection because i'm hopeful that they'll release like the sordid sentinels edition the elli's desert origin edition like the big boxes for vinyl like i'mreally hopeful because right now i've got them on cd and the book you know the booklet that it comes with is fine but when you see the terror twilight booklet the farewell horizontalbooklet it's like it's big and it's you know it's juicy i don't know it's really the design work that goes into it really stands out so much more and uh i'm so hopeful they do that but what itmeans is i don't have a tremendous amount of pavement on vinyl i've got uh i've got watery domestic and i've got the major leagues ep and i've got terror twilight. [14:18] Farewell horizons and i've got uh a funny version of slanted the the version of slanted that is just like red and black. Don't you have the, don't you have like demolition plot or something or no? Yeah, I have, I have those. I have them hanging on my wall in like a display. Okay. Those are nothing, man. Yeah. It's pretty cool. People don't have those. Those are worth some money. Yeah. Well, the one I paid quite a bit for. It's weird that it's on my wall now. Now that I have a turntable. I didn't have a turntable before. Track 5: [14:59] You know. Track 6: [15:00] Like, dude, if I'm going to listen to pavement shit on vinyl, because I have a fair amount of other stuff on vinyl, i'll do it where i'll listen to them sequentially with like a friend orlike just be like i'm gonna put on some pavement today it's very rare that i will like be like i'm gonna put on fucking, slanted on vinyl right you know i have a shitty copy of slanted i thinki bought it online through like fucking urban outfitters or some shit when when they thought that you know when when pavement was the cool thing again, once again in like the, youknow, cause I never had that record, but. Track 1: [15:44] But yeah. Track 6: [15:45] I, I don't know. I mean, cause I got all the shit. If I ever want to listen to it, you can listen to it on, on, you know, Spotify or Apple or whatever. Yeah. And now they're lossless, right? Like, so, you know, they sound much better and I don't know. What do you think? It's an interesting conversation. Yeah, definitely. Track 1: [16:07] What do you think we head over to the other side. Track 6: [16:10] Though? Track 2: [16:10] We'll listen to track 41, and then we'll come back and talk about it. Track 6: [16:14] Let's do it. Let's do it. All right, let's do it. We'll be right back after this. Track 5: [16:19] Hey, this is Bob Mustanovich from Pavement. Thanks for listening. And now on with a countdown. Track 2: [16:27] 41. So there it is. Major Leagues is number 41 on the countdown. It is the fifth track on Terror Twilight, and it's the eighth track if you're using the Goderich sequencing. It's on the second side of the Terror Twilight reissue, third track. So it's the eighth song. Track 6: [20:15] This is the second song from Terror Twilight on the countdown. You Are a Light was number 45. Track 2: [20:21] And here we are at number 41. with major leagues pete what do you think so i love this song um i was talking earlier about you know the the early days of me discoveringpavement and those burned mp3 cds and i always loved this song um i mean this song was the soundtrack to breakups and and heartaches and and Lonely Times. Track 6: [20:50] Getting out of shitty dive bars with my buddy Mo. And, you know, this song, because I think I said too earlier, I alluded to the fact that there were, that I didn't know, I couldn't differentiate yet, which was Pavement and which was, youknow, Malcolm is the Solo stuff. Stuff this this has some very much some early malcolmus and the jicks vibes totally i call this the beta test yeah it's very church i get some church on white vibes yeah it's good yeah thebeta test that's well done well said yeah it's it sounds very similar to that quality but one thing i i noticed listening to it um i don't know recently was like. [21:41] Um the the harmonies the in the back towards the end of the song are just like i i don't know that i ever noticed that i don't kind of i didn't notice it either until today let's sit on thebig cans and there's also this weird weird sound occasionally in the song like uh some sort of electronic static that comes up like two or three times in in the song very subtle very weird i Ihave written down that this is like one of the most dense pavement songs I can think of. Like there's very little space. And I don't mean that as a critique, just an observation, but songs by pavement are typically very sparse. And this is, you know, there's obviously Godrich is, you know, building this sort of soundscape and then SM with the, with the lovely vocal tone, like just really lovely. Track 5: [22:39] You know. Track 6: [22:40] Know this would be a song i would grab for anybody that says sm can't sing you know i'd be like you're crazy first of all but here listen to this and tell me this man can't sing well imean i still get that people will say that because those are the people who are just like you know they just don't really get music i think they think everything should sound like a perfectpop song and that's just not music but right um yeah i i i heard the i haven't heard the hiss but this song is chock full it's it's weighty it's got some fucking meat to it and yeah i don't knowif he's doing a you know a phil specter wall of sound sort of shit trying to have no empty space or, or what but i think it may have something to do with that is it like a little drum track orsomething at the very end that kind of trails off the song it sounds like a repeating drum right. [23:40] Yeah um or some sort of like some sort of sequencer but um yeah i was gonna mention one other thing about when you're talking about the weight of the song but yeah i mean it'sit's It's, oh, the first line, lip balm on watery clay is just, I mean, dude, it's, if you could have just said that and then just, the song was an instrumental called Lip Balm on Watery Clay, Iwould have been like, fuck, dude. I mean it's relationships hey hey hey fuck dude like just it smacks of just, 90s breakup fucking early 2000s just oh god i this is one of the very few songs that when i hear it i immediatelyget transported like back to. Track 1: [24:38] Images and situations and smells and states of being yeah wow this is a big one for you oh i and a lot of people like say that like oh it's it's not one it's not one of my favorites like ican't say that shit and i i applaud you for doing the doing the countdown in my eyes is it's always different you know yeah yeah yeah this is you know yeah it's fun i got it cool yeah this iswater cooler talk right exactly and it's great to to get together and, to chat i just i i find it funny the people that want to go to the mat, over shit you know well that leads to my next questionthen one of the questions i've been asking every episode is do you think this song is fairly rated at 42 should it be higher should it be lower is it just right like for you i would say it's a littlehigh up i would say it should be a little it should be a little closer to closer it's a top 40 song is what you're saying yeah Yeah. Track 6: [25:51] Yeah. I mean, it is really... I think over the last four years, five years since the whole... [26:03] Uh pavement mania yeah landed in america once again you know um with the primavera 2019 announcement all that your podcast i think people are more um heady so you'regonna get people that like fucking the the deep cuts the the half of canyons the fucking best friends armed you know the the shit like that that are really good songs if you're a hardcorepayment fan but like top 50 songs with their massive catalog my mom wants to know about pavement i'm not gonna put on fucking you know uh flux rat or fucking uh i'm just thinking ofshit off like wowie zowie right now right right you know it's no i'll put on major leagues is gonna be one of the first like and equally i was burning a lot of fucking albums back in the dayyou know that's what you did when you when you liked a girl made a record absolutely burned her cd and this song absolutely made it i mean this is major leagues this is i remember thebartender at my at my local local marla i was so in love with her and uh i i burned a copy of sm's solo record for her. [27:33] And you know slipped it to her one night at the bar it's like you just have to listen to this i'm not going to tell you anything else you just have to listen to this you know i wanted herto hear church on white so bad but i didn't want to tell her play church on white you know yeah i just I just wanted it to happen organically if I could. But. Track 5: [27:52] You know. Track 6: [27:52] Yeah. Those were the days, man. I mean, I think nowadays, too, with so much music at your fingertips, it's really hard to get into a record. Because even when you get into a record, it's like you get into it and you let it go and there's something new. Track 1: [28:16] Knew you don't have to work for it anymore man right even even those even those early, napster days man you know you didn't i was on a 56k for a long time man i have nofucking t1, i knew people that had a t1 and i was like if i got a fucking pave song uh that i was downloading or some pavement tunes i mean i had to wait for those months and i had to sitand say and a lot A lot of times. Track 6: [28:45] Sometimes you get close to a download, it's going for like 30 minutes, and then right at the end, the fucking user drops off or, you know, it was horrible. It's horrible. Yeah, torrents change the game. Yeah, yeah. But nowadays you just, you don't, you don't have to work for anything. It's just, you have the world. It's kind of, I don't know. I tell that to my kids all the time. I tell that to my kids all the time. And that's why, one of the reasons I started collecting vinyl now and got a good turntable is because. Track 5: [29:21] Like. Track 6: [29:22] I want them to see that it's, like, something that is tangible. Like, somebody created this. Somebody made this. and it's not just this thing that lives in your phone and you know i think that's important for them you know no that's that's a really fairpoint and i i get that too and i dig it and i want to build up my media in that respects because and i think we you and i have either had this conversation privately or we've mentioned it onother platforms but there's this really really famous interview that was done in. Track 5: [29:57] Man. Track 6: [29:58] I want to say 2010. I don't remember when it was, but it was David Bowie. And it was before he died in 2016 or whatever it was. And he said, in the future, everything will be subscription-based. And this was before... I think the only streaming service, Apple wasn't out yet, Spotify wasn't out yet. The only streaming service was Pandora. Right. I remember Pandora. And it was like, I think they had just maybe launched a premium, like, if you wanted it without commercials. Track 5: [30:35] You know. Track 6: [30:36] None of this unlimited, and you still couldn't, at the time, listen to anything you wanted on Pandora. You couldn't just call up a song. It was like you could go to radio stations and, you know, this and that. But nowadays, everything's a fucking subscription. You want, oh, you want fresh food delivered to your house and pre-done meals for five days a week? Subscription. Do you want... Fucking, you name it, man. I mean, I think Uber Eats and shit like that has subscriptions. They do. People. Track 5: [31:06] Everything. Track 6: [31:08] Well, I don't know if you had a chance. Did you have a chance to listen to the Spiral interview? The latest one? Track 5: [31:13] I did. Track 6: [31:14] And ask me why. And he talks about Pavement potentially doing a subscription-based live record sort of thing. Right. Yes, I do remember him mentioning that. Because they've got a whole bunch of live... Live uh dats that they got access to and then they've been taping a bunch of the more recent shows so they might release live records on the like there might be a pavement sub somehowyeah i don't know well i'll tell you what i think they're they're in a they're they're getting under the wire enough to where they can fucking um you know i i i want the best for the boys manAnd they deserve all that's coming to them. And if they decide to do a subscription model and whatever fucking more power to them, I will say that not now, but I think probably in another five to six years. Track 5: [32:12] I think... It's it's gonna we're we're gonna reach critical mass it's gonna change because i think uh just streaming everything not just music but movies and netflix and all like you know what irealized i watched we canceled this is a more personal shit but we canceled like our netflix disney plus fucking hbo we had all those fucking streaming platforms now we have of amazonand i think that's it because you know we have like an amazon prime account and i watched probably just as much fucking streaming as i did before i'm just not pissing away fucking, youknow 80 extra bucks a month it's fun that's a good way to do it just stick with one, and then suck it dry and then you know but it's not that's the other thing too it never goes dry becauseevery like 30 days they put new fucking shit on there and it's like true good point you can get away unless you're like you're obsessed with the marvel universe or you've got to watchwhatever i mean i know there are some staples on like things like you know people go to netflix for stranger things some people go to spotify for joe rogan shit like that i get that those areyou know flagship products of those companies but i think for the most part like Like. Track 1: [33:37] Am I going to have a HelloFresh subscription so I can get fresh potatoes and fuck out of here with that shit? Track 6: [33:46] No offense if they're coming on as a sponsor soon. Take it back. Edit this out. Anything else about Major Leagues? Anything else you want to say about it? Track 1: [34:01] I think it's a really dynamic song. Track 6: [34:03] I think it's a song that is just... It's so unique, man. And the piano that is playing, I'm stupid when it comes to instruments, but it's some sort of effect. It sounds like a really unique old piano. Yeah, it really does. It's very bassy. It's very, you know. Track 5: [34:27] Well. Track 6: [34:28] It's got some cool chorus reverb to it. It's really cool. And I love it. Track 1: [34:38] Yeah I don't know what you want no that's fine yeah it's a soundtrack if I want to put a cap on it it is a soundtrack to a window, into a certain time in my life that I just the songtransports me there immediately it's amazing what a trick the band are magicians in that respect, they know the tricks what's that? Track 6: [35:02] They're ex-magicians but they still know the tricks ex-magicians Does that go over my head? Trigger cut, on that note pete uh do you have anything you want to plug any anywherethat anybody can go and find your work uh yeah yeah if they i mean we're we're marchica on apple spotify we have new record coming out um in april or may of this year it's taken longenough it's coming coming out on my label records it's spelled like um not and not it's not the same meaning but it's m-a-i-l-e-i-b-e-l oh my label records so it's coming out in um yeahmay april may cool so we'll look for that yeah awesome well it's been great having you on of course uh great talking to you about a myriad of things. We'll do this again soon. Track 3: [36:08] Thanks. Track 6: [36:08] Man. Good to see you. That's all I got for you this week. So stay cool and wash your goddamn hands. Track 3: [36:15] Thanks for listening to Meeting Malcolmus, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at meetingmalcolmus.com. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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MMT50 - 242 27:34

52 weeks27:34

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27:34

On the podcast this week jD is in conversation with Pavement super-fan Alan. Listen in as they discuss his Pavement origin story and analyze song number 42 on the countdown. Transcript: Track 1: [0:00] Previously on the Pavement Top 50. Track 2: [0:02] All right, that was the fifth track from Bright in the Corners, Old to Begin. It's our third song from Bright in the Corners on the countdown so far. Of course, number 50 was Blue Hawaiian. And just last week, we listened to Embassy Row at number 44. So here we are with Old to Begin. In Josh and Pittsburgh, what do you think of this as track number 43? I love it. I love it. It was in my top 20. Oh, wow. Okay. Yeah. I was kind of sitting at my desk at work thinking about where I rank these songs and set you back, set you back, set you back. Just kept ringing in my head. It's not, you know, it's probably lower down in my 20, but it's in my 20. Track 3: [0:52] Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown. Hey. Track 1: [1:01] It's J.D. here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band Pavement. Week over week. Track 4: [1:08] We're going to countdown the 50 essential pavement tracks that you selected with your very own Top 20 ballads. Track 1: [1:14] I tabulated the results using an advanced abacus and my toes, and all that's left is for us to reveal this week's track. How will your favorite song fare in the ranking? You'll need to tune in. Track 4: [1:26] Or whatever the podcast equivalent of tuning in is. Track 1: [1:30] To find out. This week we're joined by Pavement superfan. Track 4: [1:33] Alan. Track 1: [1:34] So there's that. Alan! Hello. How are you doing, motherfucker? I'm very good, motherfucker. It's a bit cold here. Yeah, brother. Yeah, man. It's good to have you here. Thank you. It's lovely to be here. Where where are we talking to you from right now so i i am a glaswegian i'm a scotsman but i, uprooted to finland uh eight years ago so we live on the west coast of finland so kind of likein in the glasgow of of finland i would say the glasgow of finland glasgow finland yeah man so it's a very cool very cool place then because glasgow is very fucking cool Yeah, this is very,very cool just now, literally, because it's minus 25. So what is the closest city? Next biggest one here is probably Vasa. Okay. Population size. My Scandinavian geography isn't what it should be, but... We're about... [2:34] Three and a half hours on the train from helsinki so oh okay we we are we're quite quite probably about two thirds of the way up if you if you drive for another three hours thenyou're starting to hit like the arctic circle okay wow yeah that's that's wild that is so wild yeah well let's talk about pavement absolutely talk to me about your experience with payment oryour pavement origin and story yeah so i was one of the people that first heard pavement uh on the john peel show on radio one would have been um i don't know if you know who johnpeel is he was like a seminal he's a really really important dj in the uk um he just had the most eclectic eccentric taste of music so it'd be a bit of heavy dub reggae one minute some youknow post-industrial the next and And then he basically would just. Track 4: [3:32] He would put anything on and he just. Track 1: [3:35] He was a massive pavement fan as well. Track 4: [3:37] So I would have heard him on his show. I had a great friend called Mark Porchani, who was, in those days, he was an avid cassette taper of all the radio shows. I believe that he still has his archive stretching back then. Track 1: [3:52] So he might be someone that would be good for you to speak to. Holy shit. Yeah, man. That would be cool to get digitized. Yeah. Track 4: [3:59] Man. Track 1: [3:59] Well I can we can speak after this but I'll I'll yeah I think he would be someone really fascinating for you to speak to as well anyway digressing so yeah so I would have heardPavement on John Peele but then I missed their I think it was 92 they toured Slatted and Enchanted, and they played at Strathclyde Uni Strathclyde University in Glasgow, but I missedthat gig by a couple of days oh man yeah man yep same thing happened to Nirvana when they played the QMU in Glasgow I missed it I bought the single, three days after they playedyeah, good luck but I mean I got to see Pavement on all the other tours after that you did? Yeah yeah so oh you're a turbo fan man awesome man yeah yeah so Crooked Rain, and then yeah Breaking the Corners and. Track 4: [4:55] Hi what do you think it is about the uk that that really um they adopted pavement in a way in a way that the rest of the world just didn't you know like they were popular in the us ofcourse and popular in canada but it seems like the uk and scotland like it's much bigger than that yeah it's it's exactly that it's almost the same way people are about like the rocky horrorshow. [5:25] So i'm i'm a huge fan of the rocky horror show huge fan of pavement and it's kind of like it for a long time like in the mid 90s it was certainly it was like a barometer you know touse of okay these people seem kind of cool do you like pavement yes awesome you know so it's like like not not being like you know cool and elitist but just kind of okay these are peoplewho are obviously switched on they're probably into the same kind of literature and other bands that we would like so then it's just i think they were just such a are they still are they're justan amazing stepping stone into so much other you know literature and and architecture and psychology just the the subject matter of the songs once you actually delve through the lyricsit's yeah it puts you on a lot of different nice paths i would say yeah but i think especially like so i'm from glasgow so as you've experienced a glasgow audience we're very vocal and wereally we really attach ourselves you know it's the cities you know there's a lot of uh emotion there a lot of it's centered towards football teams but it's also bands we really really love ourbands. I'd say the next kind of Samoan city is probably like Manchester or Liverpool where it's the same kind of vibe as Glasgow. Track 1: [6:45] Wow. I visited both on my UK tour when I followed Pavan. I didn't tour, but I followed their tour. I went to Manchester. I was only there for like 30 hours, so I didn't get to see much, but I saw a show. So that was cool. What was your favorite tour that you saw them on? Track 4: [7:06] It would have been Brighton and the Corners because they played at the Glasgow School of Art. Track 1: [7:16] Okay. So I was studying just around the corner from it at the time. Track 4: [7:20] So I went up to the art school and I knew the guy called Simon Fox. Track 1: [7:27] Who was the entertainment officer there. Track 4: [7:29] So he was the one responsible for booking all the bands for that year. And I said to him you know like I'm obviously a massive fan is it possible to maybe see the guys before the sound check you know just just to say hi and stuff and he was like well wecan't do that but because we knew each other as well so he was like, do you want to come to the after show and I was like yeah, so yeah so yeah so there was a bunch of us went and Ithink it was five of us that went there and then And watched an amazing gig, a really, really great gig. And then we went to the after show afterwards and got hung up with them. I had a chat with Malcolmus for about two hours and just such, such engaging people. Track 1: [8:16] You know. Track 4: [8:16] And like met the whole band. Yeah. Track 1: [8:20] I had on like an old. Track 4: [8:21] It was a t-shirt that it turns out that Mark Ibold designed it. Track 1: [8:29] So I got it on the I got it on the Crooked Rain tour so it's like this kind of cross stitch thing, and then at the gig at the art school like, I bowed I was like can I buy that t-shirt off youbecause we don't have any left and I was like nah I love this man but they were just I mean I think they spent, easily five six hours just chilling with the fans in the after show and justbeing just really really nice guys and, And you nailed Malcomus down for that long. Yeah, yeah, man. Nicely done. I think I really annoyed, I don't know if you know. Track 4: [9:06] There's a really kind of very important band from Glasgow called The Pastels. Track 1: [9:11] So they were both on Geographic Domino at the same time. Track 4: [9:17] Okay. Track 1: [9:17] Yeah, Domino. So Pastels were the support band. Track 4: [9:20] Oh, okay. For that gig. And then Stephen. Track 1: [9:24] The singer, so he was talking to Malcomus and I came down the stairs was in Spotted Malcomus and I think I kind of interrupted him being a bit of a fanboy and I think Stephen gota little bit annoyed at me Stephen Pastel got a little bit annoyed at me but you know I think I've, we've made up since then I'm sure so well I mean. Track 3: [9:45] Man yeah so what was it about that show other than meeting the band or was that was that why that was the the show is it because you met the man, no i mean i think i bumped intohim again after other gigs as well and like, i just think it was uh it was that i think that that was peak i think that was just it was like they were just completely riding the zeitgeist and yeahthey were they were on their absolute a game you know and just yeah i just i just felt like they could have you know i can, thrown out a can down a set of stairs and it would still theywould still have got something really musical from it and you know just create some wonderful piece of music so what's your record which which is your record the one that you cleave tothe most right, tough call right sophie's choice yeah totally man but the track that i always go back to is here, like yeah but actually that's just my go-to and i was actually i was playing i'vegot two kids i've got a nine-year-old and a seven-year-old and uh i was playing it and my daughter was like is that your band and i was like no no this is uncle steven and his band it's uhit's not us but we would maybe aspire to being a tenth of that or even 1% of that. Track 4: [11:09] I think that's I think it's the same for a lot of people who've got so much attachment to that track but it's the same as any song really I mean it's for me having grown up you knowthat was my kind of teenage formative years. [11:26] Late teenage formative years in the early 20s and, just so many memories memories on you know when i bought that record or you know any of the records and you knowremembering being at different friends at their house and sticking vinyl on and listening to it for the first time and people there was a a guy uh i think his name was dawson he was acomplete metalhead uh he was a friend of a friend and he was like what is this you know and i was like oh this is paving this is a new record and he was he was hooked you know fromfirst listen yeah man we we just put it on. Track 1: [12:01] I think it was. Track 4: [12:02] Um, it was crooked rain put on and just, you know, play that four or five times in a row. Track 1: [12:08] And he was, he was like, this is awesome stuff. And then from that, that's a fucking record. Track 4: [12:12] Yeah. Track 1: [12:12] Yeah. I mean, that's fine. Track 4: [12:14] It's that they are just such a good, great gateway band. Track 1: [12:17] You know? Track 4: [12:18] I think they're like now I would say, the band that I'm probably equally as passionate about after them would be the Super Furry Animals Oh cool. Track 1: [12:31] I'm doing a podcast about them next week. Awesome man Awesome. Yeah It'll be out in the fall, that podcast will be out in the fall but I'm doing it next week It's like anyone who's never heard them before they're so lucky because they've got such a,beautiful back catalogue you know such a wealth of material there as well well we'll have to talk about them when we get off the get off the podcast yeah definitely because i would like toget your take what do you say we get to the main course and we we listen to track number 42 no no no all right just like all right we'll come right back after this break with more from alanand we'll talk Talk about track 42. Track 5: [13:23] Hey, this is Bob Mustanovich from Pavement. Thanks for listening. And now on with a countdown. Track 2: [13:31] 42. Track 6: [13:34] Hey, do you need a reason? Is there a separate season? Track 1: [16:37] Okay, track number 42, Easily Fooled, comes from the Rattled by Da Rush EP, and it's the third track on that EP, and it later appeared on the Sorted Sentinel edition of WowieZowie Reissue, along with its EP bandmate, False Scorpion, and it was track number 22 on that second disc of the Sorted Sentinels collection, the reissue. So Alan yeah my man what do you think of Easily Fooled love it love it love it love it it's on like I said to you off off air it's, probably one of my favourite tracks alongside here yeah it'sjust such an amazing track love the, the meandering nature of it just really. [17:26] Acerbic lyrics and yeah like it's awesome awesome track to jam along to, yeah I bet I bet it would yeah because it is very, jammy isn't it yeah absolutely and it's it's one of thoseones most of their stuff the more you listen it's like a lovely painting it's like an an aural painting it's the more you listen to it there's a new layer there's like a little little piano in the leftspeaker then there's a little guitar scrape in the right and you don't really notice maybe the first couple of listens and you hear these lovely, almost I think it's Malcomus kind of doing somekind of faux, mick jagger kind of high you know like vocal harmonizing rooms it's just it's just all these love you can just imagine them in the studio you know like or you know anothertrack another track another track you know and it's rare for them right yeah well yeah i think yeah apart from when like stanovich putting on they don't seem like studio builders to methey seem like one one take wonders you know yeah yeah i think it depends on the record so the fact that he's singing backup vocals with himself is wild. I love it. That whole single EP. [18:40] Awesome awesome yeah it has my it has my favorite line as well but yeah uh it takes centuries to build in seconds to fall oh just lovely lovely poetry yeah so yeah it is there'sthere's some real lovely uh and i love the rhythm yeah i love the rhythm of his lyrics i don't need a time i don't need an internal cuter yeah right like and the timekeeper part strikes mebecause the song starts with just bass guitar and vocal and then in the like third line of the song the drums come in yeah and it lifts the song like it just lifts it even more yeah that's just thestunning i think you can also hear in like the the latter parts of it it's like it's almost like like it's the kind of genesis for folk jam as well. Track 4: [19:39] Especially some of the vocal deliveries and some of the guitar phrase and the drums. It's like, I only noticed it like last night when I was listening to it. I was like, fuck, that sounds a lot like, I think it's more about the bit of, in folk jam when he starts talking about Irish folk tales scare the shit out of me. Track 1: [19:57] It's that. Track 4: [19:58] Those kind of phrases, you can hear like the, almost as if it's like a quick sketch and that then developed into that track. Track 1: [20:08] That's a... Yep, sorry, everyone froze there, sorry. No, it's okay. It's part of doing this with people from all over the world, right? Yeah. The United Family of Pavement. Yeah. Yeah, like I say, it's so nice to talk to somebody, because I did the whole first part, the whole first season of the show by myself. So it's so cool to hear people's pavement stories and what they think of these songs. Yeah. Track 3: [20:41] Where do you think um what do you think about where it falls easily fooled number 42 it's your favorite song so i'm guessing you wish it were a bit higher top top three and it's topthree for you oh fuck yeah i would say grounded grounded here and easily fooled would be very very tough top three place for me wow so you must be a bit disappointed that it's 42 no it'sif someone here if someone's introduced to it that they've never heard of before then that's what matters it's pavement doesn't matter where it goes they're all fucking number one so youknow, yeah man there is no, bad pavement track even Westing by Musket and Sexton there's a lot of difficult pieces on that but even then there's no bad track on that either no I agree Iagree. Track 1: [21:38] Those first EPs are very different. I like more melodic stuff, but you get that. You get Box Elder right away. Which is fantastic. So dude, you're in a band. Yeah, yeah. Hi. I'm going to do a Pavement pod list again this year. Yep. Where I get people to cover Pavement songs songs and send them in and then i release i release it yeah as awesome as a podcast yeah that's going to come out in july so get cracking onthat. Track 4: [22:23] I'm trying i i'll need i'll need to get in touch with andrew graham and then pass if he doesn't know about you already then i'll connect you guys up um but i think he's he's he's afascinating guy he's got such a yeah again a very um broad musical taste as well like you know he's a thanks i find that pavement fans usually do have pretty broad musical taste yeah yeahyou know they're they're more accepting and they're more open to listen to new and different things yeah yeah but i think i mean i think it's lovely now seeing them because i went to thethe the reunion um yeah gigs on 2010 and that's like it was just amazing to see this new at least one new generation coming up you know and you're going fuck you know like as as cultishas they were the first time around it's great to see them kind of getting their juice you know and like actually you know, making a bit of money off it you know and like just agreed 100 likei hope this is fun in their retirement absolutely man but i don't know if you know the story but well one of the rumors of why why they did the whole reunion concerts, was apparentlyBob. [23:47] Stanovich was like a fucking degenerate gambler and he got in deep to the wrong people for a lot of money and then he approached the guys and went the only way we can makefast cash is if you know these concerts, and he went fuck it we'll do like five to begin with and that'll cover it and then we'll see how it goes and then just snowballed from that holy shityeah but again you don't know if he's, obviously he's a bit of a character so I mean that was it came from his mouth in an interview so you know you don't know if he's the king of bullshitor not so, that's rad yeah man, anything else you want to add about Easily Fooled? Track 1: [24:31] If you've not heard it before go and listen to it and if you've heard it before go and listen to it five more times and just absorb absorb absorb yeah and just and read read the lyrics it'si mean read the lyrics on their own and their own merit and then and you know really listen to them and the kind of cadence and the delivery and and the track when they're when it'splaying yeah Yeah. Lovely, lovely messages. And yeah, it's been great talking to you. Yeah, you too. Uh, that's all I got for you this week. So without further ado, stay cool and wash your goddamn hands. Track 3: [25:12] Absolutely, man. Hey. Track 1: [25:14] As we say here. Track 3: [25:15] Thanks for listening to meeting Malcolm. This a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, pleaseshoot me an email. JD at MeetingMathemist.com. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

