Marvel’s “Wolverine: The Lost Trail” is an epic quest that takes place in the Louisiana bayou. Following the events of Marvel’s “Wolverine: The Long Night,” Logan (Richard Armitage) returns to New Orleans in search of redemption, only to discover that his ex-lover, Maureen is nowhere to be found. And she's not the only one. Dozens of humans and mutants have gone missing, including the mother of a teenage boy, Marcus Baptiste. With Weapon X in close pursuit, Logan and Marcus must team up and ...
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A tartalmat a Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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Master the 40: The Stories of F. Scott Fitzgerald
Mind megjelölése nem lejátszottként
Manage series 2900822
A tartalmat a Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
In 1929 F. Scott Fitzgerald wrote Ernest Hemingway that because his short stories now earned $4000 a pop he was "an old whore" who had "mastered the 40 positions" when "in her youth one was enough." But were the upwards of 180 stories he cranked out when not writing The Great Gatsby really the work of a literary prostitute selling out his talent for a fast buck? Kirk Curnutt and Robert Trogdon don't think so. Each episode they draw a random title from a hat and explore its place in Fitzgerald's career, in the magazines such as the Saturday Evening Post or Esquire where it may have appeared, and in the overall development of the American short story. Along the way, they talk literary politics, history, and gossip from the 1920s and 1930s, rediscovering the lively personalities and rivalries that tried to define the porous boundaries between commercial and artistic fiction, between the popular and the avant-garde, between the forgotten and the canonized.
…
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22 epizódok
Mind megjelölése nem lejátszottként
Manage series 2900822
A tartalmat a Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
In 1929 F. Scott Fitzgerald wrote Ernest Hemingway that because his short stories now earned $4000 a pop he was "an old whore" who had "mastered the 40 positions" when "in her youth one was enough." But were the upwards of 180 stories he cranked out when not writing The Great Gatsby really the work of a literary prostitute selling out his talent for a fast buck? Kirk Curnutt and Robert Trogdon don't think so. Each episode they draw a random title from a hat and explore its place in Fitzgerald's career, in the magazines such as the Saturday Evening Post or Esquire where it may have appeared, and in the overall development of the American short story. Along the way, they talk literary politics, history, and gossip from the 1920s and 1930s, rediscovering the lively personalities and rivalries that tried to define the porous boundaries between commercial and artistic fiction, between the popular and the avant-garde, between the forgotten and the canonized.
…
continue reading
22 epizódok
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