“LA Made” is a series exploring stories of bold Californian innovators and how they forever changed the lives of millions all over the world. Each season will unpack the untold and surprising stories behind some of the most exciting innovations that continue to influence our lives today. Season 3, "LA Made: The Other Moonshot," tells the story of three Black aerospace engineers in Los Angeles, who played a crucial role in America’s race to space, amid the civil unrest of the 1960s. When Joan ...
…
continue reading
Player FM - Internet Radio Done Right
63 subscribers
Checked 19h ago
추가했습니다 five 년 전
A tartalmat a Slate Podcasts biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Slate Podcasts vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
Player FM - Podcast alkalmazás
Lépjen offline állapotba az Player FM alkalmazással!
Lépjen offline állapotba az Player FM alkalmazással!
Podcastok, amelyeket érdemes meghallgatni
SZPONZORÁLT
T
Threshold
![Threshold podcast artwork](https://cdn.player.fm/images/11090196/series/9ly17xvTeyBgh2mO/32.jpg 32w, https://cdn.player.fm/images/11090196/series/9ly17xvTeyBgh2mO/64.jpg 64w, https://cdn.player.fm/images/11090196/series/9ly17xvTeyBgh2mO/128.jpg 128w, https://cdn.player.fm/images/11090196/series/9ly17xvTeyBgh2mO/256.jpg 256w, https://cdn.player.fm/images/11090196/series/9ly17xvTeyBgh2mO/512.jpg 512w)
![Threshold podcast artwork](/static/images/64pixel.png)
Sometimes a place we consider quiet is just a place we haven’t taken the time to listen. Threshold is nonprofit, listener-supported, and independently produced. You can support Threshold by donating today . To stay connected, sign up for our newsletter . We want to hear from you! Send us your questions about the new season, the content or how it’s made, for an upcoming behind-the-scenes episode. You can submit your questions to outreach@thresholdpodcast.org…
Slate History
Mind megjelölése nem lejátszottként
Manage series 2611865
A tartalmat a Slate Podcasts biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Slate Podcasts vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
A feed with the best history coverage from Slate’s wide range of podcasts. From narrative shows like Slow Burn, One Year, and Decoder Ring, to timely analysis from ICYMI and What Next, you’ll get the fascinating stories and vital context you need to understand where we came from and where we're going.
…
continue reading
220 epizódok
Mind megjelölése nem lejátszottként
Manage series 2611865
A tartalmat a Slate Podcasts biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a Slate Podcasts vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
A feed with the best history coverage from Slate’s wide range of podcasts. From narrative shows like Slow Burn, One Year, and Decoder Ring, to timely analysis from ICYMI and What Next, you’ll get the fascinating stories and vital context you need to understand where we came from and where we're going.
…
continue reading
220 epizódok
ทุกตอน
×You may never have thought very hard about scratch-off tickets, but that’s part of their power. They’re a form of gambling that’s simply a pedestrian part of American life. But not so long ago, they were risky and innovative, the killer app of their time and the must-play game of the state lottery. In this episode, Ian Coss, host of the new podcast series Scratch & Win , is going to walk us through the history of the scratch-off ticket: its invention, its popularization, and its connection to the explosion in gambling that’s now all around us. This episode of Decoder Ring was produced by Katie Shepherd. Decoder Ring is also produced by Willa Paskin, Evan Chung and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. Scratch & Win is a production of GBH News. It is produced by Isabel Hibbard and Ian Coss and edited by Lacy Roberts. Its editorial supervisor is Jenifer McKim with support from Ryan Alderman. Mei Lei is the project manager, and the Executive Producer is Devin Maverick Robins. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com . And you can also now call us at our Decoder Ring hotline — that number is 347-460-7281. We love hearing your ideas, and we especially enjoyed all the messages we got about our last episode on the ’90s swing craze. Keep ‘em coming! And even better, tell your friends to check us out. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Culture Gabfest: Noah Wyle Lures Us Into The Pitt 1:07:52
1:07:52
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:07:52![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