Meeting Malkmus - a Pavement podcast podcast artwork

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MMT50 - 243 32:49

1 year32:49

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Lejátszás később

32:49

This week jD is joined by Pavement super-fan Josh in Pittsburgh to discuss his Pavement origin story and dissect song number 43 on the countdown. Transcript: Track 1: [0:00] Previously on the Pavement Top 50. Track 2: [0:02] Okay, so the number 44 track, you've just heard it. It's Embassy Row, the second song from Bright in the Corners after Blue Hawaiian at number 50 on the countdown. Scott, what do you think of Embassy Row at number 44? Embassy Row, I do love. The things I like about it is it kind of lulls you in with this. I feel Marcus kind of does quite a lot with his lyrics and his melodies. They're kind of like nursery rhymes, the way they flow. floor and the structure of the set is quite kind of nice. Track 3: [0:34] Hey this is Westy from the Rock and Roll Band Pavement and you're listening to The Countdown. Hey it's JD here back for another episode of our Top 50 Countdown for Seminole Indie Rock Band Pavement. Track 6: [0:50] Week over week we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and strangely a change counter. And all that's left for us to reveal is this week's track. How will your favorite song fare in the ranking? You'll need to tune in or whatever the podcast equivalent of tuning in is every week to find out. So there's that. This week we're joined by Pavement superfan Josh in Pittsburgh. Josh, how are you doing, motherfucker? I'm pretty good, JD. How are you doing? i'm great thanks for asking so uh what's the weather like in pittsburgh right now cold it's been below freezing it's been snowy and icy it's a bit of areprieve today is it's only going to be about 32 but then we're supposed to get another like two to four inches in and around the city here in the next couple days oh my gosh we've beenvery fortunate here in toronto it's cold cold as hell but no snow so far like really there's been a couple inches but it's like like not staying on the ground. Track 3: [1:56] Yeah. Track 6: [1:56] It's just not as much snow as it feels like we had when we were kids. No, definitely not. It feels like there was like walls of snow when I've traveled my sidewalk. Yeah. That might be my height. I don't know. So let's not beat around the bush here. Let's talk about pavement. Let's hear your pavement origin story. Well, it starts with Malcolm's self-titled In Earnest. I'll work back a little bit. Track 1: [2:30] Sure. Track 6: [2:32] Well, I'm 46. I'm a full-blown child of the 90s. I think i was 13 to 23 in that decade so super formative years yeah um hugely into beastie boys and nirvana and primus all things less claypool all that and um definitely was hearingpavement probably beavis and butthead was maybe my first exposure uh you know cut your hair and i think i remember in college we're like maybe around 98 99 i went down to the localrecord store in burlington vermont and i got um some tapes because i i had unearthed an old walkman and i got like slick rick the artist storytelling and something else and i got crookedrain crooked rain on tape i was like you know i need to i need to get back into this pavement thing a little more and see what's going on and gold sounds became quite an anthem for mei'm um i was a huge fish I'm a big Phish fan, the band Phish. And I was in Pittsburgh, of course, because I live here, when they played here one summer, and they covered Gold Sounds by Pavement. They did? And I was just like, you know, worlds colliding in the perfect way. Yeah, Phish has covered quite a few indie bands. Trey's got a big indie thing. Malcolmus was at a Phish show recently with Jake. Track 1: [3:53] Oh. Track 6: [3:54] Wow. Up in Seattle. I know the Jicks drummer. He took him, he's a big Dead and Fish fan, and he took Malcolm to do a show, I think. [4:02] So, um, you know, they were definitely on the radar, but they weren't like penultimate for me yet. And then, um, I moved out to California after college. It was 2000 and, uh, I was feeling pretty distant from everything back home on the East coast where I'd lived and grown up. There was some family stuff going on. I started to feel isolated. I don't think nine 11 had happened yet, yet but it was just that that whole time in life and um i was feeling kind of just depressed and detached a little bit and then i saw um malchmus onletterman doing uh jenny and the s dog oh shit and i was like oh my god this is so good i was like that's not pavement what's he doing, and he's you know letterman's like he's got a newalbum out and it's great go check it out and i I think I went to Tower Records on Sports Arena Boulevard in San Diego the very next day and got the album. And it really helped me quite a lot because here I am, this total slacker out in California, no clue what I'm doing. [5:12] My network's not around me anymore. And I'm like, look at this This guy, Malkmus, you know, the slacker gentleman of our generation here is out here still doing his thing and hesounds great and he looks great. He's like, you know, I can just, I can keep being me. I can find my way back. I don't have to like, uh. [5:34] Make some grand sweeping change in life i can just you know be the aging slacker as well and you know from there i wore that album out self-titled i wore it out me too dug backinto the the pavement catalog full bore uh what was the second jicks album um uh pig lip pig lip wore it out in fact the pig lib with the japanese bonus tracks might be might be it's rightthere at the top of my uh the entire malcolm's pavement catalog that pig lib with japanese bonus tracks maybe my number one go-to yeah but yeah i mean he just he speaks to me i get it ilove it like i said he's the uh he's sort of our gentleman slacker representation for our generation i feel like totally he's the crown prince of indie rock yeah right right for sure or what didcourtney call him courtney called him the clown prince yeah courtney love called him the clown prince of indie rock i think which is fine i mean if anybody's a clown with their makeupand her antics so did you get a chance to see them on the 2010 like i'm guessing you didn't see them earlier on did you see them on the 2010 i never saw pavement until this reunion tour ihad to go to new york city with a buddy in 2010 2010, and he was an acquaintance. He was the only other Pavement fan I knew. [7:03] He was just another guy I would see at my local bar hang all the time. You were still in California at the time? [7:08] I was back in Pittsburgh by now. I was back in Pittsburgh by 06. [7:12] I was like, dude, Pavement, I'm just going to be in New York. Let's go. He's like, yeah, I'll go. But we just weren't close enough friends to formulate the plan and see it through. I should have just gone on my own or something. But no, I didn't see that 2010 tour. Where did you see them in 2022 then? I saw them in Detroit. No, they didn't play in Pittsburgh. Pavement didn't play in Pittsburgh. I saw Pavement in Detroit and then in D.C. Oh, cool. Where did they play in D.C.? Um some old theater i can't remember the name of it right now because it was a great show it was one of the uh you know his whole um uva crew his whole virginia contingent was thereoh wow so i think he really you know laid it on a little bit and you could feel something a little special i I think there was a couple of the more rare songs from the tour, if I remember,from that, database that somebody put together of all the songs that they played. Track 1: [8:15] Yeah. Track 6: [8:15] That was pretty slick. I drove out there myself. I went to Detroit with my wife. I went to DC solo. Oh, yeah. I was right in the front row. Got one of these from Bob. Track 3: [8:26] Oh. Track 6: [8:26] Shit. He's holding up a ping pong ball right now. Oh, yeah. Yeah, one of the autographed ping pong balls. Yeah, I bought a ticket myself for the second row. And serendipitously there was nobody in the seat right in front of me in the front row so you were in the front row as soon as they walked out i hopped over my seat i was right in the frontrow right in front of uh mark and rocking out burying my head in the speakers just eating it up oh that's great and i kind of hung around afterwards just kind of coming down before i gotin my car i drove all the way back to pittsburgh myself after dc how big a drive is that four hours, but so i was hanging around just kind of coming down a little bit and um, There's thisdownstairs lounge. I went and got some water, went to the bathroom and they cleared everybody out of this lounge real suddenly. And I go upstairs and you see this whole crew of people with pavement intermingled. And I was like, oh, that's his, that's his like friends and family, Virginia crew right there or something. Very neat. Yeah. You didn't, you didn't elbow your way in. I was like, I wonder if I could just sneak into that line and get back down in the lounge. And they'd be like, wait, who are you? I was like, I'm about the right age. I could probably just mix right in. They'd be like, which one are you again? Track 1: [9:42] Yeah. Track 6: [9:43] Oh, I was a major in history. Yeah, Josh from Lit, remember? What's your record? Which is the record that you go to the most often? For Pavement? Yeah. Track 1: [9:59] Yeah um you know i've got these playlists on my apple music that is just one's malt miss and it's everything he's ever done one's like malk only one's pavement only so most of thetime i just hit shuffle and let it go i'm one of those the same thing, unapologetic fans that i can't like everybody's like what's your least favorite album like what What are you talkingabout? Track 6: [10:23] Yeah. But, you know, it changes. Wowie Zowie's always near the top. Crooked Rain's always near the top. But it's really hard to say my go-to. Yeah. It's a Sophie's Choice for sure. Yeah. Track 1: [10:39] Yeah. Track 6: [10:39] I feel like they're 1 and 1A at the very least. For me, it's Bright in the Corner and Watery Domestic. Oh, well, the Watery Domestic EP is hands down. Track 5: [10:53] The best collection of songs that they you know right a little four song ep that's i mean if if we're counting that then that's the go-to that's my number one pavement recording from1990 to 92 they were so prolific yeah and so much of it was great and then they follow that up with crooked rain and it's like just what an embarrassment of wealth i know slanted and theyjust they came out swinging yeah absolutely so should we flip the script today and talk about our featured song of the week which is track number 43 let's do it let's do it okay so we'll takea quick break and we'll talk to you on the other side sounds good hey this is bob mustanovich from pavement thanks for listening and now on with a countdown 43. Track 6: [15:10] All right, that was the fifth track from Bright in the Corners, Old to Begin. It's our third song from Bright in the Corners on the countdown so far. Of course, number 50 was Blue Hawaiian. And just last week, we listened to Embassy Row at number 44. So here we are with Old to Begin, Josh in Pittsburgh. What do you think of this as track number 43? I love it. i love it it was in my uh top 20 oh wow okay yeah i was kind of sitting at my uh desk at work thinking about where i rank these songs and set you back set you back set you backjust kept ringing in my head it's not a you know it's probably lower down in my 20 but it's in my 20 for sure it's um it's great it's got kind of all of those pavement elements to it it does thesort of loud quiet loud thing really. [16:14] Well um i'm a bit of a gearhead i think you can hear probably i want to say the crowther hot cake was one of their go-to overdrive pedals but there was um um something else ithink it's called the j drive which is another drive pedal that malchus had used in pavement era early jicks maybe um you can really hear the guitars crunching yeah um and then that last30 seconds. [16:43] I you know that's that classic while we buy the ticket and take the ride kind of pavement stuff where they just devolve into that you know symphonic chaos chaos malcolm is doingthat perfectly affected kind of uh vocal whine and grind that he kind of can peel out there um that's so shrill and punky right yeah absolutely and yet the lyrics he's singing are like la la layou know so it's like this uh this um strange dichotomy of sounds going going on you know yeah it's good i mean you know juxtaposition i guess that's uh attention element yeah youknow that's good stuff uh the lyrics yeah the lyrics are um, You know, I think the easy go-to there is that it's sort of a, maybe not quite a love song, but a dedication, you know, relationship,aging, all that sort of stuff. But I've kind of always had this thought that you could view this song, if you wanted to, maybe as a relationship and a critique that Malcolm X has with art and culture. Track 1: [18:07] Oh. Track 6: [18:08] Expand on this. Well, you know, sort of metaphorically and even straightforwardly, the lyrics definitely have a lot of art sort of bent in reference to them. Sure, I can see that. Summary acts, narrative age. Track 2: [18:27] You know. Track 6: [18:28] Fixture set in 1966. I kind of have always had this low-key thought that maybe he's sort of lamenting, because I mean, we know that he loves art and culture, literature, theater,worked in the museum. You know, we know that he's quite a literate dude, definitely knows what's happening, I think, in the art and culture worlds at all times. And we also know that he's the kind of guy that is easily bored and dismissive of things that he maybe thinks are a little derivative or that sort of thing. And if you kind of think about that when you listen to these lyrics, you can kind of maybe, skew it that he's bored with theater and art, that it's in a rut, that it's stuck in some old ways thatit's, you know. Track 3: [19:22] Um. Track 6: [19:23] I don't need your summary acts to give into the narrative age. Like he doesn't want somebody just cramming the things down his throat. He, you know, he wants people to approach art differently. Track 1: [19:36] And, you know. Track 6: [19:37] Overlay their own ideas, map their own feelings and thoughts onto something that's, I don't think he likes when an artist hands it to you on a platter, certainly with his lyrics. I think he leaves a lot sort of open to interpretation by keeping it intentionally vague and distorted. So I've kind of always had this thought in the back of my mind that, you know. Track 2: [20:00] Maybe he's complaining about some art and culture going on at the time that it's just it's stuck in a rut it's too straightforward in your face, you're watching them reinvent the wheelyeah right right um and you know set your back set old to begin like you know somebody presents some new play or some new piece and it's already it's been done it's old to begin we'veseen this we have this somebody needs to move art forward forward this is good yeah that's sort of been something i always thought that's a little, outside of the going ideas about old tobegin yeah when you get to that last part and it certainly feels a little more on the nose with uh you know all those things that can get you bored with a you know a physical lovingrelationship with a partner um latent cause menopause cause. Track 6: [20:56] Stress, credit card debt, all that sort of stuff that he talks about. But even still, I mean, if you're an aging artist and you're approaching middle life and, you know, maybe you feel that you've lost that youthful exuberance and desire to dig in and find andcreate something new, you know, what slows anybody down from anything they love, be it a person, in be it their output in life it's you know it's all this getting old crap that we have todeal with. [21:28] I'm staring 50 in the in the barrel right now july i turned 50 so yeah i get it i get that yeah, yeah that's real because to me his lyrics are tough to tough to rifle through this song isprobably the most um like forward straightforward in in a sense like not not using your theory just looking at the lyrics straight ahead there's a lot of references to age age and that sort ofthing you know we hear about menopause we hear about set in 1966 we hear of course old to begin um you know a senior a senile genius uh we don't get a lot of that in malcolm is songslike i i don't find like where there's a lot of consistency with the lyrics so i can see See how you can take a surface look or go deeper like you did, and you're likely to be satisfied in eithercase, whereas a lot of times his lyrics aren't, without sounding negative, aren't necessarily satisfying because you're left scratching your head. You know what I mean? Yeah, absolutely. Absolutely. [22:53] And, you know, I do also look at the song very much on its surface because, you know, as I was saying in my little back history there. Track 1: [23:04] I was kind of dealing with getting older and. Track 6: [23:08] You know, leaving sort of the college life and East Coast life behind when I was out West and kind of unsure about what I was going to do or supposed to do. So, you know, like Isaid, his really his whole vibe really helped me kind of reconcile with all that. So I do love the lyrics on their surface, too, for that, because. Yeah, I mean, he's he's dealing with the same thing. You're almost 50. I'm 46 now. Like, I got back pain. I was laid up with back pain a couple of weeks ago for about a day and a half. I got credit card stress, you know. So it is comforting to take the lyrics very much on their surface. Yeah. But then he's also talking about, I think, a love life, if you take them like that. Track 3: [23:53] Yeah. Track 6: [23:53] I think so. And, you know... Track 3: [23:58] You want to have a partner to grow old with that helps you feel good you know that you can kind of uh buoy each other and keep each other afloat and moving ahead and you knowif you get, dissatisfied or disenfranchised with your partner like i think maybe on its surface is some of the stuff being talked about here that can be really a lot to contend with uh what'sone of those lyrics in there find your identical twin or you know that's another thing that's one of those things that line right there i can never decide if he's saying finding an identical twinor find an unidentical twin yeah it does sound like. [24:45] The the the way it rolls off the tongue uh it does sound like unidentical twin the way the way it is time we drifted apart find an unidentical twin is that saying like we're too similarand being too similar is not satisfying you drift apart you want to find somebody less like you somebody different or you know are they drifting apart because one of them's old to beginand he wants something more and maybe he wants to find somebody more like him find an identical twin you know it's uh it's it's just one of those things again with um i and i think heintentionally leaves things a little like the vocal tracks are a little low in the mix or intentionally mumbled or garbled so that you reach a little more you find whatever meaning you needyeah you hear it the way you need to hear it yeah yeah i think it's a that is a great song one of my favorites all my gear in my house is named after a piece of pavement a pavement song somy backup drive is called old to begin oh perfect yeah my uh, my fantasy football team is named the stockton hex oh nice. [26:01] How are you doing uh or how did how yeah i guess okay i've got i'm kind of uh obsessed with fantasy football i got a couple different teams they're all named stockton hex and theyall have the rooster from watery domestic as my team logo oh that's brilliant you know i do well enough i keep entertained i don't uh i win a little money here and there oh you're playingfor scratch i like it yeah but yeah i i have the same sort of tendencies to name a lot of playlists and and and items and things for you know song and music references fish pavement beastieboys yeah cool yeah well Well. Track 6: [26:40] I'm going to guess that my next question, I already know the answer to my next question, really, because you had this song inside your top 20. So my next question is, do you think the song is properly rated? And I'm guessing you would say no, because at 43, it's well beyond the top 20. Yeah. I do. That's fine. It is properly rated. I'm glad it made the top 50. You said you got over a hundred songs submitted. Track 1: [27:06] Yeah. Track 3: [27:07] Yeah. Track 6: [27:08] You know, to tell you the truth, I compiled my list, JD. I never actually sent it to you. I'm such a quintessential slacker that I, uh, I worked on it and worked on it and it was sitting on my desktop at work. And I was like, uh, you know, I never did send that thing in, which, uh, makes me feel, you know, maybe, uh, maybe I could have of bumped uh old to begin up a slot or two um one ofmy personal favorite deep tracks greenlander i wonder if it uh if it appeared at least in your 100 or so i've got a i gotta pay my three bucks and get back into the um uh bonus feed so i canlisten to 50 through 100 i think i heard you mention you're doing those yeah it starts this friday yeah um you know i feel like i should have got my list in there to do a little service to acouple of my deeper cuts personally but yeah i think as far as the general fan base i think probably old to begin is fairly rated i you know i know uh you're a brighton guy i love all thealbums almost equally but i think probably brighton is near the bottom of most pavement fans list if you ask like it yeah and so for any, any brighton song to make it in the 50 you got tofeel pretty good for them yeah i think so Well, yeah, and quite a few made it in. Track 1: [28:27] Yeah. Track 6: [28:28] Well, there's definitely a few bangers on there. Yeah, agreed. Track 1: [28:33] Well. Track 6: [28:34] Is there any place that people can track you down or that you would want to be tracked down on the internet or anything like that? I just live in Pittsburgh. I work my job. I raise my family. So if I come to town, I'll take me for a Formanti Brothers? Yeah, absolutely. [28:52] Yeah, you know what? But if I was going to stump for anything, I had tickets for the Trad Tech Tour that got canceled due to COVID. Oh, me too. And if anybody's going to log in anywhere and search for anything or leave a message, let's all try to hit up Malkness and Sweeney and those guys and tell them to get it back together andget out there and give us that Trad Tech Tour, man. I want to hear those two guys shredding the guitar together. That's a strong record. That's a really strong record. Yeah. Yeah. I had tickets too. I forget where, I think probably Cleveland and maybe Detroit. You know, I try to hit them if they come to Pittsburgh, great. And if they hit any of those sort of rust belt cities within my reach, I hit them up. So if traditional techniques tours around or if pavement comes around again, we'll try to... [29:42] Hit them up together. If you come to Pittsburgh, yeah, we'll go to Permanente's. Ah, love it. I love the ballpark there. I'm a baseball guy and you have a gorgeous ballpark. You got my email. Anytime you're going to be in Pittsburgh for anything, drop me a line. Will do. Awesome. Well, it was great talking to you today. Yeah, you too. All right, brother. I guess here comes the outro. Oh, one last thing since the outro is probably coming up. I don't know if this is the same for everybody else, but I don't hear carrot rope the same anymore. Oh, really? I hear you. you. I hear your voice. This has been Meeting Malcomus, a pavement podcast. I hear it every time. Oh, I'm sorry I ruined the song. No, it's great. I love it. I love it. All right, brother. Talk to you soon. Track 3: [30:25] Yeah, you too. Track 6: [30:26] JD. Thanks a lot, man. Take care and wash your goddamn hands. Track 3: [30:29] Yeah, wash your goddamn hands. Thanks for listening to Meeting Malcomus, a pavement podcast Podcast, where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email, jd at meetingmalkmus.com. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back and this week he's joined by Pavement super-fan Scott to discuss song number 44 on the countdown. Transcript: Track 1: [0:00] Previously on the Pavement Top 50. Track 2: [0:02] So this is song number 45 on the countdown. And it is our first track from Terra Twilight on the list so far. It is You Are a Light. What do you think of this track, Matt? Personally, and hey, you know, not trying to be controversial. I like it. I think it's great. Track 3: [0:28] Oh. Track 2: [0:29] That's not controversial. Track 3: [0:31] I guess you're right. Track 2: [0:32] I guess everybody wrote in. Track 3: [0:35] Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown. Hey, it's J.D. here. Track 4: [0:45] Back for another episode of our Top 50 Countdown for the seminal indie rock band, Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots. ballots. I tabulated the results using advanced mathematics and an abacus I found somewhere in a junk pile. And all that's left for us is to reveal this week's track. How will your favorite song fare in the ranking? Well, you'll need to tune in or whatever the podcast equivalent of tuning in is every week to find out. So there's that. This week we're joined by Pavement superfan Scott. Scott, got. How are you doing, motherfucker? Track 3: [1:28] I'm decent, you handsome bastard. How are you doing, JP? I'm great. Thanks for asking. Track 4: [1:34] Where are we talking to you from? Track 3: [1:35] Where are you? Track 4: [1:36] I'm living in Aberdeen, Scotland at the moment. So we've recently had a good flurry of snow, a good few inches. So it's been pretty. Track 3: [1:43] To use a Scottish term for the weather. Track 4: [1:46] It's been pretty Baltic here. Pretty Baltic. That's great. Yeah. You don't normally get snow? Track 3: [1:54] We do. Track 4: [1:55] Or just a little bit? Track 3: [1:56] Usually when we do it snows it properly snows yeah no no that's slight little flurry tickling you, no we we get battered with it so yeah it's been a pretty it's been the coldest it's beenfor a while though saying that uh well pretty much in the mine it's all week so it's yeah not been ideal not been great for driving but it'll go it's it's going away into the weekends yeahgoodbye yeah Yeah. Track 4: [2:21] That's right. We're getting closer to spring. Yeah. Thank fuck. I just hate these nights, these dark nights, you know? It used to never bother me. I used to feel I was a bit of a creature of the night, and I enjoyed the darkness and all of that. Now I'm a little bit older, I'm like, give me some sunshine. Yeah, absolutely. Track 3: [2:43] Let me see more of the day. Yeah. Track 4: [2:47] Yeah. Track 3: [2:48] Well. Track 4: [2:49] Let's get into this. Okay. I would love to hear your Pavement origins story. So take me away on a journey. Track 3: [2:56] I will. I'd say it's kind of in two parts. So first time I heard Pavement. Track 4: [3:01] I was a big music fan growing up in my youth. When I got the age of being able to buy my own music, that's when Britpop hit the UK. Track 3: [3:11] So Oasis. Track 4: [3:13] Blah, Pulp, these were all my bands that were my thing. Track 3: [3:16] It to them. Track 4: [3:17] And it wasn't until 97 when Bluff came out with our, in my opinion. Track 3: [3:21] Our best album Blur. Track 4: [3:24] Which had song two, Beatleburn, et cetera. Yeah. And a heavier sound. Track 3: [3:28] Which regarded to some of us as a more American sound, whatever that equates to. Track 4: [3:35] But it was a bit more alternative. It was not as kind of shiny pop as they can have been doing. The cheeky chappiness of Blur had kind of ditched that, wanted to go something a bit more harder. Track 6: [3:48] A bit more kind of probably truer to what they were listening to. Track 4: [3:52] And I think it was the guitarist Graham Cox and he made the comment they took all Damon Albarn's Kicks records and burned them and just left them with Pavement and that'swhen I first heard them and I'm like who's Pavement? Track 1: [4:06] Oh wow In those days there was no streaming music and the internet was, I had the internet at my home at 97 so you couldn't really find out who Pavement were unless you readabout them in NME or something none of my friends knew who they were so it didn't really matter just knew they were an American band and then, my first from hearing the name myfirst experience of actually hearing them was they've been stereo on MTV2 Oh really? Track 3: [4:34] Yeah, that was my first experience of seeing them and yeah blown away, stereo, amazing. Track 4: [4:40] Still amazing song and then from that Shady Lane sadly I never bought the album, right in the corners at the time, it kind of passed me by and again. Track 3: [4:49] Things like that are harder to find you wouldn't go out paving as much in your local record shops and down so that wasn't until terror twilight would have been the first paving albumI bought in 99 on CD. Track 1: [5:05] Possibly just too young to go and see them live on my own and again all of my friends didn't know who they were or weren't particularly too interested so I probably neverharboured any ideas of going to see them live and then obviously that was the final tour, and that was me thinking I'll possibly never get to see them a couple of years later I missed out onthe first reunion tour where they played the Barrowlands in Scotland so I missed that and then. [5:32] They were doing the they'd played the Barrowlands they were going to play it on it would have been Covid so it must have been 2020 or I believe 2021 they were doing a tour, it gotcancelled they were going to play the Barrowlands again I'd missed out on a ticket but. [5:48] Through having a vaster network of friends and social media groups it's easier to chase down tickets so I'd probably come to the gig and I'd tried to get one and found one forsomebody who was selling a ticket ticket which then led me to Primavera 2022 so that's right me and my friend Jamie had, we booked a Scottish festival called Duna Rabahol it gotcancelled COVID so you got you got a choice of your money back or you could secure your ticket for the festival next year, and I'm always one for I'm not really interested in going to afestival for the festival I want to know who plays first, so I'm like I'm not taking the gamble there might only be a few bands I want to see in the rescheduled year so we thought take themoney back and we'll maybe look at doing our British festival somewhere, then we were speaking to our friends Donald and Lorna and they were talking about going to Primavera 22 andwe decided yeah let's do that and we went to look on the pavement, reunited this is our first gig and I'm like this is it Jamie me when you go, that's where we're going to go just that's greatand then we see in the list of other bands that's great so, first night uh primavira. Track 3: [7:05] They were on the main stage and I heard the previous podcast. Track 4: [7:08] You were there as well. So you just saw the first time I'd all seen the two. I went to Porto. I didn't go to Barcelona. You went to Barcelona? Track 3: [7:16] I went to Barcelona. Track 4: [7:16] Okay. Track 3: [7:17] Right. Track 4: [7:18] I'd imagine the same thing where the main stage is two stages, side to side. One band will play on one side and then once they finish, the crew has been getting the rig up for the other band in the next stage. So it's seamless. Track 1: [7:33] There's no all this taking the gear off and waiting to get new gear on for the band to come on it's just like one band finishes maybe 20 minutes you're in the next band yeah i guessthat is how it was yeah i'm vaguely remembering now i was really high so i don't have a great deal of memories other than listening to the playbacks but i remember just being blown awayby back and and then and then pavement came on and it was like wow this is fucking tremendous tremendous well that was yeah i mean i loved it i love primavera as a festival to set thethe side the layout everything about it just it was when if someone had catered you your dream festival, everything about it was just perfect but uh it probably wasn't until pavement kickedin and the first song was frontwards which is possibly my favorite pavement song um it's a really good song yeah i just kicked it with that you're like yeah this is it this is everyone justseemed never aligned you're just in the right space of mind for it you had the right buzz going yeah this is perfect and this set was, phenomenal so after that. [8:39] Travelling back from Primavera we're going from a flight from Barcelona to, some place else and then from some place else we're flying back to the UK but on the Barcelona goingthrough security on the Barcelona flight we're you're all masked up because it's just after Covid as well so in public places you've got to wear your mask so as I'm walking through theairport, I just kind of look over and I see this kind of big curly hair with a kind of beard under the mask and I'm like, that's Westy and in front of him I see there's Bob and I'm there in frontof me, considerably in front of me and I'm like right if we get through security enough time we can maybe meet them and maybe get a photo taken I say to my friends Jimmy I point themout and I'm like yeah we're going to meet these guys as we get through there once we get through security couldn't see them and they're like missed the opportunity, and we're comingdown the escalator and just as we're coming down the escalator we just see this, amazing figure just slowly straddling through the courtyard of the shops carrying his case and we're likethat's Stephen Malvinus and just as we come down the escalator he just kind of almost stops right in front of us. Track 4: [9:49] And we're like there he is and I just point to him and he points back at me, he did not yeah and we just went over and spoke to him and uh speaking about the gig and things like thatand he was uh asking him to promovere uh he seemed to tell him he was pretty tired kind of thing he'd been partying the night before because he'd stayed to watch uh Gorillaz, oh okay onthe main stage um. [10:13] So he enjoyed that uh he was telling him it's uh okay never seen them before, uh just a wee chat with him and we told him them well they were later in the year they were coming toGlasgow as part of their tour with the Barrowlands so we'd already got tickets so we told him we'd see him there and he's like, okay you crazy guys from Scotland catch you later got aphoto with him he'd done the strong arm pose in it oh that's great yeah he is such he's such a presence isn't he yeah I said it was just it it seemed just kind of fitting for what was a magicalholiday a magical festival just that or about you get the kind of the blues it's all over you get home and just that last minute you get here he is the man you want to meet, yeah just comestraight up yeah just I don't believe in coincidences or fate or anything like that just kind of it had to end that way we had to meet him so yeah so following that saw him at Barrowlandsgig, so I met I was at the Barrowlands you were you yeah I was yeah so we might have bumped into each other had we known probably we very well likely did but we just never Neverknew each other. Yeah, it's a magical place. It's a great gig. Do you enjoy the bottom lines? Oh, man. It's so cool. Track 3: [11:24] Yeah. Track 4: [11:26] The sign, like the neon sign, is so cool. The venue itself is great. And that set that they played that night was a lot of fun. Yeah. Track 3: [11:37] I mean. Track 4: [11:37] It just kicked in. First song was thin. Track 3: [11:39] That was excellent. Just as soon as the drums start. Track 4: [11:42] I'm like. Track 3: [11:42] Oh. Track 4: [11:44] Playing it and yeah excellent they played the hex as well which i was looking forward to another one of my favorites and they jammed the fuck out of it right yeah yeah they didyeah yeah they were great yeah and then after that to top off the year i would just um be my friend jamie again who went to my world of pavement gigs he also saw them in edinburgh thenight after yeah you get around, yeah i'd never been to the uk before i'd never been so i wanted to go and i followed them around yeah yeah what better what better reason eh right yeahyou ever go and you got a lot of nice venues to go and visit as well really nice place yeah different my friend my friend jamie he said he actually preferred out the two sets uh and thesound he said he preferred the edinburgh gig at the two really yeah he just i like i like the barrel ends better yeah i can't comment i wasn't there sadly i had to work the the edinburgh gigwas like they opened with what did they open with they opened with something low-key and if i remember correctly and it sort of set the tone it It was just a less excited show. Like it was. Track 1: [13:03] It was more. Track 4: [13:04] Uh, I don't know, low-key. I think it's, I don't mean to be disparaging to them, but I find when you're at gigs in Glasgow and Edinburgh, the kind of vibe and the atmosphere can bequite different. Glasgow seems always kind of party-like. Track 3: [13:23] And everyone seems ready to party. Yeah, and Edinburgh can be a bit more laid back. Track 4: [13:29] A bit of a kind of cooler, hipster-ish vibe, I suppose you could say. Track 3: [13:35] But it's its own thing. Track 4: [13:37] But yeah it's tale of two cities isn't it yeah there's different places yeah so what is your what is your go-to record then you came in at bright in the corners um and i guess you werethere when terror twilight was released but what is the record that you find yourself going back to more often than not for me it's uh what is it i would say is my one i just loved it yeah it's,it's got everything they cover it really does every single thing it really does yeah it's like people compared to the B.O.S. White album you can't understand why it's just it's just a mix of things with so many different styles, everything. [14:20] Everything's really different but it all just it does flow very nicely there's never a moment where yeah something comes in and it jars but it's like no that's wrong it's too much it's tooloud it's too slow it's too sad or whatever everything's just perfect and the way it leads you in we we dance yeah such a great track this is kind of almost just kind of welcomes you in justthat little subtle beat it's called the pavement tricks but it just kind of it kind of lures you in it's gonna be like come on it's gonna be a little bit different this time yeah get involved yeahbecause the first two albums i mean they're pretty big songs starting slanted and and uh trigger cut yeah so that's a kind of it's very different but i mean yeah i love it i love woe is owingyeah, yeah well the song that we're going to cover today i'll give it away a little bit is not from wowie zowie uh we'll get to that song in just a minute if you want to stick around and talkabout the song with us scott i shall all right so we'll take a quick break and we'll be be back with Scott in just a moment. Track 5: [15:25] Hey, this is Bob Mustanovich from Pavement. Thanks for listening. And now on with a countdown. Track 2: [15:33] 44. Track 1: [19:23] Okay so the number 44 track you've just heard it it's embassy bro the second song from bright in the corners after blue hawaiian at number 50 on the countdown this is the seventhtrack from bright in the corners the actual record scott what do you think of embassy bro at number 44, embassy rule i do love it's uh i like things i like about it is it's, it kind of lulls you inwith this I feel Malchus kind of does quite a lot with his his lyrics and his melodies are they're kind of like nursery rhymes the way they kind of. Track 3: [20:02] They flow and they're. Track 4: [20:04] The structure of the set is quite kind of nice and gentle and it's, it kind of comes in quite breezy, and then you get the kind of Beach Boys kind of backing vocals with the ba ba baba, and it's just kind of and then it changes yeah and then it changes and it gets heavier and it's probably it's it's probably kind of heavy side this track on side two as well i believe embassyrow but yeah it kicks in it kicks in pretty hard it's got great solo. [20:34] Be malchus as well it does kind of that kind of lightning a ball kind of style where it's just crashing about it's great that riff that main riff is really good too right and it's one of thosekind of things that i mean you don't know know did the intro was intro always there was intro another track that never get finished and they just flung them together because it neverappears again that intro part i said it's done the rest of it is just other than the ba ba ba ba's are sort of there in the chorus right they're deeper in the mix they're muddier in the mix butthey're there but that's the only connective tissue yeah other than that there's nothing that like you say nothing that really connects them they're very separate so it very well could be aseparate song that they just added of those ba-ba-ba's on the chorus and who the fuck knows. [21:21] But yeah and he's I was reading something as well partly my own wish to see and it's one of his least favourite his least favourite song on the album it is? It is, yeah where did you get that from? It was some website I was looking for the lyrics and it was something called Song Meanings oh okay yeah, someone's put it i mean i don't know if it was an interview or something or wellbut there's no there's no there's no quote directly just someone had written malcolm has said this is his least favorite song on the album so who knows it may just be this person's favoritesong he's winning, one about backing from steven tell them yeah i love this record like from top to bottom i would have a tough time saying this is my least favorite it's not my favoritesong on the record but it's no certainly not my least favorite no i mean i think it's a solid album from all 12 tracks uh. [22:16] It's it's a close contender for my favourite along with Woobie Zoey those two those two are the albums I kinda I'd say they're, pretty much on par I just I prefer the diversity ofWoobie Zoey you get a lot more diverse Brighton Corners has got, Brighton Corners I feel has got a really good kind of cohesive sound to it everything, sounds as if it all is all part of theone album it sounds, obviously it was all recorded in one place but it sounds like it was recorded just in this one place the album has as i sound and feel to every song yeah yeah and asopposed to terror twilight which is which is you know produced in a more meticulous way but a similar kind of way like this is a more lush production for sure but this record still feelsvery pavementy like whereas terror twilight feels like a beta test for for steven malchmus uh solo career you know yeah i mean it was it was by that that point you've read, the articles andinterviews that have come out years later and you found out that he's trying to push the band, places in Terror of Twilight that they were uncomfortable with they weren't feeling they werecapable of maybe performing that's how, I'm pretty sure Terror of Twilight was a different drummer on a couple of tracks I believe, Yeah, I don't know who it was who did it, but I knowthat Westy found out that there were some drum tracks that got done by someone else. Track 3: [23:41] And I forget who it was. Track 4: [23:43] I'll have to look at the liner notes. But that's me, uncool and underqualified to the very end. Underprepared, I should add to the statement as well. Track 3: [23:53] But in that album. Track 4: [23:54] Brain in the Corners. Track 1: [23:57] I'd say. Track 4: [23:58] Note for note. Track 3: [24:00] That's Pavement Adler probably best as a band. Everything with him clicks. They're getting the strongest performances out of all of them I feel and I've obviously that was Mark Miss was kind of again pushing them into this you hear on the some of the kind ofouttakes, and improvisation that's going on in the songs and he's he's like he doesn't have lyrics for certain bits and he's like singing to the guys like this bit's gonna go like this now andthen he's shouting the changes at them you see him working with them in these kind of rehearsals or, demos and whatever it's just he's kind of it's it's not like Marky Smith shouting ordersat the the band or something like that. Track 4: [24:33] But he's just leading them on he's like, you can see he's inspired by the performances as well. Track 3: [24:37] It's pushing him on to the tracks places that maybe he didn't see them going, There's a good bit of creativity going on with him there, but it sounds none of it sounds. Track 4: [24:47] People are quite an improvisational band at times, but you get that in the live performances where there'll be some songs you'll see it one night and it'll be quite standard on nights. Track 3: [24:57] Something just takes a performance somewhere else and Martin will sort of push it a bit further and extend certain parts but right in the corner it's. Track 4: [25:07] They've probably not rehearsed the arse out of it. Track 3: [25:09] But they've put in the performance. Track 4: [25:12] They know exactly where the songs go, where they start, where they finish, and it's just like, it's a piece of album perfection. Definitely. Track 3: [25:21] Yeah, I think that's fair. Yeah. Track 2: [25:24] Anything else about Embassy Row? Track 4: [25:26] Embassy Row, I was going through the set lists as well for all the gigs. Track 3: [25:31] Oh, okay. So, turns out. Track 4: [25:34] Barcelona. Track 3: [25:37] Primavera, they played the embassy role there. Track 4: [25:40] Yeah. I can't say it right now. Track 3: [25:42] I said, I can't. Lay yourself. Track 4: [25:46] Easy recollections of it. But, yeah. Track 3: [25:48] They played that ninth on the set. And it seemed to, a lot of the sets that I looked through, even ones I wasn't at, they would be playing embassy role. They always seemed to appear in that kind of, the middle of the sets. Track 2: [26:01] All the time I also played at the Barrowlands yeah again and I done three nights at the Roundhouse and on the final night of the Roundhouse they played in Missoula there as well,yeah Roundhouse so you were you were at three shows at the Roundhouse yeah, yeah which three which three did you go to me and my friend Jamie were we booked, a few days downand just to go to one of the gigs we wanted to go to the one where uh b core plane so i booked that one and then i was just kind of looking about on um ticket sites, and i saw some ticketscome up for this thub night which was one of my other favorite uh bands recently was bitch us were uh the support for night two nine eight sorry night three, okay so i went to that andthen i just thought we're gonna be down for the fourth day as well well. Track 4: [26:56] May as well just try and get a ticket. So we did. Track 3: [26:59] That's brilliant. Track 4: [27:00] But yeah. Track 3: [27:00] All nights were great. Track 4: [27:03] And we had a great time in London. But the performances were something. The night when it was Lost Bitches, the Sabon band. Track 3: [27:11] Just everything. Again, just one of those nights where they were great. Track 4: [27:14] It was our first time at a rent house, so you're getting in there, trying to find your spot, trying to gauge where's the best place to stand in the room for the acoustics. And the first night was brilliant. Track 3: [27:26] It but second night which was the last bit last night was just every little bit of sound it was just it was perfect I think they started to be grounded and then I went into. Track 4: [27:42] Gold sounds yeah probably that's a that's a hell of a one-two punch yeah and i can't expect it grounded is not something you're thinking you're going to start to say it with but thereyou go just walked on stage straight into excellent yeah but yeah they were great great all three of those nights yeah somebody right yeah yeah your first time in the roundhouse as wellthat was my first That was my first time in the UK, period, yeah. So for me, I think, just going back to Embassy Row for a minute, I think lyrically it's an interesting song. Track 3: [28:18] I think that it's very cohesive. Track 4: [28:20] Whereas SM songs aren't necessarily always cohesive. This song has this political sort of thing going all the way through the song, like from beginning to end. End um even in you know like uh old intuition on your dock we're fishing somebody give us a grade and uh you know you get those grades being doled out and then where is the savoirand i almost feel like he's he's making a play on savior yeah it's definitely yeah right where is the savoir but then he gets then he finishes the sentence and says savoir faire which is likesocial graces right Right, which is the ability to speak appropriately in a social setting. It's a knowledge of knowing what to do in every situation. That's right. It's kind of like effortlessly. Yeah. Which I don't know that SM excels in that, even though he's much better than he used to be, I think. [29:27] He is a little awkward sometimes. sometimes you know yeah i think it could come across that way and then in interviews when you've put um when you've seen videos ofinterviews with him and he kind of he doesn't look too comfortable in them and that's right but i think he's he's one of those i mean you probably find him in a party sitting in the corner ofthe room yeah i bet if you go if you hadn't spoken to him he'd always have something good to say he'd always be something interesting about him so he's he's He's got a bit of savvy there. Track 3: [29:54] It's just, he's not. Track 4: [29:56] He's not walking around with James Bond with it. Track 3: [29:58] But he's got. No, that's true. Track 4: [30:00] He's got it. He's got his own brand of it. He definitely does. Like I said earlier, an aura, right? Track 3: [30:05] But yeah. Track 4: [30:06] I mean, the lyrics are, as you said, they're a bit more cohesive because I like how some of his lyrics is, certain lines will lead you to somewhere and then it'll just take a completelydifferent. Strange turn on the one way or whoever he's talking about and you're yeah it's crazy it's it's almost like drifting in and out of dreams where it's yeah one moment you could be you're on aboat and the next minute you're paragliding somewhere it just and then you could be on the moon it just keeps it just yeah he's just always jumping around wait it's almost like, it's ahyperactive mind where you just get too much to say at once and he starts telling you one story he's like no no but no need to get to here no need to get to here but this one it does is kindof stick because i'm kind of it's not you could say political it's probably as political as paven got but oh yeah oh yeah i don't think it's political in the sense that it's got a message no but it'spolitical in that it's describing you know heads of state and yeah you know that sort of shit exactly they're not world of foreign feeds yeah what do you think of the ending to me the endingof this song just fucking slays like that those backup vocals and and him saying i'm going to take the crown and he almost goes into like kurt cobain territory with his voice like it's soscratchy and so gnarly and then and then it ends with that scream wow yep yeah. [31:31] It's good it kind of takes you back to the some of the earlier stuff from the the early singles and the stuff on Slant Enchanted where it was it was kind of more on that kind of youcould liken it to like what Nirvana and Sonic Youth were doing, yeah had that kind of sound and it's I said it's probably is I think it's the heaviest track on Brighton and Connors definitelyI definitely think so yeah it's probably kind of the punkiest moment on it as well yeah once you get past the nice intro it does it picks up pace and then it keeps kind of accelerating as yousay it gets that the frantic ending that. Track 3: [32:05] Like, not many songs from Bright in the Corners would work on Wowie Zowie. Track 4: [32:09] But I feel like this song could work on Wowie Zowie. Like, it would have fit. Definitely. Yeah. Track 3: [32:16] It's got that kind of energy, like Serpentine Pad. Track 4: [32:19] Yeah. Best Friend's Arm as well. Yeah. It's got that energy. Track 3: [32:25] Totes. Track 4: [32:26] Yeah. Oh, sorry. No. Track 3: [32:28] Go ahead. Sorry. Track 4: [32:29] No, I was just saying I was trying to look for some good footage online, but there's not a lot of... Track 2: [32:35] Kind of live performances off it available sadly i wonder why that is yeah there's a few i mean you got a few like um shot with fans in the crowd and things like that but there's not alot of actual footage like isolated here's embassy row from going on a brian show or something like that there's really right right nothing exists off it really apart from just fine fine stuff butyeah yeah well dude it's been great talking pavement with you this afternoon thanks and uh i really appreciate your time is there any place that you want to to tout or plug or uh wherepeople can find you anything like that no modest man me i don't have any wheels to sail or anything like that no thank you anyway uh no i mean hopefully i've just uh we'll meet eachother again at pavement gigs in the future or something we'll look out for each other for sure and all of us yeah all of us i mean that's a it's gonna it's gonna it's been kind of nice i meanpeople who finding a community of people um that love payment as much as i do because kind of growing up in. Track 4: [33:50] All through my late teens to into my twenties because they'd went away. There were not really a lot of people I knew who liked them or listened to them or spoke to them so it was almost like marking a little private thing because when the expanded editionCDs come out I get them and I'm just living with them for months, at a time they're just like getting when I hear something about a band that I've just discovered I've got that kind of,energy and just desire to just like i need i want to learn it all i know all about them i want to know all the tracks and the expanded editions were just great for just like not only you get thealbum not only you get the singles and the b-sides here's the peel sessions, here's a live gig thrown in it was everyone you could have wanted for for those kind of sets, oh they built themso the only thing i want now is i want them in vinyl yeah same yeah because i've I've got Terror Twilight and I've got the other four on CD, but I want the other four on vinyl. And I knowyou can get Bright in the Corners. You can get the Nicene Creators Edition on Discogs on vinyl, but they didn't make Wowie or Slanted or Crooked Rain. Track 3: [34:59] No. Track 4: [35:00] They've done something with the... Box sets. Track 3: [35:02] There was something with the singles from the Slanted Enchanted disc. Track 4: [35:07] Yeah, they did that Secret Life, Secret World. I was thinking, I remember getting to ask, I was hoping. Track 3: [35:13] Well. Track 4: [35:13] Hoping they were going to do a series of them that would catalyze it. Track 3: [35:17] So all the stuff that you got in the expanded editions, but it never seemed to take any fruition, sadly. Track 4: [35:22] I don't like that. Yeah. Track 1: [35:27] But, good memories anyway. Track 3: [35:29] It was a great 2022 the year of Pavement. Good year. Track 4: [35:33] Good year in Pavement. Track 3: [35:34] For sure. Fair doubt. Track 4: [35:37] Alright, brother. Track 6: [35:38] Okay. Track 3: [35:38] Man. Track 4: [35:38] Thank you for your time. It was great to be a part of it. Talk to you real soon. Track 3: [35:41] And we'll be excited to see what number one is. in this list. That's right. Ha ha ha. Wash your goddamn hands. Thanks for listening to Meeting Malcolmus, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at meeting Malcolmus.com. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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The R.E.M. Breakdown Trailer 0:46

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Dewvre podcasts & such has several new podcasts in the pipeline we think you're gonna love. Here is the first one. It drops on February 19th. You can subscribe at linktr.ee/rembreakdown Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMT50 - 245 40:53

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jD is joined by Matt F Basler to discuss his experience with Pavement and to analyze song number 45 on the countdown. Transcript: Track 1: [0:00] Previously on the Pavement Top 50. Track 2: [0:02] So there you go. At number 46, it's the third Wowie Zowie song to chart behind Best Friend's Arm at number 49. And Motion suggests itself at 48. Here we are at 46 with We Dance, the first track of the 2005 masterpiece Wowie Zowie. Maui. Keith, what do you think about We Dance? So, yeah, I think it's a great song. I love how it leads off the album. It's got like, I feel like it has this ethereal quality to it. Like that kind of just, I don't know, it seems just kind of dreamy sort of for me. I don't know if that's how it comes off to anyone else at the beginning of the song. Track 3: [0:59] Hey, this is Westy from the Rock and Roll Band, Pavement, and you're listening to The Countdown. Hey, it's JD here, back for another episode of our Top 50 Countdown for the Seminole Indie Rock Band. Track 6: [1:12] Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the results using an advanced abacus and, well, frankly, a calculator. And all that's left for us to reveal is this week's track. How will your favorite song fare in the rating? Well, you'll need to tune in or whatever the podcast equivalent of tuning in is, I suppose, downloading to find out. Track 3: [1:38] This week. Track 6: [1:39] We're joined by a Pavement superfan, Matt F. Bosler. So there's that. How are you doing, Matt? I'm wonderful. This is good to hear. Yeah, no, I think so. Yeah, man. Uh it's a snowy blustery day where i am very cold what's it like where you're at uh same so i'm in i'm in uh st louis missouri it's it's a frozen hellscape currently, so i'm in a robe right nowi'm in our our place is cold we can't keep it warm ceilings are too tall oh my god that's terrible that's a but in the summer i bet you it's awesome it's hot then, there's no good time there's nogood period oh man well maybe when the cardinals play i don't know are you a cardinals guy i'm not a sports guy not a sports guy at all i i'll fake it sometimes right get by you know right,I've learned how to say how about them cards, that's great you got it nailed you got this whole thing figured out. Track 3: [2:59] Well. Track 6: [2:59] Motherfucker, we're here to talk about your pavement experience. And I've been calling it your pavement origin story. So why don't you share with us what that looks like? Well, I see a post. I see a post out there on the internet. It says like, oh, we're talking about the top 50 pavement songs. Would any of you like to talk about it? Maybe discuss your origin stories? Reason i say i say to myself i say matt uh perhaps you would be a unique perspective on something like this as i am what i think especially in the world of pavement fans i'm a fairly newuh of pavement fan i'm a newcomer uh to to the band now i'm a i'm a coming of age in the the 90s. Track 3: [3:53] You know? Track 6: [3:54] I'm listening to Nirvana, Pixies, Replacements. I'm a cool guy. We were from a small town in Missouri, though, so it was difficult to figure out what was cool and what wasn't cool. Coolest things we were reading were like Guitar Player Magazine, and then you'd find out about a band from someone else. You'd bump into a cool person, and they'd go like, Like, I've never heard of, I don't know, some band, you know? Ever heard of the Stooges? And you'd go, no. Well, somehow, I had gotten it in my brain that I'm sure you're aware of Nu Metal and, Saliva, perhaps, or Korn, certainly. Track 3: [4:46] Sure. Track 6: [4:46] Backwards K, yeah. Yeah. Somehow in my brain, I thought Pavement was a new metal band. Get out. Now, I don't know how this happened. Maybe the name, maybe the way the name was written at some point, the logo. Sure. And so I totally wrote them off, you know? Now, of course, getting into music is not a linear thing. So I would hear Pavement songs. I was familiar with some, you know, Cut Your Hair. When I dove in, I was like, oh, I have heard this. But I never connected. Dear friend Ryan tried to get me into Pavement. Showed me, I think, maybe one of their late night. But I don't know. It never came together. always thought oh pavement their new metal and a lot of my friends listen to pavement, but I think what's the band white pony is that the albumno no. [5:57] Oh, shoot. What are they called? Drawing a blank. Deftones. Oh, Deftones. Okay. Yeah. Deftones somehow, whatever. I'm not saying you're a dunce if you like the Deftones, but the Deftones were kind of new metal, but slipped into the indie rock. People liked them as well. So it wasn't insane that somebody would maybe have a new metal band on their their list of bands they liked if they listened to things that i liked right so years go by i just don't get into ityou know and and uh i should have i should and i'm a bad music listener too takes me a long time i gotta listen to things over and over again to like uh get into it um, so it's it's i i try reallyhard i try to be listening to new stuff all the time but it It feels like an undertaking for me to do that, so I don't do it as much as I should. Anyway, driving in the car maybe five years ago, six years ago, with my beautiful lover, Courtney, she puts on a song, Range Life. Track 3: [7:03] Oh. Track 6: [7:04] Boy. And this is rare that this happens to me. Like I said, you usually got to hear something over and over. Range Life, we're maybe halfway through, and I go, now see this. Now this is good. Now. Track 3: [7:16] This is what music should be. Track 6: [7:18] Who's this? She goes, this is Pavement. I say, no, no, no. No, I know Pavement. This isn't Pavement. Pavement would be doing like the thing that old Jonathan Davis does at the end of that. He'd be scatting or something. She shows me the phone. I'm swerving all over as I just stare at this phone scrolling, going, wait, this can't be right. Track 3: [7:46] Well, it was. Track 6: [7:47] It was right. Track 1: [7:50] And man. Track 6: [7:51] Yeah, then I started. So even still, though, it's like I said, a bad music listener. And now I'm coming into Pavement with a billion albums. And they're a weird band, right? So I started listening to the top on Spotify. So you've got like Harness Your Hope. Good place to start. Track 3: [8:11] Yeah. Track 6: [8:11] Start there. I'm like, oh, this is great. I love all of these. And you know those are probably the most like easily accessible um pavement songs which it was fun to find out they have a lot of songs that are uh maybe not so easily accessible, then ii go well i gotta dive into an album i choose at random sort of uh wowie zowie jesus christ which is now now that's kind of my my favorite one which i guess that's kind of you you know,your first one, but because I'm like, Oh, these guys are, are weirdos too. So, And even, you know, I think they're an interesting band to get into late. [8:58] Because by the time I went, well, I'll get into the subreddits. I'll really dive in. People are talking about EPs so much. But, you know, I'm coming more from a world where EPs don't come into the conversation as much. Like with pavement those seem like very main albums uh but i can't really think of another band where eps would be discussed on such a same level as as the full albums um and yeah iwould i mean there's i'm still at a point where like i can't name there's songs on each album that if you named them i wouldn't know them offhand you know like gotcha you'd know themto hear them but but not retrieve the song by name. Which is great. I mean, yeah, and I'm still, you know, like I said, it does take me a long time to get into stuff. And like I was saying, I think even especially kind of the back ends of Pavement albums get pretty wild. So yeah, I mean, I'm still kind of digging through and figuring it all out. Oh, that's really cool. Cool. First of all, you're a great storyteller. So thank you for that. That was a good story. Is it fair to say then you've never seen them live? We did go see them in Kansas City. Track 3: [10:25] Oh. Track 6: [10:26] I mean, one of the terrible things to me is like, listening to them now, they would have been, because I probably would have been getting in. Track 3: [10:34] Like. Track 6: [10:35] You know, with Crooked Rain probably would would have been the first one i would have bought if i if i did it at the right time right and i would have absolutely i mean this wouldhave been my favorite band and then i mean they are now i i, consider them in the they so it's pre-pandemic they were going to play a show in barcelona, right and we i mean we weretalking about it um because it just felt like i i felt like i missed out. This is a band I could have seen several times. And you're going like, well, they've already done a reunion tour. There's a good chance we'll never get to do this. So maybe we go. Maybe we check it out. Track 3: [11:21] And then. Track 6: [11:22] Of course, that all went away. And then we went and saw them in Kansas City a couple of years ago, I think, a year ago, two years ago. And it was wonderful. Track 3: [11:33] It was great. Track 1: [11:34] Yeah. Track 6: [11:35] You lucked out because that 2010 Renewed Tour, although it was very special to me, I saw them in Central Park in New York City and that was really special. They didn't look like they were having the best time. That's what I understand. But this tour, they seemed like, like SM in particular, just seemed like he was having fun. Right. And yeah, that's interesting too, because yeah, now my perception of them is like, wow, what a great live band. Yeah. But even in their heyday is the wrong term, but I guess pre-Breakup, right? Sure. Even then, people were kind of like, oh, they're sloppy. That's like their whole thing. Yeah and i you know that's not something i ever experienced yeah the kansas city show was just a great band oh yeah so much fun so do you have any um any favorite tracks or a favoritefavorite record at this point is it still wowie zowie yeah i think so um. [12:38] It was interesting well so that was you know i i probably listened to that for a year or two before i started going like okay i'm a i'm a join the subreddit guy and uh it was reallyinteresting for me to learn that that was like uh not well received initially um and even the later stuff too i i i think twilight is great i think bright in the corners is great and you know Imean, I know that I'm getting all this stuff at once. There's no like, oh, I love Payment. I love the sound of Slanted and Enchanted. Can't wait to see what's next. And then you get this kind of polished record, and maybe that would be a disappointment. But to me, it's all at once. So I don't know. I really love it all. It would be really hard for me to rank. Track 1: [13:34] Like. Track 6: [13:35] Well, and also, I mean, I did listen to, like, started listening to the top Spotify plays, and then I would listen to some, like, other people's like my favorite tracks or whatever deepercuts or whatever and right and so like part i don't necessarily even know like what's from terror twilight bright in the corners without like thinking about it um so for effort and you knowslanted change is a little easier to just discern that sound from the later stuff but even Even Crooked Rain is a fairly slick record. So yeah, a lot of those tracks, I don't really... Like I said, unless I go, oh, what is that on? It's all just like pavement songs. Wowie Zowie, I know the best. That I could do. But yeah, they're all just kind of like... It's just a bunch of good songs. I agree. I so agree with you. And I discovered them in a similar way. I discovered them late. I discovered them after Terror Twilight. So I got the same gift that you got, which is like five records at once. Yeah. And to hear people say like Carrot Rope, I've seen people say like. Track 3: [14:55] Oh. Track 6: [14:56] But that one, that one's a toss off. That one's a joke, stupid song. And I'm just like, I don't... Sure. Track 3: [15:02] I guess. Track 6: [15:03] But I like it. And I think, yeah, fun songs like that, there's room room for that again if you were so stoked for the next 10 pavement songs and one of them you felt, was a silly gooftrack maybe i could see being a little more disappointed but i don't know i think it sounds like uh sounds like animal crossing music um which was another big part of the pandemic for usyeah and i enjoyed it tied it all in a bow you just tied it all in a bow you You are a master storyteller. Track 1: [15:36] Well. Track 6: [15:36] What do you say we go to the track that we're going to talk about this week, and we can do that right after this little break. What do you think? Can't wait. But I will. I'll wait, because you just said there's going to be a break. So I can wait. Track 1: [15:52] And I'm excited to do it. Track 6: [15:54] Excellent. Track 3: [15:55] Well. Track 5: [15:55] We'll talk to you right after this. Hey, this is Bob Mustanovich from Pavement. Thanks for listening. Now on with the countdown. 45. Track 3: [19:55] So this is song number 45 on the countdown and it is our first track from terror twilight on the the list so far it is you are a light what do you think of this track matt personally andhey you know not trying to be controversial i like it i think it's great oh that's not controversial i guess you're right i guess everybody wrote in i didn't like i saw you talking about peoplewrite in for your top 50 and i went i'm not qualified i'm i shouldn't oh i should let the the real guys do this um so far i i agree i've i've been i've been keeping up with the pod and i'm i'mthere there's not which there's only been a couple but there's not yet been a track that I've gone. Track 6: [20:52] You people are insane. And you are a light. I'm right there with them. Sure, this could be a top 50 for me. Yeah, I think it's a lovely song. I think his vocal tone is maybe one of the best that we've heard of performances delivered vocally. It's so clean and so smooth um i love all the atmospherics in this song nigel has. [21:19] Created like a soundscape you know for the rather sparse band arrangement which we're used to with this band you know sort of uh filling in the gaps really nicely i love how thesong opens with that almost it almost sounds like you're turning something on yeah like a flick of a switch or something doesn't it oh yeah yeah yeah uh for sure old electronics remindsme of or something yeah in a in a movie i don't know if old electronics really make that sound but i feel like they do yeah yeah yeah. [21:57] Um yeah i think i think you know that's a a thing about um like his vocals like sometimes, uh i'll listen to vocal takes of the pavement you know and be like i wish i was boldenough, to be okay with that uh and this isn't one of those right like this he sings very like like, on key and everything, which is cool, too, to have those differences. And then to, like, know that, like, on other songs, and of course I'm not thinking of any right now, but he does it a lot, right, where it's not necessarily on the correct pitch or with greattone. Track 2: [22:44] And so songs like this. Track 6: [22:45] Right, are just kind of like, well, yeah, he could have done it perfect, but it feels better, more fun to... To do it um more fun i guess or uh whatever and um and right here randy jackson being like you're a little pitchy dog yeah right and that's it that you know i mean like i said like if i'mever recording a song like there's no way i i would i would i'm very self-conscious about things like that and uh it's it's nice to have someone to look at and go it's so it's okay you You canhave fun with it, or you can do it more like you're a light and nail it and make a very pretty song. But then I do like how this song is almost cut in half, right? There's the first chunk, and then there's the second part, half. [23:40] Dynamically, there's tons of shifts. And that's another songwriting thing that I appreciate in this song. They don't go back to the first part. And I think in songwriting, I don't know. I feel like that's a tough thing to do, to go like, nope, it's just this and then this and then we're done. We don't need to overdo it. There's no reason to come back to even like a chorus, which I don't know. I mean, the song would be difficult to kind of say what is a chorus. Yeah. Yeah. yeah i suppose you are the you know like you are the light the the calm in the day you're the light the calm in the day um like i suppose that scores but you're right there's no,There's no pavement blueprint. We've heard six songs so far on the countdown, and they're all remarkably different. Track 4: [24:35] They're all remarkably different from a structure standpoint as well as just like a finished product. Track 6: [24:42] I love that too. I'm glad you pointed that out because it's like verse, chorus, verse, chorus, and then weirdness, and then sort of a bridge, and then sort of out. But none of it is... Songwriting 101 no and right like it is interesting i think because you could take a lot of these songs in this this top 50 and pretend well what if there was a band that was this like this wastheir entire thing uh and you know you'd be like oh that's they're cool uh, But right, pavement does do a lot of different things. And to me, that's more interesting. I think I get the impression from some of the diehards, which again, I'm not saying anyone's doing it wrong or anything, but I think sometimes peoplewill get sort of stuck on their idea of pavement, or maybe the version of pavement they like. And it can be annoying to them when they diverge from that too far in their minds. But I think I look at it like. [25:58] Well, I only have to listen to one band. I don't have to get into five or six other bands. It's making it easy for me. That's great. [26:12] What do you think this song is about? Do you think it's about anything, or is it just word salad, or what's the deal? Man, I'm not a lyric guy. No, okay. I guess I'm more of a connotative lyric person, right? Okay, expand on that. These words feel a certain way together. It's not like a story. It's not like a linear tale, right? Track 4: [26:42] Right. Track 6: [26:43] And I'll do that even with songs that maybe are... like someone will go oh that song that's about him riding on a train and i'll be i'll almost be disappointed when someone tells methat right i'm like oh i guess it is yeah okay i see um i i like lyrics that just to me my interpretation was like well that makes me feel this way and And all of these words kind of like cometogether to elicit an emotion. And that's sort of the vibe I get from pavement lyrics. I think you're right. I think you're bang on. People talk about it like. Track 4: [27:26] Oh. Track 6: [27:26] It's just nonsense. And I think maybe in like a, oh, it's about this. It's this. I'm talking about these things. Maybe that's true, but I do think that they always seem to me to be pretty carefully selected things. [27:46] Elicit uh an emotion a specific like vibe and feeling and uh yeah i mean i i did i so like i said i'm not really lyric i don't really like pour over lyrics um and i did for this because ithought that would be a good thing to do and then that's when i learned well i am bad at it i have no idea what this is about i but i like them all i do like cool i like cool words and these arelike I read these and I go, well, this is cool. I like how this makes me feel. And they all are neat words together. Yeah, and some of them connect. I think You Are a Light, The Calm and The Day, I think that fits together. That may be about somebody, but maybe not. I love, lyrically, it almost reminds me of David Berman. [28:37] I Drive a Stick, Gotta Love It, Automatic. like that's the the vocal delivery of that is really cool so i think you're right there's there's almost as much like a michael stipe sort of yeahthing going on where it's like this word sounds good with the melody i'm going to use that in lieu of uh writing something heartfelt and uh, linear or or something along those lines i don'twant to say this song isn't heartfelt or other pavements no but you know what i mean i know you mean and i think sometimes when you write a song, you might you know you say wellyes this song is about the way I felt when this thing happened. [29:21] But I'm not it's not about that thing you know what I mean it's more about the emotion and, like I said I don't really enjoy story songs that much or I feel like you're sort of likestripping away a layer for people to enjoy it. Because, you know, you're going like, well, I don't have a red truck, so I can't... You're making me do more work, right? Because now I have to go, okay, that's the way you felt about your red truck. What could I feel that way about instead of just talking about the emotion and then, you know, whatever. I'm getting above my pay grade on talking. But yeah, I'm sure like maybe old mouth missed, could say, oh, yeah, this is about, like, Lethalizer Slingshots is about the time that we did this and this and this, but I don't know what thatmeans. Yeah. Yeah. Track 4: [30:31] Swallow propane. Track 6: [30:32] I just know, hey, as much of a fan as I am, not going to do that, Steve. Not going to do that. Track 3: [30:40] No. Track 6: [30:40] I don't think I will. I don't think I will. Where do you think this fits? Do you think it's a good spot at 45, five or do you think it should be uh like is it properly rated do you think or would you have it would you have it higher up or would you put it lowerdown for for yeah i mean i think for me i i think i'm gonna have more issues myself with the with the top because i think sure with people who are perhaps better fans than i know it there'sno such like it would be hard for me to not say a. Track 4: [31:16] Oh. Track 6: [31:17] Cut Your Hair should be top five. That's a, what a great song. And I think, I feel like it's going to get deeper cut, less pop song toward the top. And this, I don't know, this kind of. Track 3: [31:33] To me. Track 6: [31:33] This would probably maybe go higher for me, but I think... Man, they got a lot of songs. They got a lot of good songs. You have a lot of songs. 120 were selected for this process. 120 songs. I guess really, right? This is sort of a fool's errand from the start. It's just kind of a fun way to talk about a bunch of songs. I think you've mentioned... Track 3: [31:57] You got me. Track 6: [31:57] You got me. Yeah, I think you've talked about it. It's like, well, yeah, this is 45 today, but next week. Track 1: [32:07] It wouldn't make my top 100 or something you know that's um that's pavement fans are a little fickle yeah but but if if this was like the guitar player magazine i'll talk shit on themagain uh top 100 guitar players you know this wouldn't be the one that gets me in the comment section going you're out of your mind what that's no way gotcha so i would read it and i'dgo go yeah did you see the guy did the top 500 guided by voices songs holy shit no i did uh it might have been uh what a challenge some publication some some music magazine and umwe'll have to check that out i consider myself a a fan of a pretty fair weather fan of guided by voices but i do like them now that was a band i tried to get into late and i went i can't there'sno way i can't do it it's too much work and i'm reading this top 500 and like it was crazy to me that his like top 30 i maybe knew two or three songs out of it um wow i have to check this iat least have to check the top 50 out see how many get you in those comments going you're out that's crazy well i'm i'm probably like you in that you know i've got b1000 and i've got umgosh i can't even even think of the other records that i have but uh. Track 6: [33:35] I don't know that I could name. I'm a bad fan here because I don't know if I could name 50. I don't know if I could name 50. They have tricky names to recall at times as well. Yeah. Yeah. So this, right, I think this is certainly an easier undertaking. Makes more sense to me to do the top 50 pavement than top 500. I mean, at least here you can go like, the difference between, you know, 30 and 25 makes sense on a top 500. What is 450 to 442? Like, what is that? That's right. How do you even quantify? Track 3: [34:22] But again... Track 6: [34:23] Well, most people had difficulty doing 20. Most people had difficulty doing 20 ranked, which is what I asked for. I asked for 20 rank songs and then i would get emails from people i'd be like dude just do your do your top five and then add another 15 songs you know like because like you said it'stough once you get to a certain point you know like what is 17 you know what i mean out of 20 and i think this is a band where you go like if i'm in a bummer mood they've got themthey've got songs for that and if i'm if i'm wanting to have a have a good fun party time that's a different different set of of songs um major leagues was my that was my most played onspotify last year oh cool all right because you get that uh report at the end of the year right so yeah we'll see, hopefully that that makes it somewhere i guess i guess uh that would havemade it easier for me because yeah how would i pick a number one i guess if i listen to that the most i that would be your number one for 2023 i guess so i guess yeah well matt f basler uhit's been great talking to you about pavement and i really i really appreciate your time this this podcast season two here of meeting malchus is is entirely uh shouldered by the guests so uhyou did a you did a formidable job, and I appreciate that a lot. [35:51] Is there anywhere that people can find you that you want to be found, or is there anything project-wise that you're working on that you want to talk about. Track 4: [36:01] Or anything like that? Track 6: [36:03] Yeah! Matt F. Bosler everywhere. We're a band, I suppose. Track 4: [36:08] Matt F. Track 6: [36:08] Bosler is a band and a me, and we're doing songs and, I think I could see, I'm not going to say if you like Pavement, you'll like my stuff, but I think if someone was listing bandsthey liked, it would sound crazy if someone said, I like Pavement, Matt F. Bosler. It wouldn't be whiplash for someone to mention those two things sonically together. We just did, a couple years ago, though, we did a synth album of covers of modern country songs about beating people up. So that's maybe a little bit out there. Can you find it on Bandcamp? Track 4: [37:01] Yeah. Track 6: [37:02] Yeah, yeah. It's everywhere. Spotify, Apple Music, all that. That and then as an apology to country music for making a mockery we did then we made a an album of country originals whoa so we're doing a lot of stuff we're doing some some crazystuff out there that's cool i hope i hear you on the pod list this year do you know what the pod list is, no so every year i do something called a pod list for my birthday and i solicit tracksfrom, talented pavement uh fans and they do covers and then i put all the covers together in a podcast playlist or a pod list and uh i get it sequenced by somebody who who uh i get itsequenced by somebody who knows sequencing and uh it's usually pretty fucking fun that's wonderful wonderful i have a podcast i guess that'll be july podcast i'm not good at namingthings so yeah it is just matt f bosler's podcast or you're really good at naming things well sandy and kevin are okay they named me so mom and dad yeah yeah all right brother well it'sgreat talking to you like i said uh that's what i've got for you this this week. Track 3: [38:27] So stay cool and wash your goddamn hands. Thanks for listening to meeting Malcolm is a pavement podcast, where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email JD at meeting Malcolm is.com. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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jD is back with track 97 on the Pavement Bottom 50. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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jD is back with Keith from New York to discuss song number 46 in the countdown. Transcript: Track 2: [0:00] Previously on the Pavement Top 50. The song that we are, of course. [0:04] Talking about, if you haven't put it together yet, number 47, is Greenlander. David from London, Ontario. What do you think of Greenlander? I really like this song. This is one that I only came across, again, not to keep repeating myself, but over the kind of COVID lockdown days, where with my extra time, I was going throughsome of the more back catalog, catalog uh some of the extra kind of bonus songs that were not included on the albums when they first got released uh and as well through listening to uhyour podcast and the pavement conundrum podcast uh they also helped to introduce me to some other songs that i was kind of not aware of as well as getting the the westing uhcompilation album as well uh but yeah this song i enjoy a lot and uh one thing that hit me as well on this one is it has that kind of little more slow reflective reflective kind of pace to it,vibe to it. It's not a heavy rock band. Really chill, right? Yeah, exactly. Welcome to the. Track 4: [1:10] Pavement, and now on with a countdown. [1:15] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots. I, of course, tabulated the results using an advanced abacus and my fingers and toes. All that's left for us is to reveal this week's track. How will your favorite track fare in the ranking? You'll need to tune in or whatever the podcast equivalent of tuning in is to find out. This week we're joined by pavement superfan keith from new york so there's that how are you doing motherfucker i'm doing great i'm doing great how how are you how are you doing ahi'm fantastic i am i am just raring at the bit to to learn from you and about you blind um so yeah do you want is what do you want to start off where i uh well let's start off at the start wheredid you where did you um first experience the band so i think the first time i saw them was at the tibetan freedom concert i think that was in 1997 it was in new york city at uh randall'sisland um i didn't really know who they were so i don't know i'm not sure i paid that much attention to them i remember watching them um and. [2:44] And then I saw their album in HMV. They used to have the listening stations. Yeah. And I think it was Bright in the Corners. It was one of the albums. That would make sense. 97. And I didn't like the cover art, and I just kind of dismissed it. Oh, wow. Yeah. But then I was in a dollar bin. A few years later, it had to be 1998, somewhere around there, 1999. And i picked up a copy of wowie zowie along with built to spill is perfect from now on i hadn't heard either of the bands and i started listening to it and i really liked them um so i got intothem i started listening a lot more and then i got to see pavement for the first time at uh the matador 10th anniversary party in new york it was at irving no yeah and that was my firstexperience and seeing them, paying attention to them live. Paying attention to them where you went to see them. Well, talk to me about this show. How was it? Oh, it was great. It was a fantastic show. I always wished they would release it because I know they recorded it because it was on the website for like a week afterwards on the Matador website. So I know that there was some kind of archive of it somewhere. But yeah, it was great. There was a bunch of bands. I think Cat Power was there also. [4:08] What else was there? Maybe Guitar Wolf, someone else. But yeah, it was great. David Cross, I think, was the host. It was a really great show. Oh, man. What a show. Yeah. [4:19] Um yeah it was a lot of fun i had a great time um two big concerts like i mean the fact that you can say tibetan freedom uh that you were there for that uh you know you weren'tpaying attention necessarily but you got to see them it bled into you some way talk to me about how much you found those records for the built to spill and the uh they were in a dollar sothey were a dollar yeah and i couldn't believe it like because i didn't i wasn't acclimated with either of those bands and then after i listened to them i was like holy cow this is fantastic takeme through that you you go home you put wowie zowie on which is well no that actually that was slanted that was slanted and enchanted i bought in a dollar bin sorry i bought wowiezowie after i might have said that no that's okay um yeah so sorry uh so actually it was slanted and then i listened to that and yeah it just blew me away i thought it was yeah it would itwould and where i was going to go is wowie zowie is a little more divisive like people are either like super fans of that record or it's like third fourth or fifth you know so yeah wowiezowie is my favorite out of all the albums i think it just there's just so much going on it's just all different kind of directions and i like it. [5:33] Take me through that a bit more um i don't know i feel like every song on an album just has like a different flavor to it so um i mean you move from i guess the beginning thebeginning of the album is you know we dance and then rattle by the rush just completely different um i don't know it's just fight this generation it's just such a i don't know it's differentstyles and then you have the spiral songs on there it's just yeah it's a great album i honestly feel like it's a record that could have been done um um. [6:10] As like seven inches like where there's a where there's an a side and a b side like each each sort of normal for lack of a better term i'm sorry pavement fans but uh you know moretraditional three and a half minute songs are followed by you know sort of sonic bursts of ass kickery. [6:32] And uh you know songs like fight this generation and serpentine pad and um gosh what other ones i i don't have the track listing in front of me and my mind is going blank but youknow what i mean so yeah 100 wowie what a great yeah what a great record what a great record yeah but that's always been my favorite i think of all the albums i think it's proper i thinkit's properly rated For me, it's a three, and I think that's proper, but that's me. That's my list. You did your top 20 lists, and that's how you landed here. So you go and see them at the Matador 10th. Yeah. Did you happen to go to the 2010 Central Park shows? I did, and I actually had tickets to the Las Vegas Matador 20th where they were playing. Oh, my God, the catastrophe show. Yeah but i actually sold my tickets in in retrospect i guess that was a good thing um but yeah i went to all four central park shows that year in 2010 you son of a bitch yeah i rememberbecause we bought the tickets a year in advance and yeah i bought them the night my daughter was born oh wow like uh i bought them the night she was born she was born at 11 o'clockand i think they went on sale at like. [7:53] Five o'clock in the afternoon or something like that like something weird maybe it was yeah that time was one o'clock or something i i don't know but uh it was it was something likethat and yeah i bought them and then i had to wait an entire year i think it was the same of the last shows too right and they were they went on sale good good uh time ahead of the otherconcerts uh the this past run um because i saw him at king's theater when he came back last last year or the year before i guess okay yeah it's been they've been on the road for a long timenow yeah yeah i also went to barcelona saw them when they came back at that primavera sound show so i was in porto oh you were okay that's yeah yeah because i uh did you buy thetickets way in advance and then have to wait through the pandemic like me three years right yeah it was almost three years in advance so like i i sat on those tickets and then i followedthem in the uk last year as well Oh, I went and saw all the UK shows. I saw three of the four London shows and all but one show in the UK. Fuck. What was your favorite show? Do you have a memorable one? You know what? At the Fonda. [9:10] I went to the Fonda in LA to see their warm-up show before they went to Porto and Barcelona. Oh, cool. primavera sound shows they did a they did like a a date at the fonda theater in la and it was. [9:25] The anticipation i had because prior to that i had seen them in central park so it had been 10 years since i had seen them 10 or 11 years since i had seen them 12 years i guess um andand. [9:41] They were pulling out all the stops. You know, they've got that big, they've got the big video board behind them. You know, they've got a better light show this time out. Uh, they rehearsed a buttload of songs and their set lists were sprawling and amazing. And, you know, unique almost every night. Bob did such a great job. Uh, you know, that show was just out of this world. Oh, that's fantastic. Yeah. What do you think of the shows, if you compared them from the 2010 shows to the later shows in 2020? [10:15] Well, I don't know how much you remember about your Matador show. My guess is that's sort of my experience with the Central Park shows. I was just euphoric. I almost didn't absorb what was happening. I love New York City. to be in central park seeing my favorite band play with that sparse setup with those lights behind them you know those stringed lights behind them yeah um it wasso sparse and loose and jangly and uh it just didn't seem like they were having a ton of fun that was my only that was my only sort of down to the whole thing whereas on this leg like thisyou know this last couple couple years it really seems like they're enjoying themselves like by and large yeah i felt like that too um i felt like the last show i saw at where was it atbrooklyn steel i felt like you went to steel shows too i went to those two and i felt like the last show they kind of started it felt like they were running out of steam but i guess it was the endof the whole run so like all the other shows are great yeah that was a little and i was like i feel like i don't know maybe it's, time to give it a little more time time off or something. [11:35] So you went to all four? I went to not all four Brooklyn Steel. I think I went to three of them. Damn. Are you going to go to South America? I am not going to South America. I wish I was, but no, I'm not. Yeah, I was talking to Spiral a couple episodes ago, and he was like, so are you going to come down? And I was like, because I did that UK thing, maybe they think I made a money now. I don't know. know but but that was definitely done you know it was like a bucket list trip yeah um so you know what i feel like spiral like i went to see preston school of industry whenthey opened for the tears like mercury lounge like a long time ago and i thought they were great and then i saw a spiral a few years ago uh when he came to new york and there maybe waslike 20 people in the audience and i thought the music was so good that like he should just i don't know i feel like he doesn't get to do as a solo artist sometimes and it really annoys me. I'm with you 110%. That last record, Medley Attack, was really, really good. [12:43] It would be like being in a band with Paul McCartney or John Lennon. You could be George Harrison but you're going to get. [12:56] Dribbles and drabbles rather than the big chunk of steak that those guys get, right? Mm-hmm. Yeah, no, but I really enjoy his stuff, yeah. Yeah, me too. Okay, so Bright in the Corners was the first record that you were sort of cognizant of the band for. Then you went, you got slanted, you listened to that. Were you up to date by the time Terror of Twilight came out? I was, yeah. By the time, I believe I was, yeah. Terror Twilight, I think, yeah, I'm pretty sure I was up to date by that point, yeah. I can't remember exactly when Terror Twilight came out now, I'm trying to remember. 99. Yeah, then I was up to date, yeah. So you got that one in real time. Yeah, yeah. I remember because when Terror Twilight came out, I actually had bought a Terror Twilight poster off of eBay with all the band's signatures. Signatures and it was one of the one of the from matador it was like a promo someone won and i think they sold it on ebay and i bought it and i had it in my closet for years and i had aleak and it destroyed the poster and i was so upset oh my fuck that's terrible news yeah yeah, oh you should have had that baby framed i know i know i was uh poor traveling. [14:20] Into chintz and running around trying to um but yeah oh we've all made those kind of mistakes yeah that's too bad it's too bad that you have to suffer though as a result. [14:31] But i really like that that album as well i mean i don't think they have a bad album that they've ever put out so i mean it would be nice to hear another one but i don't know if we'llget uh yeah i asked spiral about that when i talked to him and he seemed like sort of okay with the idea of them doing new music i don't know how i feel i think five records a couple greateps one masterpiece ep uh some seven inches and a 10 inch and you know like in in a 10 year span they put out a lot of material and a lot of it like you said is really good for this for thisthis podcast we got over 120 songs no not over 120 it was 100 it was 121 uh i believe is the final number 121 or 120 songs like different songs were chosen i don't know how big thecatalog is i'm gonna guess maybe 200 songs 175 so that means almost you know two-thirds of the catalog log got a vote in this fucking thing that's crazy town yeah that's great i mean butwhen you look back at it you're like oh that totally makes sense so yeah there's not much filler no there's really not and uh but even on the remasters are the. [15:58] The ones that came out like you you can all the b sides and everything that. [16:02] Came out i remember back in the day you had to find them on like like LimeWire or some kind of weird service, and now they're all available. [16:10] So it's nice to hear that. And they're coming out with a 7-inch box set. Oh, really? I didn't know that. This year, yeah. That's what Spiral was saying. So it's going to be a collection of all the 7-inches. Wow, that's true. I don't know if they're going to re-release, like remaster Slay Tracks for that. I have no idea. But save your pennies, Pavement fans. [16:32] Sounds good. well it's been great talking pavement with you what do you say we get to the main course and uh reveal the track sounds good okay we'll do that right after this nowon with the countdown 46. [19:45] So there you go. At number 46, it's the third Wowie Zowie song to chart behind Best Friend's Arm at number 49. And Motion suggests itself at 48. Here we are at 46 with We Dance, the first track off the 2005 masterpiece Wowie Zowie. Keith, what do you think about We Dance? [20:16] So yeah i love i think it yeah it's a great song um i love how it leads off the album it's got like um i feel like it has this ethereal quality to it like that kind of just i don't know it seemsit just kind of dreamy sort of for me i don't know if that's how it comes off to anyone else at the beginning of the song it sort of reminds me right yeah um i read i i read it i don't don'tknow what i read into the lyrics so much but um it's tough it's the same with a solid with malchumus right like yeah it's the same with a lot of his songs but i i love the lyrics i just i can't idon't know what i'm actually reading into them i think they're notebook songs and you know there's phrases here and there that you know mean things but contextually when you put themtogether it doesn't like run a narrative if that makes sense no that's totally true yeah Yeah. And, you know, this song right off the bat with no castration fear in a chair. Like, what in the Christ is he talking about? I think I sang that part wrong for a number of years. Oh, what was the lyric you sang? I don't know. I think in here. For a while, I didn't know it was in a chair. I just sang it somewhere else. [21:35] It always reminds me of, do you ever hear that Bowie song, Letter to the Mariani? Rainy uh it always reminds me of that kind of quality at the beginning of it it's like this i feel like alone right i don't know that's what it always reminds me of, interesting yeah it's alwayslike the way it starts out i don't know it's that's how i always think of it maybe i just listen to them i might have listened to them around the same time and it just kind of caught on um andit reminds me of like a time in my life also because i remember when i was listening to the album and the people i was around and and just i guess all music does that, but that's kind ofalso the feeling it gives me. [22:15] Yeah. I was listening to it today on The Good Cans, and I had it pretty cranked. And I don't know that I've ever heard in the left channel, really low in the mix, it sounds like a fucking bong. It sounds like somebody's drawing bong hits. Like I hear like a bubbling sound, like that you would hit, you know, before you pull the chamber. Yeah. um or before you pull the whatever it's fucking called the carb you know uh yeah. [22:48] Uh yeah i don't know if anybody else has heard that or or whether it's the joint that i smoked that's making me hear that i i don't know but i heard it so if you want to tell me i'mcrazy or i'm damn straight right send me an email jd at medium alchemist.com would love to hear from you yeah i think you better listen i want to check that out now yeah you got it yeahyou got to hear it so musically westy's pretty soft-handed in this song right like uh there's a lot of restraint on the drums um and you know it makes it makes sense it's a lower tempo songuh really doesn't do a great job of setting the table for the record uh and i don't mean that in a a disparaging kind of way because i don't know what kind of song you could put as your firstsong that would set the table for the record that would leave the listener going oh yeah that's what this record is going to be because this record is so diverse well yeah that's for me that'swhy i like how it starts off that way um i just i like the just the juxtaposition between the song that follows so i don't know i kind of always liked it the way it started yeah um Um, yeah,that's a good song. [24:06] So where do you think it, where do you think it, uh, it lands on the scale? It comes in at number 46. Is it properly rated? Should it be rated higher? Should it be rated lower? Uh, like, what do you think? I think that's, it could be a little higher maybe. Yeah. I'm thinking, um, I'm trying to think how many albums, how many songs. I could see it being maybe around 40 39 somewhere around there but yeah okay but it's not too far off so it cracks your top 40 absolutely yeah yeah okay that makes sense i dig it um doyou have anything you want to plug or is there anywhere that people can find uh any of your work that that you want to share or anything like that? Not at the moment. No. [24:59] I don't really have anything to plug. I wish I did. That's cool. That's cool. Well, it's been great to have you here. I thank you very much. Thank you for having me. I really appreciate it. Yeah. No, thanks. Thanks for being here. Wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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jD is back and this time he's playing song 99 on the Bottom 50 Countdown Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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Meeting Malkmus - a Pavement podcast