On this week’s show, the hosts discuss Max’s new medical drama The Pitt – a show that we legally can’t call an ER reboot but does have Noah Wyle donning scrubs and handling the next bodily emergency yet again. Our regular hosts also discuss an article from the Intelligencer, The Cruel Kids’ Table about how young Republicans now feel empowered to bring cruelty back into public discourse. Finally, we welcome LA Film Critic Amy Nicholson to discuss the Oscar-nominated film September 5 about the hostage crisis during the 1972 Munich Olympics. Also, we’re looking for a new Production Assistant! To apply, send us an email introducing yourself and give two ideas for segments to culturegabfestassistant@gmail.com . In the exclusive Slate Plus segment, the panel tackles the biggest luminary question of the year: Do you use ‘ The Big Light ’? Email us at culturefest@slate.com . Endorsements: Dana: Just sort of a beautiful moment: Live wolf howls in Manitoba, Canada Julia: Branded in Memory | Signs.com / Draw Logos From Memory – Test your recall and see if you can recreate popular brand logos Steve: The Wired Starter Pack on bsky and Subscribe to Wired Podcast production and research by Vic Whitley-Berry. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Hit Parade | The Freewheelin’ Edition Part 2 1:02:48
1:02:48
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:02:48![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
At the movies, A Complete Unknown depicts Bob Dylan as a 1960s “it” boy—played by a 2020s “it” boy, Timothée Chalamet. But the film ends in 1965. What happened in the six decades after that? Dylan not only kept recording. He actually started topping the charts—in the 1970s, the era of Led Zeppelin, not Pete Seeger. And several of his chart-topping albums came decades later, in the 21st century. Bob’s voice got rougher, but loyal audiences kept buying his music. Several of these platinum Dylan LPs are among the most acclaimed in rock history—from Blood on the Tracks to Time Out of Mind . And Dylan stayed an object of fascination through all his changes—as a road warrior, a born-again Christian, a Traveling Wilbury, a JFK conspiracy theorist. Join Chris Molanphy as he walks through Bob Dylan’s career decade by decade, from his ’60s folkie years to his 21st-century revival. With the biopic reviving interest in rock’s poet laureate, there’s never been a better time to get tangled up in Bob. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Decoder Ring | Jump, Jive and Fail: The ’90s Swing Craze 1:06:01
1:06:01
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:06:01![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
When we recently got a couple of listener emails asking about the swing revival of the late 1990s, host Willa Paskin’s first, knee jerk reaction was just: no. She lived through it, and remembers it as being so incredibly corny and uncool. Insofar as the swing revival persists in the cultural memory, it’s usually as a punchline or as head-scratcher, a particularly odd-seeming fad. But then we started talking to everyone who was anyone in the swing scene, from Big Bad Voodoo Daddy to the dancers in the infamous Gap khakis commercial. It turns out the 90’s swing revival is more involved, more interesting and, OK, maybe cooler than we ever imagined. It’s about an underground scene that went above ground in a major way, and how that level of success can obscure what’s happening while it’s happening—but also long after it’s over. This episode was written and produced by Willa Paskin, Evan Chung, and Sofie Kodner with mix help from Max Freedman. Decoder Ring is produced by Willa Paskin, Evan Chung, Max Freedman and Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. Thank you to listeners Lorraine Denman and Alex Friendly for originally asking us about the ‘90s swing revival. In this episode, you’ll hear from Mando Dorame , Michael Moss, Scotty Morris, Tom Maxwell , Sylvia Skylar, Christian Perry, Steve Perry, John Bunkley, and Carl Byrd . Thank you to Kerstin Emhoff, Tom Breihan, Stephanie Landwehr, and Ken Partridge, whose conversation and book Hell of a Hat: The Rise of '90s Ska and Swing was extremely helpful. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. Or you can also call us now at our new Decoder Ring hotline at 347-460-7281. We love to hear any and all of your ideas for the show. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Emily Bazelon talks with author Yael van der Wouden about her debut novel, The Safekeep . They discuss why Yael chose a queer love story, how Yael’s own Dutch and Jewish heritage influenced her writing, the history of dispossession after World War II, and more. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com . (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Hit Parade | The Freewheelin’ Edition Part 1 1:04:39
1:04:39
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:04:39![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