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jD talks with David from London Ontario about track number 47! Transcript: Track 2: [0:00] Previously on the pavement top 50 some motion. [0:03] Suggests itself patrick weigh in on this as your number 48 track uh i think this song is is one of those like perfect pavement songs that only pavement could pull off welcome to thepavement, Pavement. Track 4: [0:27] And now on with a countdown. Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballads. I tabulated the results using complex algebra and an advanced abacus. And all that's left is for us to reveal this week's track. How will your favorite song fare in the rating? You'll need to tune in or whatever the podcast equivalent of tuning in is to find out. Subscribing, I suppose. This week, we're joined by Pavement superfan David from London, Ontario. So there's that. How are you doing, motherfucker? [1:18] I am well, and I thank you for including me in this experience to be on on the podcast and discuss some pavement. Oh, the pleasure is all mine. This is great. Just a bit of background. David and I met through the podcast, exchanged emails along the way, and then we actually got to go to the Massey Hall concert here in Toronto, and Davidended up going backstage and saying hi to the gang. So there's that. How was that? That was quite an experience. And it was very chill, which I guess surprised me a little bit until I realized that, you know, that they're people. And from my side, they're celebrities. But I mean, once you get to know them, they're people. So they're winding down after a show, and they had some family there, and they had some friends back there. And so you kind of just joined right into that experience with them. And you kind of seen the different conversations that were going on. And again, seeing them kind of coming in and out, as well as the friends and family. And that was quite nice. The members that I was able to engage with, I really appreciated. To some degree, all five of them I did engage with. [2:31] I have to admit that when I saw Stephen Malcomus, I was a bit starstruck. So, more than the other ones. And I was. So, for him, I squeaked out a, hey, Steve, or something like that, and gave him like an air pump. And that was the extent of it. My longest conversation would have been with Steve West. And I appreciate the time he He gave me their talk to, I asked him a couple of silly questions and about. What a giant eyes. Oh, all of them are terrific. And that's the truth. I talked to Spiral briefly and just kind of talked to him about his recent album, Medley Attack, and how much I enjoyed that. And I was one of the few fans that actually. Yes, thank you. I was one of the few fans that ordered the hat, bought the hat, his baseball hat. So he got a kick out of that to meet one of the ones, maybe one of the only ones in Canada who bought it. And so that was neat. and then Mark Eibold was hello, I told him I was a big fan, but. [3:24] Didn't have the opportunity to get into any deeper than that. And then I saw Bob. He's tough to nail down. Yeah, but I mean, he seemed like a genuinely really kind, personable person. So I fed off of that at the same time. Yeah. Bob gave me a hug, and that was probably the highlight of my evening. And I ordered some records from him through Broker's Tip Records, which is not around anymore, unfortunately. I know. What the hell, Bob? I guess it was a lot of work, probably for a little reward, maybe. I don't know, but definitely a lot of work. Great experience altogether, though. So getting backstage and meeting you there in person, too, was great. That was really cool, right? That was a lot of fun. Yeah. I, of course, had a massive panic attack and couldn't go backstage, but that's life in Hollywood, right? Yes. It's right with celebrities, yeah. Yeah. [4:15] So talk to me a little bit about, or a lot of bit, about your Pavement Origins story. Sure. That's, the Toronto Massey Hall is the last time you saw them, I believe, right? That's correct. So when did you first experience them? I first saw them in concert for me, I guess, which is quite late in their band history, which would have been in June of 99 when I was 18. So this was in Detroit in their Terror Twilight tour. [4:46] Probably the first time I would have had a chance to experience them, even though the shows are kind of all ages. But when I was younger than that, I just was a little more mousykind of thing. I would not have went out to big concerts. So that was my opportunity there. But when I first got into the band, it would have been around 93, roughly. So let's say I'm 12 or 13. I was at my friend's house. He had an older brother who was into a lot of more indie bands, different kind of music, a little bit more non-mainstream. And so he had That CD, sorry Slandered Enchanted was the CD. [5:22] That he had on. And I remember at the time, we were playing cards or board game or something like that, and just hearing it and really acknowledging that it was really good. And noticing that it was something different than mainstream, similar to mainstream in some ways. If you take into big bands at that time, like, you know, Pearl Jam and Nirvana and that type of thing, it was similar enough, but it really did kind of stand out. At the same time, I don't think it was mature enough to really say, I'm going to go home and kind of get into them on my own accord i just wasn't there and had other things and at that agetype of thing just didn't do it also my you know my exposure to music access to music was limited to radio uh buying cds or cassettes cds were expensive uh so i think most of my cdswere purchased through like columbia house you'd get the 10 for a dollar yeah right and they stuck to mainly mainstream so you're gonna get bush and you're gonna get sound garden andlike those types of bands on cds and i kind of ran Ran through that gamut quite quickly, and then once the year was done, dropped them. [6:23] But anyways, fast forward a little bit more after I did kind of mature a bit more with my music tastes and personally as well. And then I did buy Slandered Enchanted. It was probably my first one I purchased. And then I distinctly do remember, though, buying Wowie Zowie at HMV, I believe it was. Bring it home. I can still just remember the experience of listening to that for the first time. Time and again hearing we dance right right out of the gate i was set and and then rattled by the rush i had heard already uh as kind of a silly reference but i remember being on beavis andbutthead and uh they kind of came down a bit on it which i didn't appreciate at the time because i really enjoyed the song try harder yeah but they were like that right they would they hadtheir own style of more kind of punk heavy and more kind of heavy like metallica kind of thing would be more of their jam than something a little bit more deeper, more profound thanPavement. So anyways, it is what it is. But I do remember Why We Zowie being that just really, really deep experience. It is my favorite album today. I think for a lot of people it is, but it's the one that just resonates with me the most. Again, my favorite song, Grounded, is on it. Second favorite song, probably being Trigger Cut off Slandered and Chanted. [7:41] So i mean that great what a great fucking song trigger cut is it is and again i think i came back to that one more recently when uh i was at home during covid lockdown i was able towork at home fortunately but uh with it being at home all the time i needed to occupy myself so re uh discovering music and discovering new music was kind of the ways that i'd reallyspend my time uh kind of pass a lot of my time so trigger cut was the one that really kind of came back i'm kind of forgot how good that was uh i know i'm jumping all over the map here abit with my history but if i go back a bit to early 90s uh there will be no quiz i hope no not for me i do remember so one of the things too is i was kind of growing up and i realized that thismusic truly was cool and um so i did not want to lean into it too much because then it's going to look like i'm almost kind of using it as like a vehicle to make myself look cool type ofthing but i i remember whenever i would have it on if friends were over to kind of be on in the background and And just hear the comments of, oh, this is really good. What is the type ofthing? And just try to introduce them a little bit, expose them a little bit more to the band. And that was a fun experience, too. I distinctly remember driving in my parents' 1988 Pontiac Grand Prix with a cassette player. And I had copied the CD to a cassette. And a friend being in the car and just going bananas over Slandered and Chanted. So I think I copied them a cassette as well, probably for their car, which was probably made in the 80s type of thing. [9:08] And that's kind of but it's just also appreciating the fact that how well the Pavement's music was speaking to a lot of friends at that time who would not have come across it againbecause heavy radio play even from Detroit because I grew up in Windsor so I mean we had a lot of Detroit radio but you would not have had bands like that would never go on it. College radio yes but none of the mainstream music stations that would have been those mainstream bands. Smashing Pumpkins and all that type of thing. Rage Against the Machine Sheen was quite big in Detroit for some reason. They got a lot of airplay. But other bands like this, not so much. But as I did mature, again, more into the late 90s, I left a lot of the mainstream music, put it off to the side. Not that I had anything against it, but I would spend my music interests more, again, always Pavement was there. But then I got into bands like Can, for example, Slint, Tortoise, Guided by Voices. Uh more of that kind of indie sound um again with uh tortoise and uh slint you had david paho's uh signature sound in there uh so any of his bands i'm not familiar with either of thosebands oh really really yeah yeah slant they only had that way two albums sorry um, Their original bassist from their first album, Tweez, went on to form the band King Kong, also in 89. [10:28] But then David Pahoe went on to form, he released a lot of music under his other band name, stage name Papa M or Ariel M. Most of it is instrumental. Rarely would he put lyrics to it. Slint did have lyrics, but he was a guitarist under that. But they it would they had a very uh it was a sound that just really resonated with me so again more of that um type of music would have been heavy my style uh once we kind of brokethrough the 2000 that's really cool yeah that's really cool that you found that you carved out like this you know pavement helped you carve out this niche right so you could you could youcould uh, echo chamber sort of you know more music from that ilk that's really cool sorry i didn't mean indicate you are no not at all this is the experience here uh but a lot of it does goback to them and then to kind of find out in recent years that they were influenced by that band can who was german um experimentalist yeah um so that was kind of a neat experience forme too just to say that i was in both into both of them simultaneously uh as well as rem would have been my band of choice let's say in the late 80s um and then to find out that they werealso also influenced by REM. I thought it was a cool connection there too. So it's almost like their musical taste, my musical taste really kind of intersect. Yeah. [11:50] It's a cool factor there. Bridge 2000s a bit. I remember after they broke up, getting Steve Malcomus' solo CD album, that first one self-titled that he had. That one lived in my car. Once I had a car with a CD player in it, that one, I would cycle out CDs, but that one would just live in there constantly. Recently uh i don't think i ever took it out um later on i did i remember having a gap of time where because there was no social media and nothing like that you weren't constantly gettingyou know dinged with updates so a few years went by and you have other you know stuff going on in your life and i realized that he might have released other albums i should check thatout so i got face the truth um and then the other one that came out which i'm drawing a blank on right now um. [12:35] First one he released with, uh, yes, thank you. Um, so I had got those two and listened to them and enjoy them. And then again, this is around 06, 07, just do other kind of life things, just kind of got away from music a bit to some degree. It might be on the background, but, uh, it just kind of went away as one of my focuses until 2015, 2016. [12:57] Um, and then again into COVID when, again, when I was at home, I went back to say some Some of these old bands, like the Beta Band, for example, I said, well, you know, therewas a lot of members there. It's one of the bands I like a lot. [13:08] Let's see what some of those members are doing now. They must have had offshoot projects because they're musicians. They broke up in late 2000s. And so let's check that out. So I got into Steve Mason, and then I kind of went back into Malcolmus' catalog and then realized that he had released all these albums between 07 to 2017, 18, 2020, you know, leadingoh that's so great that you got to enjoy all that you you got to binge it was a yeah exactly it was a fire hose of great music coming coming at me so uh and then getting into vinyl as wellkind of uh because my parents were downsizing their house and they were going to be getting rid of their record player so i all i said was don't throw it out and when you're ready to tokind of chuck it i'll take it and that day they just said we'll take it now because we don't listen to it anymore more. So that helped me to get into vinyl as a hobby and then kind of re-experience music that way too, by having that different experience of listening to an entire album where you're not doingthe skip thing that you might on CDs or streaming where, you know, yeah, you're getting playlists on Spotify or whatever that, which I really enjoy, but you also miss out on that otherwhole album, full album experience. Agreed. I was explaining this to my father-in-law just last Last night, it was interesting because he was like, ah, you know, he's like, it's so much more, you know, it's so much more work. [14:31] And I was like, well, yeah, but you're holding this tangible thing in your hand and somebody made this thing. It's not this ethereal sort of jetsam that's just floating in the air. It's really quite interesting to listen to music on vinyl just experientially. I agree. Forget about the audio quality. What pavement do you have on vinyl? Do you have any? I have Slandered Enchanted, I have Crooked Rain, Crooked Rain, I have Wowie Zowie, and I have Terror Twilight. I have not been able to locate Bright in the Corners. I'm not too crazy in my vinyl purchasing because they can be expensive. So whatever I come across that's reasonably priced that I buy, I don't go crazy with certain key pressings or rare releases or anything like that. No, no, I'm not. Yeah. Did you get the Terror Twilight box? I don't i i order the digital version of that through bandcamp but the vinyl is just the the as of the would have been released at the day kind of a thing the nigel god not the nigel godrichthe, spiral stairs sequence i guess version yeah yeah which is great yeah well cool uh what do you say we get to our song of the week i mean let's do it let's uh take a brief pause and we'llcome right back with song number 47. Awesome. Track 2: [15:56] Now on with the countdown. 47. Track 4: [19:06] Okay, that was Greenlander. And that, of course, comes from the Watery Domestic Sessions that included Sue Me Jack and So Stark You're a Skyscraper. Is there a fucking bad song that they recorded for Watery? Like, really, there's not, right? It's all so great. Great. This song, number 47, is the seventh track on the second disc of Lux and Redux, the boxed set of Slanted and Enchanted. And I was just made aware that it first appeared, though, in the 90s on a compilation called Volume 4. And the song that we are, of course, talking about, if you haven't put it together yet, number 47, is Greenlander. [19:59] David from london ontario what do you think of greenlander i really like this song um this is one that i only came across again uh not to keep repeating myself but over the kind oflockdown days where with my extra time i was going through some of the more back catalog uh some of the extra kind of bonus songs that were not included on the albums when theyfirst got released uh and as well through listening to uh your podcast and the pavement conundrum podcast podcast. They also helped to introduce me to some other songs that I was kind of not aware of, as well as getting the Westing compilation album as well. But yeah, this song I enjoy a lot. And one thing that hit me as well on this one is it has that kind of little more slow, reflective kind of pace to it, vibe to it. It's not a heavy rock. Really chill, right? Yeah, exactly. [20:51] It's not a jam song. It's not a rock song. It's just, it's that vibe again, like that more slower kind of reflective vibe uh which i do enjoy and um as i was doing a little bit of research forthis i kind of realized that so this is not going to be original what i'm going to say whatsoever but it easily could have went uh onto the watery domestic ep um this is not me saying thismaybe it could have been added on it would fit uh if they wanted to add on you know a couple more tracks on there it would fit in my opinion and others again i'm kind of stealing thisfrom the conundrum folks and probably from yourself as well, as well as some other online kind of feeds there. But one thing I did as I was doing a little more research, I realized that each one of their albums has a similar song like this on there. And from my interpretation, if you start with Slandered and Enchanted, the song here has kind of a similar vibe. I mean, it takes things down a little bit of a notch. It's not In a Mouth of Desert. It's not Conduit for Sale. It's that deeper, slower, reflective song. song. And it kind of brings things down and then you can step it up again. So I appreciate that style of song on an album. But similarly, I mean, if I kind of walk through their catalog again, you could also say a similar one would be Stop Breathing on Crooked Rain, Crooked Rain. Maybe Emotions, Jests on Wowie Zowie. Maybe even Transport is Arranged on Bright in the Corners. [22:19] Possibly You Are the Light on Terror Twilight. Maybe more of a stretch on that one, but it could Could very well be. It's definitely steps things down a bit. It slows things down a bit. Even in Malcolm S. Sola's career, I'm not going to go through all of it, but I mean, self-titled, you could say Church on White could be similar. You could say Loud Cloud Crowd on Face the Truth. I'm not going to go through all the rest of them, but I mean, either his style or their style, but- Save it for the bonus feed. [22:49] But I appreciate that. Them doing that and Malcolmis doing that, again, to kind of slow things down again, it's good because you don't want every single track to be kind of reallyloud and really out there and just to kind of relax for a bit. And then when you're making playlists too, or whether you're doing it, Spotify is doing it, but these will then kind of fit into a different genre, a different style than what some of the othersongs are going to be. So playlists aside, and even just the album straight through aside, just to kind of slow slow things down for a bit and then pick them up again just to let yourself kind of breathe a bit, relaxa bit, and then kind of step up again. But that's really what I take from this song. That's where I'm coming from with this. [23:29] Yeah, I can't help but think the song benefits from having Gary in it. I love Steve West as a human being and as a drummer. I think Westy certainly can drum, but there's something about Gary. And when I listen to this song, it's his interesting style. It's busier than it needs to be. but with the sparse arrangement of the song i definitely think that his drumming and the little fills fill the space uh of the song and make it more interesting asa whole that's you know sort of my take on the on the gary factor and really there's just you know sort of guitar and uh and and the drums and like you know bass string on another guitar itsounds like um i think it's interesting there's no chorus uh you know there's sort of just a musical lift at the end of every verse that sort of represents a chorus for lack of a better term uhand i also think that in a really rare to to sm uh kind of vibe the song has a title that relates to the lyrics like it seems like it is about a greenlander somebody from the land of ice and snowin greenland uh What's your take? [24:52] I would agree wholeheartedly with that. And looking at a bit of the interpretations online, there's a couple of people that kind of jumped a little bit from here to there talking aboutpossible ancient rituals that it could be reflecting in. But I think more sensible minds might have just kind of chimed in to say that it really does seem to be about lovers in Greenland. There are lyrics here that kind of reflect that that may be, in fact, what they are talking about. [25:21] Well, kind of taking away from the fact, I mean, they are talking about kind of a love for one another. And even with this, the lyric kind of saying that on virgin fields will skate, standby children will create. [25:34] Could that be talking about an individual couple? Possibly. It could be more broader in terms of the whole population or community, possibly. But it does seem to kind of be talking about their kind of experience within that land. And then towards the end it might be talking about uh kind of with vice is warm uh it's all that's left all that's left is vice is torn um could be about relationships unraveling or just reachingtheir conclusion type of thing that i'm a little uncertain about but uh that's what i take from that yeah me yeah that's sort of how i feel as well uh i i definitely think there's there's likeromance is afoot uh it seems you know in as unromantic a way as you know you can sort of um draw up but it it it does it it it works it really works and um fuck i i like this song and iwish that watery was a 10 inch and it contains so stark and uh sumi jack as well like that's my wish i don't know what we're going to see when this seven inch box set comes out that spiralwas talking about i don't know what that looks like but i'm excited uh you know i'm real excited about what the possibilities could be for that only time will tell right but they haven'tdisappointed so far with these actual releases. [27:01] That's true. That's really true. All of them, man. [27:05] So where do you think that this song rates as far as where it landed on the countdown? It's number 47 on the countdown. Is it ranked just right? Is it ranked too low? Is it ranked too high? What do you think, David, from London, Ontario? I would say just right. It's definitely a top 50 song, in my opinion. I think it holds that position quite well. [27:27] Due to the fact that it is, again, that slower pace. [27:32] It's not quite a hear from slanted so i have to kind of bring it down a little bit there but again you do have gary's drumming like you said so you got that um mix in there as wellwhich takes up a notch of course uh but yeah i agree i mean there's because pavement is the way their band is which is kind of that you know alt rock band uh there's other songs that ithink are going to define them better which should be ahead of this song and so i think this one fits quite well it could could be a bit higher for sure like uh if it was even 35 to 47 i thinkthat that would fit just fine uh but not that not a top 10 uh right possibly not a top 20 but um definitely within the top 50 and i fully agree again 47 sure there's no offense to the song if itcould be offended kind of thing it's not a b-side even it's like it's like a a track that didn't make anything you know like it was on a compilation disc for heaven's sake yes rediscovered intime now but yeah i kind of lost it uh at the time yeah yeah chris from uh episode 50 uh track number 50 he uh had had the actual uh cd so that's pretty cool that is cool yeah any of thatanyway david it's been a pleasure to talk to you today about pavement and track number 47 Greenlander. [28:58] Uh, is there any, uh, pluggery that you need to do, or is there any place that people can find you online that you want them to find you online? [29:09] Uh, I am on Twitter at, um, just, uh, D D R. And then my last name T S S I E R. Um, I, I, kind of repost some musical threads. Otherwise, I don't do much independently because I don't create music independently. I just consume it and try and pass around any good new bands or tracks or songs that I come across. [29:31] That's the only way I can contribute that way. I do love kind of discovering kind of new bands from any decade that really speaks to me. And if I enjoy it then i will uh share it i've created my own uh two uh sorry four different um 50 track spotify playlists of a bit of kind of random music that i've gotten from again manydifferent locations uh the majority of which is probably uh bob's podcast the three song pod yeah i missed that yeah so do i but i mean they did 178 maybe around there so i've gone i'vegone backwards and uh rediscovering i'm back to about episode 100 now uh so i've not heard the first 100 but i've heard the last 78 and from there there if you do kind of listen to some onspotify you'll get recommendations for other ones uh similar ones and so i'll listen to them if i really like them i'll add them to my own playlist or some of these like i said these fourplaylists i put together of just songs that i can then share because as i talk to music about music with other people, friends from work or family, cousins, whatever, they'll say, what kind ofstuff do you listen to? And I can just say, well, here, I'll DM you a one of my playlists I put together and this is what I like. If you don't like any of it, no offense taken because I fully of the mind that music is very personable. [30:55] It's very subjective and I would never take offense to any music that someone else does not like or that they really do like. If they like music, I appreciate that. They don't, I can understand that too. But that's kind of what I do. So on Twitter, if you do want to look me up, I think I have put those playlists on there, accessible, fully public on Spotify. [31:16] Cool. Well, thank you again so much for joining me today. It's been an absolute pleasure talking to you again and keep up the good work. Same with me. Loved it. Great time. Awesome. Wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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jD is back on the b-b-b-bonus feed with new content. He's counting down songs 100-51 all year long! Today it's song 100! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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jD is back and he's joined by Patrick from middle America to discuss the 48th song on the Top 50 countdown. Transcript: Track 2: [0:00] Previously on the pavement top 50 track number 49 best friend's arm dan what are your thoughts, oh man well this um this this this track was really my introduction to wowie zowieum i didn't own it at the time and um my friend andy used to have it and uh out of all the tracks i used to make this and put this on repeatedly uh say we used to sit on the floor and listen toit and i I used to roll around kind of, I wasn't exactly laughing, but it's just like, I just couldn't get over how mad and how fun that track is. Welcome. Track 4: [0:43] Nustanovich from Pavement and now on with a countdown. Hey, it's JD here back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots. I tabulated the results using an advanced abacus, and all that's left is for us to reveal this week's track number 48. How will your favorite track fare in the ranking? You'll need to tune in, or whatever the podcast equivalent of tuning in is to find out. This week we're joined by pavement superfan patrick from middle america so there's that, how are you doing motherfucker i'm doing so well thank you so much for having me uh youryour podcast helped me through the pandemic for sure so oh dude that's so nice to hear you say uh you know sometimes i feel like i'm just talking into a microphone because it's i don'thave a i I don't have a co-host for this podcast, but now I do now with the top 50, I've got a different pot, a different podcast co-host every week. And that's kind of cool that I'm getting to meet some people, but I appreciate that. Happy to be here. I like your beanie. [2:00] I'm wearing a black one. You're wearing a bright, like it's almost a few shop. Is it red? It's orange. It's orange. Yeah. Orange. Yeah. I like it. I have several because I live in cold areas. so. [2:16] So whereabouts in middle America do you hail, if you want to reveal it? Yeah, currently I'm in Des Moines, Iowa. Oh, okay. I recently just vacated from St. Paul, Minnesota. So I was tricking myself into believing I could have an apartment in two different towns. [2:38] So now I'm just in Des Moines right now. But Minneapolis, St. Paul is probably where I would want to be, I guess. Yeah, it's a nice city. Yeah, nice twin cities, I suppose. It's the best up there. So but I'm in Des Moines currently. Is Des Moines where Bob was? Yeah, former home of Bob Nesanovic. Yeah. Okay, I thought he was from there. Yep, I was. I've been, you know, if you're a pavement fan and you're in Des Moines and you're running sound at a music venue and you go down thestairs and then you see a guy from your third favorite band standing at the bar uh you uh you definitely go and buy him a beer and then if you buy yeah if you buy bob mistanovich a beernext thing you know you're over at his house hanging out and he's telling stories about the beastie boys or something so i have no fucking way yeah yeah so um yeah my origin story withpavement is strange because they were my favorite band when I was 16 years old. And then, you know, when I was in my lower thirties, we were getting to open for them on their reunion tour. And Bob's singing on my old band Seven Inch because he just is in Des Moines. And if you're a Pavement fan in Des Moines, you're bound to bump into Bob and then you're bound to be buddies with him. [4:02] Dude, you got to tell me more about this. Let's go. Dig in. All right. You're opening for Pavement. Let's talk about this. And he's singing on your seven inch. Let's talk about this. Okay. Uh, well, I, when, like I said, when I was 16 years old, 15, 16 in the mid nineties, uh, you know, payment was one of my favorite bands. You know, they've, they've always been in my top three favorite bands ever. And I finally got to see them on the last tour in 99 at the Vic theater in Chicago. Chicago, and I drove from Ames, Iowa of, and I was seven hours early to the show, hoping that I could be, uh, first in line. Uh, I was not first in line. I was third in line. Uh, but I met some really cool people, uh, standing in line for seven hours and I got to meet everybody in payment cause they were walking out from their soundcheck and everything. So, uh, but it was hilarious. I was just telling this story the other day to somebody, buddy. The girl who was first in line had just gotten a star tattoo, like the stars that are on like the terror twilight, uh, album cover on the inside. [5:13] And so she had a star idea. And of course, when mall, although all the band had walked out from soundcheck and they were all very sweet and talkative to everybody and meetingeverybody. And then Malkmus walks out and I've never seen anything so cool in my life. You know, I'm like 19 years old and I'm like freaking out. He's got like no shirt on he's eating a banana and he just like has this aura of like oh my god you know there he is uh of cool and of course like the the girl with the tattoo was all like ohhey hey check out my you know and so when they came out on stage that night right away he gets the microphone of course it's me and that girl and the other people are standing in frontof the line like right up front in front of him and he just like looks down at her and he's like pointing at the tattoo you you know, so yeah. [6:04] Uh, but that show was incredible. So that was the only time I ever got to see them when they were like in, uh, in their real time. Right. You know, October 15th, 1999 Vic theater, $15 ticket of, I think the sea and cake opened. Uh, and they were just incredible. You know, I think the songs from Tara Twilight, uh, you know, cause that album was like a, like a little bit of more of a slow burn for me. Because you know it's so different compared to everything that came before yeah of which i absolutely worshipped and drove around small town iowa listening to over and over and overagain everything like the b-sides all of it of and then seeing the terror twilight songs live they just really kind of like exploded like the hex or something like that live was just likeincredible, and i think those songs really on the reunion tours were really great too uh so fast forward. [7:03] Many years to when Bob moved to Des Moines and I did, I ran into him one night, uh, working at a music venue and he was there with, uh, Whitney, his, you know, then wife orwhatever, or yeah. And, uh, they, um, they were so cool, you know, like whatever we, I ended up like bringing them to a different bar after the show that they were at. And we drank until the night of was young. And I drove 30 miles back to my home, but I was like, oh my God, Bob's in, Bob's in Des Moines, you know? And, uh, and he's just so personable and he's like the greatest storyteller ever. And if you're a pavement fan, you can really feed into his, uh, storytelling. Cause you, you know, like you ask the questions and he's so honest, you know, like, it'd be like, just like tell it how it is. So I got to hear many, many, many, many wonderful pavement stories. [7:58] And then fast forward years later, my band, sorry for that noise, work noise, my old band was doing an epic tour of 284 shows in like a 13-month period. Holy shit. And we were sitting in a coffee shop in Bozeman, Montana. We get a call from our booking agent and he's like, you ain't going to believe this, but I got a call from Pavement's booking agency and they'd like you to open up for them in Kansas Cityon September 11th, 2010 or whatever. And so Pavement is like the band that our band, it's like the one that like, you know, everybody in the band agrees on like that they're like the perfect band right just interrupt you for amoment what's the name of your band uh that band was called the poison control center the poison control center okay and and it's so interesting because like you know when i was 16years old and i was starting my first band ever pavement was the band that made me believe i could like be in a band you know what i mean because they're like they're like one of thosethose bands that like, if you're listening to whatever, like the early Peel Sessions. [9:12] Or like Slanton Enchanted, which is like my favorite Pavement record, all that early stuff, it's so loose and so magical and so clever and fun that if you're a high school band andyou're just trying to like make up songs as you go, but you're kind of just like banging it out and you don't really know how to play, all of a sudden it's like you can listen to your tape backthat you made on a karaoke machine with your buds and you're like it kind of sounds like pavement you know but pavement we're just like screwing around you're like drunk or havingfun and you're like trying really hard to like you know you know do stuff like that to be like oh you know so they were like the band that made me believe i could be in a band, and so soso we got word that they asked us to open for them and of course you know we're like losing it. Of course. And Kansas City is very close to kind of our home town of a band, even though we all lived in separate towns, kind of like Pavement, of... So of course we said yes. And then like pretty much booked our whole fall around being in Kansas city to open for them on September 11th, 2010. [10:26] And it was incredible. And it was all Bob's doing, you know, it was Bob who's like, Hey, there's this band in Des Moines that I'm like buddies with now who love us and would be agreat opening band. And they're on this epic tour of, and they're putting out two records this year and this would be really really big for them. And, uh, it was so incredible. You know, in my, I always, I always think back to it because my older sister lived in Kansas city at the time, and she got pregnant when she was 19 years old. And so she'd never really been to like a real concert in her entire life. And so she's whatever, 30 some years old at this time, she's had three kids or whatever. [11:06] And so she was there with my younger sister who also lived in Kansas City at the time and whatever we play our set and it's amazing it's so fun it's so great you know whateverwe're playing to 2400 people in a theater oh who all paid like 56 bucks you know and the night before we were playing some house show to like 20 people and the night after we'replaying some DIY space to like 15 people so 2400 is a is a little difference and but my older sister was there and I was like I gotta go make sure I get my sisters and like bring them thembackstage and the VIP section so they can see up close and up front and I go grab my older sister and she's like whatever they they kick off the show by playing range life and she's like Iknow this one I know this one and then whatever they got back in the VIP section and I think they both ate some cake with weed in it or something and had the night of their lives so ohman what What an experience. Yeah. So little like whatever 16 year old Patrick, who's, you know, favorite band was pavement. So 15 years later, I was going to get to open for them. [12:14] Uh, and that was amazing. And then, then later, um, after that tour, you know, I kind of started a new band and I was going to put out this seven inch. And I asked Bob, if he wanted to come and like, whatever, do Bob, Bob, on it. And, and he did. And I was like, you know, you can do whatever you want and he goes i have this list of imaginary horse names like if i was gonna of buy new horses or whatever i was ihave a list of could i yell the horse names that i would and i'm like of course you know so he's like yelling random you know horse names on the end of this song or whatever oh fuckingcool so but then also bob wrote a song uh he went he wrote this song about like he wanted to write like a sports arena anthem because he's a big sports guy, And, uh, he asked me to recordit. So we recorded it in my like spare bedroom of my apartment at the time. Uh, but we spent like 45 minutes on it. You know what I mean? We didn't like spend any time on it. And I'm just like, well, I can just make you a, a burn you a CD of this or whatever. He's like, yeah, yeah, great, great. You know, whatever. And and i was like yeah but we can work on it more we we hardly got anything on this you know and he's like yeah yeah this is fine and then he like took it and then he's like never henever like came back to work on it more. [13:41] I've heard him on a different podcast talking about that that one song he wrote or whatever, um so so i so i've been very grateful and lucky to have lived in a town with a guy fromyou know know my third favorite band of all time you know whatever so well i gotta ask because you just said it you're bearing the lead what are what are one and two uh my number onefavorite band of all time is the olivia tremor control of who i don't know if you know but they're like a band not the 90s they're in like the 116 collective of kind of lo-fi kind of like thebeatles time so like neutral milk hotels sort of yeah yeah jeff from neutral milk hotel was like went to high school with the two two lead guys of olivia tremor control um but it's it's it'sway more beetle-esque and poppy than like neutral milk fine but it's like produced by robert schneider of the apples and stereo so all that kind of e6 stuff um so they're my favorite bandever and then a little band called the beetles i guess comes in at number two and then i think i've heard of them yeah one time i they're from britain right yeah one time i opened for spiraluh stairs on on a tour of his uh in davenport iowa and i was i started the show by being like you know. [15:05] You know i was just like making you know jokes and stuff and i was like and from the third greatest band of all time spiral stairs is here you know like and everybody's like thethird third greatest. Come on, man. It's like, there's a third greatest. That's pretty good. Right. It is objective. It is very objective. I get the sense that you have like some sort of spreadsheet, uh, you know, uh, rounding this out. Yeah. I'm one of those guys who, who, if I meet somebody, I'm like, so what's your favorite movie? And they're like, Oh, I can't, I can't name a favorite. I'm like, how can you not have a favorite movie or a favorite band or, you know yeah but it's you know it changes you know like youtalking about having a list of your favorite pavement songs of course I would have a few that of course would be up in the top five but everything else is probably like however you'refeeling right because they have so many I think so so many different um. [15:59] So many different kinds of songs. I re-listened to a couple of your podcasts to get ready for this. And I listened to your episode on Finn, because I love that song so much. And I was the one who submitted a song for your first like... For the first pod list? Yeah. And so I did Finn under the band name Dog Dream. Because my partner at the time, whenever I fell asleep on the couch, she said it looked like i was dog dreaming so i did finn on that one and i loved your i just loved your episode on thatbecause i think you like hit it so in the head of like how that was could have been like the epitaph of that era of pavement like like was he thinking like that was going to be the end youknow yeah it feels like it doesn't it yeah and then what like what a song song of the like one of the most perfect pavement songs and then last you know whatever a couple years ago whenthey were on that last tour uh me and my friend jason went and saw him in saint paul, and they played that and it was just like the highlight of the show you know like the the end guitaryou know it's just like the most purest and i think. [17:16] It is i think it is like almost like a better like goodbye than anything that's on terror twilight but i love terror twilight too too. And I'm glad to me, too. I'm glad. Yeah, Finn is better than carrot rope. Yeah, as a career ender. Yeah, but I kind of love the the I think carrot rope is one of those songs, though, that like hits you right away. Like first time you hear it, you're like, Oh, I love that song. [17:41] That was it for me. Like I was sold. I was absolutely sold. And that's why I chose it as the the opening and closing for the podcast like it just made sense to me that uh it's so different and it's so very um unusual compared to the rest of the workeven even when you compare terror twilight songs it's very different than everything on terror twilight and it's certainly different than you know it wouldn't fit on brighton it wouldn't fit onwell maybe it would fit on wowie, maybe because wowie's just sort of throw it to the wall and see if it sticks you know i think you're exactly right i think it's so strange it's kind of like a60s record in the sense where there's like one song that was like a single and then all the rest of the songs are just kind of like in their own world like carrot rope is like that one song onterror twilight that's just like so different than everything else but it's like it's so infectious and so like catchy and yet so so clever and weird like the lyrics you know like the hey little boywould you like to know what's in my pocket or you know just stuff like so that only only mothmas could get away with uh. [18:51] It's just, yeah, it's just, I love that song so much. And I know that, you know, like, I know that like Bob doesn't like that song, you know, like he wouldn't, that's not like, wouldn't bein his top 25 pavement. But it's so perfect, you know, to me. Well, it's weird because they've never got to play it live. Like, there's a singer-songwriter in Canada named Gord Downie. He passed away a few years ago. But he always said that an extension of the songwriting process is playing the songs live. Like, you're almost still crafting the song when you're playing it live. And that's really interesting to me, that a song like Cat Rope didn't get to have that extra life as a live song. You know yeah my understanding was they couldn't do the the vocal and mark couldn't do the vocal and the bass at the same time that's what i understand i don't know if that's truebecause he's a much better bassist now than he was sure they did it in in 99 when i saw him no it was. [19:51] And that's the thing about payment you you they i don't want to go see a band that's just so so good that they would never screw up. [20:01] You know, I like, I like to see a band like kind of living dangerously. Right. And trying things that are like out of the box. And they did do that. And, and it was like, Mark, like he couldn't, it was like that beginning section of where like spiral saying something and Steve saying something and, and Mark, it was just like, Oh boy,this is rough. This is rough. And then it like, you know, whatever. Then it gets into the song and like, but that was the fun part of it that it was just her like wow they aren't rehearsed on this you knowwhat i mean like yeah and mark is so like he's the cutest guy in rock and roll history absolutely so i mean the guy could you know fall on his face and he would still you know make youuh want to watch him play or whatever oh yeah yeah i would love to get him on the podcast but he is uh somewhat of a Luddite in terms of technology and the like. So I think the odds of him ever coming on are slim and none. But Patrick, we are, you know, we're talking about other songs here and we're here on a mission. We're here to talk about song number 48. So why don't we take a quick intermission and we'll be right back with Patrick discussing song number 48. Track 2: [21:22] Now on with the countdown 48. Track 4: [24:39] So motion suggests itself. Patrick, weigh in on this as your number 48 track. [24:48] I think this song is one of those perfect pavement songs that only pavement could pull off. It's my understanding that Malkmus, the only record that he ever decided the complete track list for was Wauwizawe. And i think that this song uh benefits so much from where it is in the track list it makes the song that's in front of it better and it makes the song that it's behind it better so like the song infront of it serpentine pad which is like the most like kind of punk rockin oh yeah song that pavement ever did and so you kind of need that like come down after that and uh this song likeit it's almost like a a drunken carousel it starts like you know you do that's right you do feel like you're sort of wobbling off some sort of spinny ride yeah which is very strange uh but ialways loved loved it when pavement had those like little weird intros or outros in songs that kind of don't even connect with the song yeah and they do it on several different albums butlike Like this one is just so weird. And then it's just like, it's one of those songs that it's not like a carrot rope or a summer babe or a stereo where it hits you right away. It's one of those that has a kind of a slow burn and then you start dissecting it a little bit and you have all these like clever lyrics of. [26:17] You know, about being in the dirt and the hurt and the ginger ale rain and like all the way he says ginger ale is so cool. It's so fucking cool. Like it's such an abstract lyrically and the music is so cool and they're using a Mellotron on it, which is weird for Pavement. And like, it just has like a vibe unto itself, but they're the only band in the world who can pull off a song like that with such ease. You know, like there's nothing forceful about that song. It's not in your face at all of... [26:54] And they're like, literally, I think they're the only band in the world that can do that on record and live, like to play a song like that and not have somebody get bored because it's likeso interesting what they're doing and the words are so interesting, the melody is so interesting. And then the song that comes after it, Father, Sister, a Thought, which is like almost like an all country song, it kind of is like a nice like lead into that. So I think like the, where it comes on Wowie Zowie makes it blossom into this beautiful thing. But it is one of those songs that like, I probably wouldn't put it on a, on a mix for somebody who I'm like, Hey, I'm going to try to introduce you to Pavement in 15 songs because I kind ofwant to like throw the, throw the real juicy stuff at them. And then if they if they're a fan then they can then it's like they almost uh they get the gift of listening to a song like that it's a deeper cut for sure right yeah and and that's what's mostimpressive for me about this list so far the list is uh 120 songs long we're only counting down the top 50 over on the bonus feed i'm counting down the bottom 50 um but uh i'm countingdown the top top 50 here, but there's another 20 songs that were listed, you know? So it's a deep pool of songs. And this is the second consecutive song we've had from Wowie Zowie. [28:16] You know, number 49 was a Wowie Zowie song as well. And yeah, I think you're right. It's the seventh song on the record, on a long record, you know, a three-sided record. And it really does serve the album. It serves serves it serves the entirety of the album i really love how you broke that down yeah it to me it's like it's uh it's it's it's why i like guided by voices too they have some of thosesongs that are just like uh they're placed in there as like kind of a a footnote to the thing that came before and the thing that's after and i think that's why wawi zawi is such a fun ride imean i think all their their albums have great track listings and kind of flow well as albums But I do think Wowie Zowie is kind of the most interesting ride as far as a track list goes. Yeah. [29:07] And that and that and this is right where you're kind of like, OK, by this time on the album, you know, like. I don't know what to expect next, right? That's right. And then you get, like you say, you get Father to a Sister of Thought, which is like, like Alt Country, like you said, it's even lower tempo than Motion Suggests Itself, you know, well,maybe not lower tempo, but, you know, it's sort of more laid back than Motion Suggests Itself. But this is a pretty laid back fucking song. [29:40] Oh, yeah. For them, I think it's like, and i think that they were so good at that i think that like i think that was a problem that my band had that opened for pavement i think we likedlike chiller more laid-back music but we were always too afraid to kind of like uh explore that a lot on on record and especially live because you're like you don't want to bring down themomentum right but pavement it if they're the the only band that could start a set list with a song like this right yeah and they would too yeah and that's the thing like i love that they umthey're so patient and so and again it kind of like some people might be like oh it's because they're like they don't care they're like slacky or like they're just no it's like that they know thatthe deepest cut that they have or a song like like this is just as good as whatever summer babe or stereo or carrot rope, something that's going to like embassy row. That's kind of like in the gut. Yeah. Yeah. Yeah. And I think that that's the one thing I love, especially about Stephen Maltmus as a songwriter, uh, and them as a band or, you know, even spiral as a, uh, a songwriter or whatever.Um. [31:04] It's that they, they, they're patient, they're patient and they kind of don't care what you expect or want. [31:12] I agree. A lot of people wrap that up as slackerdom, but like I call it taking chances. [31:17] Yeah. And, and like. They're liberated really to take, to take those chances because of the perception that they don't care. Yeah. But truly they do. Oh yeah. Like I, that's the one thing, I don't know if you've ever read Jeff Tweedy's first book, if you're like a fan or whatever. But he talks, I'm a Wilco fan, but he talks about pavement in there and he talks about like, um, how people think that, oh, they must be lacquer and they just got everything that, that cameto them or whatever. They are like they don't work hard he's like i guarantee you pavement was working very hard and like definitely wanted people to hear their music and you know in a in a short time periodin the 90s there is no other band name another band that put out that much music at that high of quality i don't think i don't think guided by voices put out that much music at that highquality you know they put a lot of music but you're right you have to pick and choose which i love i love that very much but like me too when robert sheffield of rolling stone kind ofwhen this new reunion came around that and he put out like i think pavement is like the beatles of the 90s of he's right there's no band that has like a kind of a window of like eight or nineyears of absolute creativity. [32:46] Consistency. [32:48] And just juxtapositions of styles that is so brilliant. I can't even imagine, as a guy who writes songs, writing that amount of great music, recording it. [33:03] Touring it like they're they are unto themselves and i think i think that the 90s uh i i i was very lucky to grow up in that time to to get to experience it some some of it before i knewthem you know because i probably came into the to the fold during like crooked rain era so i had all that stuff previous but i was and i'm an obsessive so i went back and listened to all thatother stuff and i'm like oh my god slaying chance is the greatest thing ever ever right and makes me me want to be in a band or believe i can and then to have like you know brighten thecorners and those singles and tear twilight to like experience as it's coming out was very special to somebody, like me who of who needed that i uh one of my senior pictures of i had madea shirt you know with those iron-on letters on the front it said pigs they tend to wiggle when they walk and then on the back it says i trust you will tell me if i'm making a fool of myselfyou know they were just like that band for me that like i i connected to so much that i would. [34:10] Whatever take a senior that's great in a goofy shirt like that oh man so so where do you think patrick where do you think um the song fits in the in the in the this canon of top 50 it'srated Rated number 48. Is it rated properly? Should it have been higher in the countdown? Should it have been lower in the countdown? What do you think? It's one of those songs, I don't think I would put it in my top 25, but it would probably definitely be in my top 40, you know? Right, yeah. I just think that it's just one of those songs that is so unique unto them that every time it comes on, now I'm like, oh my God, this song is so good, you know, whatever. [34:57] But again, it's probably, if I made somebody, which I've done many times for people who don't know Pavement, like a Pavement 101 mix, I probably wouldn't put this on there. But hoping that they would discover it on their own and dive in deep, you know. Because I think that that's the thing about this band if you've only ever heard the albums or maybe the singles or you bought like the whatever like the like the greatest hits comp orwhatever that came out like ten years ago you have all this beauty and uniqueness yet to discover and that and this song would fall into that I think for me. [35:41] Well, that just about sums it up. That is track number 48 on our countdown of top 50 as selected by you. Patrick, I really want to thank you for joining me today. It's been fucking great. Is there anything that you want to plug or anywhere that people can find you or anything like that? In the last year, I started doing this thing called Quick Hitters, where I put out songs that are under 90 seconds. on, on, on there on Tik TOK or my Instagram or whatever. So I, I, I like short songs. So I just, uh, and very Bob Pollard of you. Yeah. Yeah. Uh, sometimes you just can't get over a minute and a half. Right. So, but if you can, if you can get a, a song out and a story out in a minute and a half, then, uh, so I did a bunch of those songs in the past year and I continue to do that. So that's been kind of fun for me. So if you're, where do people find that? Uh, it's called quick quick hitters on Tik TOK or my Instagram is called the lines you amend, uh, which is a Sloan reference. Yeah. I'm a big Sloan guy. Yeah. You're, you're Canadian, right? So, you know, Sloan, I am a, yeah, I know all the boots Sloan. [36:53] I was, uh, I saw Sloan this past year and it was like, uh, I saw Sloan annual a tangle this past year and it knew, and it hit me that I'd seen them both in four different decades. Holy Christ. I mean, I saw them in the 90s, the 2000s, the 2010s, and now the 2020s. And I'm like, I'm only 43 years old. How does that even work? That doesn't make any sense to me. You know, so. But it's fun that bands like Sloan and Yuletango and Pavement and Guided by Voices are still doing their thing so people can say they saw them in four decades, right? Totally agree. So. All right, man. Well, good talking to you. Wash your goddamn hands. All right, I will. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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jD is joined by Dan from London to discuss and dissect the 49th song on the Top 50 countdown. Transcript: Track 2: [0:02] Hey it's jd here back for another episode of our top 50 countdown covering seminal indie rock band pavement week over week we're going to count down the 50 essential pavementtracks that you selected with your very own top 20 ballads i then tabulated the results using an advanced abacus and some test tubes and all that's left for us is to reveal this week's trackhow will your favorite song fair in the rankings? Well, you'll need to tune in, or whatever the podcast equivalent of tuning in is, to find out. This week, we're joined by a Pavement superfan, Dan from London. So there's that. Dan, how you doing, motherfucker? Track 1: [0:46] Hi, JV, I'm doing okay, thanks. Yeah, all is good here, I think. Track 2: [0:50] Nice to talk to you again. Track 1: [0:52] Yeah, it's good to be back on. Track 2: [0:54] Yeah. So, um, let's get right to it. Talk to me about your experience or your pavement origin story. Like what was that experience like? Track 1: [1:09] I think when I was at art college, a lot of people were playing snippets of pavement stuff, you know, I didn't necessarily know what it was. Um, I remember hanging out with a guy in his car and he used to have like speakers off an actual stereo in the back of his car, you know, like speaker cabinets, wooden speaker cabinets. And I remember him blasting, um, a bit of Westing through there as well and feeling pretty interested in that. But it was really when i went to university and i was at um i was at this girl's house you know and we'd been sort of drinking all night and she put on this tape and one side was gentlemenby afghan wigs and the other side was crooked rain and crooked rain just blew me away you know i think that that had impacted me on first listen more than any other record ever has ithink you know holy shit yeah i think that just the the way it builds up those first two tracks are are just amazing you know there's nothing else like it and then of course it goes into stopbreathing and it's like oh my god okay this is too much man yeah um but after that i actually um. [2:14] I got back into them and had a load of stuff on tape and i was playing along with it on my as well but i actually worked at um glastonbury in 1999 just so i could see pavement aswell you work um yeah yeah yeah so what were you like a usher or something uh yeah you you work on the the gate so you take people's you know tickets and exchange them for thewristbands and then in the evening well it was actually um ultra violet sort of um stamped and um yeah you know and then you'd have to check people in and out at the at the night timeyou do three eight hour shifts so you do 24 hours at the festival but my shifts lined up nicely so that i got out of went pavement wrong and um perfect it was it was it was a crazy goodafternoon yeah yeah yeah, Um, and then after that, yeah, say I saw them on the reunion tour and then, uh, the rest is when I kind of saw them with you, basically Primavera London. Yeah. Track 2: [3:13] That was great. Talk to me a little bit more about, talk to me a little bit more before we go into the London shows. Cause those were really special, but talk to me a little bit more about Glastonbury. Like what was the set like for that? What I was 99. So they were on the last leg sort of, of, of terror twilight. Track 1: [3:32] Yeah yeah yeah so there was there was a lot of terror twilight i mean um i can't find any footage of this but basically when they when they came on stage they were introduced bythis dude it just came on was a friend of theirs and i think he was like either like a pub landlord or like some, bookmaker from brixton you know this random guy that they loved and heintroduced the band, and they came on um yeah i think it was it was there was a mixed bag but it was it was quite very twilight heavy but i just remember the outstanding thing from thatwas just like folk jam was amazing really i've i've a folk jam or platform blues yeah i still i need to look at that set list now and just to remember but the thing about that is that i um i stillhave the 35 uh millimeter sort of camera film undeveloped from that western experience yeah it's been sitting there for what nearly like 24 years now so i've still got to get that done so ihave Where do you even get film developed now? Places will do it, but I just never got around to it. I've got about 14 rolls of camera film from my life. I get to look. Yeah, well, it's a time capsule, yeah. But I'll do that, yeah. I'll do that. Track 2: [4:45] I want to see those. Yeah. Track 1: [4:48] And you'll get to see how scrawny I was back in 99. Track 2: [4:54] Half Dan from London. Track 1: [4:57] Very much so, yeah. Beanpole. But that was cool. Also on the bill, either before, I think it was directly before them, was Wilco during the summer period. So that was pretty cool as well. Yeah. Track 2: [5:10] Oh, what a great lineup. Track 1: [5:12] Yeah, the chip felt good for that. Yeah. Track 2: [5:14] I won tickets to Glastonbury one year. I got a call from a radio station. I entered a contest and I won and they called me on a Friday and my plane would have left on Monday to go. Um and it was exactly 10 years after i won another contest it was like 10 years to the weekend i won a trip to saint john's newfoundland to see a secret concert by molson canadian beer uhso anyway 10 years later i win tickets to glastonbury uh so that would have been, In 2004, I guess, 2004, 2005. I don't know what the lineup was, but they were booking my, they weregoing to book my flight that night and I needed a passport and I didn't have a passport. So I couldn't accept the prize. And they were like, sorry, it was in the terms and conditions that you had to have a passport. And I was like, I can get one. Like I can get, I can fast track it. Track 1: [6:22] And i could have it by monday and they're like sorry we need to book the flight and i was like are you fucking kidding me oh man i'll have to look and see who was on that lineupwho did i miss yeah but i mean it's you know glastonbury is not what it used to be you know it's no it's been steadily sort of gentrified really yeah so it's like coachella is now but i meanwhen i was when i was uh working on the gates a couple of funny things happened so one of which we had our suntan lotion stolen from us so we were just getting burned out there allday the second was the second was there was this guy and he had this big bottle of vodka pulled out of his bag and they're like you can't bring that bottle in here you know so um he sat bythe side of the queue, um and he just started knocking back this vodka this like i don't know barely 18 year old guy, and um you know he pretty much got like halfway through the bottleand was just looking absolutely off his face and then he pulled another you know bottle out of his bag and it was a bottle of coke and he was pouring the coke into dilute it and then helooked his coke bottle which was plastic and he just like it's like oh fuck because basically it was the glass bottle he couldn't take in so he could have tipped it into his coke bottle he couldhave kept the vodka but he'd met like half a bottle so he had this realization in this burning hot sun and the security guy I clocked it and he was just like, okay, just, you know, pour it inand bring it on in, you know, and I saw this poor guy stagger through and that was his start of his festival. He was wasted beyond belief. [7:52] Holy shit but also um the perimeter fence that they have there i i saw people like throwing, like dogs over i saw like a family sort of the guy got over and then they threw the babyover the the fence and he caught that and then his wife came i mean it was just pretty mental yeah. [8:11] Yeah so you know i don't think you get that much of that these days oh that's cool what a fun experience so that was that that was your first time seeing them then, 99 yeah yeah yeahyeah yeah because i mean i was at reading when they played but um i retired to my tent to make some beans yeah i remember you telling me that yes but i i so i didn't see them with garybecause i was too busy eating beans because you didn't know of them at that point yet. [8:40] I wasn't overly overly overly familiar with them no right you hadn't listened to the cassette yet the the the crooked rain cassette the infamous crooked rain cassette incident yeah thatwould literally happen like a year later or something you know so yeah to see them with gary would have been really interesting um i i think there's some gary there's definitely some garytracks in in this top 50 list and uh it'll be interesting to revisit those tracks like after listening to so much westy and i think westy's a great drummer but gary is just it's just different it's justdifferent yeah i i i love gary gary's um i think other people have said it but there's something kind of melodic about gary's beats as well you know they they carry things in a different wayand and they carry things in a very atmospheric way as well which means sometimes they just turn the guitars down don't they they just let the drums come through for a bit to build upand then And they just come back in. Yeah. That's cool. It cool. Track 2: [9:43] So what was the highlight of the, obviously I was with you, um, um. Track 1: [9:49] But you have to the the rest of the audience wasn't with us so they don't know what were talk to me a little bit about the london shows, well i mean it's difficult because we did threeand it's and it's all a bit of a you know a bit of a mush in my mind you know um but i mean the the first night was it was a bit difficult because we were we were kind of really at the backand i didn't really appreciate it much from the back of the room but the next two nights when we had those phenomenal views um i mean that that was just my my dream would always behave been to see you know pavement like watching them from the side of the stage you know i mean that that's a life ambition for me and and we got that so for me it was just seeing themall in action you know from an angle that you wouldn't get to appreciate them from you know i mean like they they did it they did a huge variety of tracks every night was different wesaw three nights in a row and i wasn't bored at all yeah i mean the second night, we were there we had really really obscure stuff going on in the set list as well so that was, that was greatbut yeah i'm never like my memory's the same as yours i'm never one that can just remember certain things from certain gigs. That's why I tape, you know, that's why I videoed the whole thing. So I can watch it. Track 2: [11:11] Right. I just think my highlight was the second night on that balcony. We were there with SM's daughter and her friend and it was her daughter's birthday. And afterward we went backstage and got offered cake. And I remember just thinking, I remember thinking like, whose life am I living right now? This is fucking bonkers. Track 1: [11:38] Oh, it was good. It was good. I mean, it was so, it was so relaxed as well. It was, it was just really chilled out and, uh, uh, it was great to have that experience there. Yeah. And then, then just getting back in the dressing room, talking to, I spoke a lot to Remco, caught up with him. And then we were talking to Sparrow for a long time. Track 2: [11:55] For everybody else, who's Remco? Track 1: [11:57] Um, so Remco's, um, pretty much the sort of, um, payment European sound engineer. He does the Jicks stuff as well, but also he has the recording studio that, um, uh, was it Wig Out of Jag Bags was recorded? I can't remember which album. Track 2: [12:12] I didn't know that. Track 1: [12:13] But one of, one of them. Yeah. Yeah. Yeah. Look it up. Yeah. But, uh, Remco's cool. Yeah. And he also does the European sound for when Spiral's touring as well. Track 2: [12:22] Oh, wow. Track 1: [12:24] Yeah, he's a cool guy. Track 2: [12:25] Yeah. I thought it was so cool when you were like, oh, that's Remco over there. And I'm like, who the fuck is Remco? And you go over and he's like, hey, Dan. Track 1: [12:32] And Remco is in Marble Valley as well. Track 2: [12:35] Oh, that's right. Track 1: [12:36] Yeah, because Marble Valley was pretty much all of Pavement's roadies apart from Steve West, obviously. Yeah. Track 2: [12:43] Yeah. yeah i haven't listened to much marble valley but i i've listened to it a couple times uh, and uh yeah i dig it i dig it i also like that unmastered masters record that he put out uhthat yeah i still need to get into that yeah yeah that was pretty good yeah yeah, well shall we uh get to the main course here sir dan dan lisa yeah far away all right well Well, what we'regoing to do is take a brief intermission and we'll come back on the other side and talk about track number 49. Okay. So now we'll play the song. Do, do, do, do, do, do, do, do, do. And then the song will fade out or no, it won't fade out because it's got a fucked ending. It's got a really fucked ending. So we'll talk about that. Um. So we'll come back in. All right. We are back and you heard it. Track number 49, Best Friend's Arm. Dan, what are your thoughts? Track 1: [13:49] Oh, man. Well, this track was really my introduction to Wowie Zowie. I didn't own it at the time. And my friend Andy used to have it. And out of all the tracks, I used to make this and put this on repeatedly. Repeatedly uh say we used to sit on the floor and listen to it and i used to roll around kind of i wasn't exactly laughing but it's just like i just couldn't get over how mad and how fun thattrack is yes you know it's i have the word i have the word frenetic written down oh yeah yeah yeah yeah i mean you know it's got a huge amount of energy but it's also, very obscure it'sone of the most obscure tracks the pavement have done i i would say and um um it's an enigma as well in my mind this yeah the verses are the verses are like screamed out in like a punkway you know it's uh i don't know that there's any other vocal, uh performance by sm that is quite like best friend's arm like it it really is one of a kind. [14:58] Yeah i'll i'll tell you what i have in my notes because because it's kind of interesting what i came up with because this analyzing this track just broke me completely you know um sobasically like yeah you know it's two minutes 19 uh again it's the perfect bridging track between extradition and grave architecture which are both pretty mad tracks but extradition has gotthat wonkiness that brings you into this yeah um but it's like this is fast and loose sounds like it's spur of the moment and probably like a one-take thing but in the beginning so it soundswith what sounds like a snippet of a phone call like a bit of an authoritarian woman's voice saying no you don't have to which is weird you never get that on anything else particularly awoman's voice and then you've got the whole sort of start thing which is almost akin to um silent kid you know with the whole sort of like tambourine sounds bob doing some mad moognoises there's feedback, It just sounds like the band has been teleported in, you know, to this studio or this event that they're at and they're running late and they just, this is the sound I'mgetting teleported in, bang, they arrive and then they have to get going straight away, you know? And it's like, Mountmas is almost like making up time, you know? Track 2: [16:21] Yes. Track 1: [16:22] Yeah. Track 2: [16:23] I love that. Track 1: [16:25] Yeah. Yeah. Yeah. But, but also the, the other analogy that I had for this as well was, um, you know, this is like, um, in back to the, Marty's band in back to the future when they'reauditioning for the, for the spot at the prom show, you know, and it's the whole, you're just too darn loud thing. It's for me, this is like a pavement take on that, you know, it's like imagining themselves in that situation and just like trying to, I don't know, like almost like as an amateur band come upwith this loud sound, that's going to try and impress someone and it just doesn't yeah it's pretty mad who's doing the backup vocals on it is it sm singing his own backups on the track idon't know about live like live obviously he doesn't but, yeah well i mean this this is the whole thing about it's obviously like he's singing the main bit which is just basically unintelligibleand then you've got the yeah almost like the call and response i can see i mean i was gonna ask you is it like is it like spiral is it like Like, Bob, I don't know. Track 2: [17:23] It sounds like Steve to me. Track 1: [17:26] But when you get further down into the track as well with the best friends arm bit, it's like, who, the first part of that you hear, the first few lines, you know, that come in, like, whois singing on that? Because it sounds like an English voice. It's like, it's just weird. And then the backing on that, the rest of the band join in, you know, singing the line, but they're all singing it in a different way every time as well. Have it's yeah like the harmonies and everything they're just totally different so. [17:57] Um it's it's just crazy you know i mean you know the thing i was going to say about the lyrics are that they are just delivered at such a speed and with such ferocity that they're kindof unintelligible and then you the first bit where you do get to section of the song that actually sort of dies down a bit where you kind of get you know the jazzy ride rise that ends on thatweird weird flat note and then you get the big low bit and um you know the guitars fall away and the drums are there and it's just like steve starts singing and you're thinking oh my godi'm actually gonna be able to hear what he's saying and then he basically just says um well i mean what what does he actually say there is it like my baby's got the postage in the line yeahit's got a postage in the line yeah yeah but it's almost sounding like a low and sort of pathetic kind of club singer, style and it's like yes yes this yeah and it's like i can hear what you'resaying but it has no resemblance to anything else it sheds no light on the situation no and it's the same thing as the old i can see i can see i can see bits it's like those sound like they're froma different song song completely you know it's it's it's crazy yeah fuck it really is crazy is like it's. [19:19] Is it kosher to say the word schizophrenic at this point like it's it's the song is all over the place yeah yeah I mean that's that's the thing I love the most about it I mean. [19:32] The sounds in there are crazy as well because it's all carried on you know by our eyeballs bass and eyeballs bass is just like so madly overdriven that it sounds like some kind of outof control, lawnmower and then towards the end it like sounds like some kind of out of control bus or you know and the best friends armpit and then the the guitars are clean you knowthey're sort of chimey either jazzy or melodic and it's just crazy yeah and the as you say the guitar solos they're schizophrenic as well you've got two guitar solos going on they don't reallybear much relation to each other they're you know in harmonic and yeah it's just like they're just going for it it's like if you go to a restaurant and you go into the kitchen and you see allthese ingredients, that don't work together you know like and then the chef comes in and mixes them together in such a deft way that you eat this end product and you're like fuck this isdelicious but it shouldn't be it shouldn't be it doesn't like if we were to listen to the individual tracks on this song like like break it down and listen to the tracks, you would never think thatthese tracks fit together. Track 2: [20:52] If that makes sense. Track 1: [20:54] Yeah. You, you, you could not design this song. No, no. I, I, and I would, I would, I got, I, that'd be a dream come true to actually be able to deconstruct this song. Yeah. Just to hear those tracks. I mean, I would just love to hear the bass and the drums together, you know? Track 2: [21:09] Yeah. Track 1: [21:10] I mean, that that's like a strong thing that's going on, but the God, the guitars, man. Really great right yeah but i mean you know it but it is it's because it's pretty wonky and it's fun and it's like kind of don't give a fuck really isn't it you know it's just like, you know is it isit a play on the fact that like you know oh we're getting renowned for like you know saying that we can't play or being regarded as not being able to play you know is it just taking that to anew dimension taking those comments and that perspective out of proportion. I don't know. As I say, it's an enigma. Track 2: [21:50] It really is. Track 1: [21:53] Um, but did you, did you actually have a look at the lyrics because I've got them, I've got them printed out right here. Yeah. Cause whoever had a stab at that has done pretty well. I think when you put them together with what's going on, it's like, yeah, they don't, they're not accurate at all, but then you can't improve on them because what is there is just not there,you know? Track 2: [22:16] And if you can't think of anything, then you gonna drink and think it later. Later yeah and then the next line he's gone at it so hard on that line it's just a cough and then that's where you go that cough is in there yeah yeah you know but it's because he's going at amillion miles an hour yeah i really feel like you're on to something with this whole, like this might have been just you know a loosen up song you know it might have been like okay okay,we're in the studio now. Let's just rip one out before we record something proper. And then it came out and it's like, this is what it is. Pavement's a one or two take band. So I'm pretty sure that whoever was producing it might have said, I think it's Easley who produced Wowie Zowie. They might have said, have another stab at those vocals. And he's like, like, no. And they're like, yeah, but there's a cough in it. And he's like, yeah, that's it. So what? Track 1: [23:22] I mean, a cough, in that delivery is not going to improve it in any way you know it just doesn't improve the the lyrics that you're not coughing over you can't make out what the hellthey are right you know but but i mean i think i think they did it and it's just like my god this is just so such a fun song this is just so full of energy and it's just i mean it obviously makesthem smile it obviously makes them laugh you know i mean imagine playing it you know i can't did they play this on the road is this one they took out oh yeah yeah so in terms of in termsof being on the road i mean. [24:00] In terms of the lyrics you know like the you know the radio session that they've got on the sordid sentinels edition of wowie zowie right the one that was recorded in australiaobviously like the lyric bear no resemblance you know the song is nearly twice as long but then also on the road you know like the roles are are interchangeable so bob you know i've seenhim singing the verses you know and they're even the even more unintelligible you know really so yeah there's some good footage out there of them them doing it a few times in 94 i thinkas they were sort of developing the album and then a couple times in 95 i think yeah it doesn't fit on any other their record it doesn't like maybe it would fit on maybe it would fit on like. [24:47] Demolition plot or perfect sound forever maybe but it's like it's not like anything else it really isn't right i mean you know that's what i ended up doing earlier on was was you knowlooking at other tracks that had sort of uh lyrics that were sort of like low down in the mix or obscured you know in some other away you know um looking at things like i don't know uhrecorder grot and things like that yeah and um old like spizzle trunk you know and it's like yeah you've got to go back that far to get that obscure you know and and this is this is why ithink like you know why is that is like almost like a really good you know updated version of of westing yeah you know um but yeah it's it's interesting to actually be able to go back thatfar and then you know the lyrics on the stuff on westing is more intelligible than something that's recorded on a huge you know huge studio. [25:47] Um later on in their career yeah it's just it's just cool it's just so interesting yeah agreed yeah yeah um but also you know with the main line you know what do you think, keep itunder your best friend's arm means to you. Track 2: [26:07] I wish I could put it together. I don't think it's related to anything in the main part of the song. I really don't know. I should have went back and listened to my episode on Best Friends Arm to see what I thought then. Because I don't remember. I have such a piss poor memory. Track 1: [26:31] I did review the episode, yeah. But I don't think... Track 2: [26:35] I offered any insight? Track 1: [26:37] I don't think the answers are there. No, no, no. I mean, I mean, for me, like, you know, it's pretty much sort of two songs, but if there is a relation between the back half and the front half, you know, like the front half is almost like akind of like a friend listening to a drunken conversation, a drunken confession and just going, Oh yeah, yeah. Okay. Okay. Okay. And it's almost like, um, yeah, you know, that, that person may have told somebody, yeah you know a secret you know or a truth that they don't want revealing to anybody else so i guesslike keep it under your best friend's arms is like keeping a secret you know oh that's cool if you were to look at the lyrics that are actually in there that you can hear i mean maybe youknow like um baby's got a postage in the line is like what somebody got pregnant i don't know but that's obviously reading way way too much in it because it's not about anything yeahthat's a a pretty big leap postage to pregnancy yeah but but for me you know i'm getting a real high school vibe from this obviously you know with my uh back to the future references andand this kind of thing yeah and then you were talking about the ending as well you know and it's like a real kind of scratch ending and it's like again it's like the whole back to the futurething of just like shut up you've got to leave the stage now no good get get off, And, uh, and they, and they disappear as quickly as they, as they came on. Yeah. Track 2: [28:06] Yeah. You know, it's just very abrupt. Very. Track 1: [28:10] Eyeball. Eyeball gets his last bit of basin before the big, you know, the big hook stick comes and pulls him off. Yanks him off stage. Track 2: [28:20] Oh, fuck. Well, man, it's been great talking to you about best friend's arm and your pavement experiences. Uh, do you have anything you want to plug? Track 1: [28:32] Oh, man. No, I mean, basically, you know, I did. I did do some recording of my experience of primavarity and pavement and me in you for the first time and hanging out with you, JD. And I'm going to try and release that on a video on YouTube at some point very soon. So there's that, which also has the full Porto primavara set, which will come out as a separate video as well. So Oh, that's exciting. Yeah. So maybe you could pass on the details, JD, when those come out. Track 2: [29:05] Yeah, I certainly will. Track 1: [29:06] Yeah. Post them up somewhere. Track 2: [29:09] Well, I want to thank you. I want to thank you again. It's been great talking to you once again, and, we'll do this again sometime. Track 1: [29:18] Yeah. It's been great. Thanks, JD. Track 2: [29:20] All right. Wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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jD is back and he's sitting with Chris chatting about the number 50 track on the Pavement Top 50. Track 2: [0:16] Hey, it's JD here, and welcome to the Meeting Malcomus Top 50 for Seminole Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you picked. How will your favorite track fare in the ranking? Wait and see. You'll need to tune in or whatever the podcast equivalent of tuning in is to get that information. Each week, we'll also invite a guest to not only discuss the track, but also to share their Pavement Origins story. So there's that. This week, we're joined by my friend Chris. Chris, how the fuck are you doing? Track 4: [1:02] I'm very well, thank you, JD. It's a big honor to be on your program. Program but you're a pavement scholar uh and i i've been listening for a while so uh yeah this is great that's great yeah we're gonna have some fun yeah yeah yeah yeah but doing goodyou all right i'm great man i'm great i'm i'm raring at the chopping at the bit to get to number one, and here we are here we are like way at the beginning with number 50 oh my gosh, ashso um let's talk a little bit about you how long have you been uh well like what's your pavement origin story right so um i i remember seeing the the record cover in a really cool recordshop in the town where i used to live which is bournemouth okay back back when and i'm talking talking about slanted i don't i probably don't pronounce it right because i know you dofrom. [2:07] And um i sort of was looking at it it looked really weird interesting um my mate ben he bought it and he said um right we're going to go on we were going on a school trip orsomething and he had a tape of it so um you know home taping and all that and i'd put it in my um you know cassette player and by i don't know 20 seconds in that was it i was i supposebefore that i'd listened to, the stone roses and the happy mondays were probably like my sort of favorite bands and then uh yeah and and i was pretty young then and then uh um nirvanawas sort of they were there but i i felt very differently when i heard pavement to how i heard nirvana i don't know uh pavement did something different to my brain tell me more aboutthat, Well, it's just the lyrics, I suppose. The energy lyrics and the drumming. Gary's drumming is just absolutely unbelievable. Track 3: [3:24] It's like tribal or something, isn't it? Track 4: [3:26] I don't know. I never really thought of it as tribal. It just doesn't sound like anything else, really. like he crammed so much in and he plays sort of little melodic uh riffs and and bits that really seem to go well with the singing yeah umwhether that was just pure fluke or what i don't know uh, but i read somewhere that steve would sort of say you know he'd be talking to gary during the. [3:58] Process of recording and basically be like saying like rock out now and all that kind of stuff um so he was giving him some sort of pointers like this bit because some of those earlysongs are the same three chords or whatever right over and over again but it doesn't sound like that because the the lyrics and the drumming and the guitar solos just make it so so muchmore if you and i still haven't tired of of any of that music um so yeah they were kind of like a band that i latched onto and thought yeah this is my band if you see what i mean yeahabsolutely did you get to see them live in the heyday um yeah well uh yeah i've seen them live quite a few times i didn't see them live when slanted came out because i was probably alittle bit um young to go to, maybe some of the places they were playing i don't really know but anyway i didn't and then and then saw them on the tour for... [5:02] Bright bright in the corners and i met i met them on that tour and i was a disgusting drunken mess so uh but i've talked to i've since apologized and talked to to bob about that and uhagain and he was like no it's fine don't worry about it but at the time i was like oh no i met met my favorite band and i was a fucking idiot you know but uh it happens didn't it um but yeahwe we kind of just launched ourselves at the little barrier and it just gave, and we just went, went round onto the stage and, and round, round the back and had a good chat to him. I don't know for how long, but it seemed like a, probably outstayed our welcome. Track 3: [5:43] Oh, I think they're used to it. I think they're used to it. Track 4: [5:46] Like they gave us a beer and stuff and they were very patient with, with these strange drunk boys around him. So yeah, um marvelous marvelous band and yeah still a huge fan saw him last year where when we met up in porto uh saw him in london um then and see him to the first roundhouseshow right yeah yeah it was, pretty noisy and sludgy yeah it's great and um richard dawson uh opened that one i don't know know if you know his work i don't know oh he's really goodum and steve was sort of singing his praises um during the pavement set um which was really cool and i've seen steve a bunch of times i saw and i've seen pavement a bunch of othertimes as well um steve the best one was is uh The solo one he did in London for the Groove Denied tour. Track 3: [6:54] So good. I went to that tour as well. Track 4: [6:56] Yeah. It's like, yeah, it was blown away. Me too. You could get pretty close and see what he was up to. And he looked like he was having a good time. So one-man band style. Track 3: [7:11] He couldn't hide behind anybody, you know, because he was front and center on that tour, him and his MacBook, right? Right, like it was him and that blue guitar, that blue, I don'tknow even know what kind of guitar it was that he was playing. Track 4: [7:23] Wasn't it? Track 3: [7:23] It was a hollow body though, wasn't it? Track 4: [7:26] Yeah. Wasn't it? That is, is that I forget her name. There's a good songwriter. All right. It'll come to me after this. I don't know. But if you, if you look up that guitar, I think it's made by somebody quite famous. Track 3: [7:41] Somebody is listening to this right now and screaming it into their, into their headphones. Track 4: [7:45] Bloody dick. I should have done it. Track 3: [7:47] Yeah. Track 4: [7:48] Um, but yeah, uh, that show was just the best. Yeah. That was really, really good. Um, it's funny because you went off on a tangent then i don't know i don't know where we started or where we've ended but that's the game baby lifeline fan is the summary and uh yeah isort of. [8:08] Collected and bought things all the way along um and i'm just looking forward to whatever happens next really yeah i mean uh i listened to your interview with spiral and he wassaying about out that singles box that'd be quite quite a nice thing if you if you've got a record player yeah i wonder what's going to be in that like it says the seven inch collection but likearen't they already out on vinyl like or some of them just some of them are hard to get um so yeah i think if you're if you're sort of collecting the seven inches you probably yeah youprobably need to part with a bit of cash now for like uh certainly the first one i mean well will those come with it do you think like slate tracks and demolition plot what if it's the singlesthen it i don't know oh do you do you count those as different releases like i don't know i don't know because it's like weird because perfect sound forever is a 10 inch right yeah so itwouldn't be on there so it won't be so you wouldn't be i have that and i have demolition plot but i don't have uh slay tracks oh i've got them look hold on i'm gonna move my i'm gonnamove my camera because i built. [9:21] You've got it for it yeah that's a beauty. [9:26] Even the insets and everything, it's just so much mystery and stuff like that. And when they came out as well, you didn't know really what they looked like. There was lots of little whisperings and weird fanzines that we'd buy and pick up and send off for. And there'd just be like a little review about pavement and it just added to the mystery. So they seem to have weirdly retained that, even though they're really not mysterious guys in a lotof ways. They will answer any question. Track 3: [9:58] They really will. But still, they managed to be… To cultivate this sort of clandestine… People are still interested, yeah. Track 4: [10:07] Yeah, yeah, yeah, yeah. So, yeah. Track 3: [10:10] So what do you think it is that makes them… and I'm going to go out on a limb here and say they're more popular in the UK than they are even in the USA. What, if that is true, why do you think that is true? Like, why did you guys adopt them so heartily? Track 4: [10:30] I don't think it was a conscious decision to be honest. It was just, yeah, it was just instant. Track 3: [10:36] You guys know music better. Track 4: [10:37] I don't know. Maybe it was just because, maybe it was because, you know, the press here, certain people in the press may have warmed to them right so fewer people fewer peoplefewer outlets but i think more than that it was just an irresistible sound to to begin with and you know it's i suppose in a basic way they were a culmination of a lot of bands that real musicmusic fans dug, like the Velvet Underground and The Fall. Dylan-esque in some of the lyrical sort of things and people don't just like those kinds of bands a little bit they they love them and that's a good point um and then they had influence frombands like faust and can and again maybe beefheart the kinks my blade valentine it It was a lot of stuff that, yeah, people aren't just a little bit into. They're mad fanatics for those kind of bands. And yeah, that's what I think might have happened. Track 3: [11:50] Yeah. Yeah, I think you're right. I think John Peel. Track 4: [11:53] I'll answer the question in any way at all. Oh my God, yeah, absolutely. I just got off on my head. Track 3: [11:59] Hey, man. Track 4: [12:00] Yeah, John Peel as well. John Peel was huge and a lot of people I knew would tune in to his shows. And, you know, if there was a pavement session on, it would be on, on the Saturday night and you'd go in and to school and, and people would be talking about it on the Monday. And, you know, did you tape it? No, I fell asleep before the last song because he'd play a song throughout a two or three hour program every once in a while with no indication of whenthat was going to be on. So you had to be there with your, your pause button. Oh man. man ready to rock and roll and i've got like bootleg recordings of these shows where people have left peel on a little bit and also you can hear the kind of pause button go and allthat so oh that's so cool it's just something that we don't have anymore right like that idea of taping shit off the radio and you know that was so there's a modern equivalent but i won'tknow what that is no i don't either i've walked over that bridge and i'm you know yeah i'm in another realm so what do you say do you want to get into um track 50 yeah let's do it now onwith the countdown 50 blue hawaiian. Track 3: [16:33] Blue Hawaiian charts at number 50. That's right. Uh, from Brighton the Corners, your first tour. That's kind of cool. Yeah. Track 4: [16:42] Uh, I don't know whether they played it. I can't remember. Maybe somewhere there's the set list and you know, it's, you'll have to look it up on the set list, set list FM. Yeah. I'llmake a note. Yeah, absolutely. I can't remember. Track 3: [16:56] So what did you think when I first told you what song you were going to be covering? What were your initial thoughts? Track 4: [17:04] Well, this wasn't in my top 20, so I sent you a top 20. So I better be honest about that, you know, because I have read on YouTube comments that this is some people's favorite pavement song or favorite song. So I was kind of alarmed because I hadn't put it in my top 20. But as I said to you when I sent you my list, it's quite a task to choose a top 20 of Pavement songs because, well, there's so many that you could, and it could change every day. But also, there's not many bands out there who you'd have that problem with. [17:46] You know most bands would have four or five half decent songs that push yeah uh pavement have uh. [17:53] They've exceeded that like they really have yeah so um it there are there are interesting band in that regard in that everyone's going to have some very i've got some very obscurefavorites and soft spots for some bits that maybe other people wouldn't wouldn't dig so much so uh yeah well i can tell you this is how this is how varied the lists were i asked for top 20and when i compiled everything together i ended up with 121 songs so there were 121 different pavement songs that's huge that got that got votes that to me is crazy because their catalogis probably only 175 songs you know so that means there was only like 50 songs that weren't included for that's right that's right that day yeah that day yeah because i've got like i've justbrought up my list i've got circa 1762 that's one of my absolute favorites and great song yeah just the chorus is just absolute killer spiraling and steve kind of trading trading the lines uhyeah absolutely amazing but um in terms of blue hawaiian yeah i was pleased to be given that in a way because i i went back and i listened to it a bunch of times with slightly differentears slightly more. [19:17] Analytical and uh it's great it's a really good song so yeah i love that i love that it starts with that sort of whoosh there's like a whooshing pushing sound like right before the bassdrum kick in yeah and then you've got that beck i say beck style it's like you think it could be a hip-hop song yeah and um real good groove yeah and i think steve was dabbling with um. [19:47] Like a hip-hop in his lyric writing there's a couple of other songs that i i sort of made a note of one called easily fooled yeah give it a day it's kind of it's got a hip-hop flow in a wayit just it's a long stream of lyrics and there's another thing he did on a compilation album called um. [20:08] Robin turns 26 on an album called at home with the groove box and if you haven't ever heard that it's a very short song but um a bunch of musicians were given this instrumentcalled a groove box and told to make a track and send it in for this compilation and um yeah the steve mountmas song on it is called robin turns 26 and it's amazing um and i reckon thatsomewhere in the vault there's a steven mountmas rap album uh and i'd love i'd love it to come out i reckon and there's i reckon it's there somewhere well his lyrics his lyrics and you knowwe can we can be specific to this song are so there's such a swagger to the vocal there's such a swagger right like he's right in he's right muddy in that groove that they've got going withthe bass and drums i love the way he uh like vocalizes um absolutely but but the lyrics are sort of all over the place and there's these you know couplets that work really well together andthen like you say there's almost like a hip-hop cadence to it yeah you know so it. [21:20] Starts off really welcoming yeah come on you know it's like my home yeah welcome to my home and there's a couple of of welcome songs in the catalog as well like one fromsilver jews it's like um the hello my friends line right and in grave architecture they is it come come on in or something there's he says something. [21:44] At the beginning oh so why is that not in my head jesus i'm sure i'm sure just at the beginning he says something anyway but yeah so at the beginning he sounds very welcoming mebut then he's talking about his his cheeks or somebody's cheeks losing luster and things like that yes um i wonder if he's talking to himself in the mirror because it seems like he's in therecording studio environment he's talking about tape machines slipping out of sync which is a problem that would only be a problem in a recording studio uh nowhere else in the world umWell, doesn't he change, the second time through, he changes the lyric, it sounds like, from rather than toes grouped in clusters to tones, right? Tones. Yeah, tones are grouped in clusters. Yeah. Track 3: [22:36] Doesn't he say toes the first time? Track 4: [22:38] I've got the record. Hang on a second. Let's have a look. Track 3: [22:41] I feel like... Track 4: [22:46] You think it's toes. Track 3: [22:47] I did think it was toes and then it changes to tones, but I totally. Track 4: [22:52] Well, again, that's another thing about, I think it's magical about Peyton. I've misheard lyrics for 20 plus years. Track 3: [22:59] You betcha. Track 4: [23:00] And it doesn't, it doesn't diminish the. Track 3: [23:03] No. Track 4: [23:05] But anything. No, because they're not narrative. The fact it increases the, the, the mystery or the allure. Track 3: [23:12] It is sort of word salad, right? Like it's not like a narrative. Track 4: [23:15] It's, it's like his lyrics are great but they're not necessarily um there's not a lot of imagery in them they're they're more feeling yeah yeah yeah um it says tones okay that's fair tone sobut i like that toes. [23:39] See i'm cool and underqualified till the bitter fucking end so am i and, uh well have you got any other bits about the lyrics that you're sort of thinking about or, um if it starts with ans it's no what is the what is that lyric if it starts with an s it's followed with a t and that's probably probably yeah you're referring to him that's what i think he's addressing himself that'swhat that to me as soon as you said he's addressing himself that lyric came to my mind i think i think you're on to something yeah and there's um i know they would have been touring alot back then and he's talking about like the notion or idea of home and he's also talking about his soul i don't think pavement don't often uh get metaphysical like the soul but that's right ithink it's mentioned by spiral in another in his track uh, Yeah, in Passat Dream, it mentions soul as well. But his soul is the shape of an ellipse. Track 3: [24:54] That's very cool. I love that. Track 4: [24:57] A squashed oval or squashed circle. Track 3: [25:00] Yeah, yeah. Track 4: [25:02] Hmm. I don't know. Track 3: [25:05] Very, very messed up, right? Track 4: [25:08] Yeah, it's good. But the best lyric, I think, is this kiss me into the past. Track 3: [25:16] Yes. Track 4: [25:19] Because you can imagine somebody thinking about a kiss. I imagine somebody thinking about a kiss. Kiss from the past that some, for whatever reason, has stuck with them. And I think it's kind of a relatable thing. And the other part to that is the lately is never going to last. Because I guess time is in constant motion so what's lately now will not be, very soon it's kind of a constant march yeah. [25:56] But the guitar solo man talk to me about that well it just sounds like he sort of plugged in, completely in in the zone and just pulled out this first take kind of brain melter there's likethese weird chords going on on the keyboard i think he's on keyboard as well for this so i think he's gone on and overdone himself but i might be wrong because because this and wowiezowie it was the whole band right yeah they all they recorded as a band rather than uh in bits and pieces or smaller smaller kind of groups yeah and i imagine they would have been prettybuzzed because it was done at the um was it mitch easter that's right so you know some records that they would have been really into like early rem stuff that's right that would Wouldhave been done there or thereabouts, and that must have been, I imagine, quite a buzz. Track 3: [26:53] I think so, because I think they were pretty big R.E.M. fans. Track 4: [26:57] Yeah. Track 3: [26:58] Yeah. Track 4: [27:00] And just a weird bit of trivia. It said, I was on the Wikipedia for the studio, and it said that an early ad for the studio listed the address as 124 Shady Boulevard. Track 3: [27:17] Oh, get out! Track 4: [27:18] Not quite a shady lane, but close, eh? Track 3: [27:22] I wonder if that's where he got the lyric from, for Shady Lane. Track 4: [27:25] I don't know. Because I think they did it all there. I don't know if there was a lot of prep beforehand. I think it's all done in a day. Track 3: [27:36] Where does Brighton the Corners fit in your personal top five pavement records? Track 4: [27:43] Oh, man. Track 3: [27:44] You know, it can be for today. Like, you know, it's not, yeah, that's it. Track 4: [27:49] And it changes. Wowie zowie used to be one um i really liked some of the songs but i i didn't like some of the others so much and then that one became my favorite really yeah that's cool uh slantedbecause it was my gateway yeah yeah and i love all the stuff pre-slanted as well yeah so all the scratchy kind of i'm not as big on that i like the more melodic stuff but uh i like that and ilike the early silver juice stuff as well that sounds like it's just yeah recorded on a cassette yeah yeah that's got you just don't hear stuff like that very often no or um and it's nice to hear ituh different fidelities you know throughout their their uh time they've they've had every kind of fi going yeah when you think they worked with nigel godrich you know yeah Yeah,exactly. That would be last. Terror Twilight would be the bottom. I feel like that's fairly consistent. I think it's a bad album. I think it's good, but it's just the worst pavement album. Track 3: [29:04] Yeah, I think a lot of people would agree with that. It'll be interesting as I go through this process, I'm going to be interested to hear what people think. Track 4: [29:14] Yeah because people might have a certain track on that that's really really uh special to them and i can imagine the hex will the hex is great is that in the top 50 do you think okayyou're not allowed to divulge such things i will not divulge well done jd that was a test and you, passed i'm a fucking vault baby, uh yeah so um, I can't remember what the originalquestion was, but. Track 3: [29:45] Your top five pavement records. Track 4: [29:47] Top five, yeah. Track 3: [29:48] Where does Bright in the Corners fit? Track 4: [29:50] Fourth. Track 3: [29:51] Fourth, okay. Yeah, it's my number one. Track 4: [29:54] Yeah, I remember you saying that, and you stuck to that. Yeah. Is that because that was the one that you heard almost in real time, so when it came out. Track 3: [30:02] No, Terror Twilight was my favorite. Yeah, I was late to the party, man. Really late to the party. Track 4: [30:08] What was that theory? Track 3: [30:10] Really late to the party. I heard terror twilight and then the Malcolm is solo record. And I was done. It was, I was sold. It was like, okay, this is, this is my new favorite singer. Like I love this. Track 4: [30:23] Yeah. Track 3: [30:24] Yeah. And then the more I listened to pavement, I was like, wow, this is, they're speaking my language. Like they just really spoke my language. I don't know. I don't know specifically why or what dialect they were speaking, but it like, it just worked, you know? Track 4: [30:39] Well, yeah, The crowds at Primavera suggest that quite a lot of other people felt that way as well. Track 3: [30:46] I think so. I think so. Track 4: [30:48] Just an amazing band. You are into stuff like the Crest Brothers as well, aren't you? Like the deeper... Track 3: [30:55] I like the Crest Brothers. I like Silkworm. Like, I like Silkworm. So I experimented with the Crest Brothers because I was like, well, it's Silkworm and Malchmus. Like, how can that be bad? And then... Track 4: [31:08] Because i think i said to you i wanted to put that out right on my label that doesn't really exist anymore but if they said yes i would reactivate it and try and put it out on vinyl, was itjust on bandcamp is that the only place you can get it what the the cross brothers yeah i got it as a cd um you do oh okay when it when it came marquee mark uh it was it was like um, I'dsay I'd run down and get it, but I won't be able to find it very easily. But it was like a benefit CD for a cause, some kind of environmental issue. I can't remember what it was, but it was a good cause. Yeah, they just sold them online when they came out, and goodness knows if they're around now. Track 3: [32:04] Yeah, but it'd be tough to find. I don't know. you could take a look at discogs and find out but probably it's probably like um, uh it's probably like the early eps you know just sort oftough to get your hands on yeah not not many made so it gets it gets harder as time time moves on yeah yeah cross brothers was released 1998 uh sometimes it has in the notes recordeddecember the 5th 1997 and they recorded it live i think right like yeah at the crocodile cafe in seattle yeah it was performed as a benefit for the washington wilderness coalition oh coolcoalition sorry yeah it's It's always good when our favorites do good work. Track 4: [32:55] Definitely. Yeah. Track 3: [32:56] Well, Chris, that just about wraps things up. I guess I just have a couple more questions. Go for it, J.D. And it's, the big question is, are you happy with where Blue Hawaiian ended up on the top 50? Or do you think it's, do you think it's properly rated, it's overrated, or it's underrated on this particular list? Track 4: [33:21] I think it's about right, don't you? Track 3: [33:23] Yeah, I do. Yeah. Track 4: [33:24] Yeah. It's a great track. I mean, as I say, find another band with 50, 49 better songs than this, and you're doing well. Track 3: [33:33] I think you're doing really well. Track 4: [33:34] You're doing really well. So, yeah, I think it's about right. You know, I wouldn't want it to be in the top 10. Track 3: [33:40] No, no. There we go. It would stand out like a sore thumb, trust me. Track 4: [33:45] Yeah. And that's the other thing. it sounds very different to nearly all the other songs in the whole catalog really i know we talked about the the lyrical flow is similar to some otherthings but sonically with the bass it's got very i don't know it's there was something in the air at that time with the beastie boys and and beck and stuff and uh pavement seemed to tap intoit just for that one one track one track yeah because it sounds very different than everything else on brighton as well yeah you know when you think that's a collection of collection ofsongs they were writing at the time and it's yeah it sounds really different very eclectic yeah well dude it's been great talking to you um is there anything you want to plug or anything thatyou want people to find uh and if so where do they find you um well i think as. [34:37] I mentioned i i have a i had a label i should probably say the name of it and it was called recno i don't really do it much anymore but um when i send people emails it comes usuallyfrom the recno email because that's my email and that's uh that's when i used to send you little bits and pieces so that's that's what you uh know me as as well but i've got nothing to plugi'm just uh i'm just going to enjoy the the rest of the uh the countdown and uh see how it see how it progresses all right well i want to really thank you chris for joining me this week on thepod but that's all i've got for you this week wash your goddamn hands. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM091 - Cherry Area 10:53

4 years10:53

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jD is back with another track from the Shady Lane EP, Cherry Area. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM090 - Slowly Typed 16:10

4 years16:10

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jD is back after taking a week off to recuperate from Fin! Join him this week as he catches up on things and listens to Slowly Typed. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM089 - Fin 32:02

4 years32:02

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32:02

jD is back with his take on the Brighten the Corners album-closing track, Fin. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM088 - Starlings of the Slipstream 24:50

4 years24:50

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24:50

jD is back at it discussing life, reading emails, and jamming out to Starlings of the Slipstream. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM087 - Passat Dream 19:18

4 years19:18

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19:18

jD is back and he is digging on the Spiral jam, Passat Dream. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM086 - We are Underused 17:00

4 years17:00

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17:00

jD is back and he is making a wish. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM085 - Blue Hawaiian 20:15

4 years20:15

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It's 2021 and jD is FINALLY back. Check out today's episode where he waxes on about his love for Blue Hawaiian. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM - Pavement Streaming Day Dispatch #1 2:04

4 years2:04

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It's Pavement Streaming Day! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM084 - Embassy Row 30:05

4 years30:05

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30:05

jD is back. Wait, isn't that enough? Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM083 - Type Slowly 30:39

4 years30:39

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30:39

jD is back and this week he's revealing why Type Slowly was his first favorite Pavement song! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM082 - Old to Begin 18:48

4 years18:48

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18:48

jD is back to discuss, Old to Begin the fifth track on Pavements fourth LP, Brighten the Corners Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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2020 Subscriber Drive 5:51

4 years5:51

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5:51

jD is back up to his no good ways! But for real throw me your change! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM081 - Date w/ IKEA 22:40

4 years22:40

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22:40

jD is back and this week he's chatting with founding member Spiral Stairs about one of his contributions to Brighten the Corners, the pop gem Date w/ IKEA. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM080 - Transport is Arranged 22:16

4 years22:16

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22:16

jD is back with the third song on Brighten the Corners, Transport is Arranged. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM079 - Shady Lane L vs. S 22:43

4 years22:43

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22:43

jD is back and boy does he love this song. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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PPL001 - Pavement Pod-List 42:12

4 years42:12

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42:12

It's jD's birthday and he's found 14 artists/bands to share a cover song from the Pavement ouevre. Enjoy it and please share on social. Track Listing: St. Cherry - Unfair Sad Dads - Shady Lane Junkyard Todd - Summer Babe (Version Ersatz) Dog Dream - Fin Marchica - Falling Away The Wife Guys of Reddit - Hit the Plane Down Shatter Cones - In the Mouth a Desert Sr. Amable - CUU is Stained Roddy Mathieson - Grounded Evil Tom Hanks - Carrot Rope Robb Roncs - Box Elder True Swamp Neglect - Advice to Graduate Tigerblind - I Love Perth Scott M - Fin Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM104 - The Classical 26:13

4 years26:13

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26:13

jD is back and he's the guy yellin' Freebird! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM103 - The Killing Moon 32:05

4 years32:05

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32:05

jD is back with an epic Pavement cover, the Killing Moon. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM102 - Decouvert De Soleil 22:15

4 years22:15

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22:15

jD is back and he's speaking French! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM101 - Major Leagues (demo) 14:49

4 years14:49

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14:49

jD is back and he's confused about a lot of stuff. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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This is a call... 1:39

4 years1:39

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1:39

jD is back and he's asking for your help to release a Pavement - Pod-List! Just record and send your songs to jd@meetingmalkmus.com and on July 24 listen to it live on the feed! Good luck. Deadline is July 15th. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM100 - Slow Century 42:32

4 years42:32

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42:32

jD is back. Celebrate 100 episodes with him and the gang from the Malkmus Conundrum! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM099 - Stub Your Toe 13:44

4 years13:44

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13:44

jD is back and he's talking about getting Vaxxed! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM098 - Your Time to Change 16:21

4 years16:21

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16:21

jD is back and it seems like the pot is kicking in. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM097 - Rooftop Gambler 18:25

4 years18:25

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18:25

jD isn't himself this week. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM096 - The Porpoise and the Hand Grenade 18:26

4 years18:26

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18:26

jD is back and he's got nothing to bitch about, or does he? Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM095 - Roll with the Wind 25:02

4 years25:02

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25:02

jD is back and he's having a day, hope this turns out okay. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM094 - Harness Your Hopes 18:09

4 years18:09

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18:09

jD is back and he's listening to a very popular song from the Spit on a Stranger EP. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM093 - No Tan Lines 21:02

4 years21:02

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21:02

jD is back and he is excited to play you No Tan Lines the last cut on the Shady Lane EP. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM092 - Wanna Mess You Around 10:18

4 years10:18

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10:18

jD is back and he doesn't have a lot to say but says it anyway. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM078 - Stereo 37:11

4 years37:11

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jD is back after taking a week off to reflect on things. This week he begins his journey into the 4th Pavement LP, Brighten the Corners, by visiting with Bobby from Atlanta and listening to the first track, Stereo. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM077 - I Love Perth 19:17

5 years19:17

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jD is back from his camping trip and he's brought with him a most hummable song in I Love Perth taken from the Pacific Trim EP. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM076 - Saganaw 12:34

5 years12:34

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jD is camping but he recorded this in advance, how smart is that right? Today he pitches an idea about a compilation record for charity, a virtual cheers on Twitter and listens to Saganaw. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM075 - Gangsters and Pranksters 17:33

5 years17:33

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jD is back and he's high as fuck. This might not be a good episode to start the series with as it's a bit all over the place. Oh well enjoy it anyway. It features the Pacific Trim track Gangster's and Pranksters. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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DCB01 - Tribute 53:28

5 years53:28

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53:28

To celebrate the anniversary of the passing of DCB, jD is re-releasing his tribute to Berman from last August. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM074 - Give it a Day 22:34

5 years22:34

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22:34

jD is back from the East Coast and he's happy to be recording on his home rig. Today he discusses the 1 year gap left by the passing of DCB and plays the first track from Pacific Trim, Give it a Day. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM073 - Western Homes 20:23

5 years20:23

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20:23

jD is broadcasting from Prince Edward Island as he wraps up Wowee Zowee with a look at Western Homes. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM072 - Half a Canyon 25:33

5 years25:33

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25:33

jD is back and this week he's playing Half a Canyon. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM071 - Pueblo 20:16

5 years20:16

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20:16

This week, jD checks in from the East Coast of Canada to bring you his thoughts on songwriting and the track Pueblo. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM070 - Kennel District 21:25

5 years21:25

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21:25

This week jD is all about the first Spiral track on Wowee Zowee, Kennel District. Check it out. If you want to buy the track from this week's episode visit: https://apple.co/3iIZBzz Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM069b - Fight this Generation 10:59

5 years10:59

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10:59

jD is back to fix a mistake he made in the Fight this Generation episode. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM069 - Fight this Generation 29:52

5 years29:52

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29:52

jD is back to exploring the wonder that is side 3 of Pavement's 3rd long play, Wowee Zowee. This week he's discussing Fight this Generation. Buy the track here: https://apple.co/31SoSkQ Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM068 - Flux = Rad 21:09

5 years21:09

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21:09

This week on the pod, jD turns the record to side-3 and tells you how he feels about Flux = Rad. Get the song from todays podcast here: https://apple.co/3i3P01W Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM067 - AT&T 20:02

5 years20:02

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20:02

jD is back and he's brought a contest! Enter today! To purchase the song from today's episode please visit: https://apple.co/30TJZTt Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM066 - Grave Architecture 27:03

5 years27:03

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27:03

jD is back after a couple of weeks off with some Pavement news, emails and his look into Grave Architecture. You can purchase the song from today's episode here: https://apple.co/37jU2SS Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM065 - Best Friend's Arm 24:39

5 years24:39

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24:39

jD is back and he's got a lot to talk about including a sweet contest brought to you by our pal Steve West! Check it out and don't forget to rate and review the pod. Get the track from today's episode here: https://apple.co/2Xiftz5 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM064 - Extradition 20:38

5 years20:38

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20:38

jD is back and this week he has his eyes opened by the lyrics of Extradition! Purchase the track from this week here: https://apple.co/2yO7bXI Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM063 - Father to a Sister of Thought 24:56

5 years24:56

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24:56

jD is back again with another track from Pavement's 3rd LP Wowee Zowee, Father to a Sister of Thought! Grab today's song here: https://apple.co/2yAPyKH Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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SWI001 - Steve West Interview 34:19

5 years34:19

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34:19

jD sits down with Pavement's drummer Steve West to discuss his joining the band, Wowee Zowee and to spin a couple of tunes from his new band Unmastered Masters. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM062 - Motion Suggests Itself 20:38

5 years20:38

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20:38

Today on the pod jD turns over the record to spin track 1 on side 2 of Wowee Zowee, Motion Suggests Itself. There's also some housekeeping about a live concert watch along and some emails. The whole thing clocks in at around 20 minutes. If you want to purchase the track from today's show please click here: https://apple.co/2SlNr49 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM061 - Serpentine Pad 18:36

5 years18:36

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18:36

jD is back at it again this week talking about the 6th track on Wowee Zowee, Serpentine Pad. To purchase this song go here: https://apple.co/3bkvKta Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM060 - Grounded 33:27

5 years33:27

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33:27

Today jD is joined by Parker and Jordon from the Indie Band Width podcast to discuss Grounded. Get the song here: https://apple.co/3bkvKta Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM059 - Brinx Job 29:53

5 years29:53

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29:53

jD is back with a special guest as Bob Nastanovich joins him to talk about Wowee Zowee! You'll also hear two version of the 4th track on the LP, Brinx Job. To buy the track visit: https://apple.co/2UYR2Hb Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM058 - Black Out 19:22

5 years19:22

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19:22

jD is back talking about the third track on the Wowee Zowee LP, Black Out. Check it out and purchase the track from today's episode here: https://apple.co/2UDAjIY Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM057 - Rattled by the Rush 30:22

5 years30:22

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30:22

jD is back, sort of. Enjoy a repeat of Rattled by the Rush from an earlier episode covering the Rattled by la Rush EP. You can get the song from today's podcast here: https://apple.co/37JN20n Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM056 - We Dance 40:00

5 years40:00

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40:00

jD is back to discuss the artwork on Pavement's 3rd long play with Bobby from Atlanta, and then he digs in on We Dance. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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COVID19 - ExtraOrdinary Episode 38:26

5 years38:26

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38:26

Stuck at home because of the Corona Virus? Well, jD is here and he brought music! On this episode jD outlines a playlist he created with your help and plays three tracks from it. Apple Playlist: https://apple.co/2Qr3bC5 Spotify Playlist: https://spoti.fi/2UjiUnE Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM055 - Easily Fooled 19:25

5 years19:25

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19:25

jD is resting and relaxing in Florida but he still found the time to talk about the last track on the Rattled by la Rush EP, Easily Fooled. Check it out won't you. And while you're at it rate and review the show. You can purchase the track from today's show here: https://apple.co/2VX91yj Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM054 - False Skorpion 8:05

5 years8:05

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8:05

This week on the program jD discusses the b-side False Skorpion before he scurries out the door to catch a plane to Florida for some sunshine on his pale and dusty Canadian skin. Get the track here: https://apple.co/3cFW3eu Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM053 - Brink of the Clouds 19:09

5 years19:09

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19:09

This week on the pod jD is getting sassy about a Pavement track that isn't quite his cup of tea. Purchase the track from today's pod here: https://apple.co/2Th4Evb Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM052 - Rattled by the Rush 28:50

5 years28:50

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28:50

jD is back and he's brought Rattled by the Rush with him. Where is We Dance? You say, well this show goes chronological and Rattled by la Rush is an EP that was released prior to Wowee Zowee so there's that. Get the song from today's pod over here: https://apple.co/37JN20n Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM051 - Fillmore Jive 29:38

5 years29:38

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29:38

jD has gone overboard with the coffee today. Someone, anyone, save him! To purchase the track from today's episode please visit: https://apple.co/2UMTe4D Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM050 - Hit the Plane Down 20:42

5 years20:42

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20:42

jD is back in action! This week he's going to the source talking with Sprial Stairs about Hit the Plane Down. Get a copy of the song here: https://apple.co/2txR8up Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM049 - Heaven is a Truck 24:49

5 years24:49

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24:49

This week on Meeting Malkmus jD goes music first playing FOUR different versions of Heaven is a Truck. Don't forget to rate and review the show on iTunes. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM048 - Range Life 27:33

5 years27:33

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27:33

Today on the pod jD waxes temporally about the fantastic track Range Life and just how good it sounds live. Get a copy of the song here: https://apple.co/2DZ8LEP Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MMXMAS-19 8:19

5 years8:19

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8:19

jD checks in to wish everyone a very Merry Christmas! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM047 - 5-4=Unity 19:58

5 years19:58

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19:58

Today jD dreams of being smooth and smoking French cigarettes as he ponders Brubek and 5-4=Unity. Get the track here: https://apple.co/2LlEpQY Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM046 - Gold Soundz 20:44

5 years20:44

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20:44

Today on the pod, jD gets wistful thinking back to 1999 while listening to Gold Soundz. To purchase the track, which you really should, click here: https://apple.co/34RWUEm Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM045 - Unfair 19:13

5 years19:13

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19:13

Unfair! Today jD declares his love for this song and plays it twice for you. You can purchase a copy of Unfair here: https://apple.co/2Y6H5r6 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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MM044 - Newark Wilder 20:28

5 years20:28

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20:28

Today on the show jD discusses his version of Newark Wilder and then reveals just how wrong he is! You can buy the song from today's episode here: https://apple.co/33x2XN7 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM043 - Cut your Hair 17:29

5 years17:29

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17:29

Today jD takes an email and gets into the elephant in the room that is Cut your Hair. To purchase the track from todays episode click here: https://apple.co/2Kz2vaH Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM042 - Stop Breathin' 15:48

5 years15:48

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15:48

Today jD is talking about the 3rd track on Crooked Rain Crooked Rain, Stop Breathin'. To purchase today's song please click here: https://apple.co/33NKo8G Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Bonus Episode for Everyone 31:07

5 years31:07

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31:07

This is a taste of what you'll get when you subscribe to the Meeting Malkmus bonus feed for $3.00 a month. Enjoy Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM041 - Elevate Me Later 20:20

5 years20:20

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20:20

Today on the show jD discusses the second track from Pavement's second album Crooked Rain, Crooked Rain. Purchase the song from today's episode here: https://apple.co/2PUlJv2 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Update - November 1 14:15

5 years14:15

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14:15

jD discusses the state of the podcast and plays a pretty rad Pavement track to boot. Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM040 - Silent Kit 37:36

5 years37:36

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37:36

jD talks album artwork with Bobby from Atlanta and then discusses his love for the first track on Crooked Rain, Crooked Rain, Silent Kit. You can purchase the song from today's episode here: https://apple.co/34hTVoi Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM039 - Shoot the Singer (1 sick verse) 23:01

5 years23:01

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23:01

Today on the Pod jD discusses the Berman tribute show Love You to the Max with Tim from Portland, and covers the last song on Watery Domestic; Shoot the Singer (1 sick verse). You can purchase today's song here: https://apple.co/33VqVSX Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM038 - Lions (Linden) 14:07

5 years14:07

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14:07

Lions (Linden), is the third track on the EP Watery, Domestic. You can purchase the songs from today's episode here: https://apple.co/35G3mPT You can follow Meeting Malkmus - a Pavement podcast, on Twitter and Instagram @MeetingMalkmus You can also join the Facebook group www.facebook.com/groups/meetingmalkmus And lastly, if you've got some time, don't forget to tell your friends IRL or leave a review on iTunes! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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MM037 - Frontwards 20:36

5 years20:36

Lejátszás később

Lejátszás később

20:36

Frontwardsr, is the second track on the EP Watery, Domestic. You can purchase the songs from today's episode here: https://apple.co/31bwwCV You can follow Meeting Malkmus - a Pavement podcast, on Twitter and Instagram @MeetingMalkmus You can also join the Facebook group www.facebook.com/groups/meetingmalkmus And lastly, if you've got some time, don't forget to tell your friends IRL or leave a review on iTunes! Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

Meeting Malkmus - a Pavement podcast podcast artwork

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MM036 - Texas Never Whispers 19:03

5 years19:03

Lejátszás később

Lejátszás később

19:03

Texas Never Whispers is the first track on the four song EP Watery Domestic. You can purchase a copy of today's track here: https://apple.co/2oH6NVa Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM035 - Our Singer 14:29

5 years14:29

Lejátszás később

Lejátszás később

14:29

Our Singer, is the last track on Slanted and Enchanted. You can purchase the songs from today's episode here: https://apple.co/2mlBhuV Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM033 - Fame Throwa 20:29

5 years20:29

Lejátszás később

Lejátszás később

20:29

Today I'm talking about Fame Throwa! You can purchase the track here: https://apple.co/2mdtwY5 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM034 - Jackals, False Grails: The Lonesome Era 19:08

5 years19:08

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Lejátszás később

19:08

We're nearly finished with Slanted and Enchanted, but before we go we gotta check out Jackals, False Grails: The Lonesome Era! You can purchase the songs from today's episode here: https://apple.co/2mdtwY5 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM032 - Perfume-V 17:38

6 years17:38

Lejátszás később

Lejátszás később

17:38

Perfume-V is the 11th track on the debut Pavement LP Slanted and Enchanted. You can purchase the songs from today's episode here: https://apple.co/2LfDZuG Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM031 - Two States 14:02

6 years14:02

Lejátszás később

Lejátszás később

14:02

Two States is the tenth track on Slanted and Enchanted, Pavements first full-length LP. You can purchase the song from today's episode here: https://apple.co/2yZZppZ Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM030 - Here 30:08

6 years30:08

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Lejátszás később

30:08

This is the ninth song on Slanted and Enchanted, Here. You can purchase the songs from today's episode on Apple Music, here: https://apple.co/2YO8BwV Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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DCB01 - A tribute to David Berman 53:28

6 years53:28

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Lejátszás később

53:28

Celebrating the life and times of David Craig Berman. 1967 - 2019 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM029 - Loretta's Scars 14:16

6 years14:16

Lejátszás később

Lejátszás később

14:16

This is the first song on side two of Slanted and Enchanted, Loretta's Scars. You can purchase the songs from today's episode here: https://apple.co/2YyKdPO Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM028 - Chesley's Little Wrists 12:14

6 years12:14

Lejátszás később

Lejátszás később

12:14

Join jD as he discusses the 7th song on Slanted and Enchanted, Chesley's Little Wrists. You can purchase the songs from today's episode here: https://apple.co/2OuZahl Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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MM027 - Zurich is Stained 13:12

6 years13:12

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Lejátszás később

13:12

This is the 6th track on Pavement's debut LP Slanted and Enchanted, Zurich is Stained. You can purchase the songs from today's episode here: https://apple.co/2y6zqwAThis is the on Slanted and Enchanted, . You can purchase the songs from today's episode here: https://apple.co/2IhGDBl Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM026 - Conduit for Sale! 22:32

6 years22:32

Lejátszás később

Lejátszás később

22:32

This is the fifth song from the debut LP Slanted and Enchanted, Conduit for Sale! You can purchase the songs from today's episode here: https://apple.co/2YTIGjG Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM025 - In the Mouth a Desert 17:37

6 years17:37

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Lejátszás később

17:37

This is the fourth song on Pavement's debut L{ Slanted and Enchanted, it's a song called In The Mouth A Desert and it kicks ass. You can purchase the songs from today's episode here: https://apple.co/329vw3V Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM024 - No Life Singed Her 5:59

6 years5:59

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Lejátszás később

5:59

This is the third track on Slanted and Enchanted, No Life Singed Her. You can purchase the songs from today's episode here: https://apple.co/2KY7KT1 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM023 - Trigger Cut/Wounded Kite at :17 14:54

6 years14:54

Lejátszás később

Lejátszás később

14:54

This is the second track on Slanted and Enchanted, Trigger Cut/Wounded Kite at :17. You can purchase the songs from today's episode here: https://apple.co/2ZQd0LZ Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM022 - Summer Babe (Winter Version) 33:12

6 years33:12

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Lejátszás később

33:12

This is it. We've made it to the LPs. Today we're listening and talking about Summer Babe (Winter Version) from the album Slanted and Enchanted. You can purchase the songs from today's episode here: https://apple.co/2N1gp9c Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM021 - Baptist Blacktick 38:03

6 years38:03

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Lejátszás később

38:03

This is the third track on the Summer Babe EP, Baptist Blacktick. You can purchase the songs from today's episode here: https://apple.co/2IbnsaK Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM020 - Mercy Snack: The Laundromat 17:55

6 years17:55

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Lejátszás később

17:55

This is the second track, song one, on side two of the Summer Babe EP, Mercy Snack: The Laundromat. You can purchase the songs from today's episode here: https://apple.co/2QR1IUn Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM019 - Summer Babe 13:58

6 years13:58

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Lejátszás később

13:58

This is the second track on Perfect Sound Forever, From Now On. You can purchase the songs from today's episode here: https://apple.co/2WAoPb0 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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mm-mom 17:09

6 years17:09

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Lejátszás később

17:09

Judie Dew - November 21, 1949 - May 18, 2019 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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MM018 - Krell Vid-User 14:53

6 years14:53

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Lejátszás később

14:53

This is it. This is the end of the EP era. The last track from Perfect Sound Forever is the instrumental Krell Vid-User. You can purchase the songs from today's episode here: https://itunes.apple.com/ca/album/krell-vid-user/64465124?i=64465110 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM017 - Home 18:13

6 years18:13

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Lejátszás később

18:13

We're in the homestretch. On today's episode, jD covers the song Home from Pavement's third EP Perfect Sound Forever. You can purchase the songs from today's episode here: https://itunes.apple.com/ca/album/home/64465124?i=64465108 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM016 - Debris Slide 14:20

6 years14:20

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Lejátszás később

14:20

We're on to side two on Perfect Sound Forever, as we cover Debris Slide. You can purchase the songs from today's episode here: https://apple.co/2WgBGfn Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM015 - Drive-by Fader 3:29

6 years3:29

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Lejátszás később

3:29

Drive-by Fader is the fourth track on the Perfect Sound Forever EP released in 1991. You can purchase the songs from today's episode here: https://apple.co/2W5Uj5z Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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MM014 - Angel Carver Blues / Mellow Jazz Docent 22:32

6 years22:32

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Lejátszás később

22:32

This is the third song on the Perfect Sound Forever EP, Angel Carver Blues / Mellow Jazz Docent. You can purchase the songs from today's episode here: https://apple.co/2Grmne4 Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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Meeting Malkmus - a Pavement podcast

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MM013 - From Now On 14:59

6 years14:59

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Lejátszás később

14:59

This is the second track on the 1991 EP Perfect Sound Forever, From Now On. You can purchase the songs from today's episode here: https://apple.co/2IhGDBl Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy…

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