At the movies, A Complete Unknown depicts Bob Dylan as a 1960s “it” boy—played by a 2020s “it” boy, Timothée Chalamet. But the film ends in 1965. What happened in the six decades after that? Dylan not only kept recording. He actually started topping the charts—in the 1970s, the era of Led Zeppelin, not Pete Seeger. And several of his chart-topping albums came decades later, in the 21st century. Bob’s voice got rougher, but loyal audiences kept buying his music. Several of these platinum Dylan LPs are among the most acclaimed in rock history—from Blood on the Tracks to Time Out of Mind . And Dylan stayed an object of fascination through all his changes—as a road warrior, a born-again Christian, a Traveling Wilbury, a JFK conspiracy theorist. Join Chris Molanphy as he walks through Bob Dylan’s career decade by decade, from his ’60s folkie years to his 21st-century revival. With the biopic reviving interest in rock’s poet laureate, there’s never been a better time to get tangled up in Bob. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Culture Gabfest: Babygirls and Nickel Boys 1:17:54
1:17:54
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:17:54![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
On this week’s show, Slate staff writer Nadira Goffe sits in for Stephen. First, the panel explores Babygirl and its kinks. The latest feature from Dutch writer-director Halina Reijn stars Nicole Kidman and Harris Dickinson, and is fascinated by sex (mostly, as a concept.) Then, the three puzzle over Nickel Boys and the film’s audacious use of first-person point-of-view in filmmaker RaMell Ross’ adaptation of Colson Whitehead’s Pulitzer Prize-winning novel, The Nickel Boys . Finally, what does a Hollywood smear campaign look like? The trio discusses the messy legal and PR conflict embroiling Blake Lively and former It Ends With Us co-star and director, Justin Baldoni. In the exclusive Slate Plus segment, the panel checks in with Julia and production assistant Kat, as they share their experiences of the L.A. wildfires. Email us at culturefest@slate.com . Endorsements: Nadira: Transa by Red Hot Org. Specifically, “ Is It Cold In The Water ” performed by Moses Sumney and ANOHNI. Julia: Niksa sleep masks . Dana: Exploring your local college radio stations. She likes WFUV (owned by Fordham University) and Columbia University’s WKCR . Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices…
The Slate Music Club is back, in a special edition of Hit Parade – “The Bridge”! Our year-end panel of critics—NPR Music’s Ann Powers , Hearing Things’ Julianne Escobedo Shepherd , Slate’s own Carl Wilson and Hit Parade host Chris Molanphy —discuss their favorite albums and singles and the trends that shaped the year in pop, rap, country, Latin and global music. Among the questions the roundtable tackles: Have we reached peak Taylor Swift? Did the Kendrick Lamar–v.-Drake beef overshadow hip-hop’s next generation? How much further will country cross over to pop audiences—and how does Latin music fit in? How did music from diverse artists stand in for protest music in 2024? And what will become of music criticism itself? Note: Slate Plus members can hear this special episode in full. Ad-supported listeners will hear the first half. Want to hear the whole discussion? Sign up for Slate Plus! Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can’t get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The ’70s country-pop smash by a character who didn’t exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that’s beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi’s jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100’s penthouse. We may think we don’t want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Slate Political Gabfest host David Plotz talks with author David Greenberg about his new book, John Lewis: A Life . They discuss how Lewis went from marching with Martin Luther King, Jr. to an iconic career as a politician, Lewis’s commitment to non-violence, how Greenberg uncovered never-before-seen documents, and more. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com . (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices…
It’s our annual mailbag episode! We get a lot of wonderful reader emails suggesting topics for the show — and at the end of the year we try to answer some of them. This year, we’re tackling four fascinating questions. Why do grocery stores keep live lobsters in tanks, unlike any other animal? How did candy get rebranded as “fruit snacks” when fruit is already a snack? Whatever happened to perfumed ads in magazines? And what was the waterbed all about? We’ll get an answer from the waterbed’s inventor who still has four of them. You’ll hear from Ray Shalhoub of Joray Fruit Rolls , consumer lawyer Steve Gardner, Jessica Murphy , aka the “Perfume Professor,” inventor Charlie Hall, restaurant historian Jan Whitaker , and the CEO of Crustacean Compassion , Dr. Ben Sturgeon. This episode was produced by Max Freedman and Sofie Kodner. Decoder Ring is also produced by Willa Paskin, Evan Chung, and Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com . Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices…
That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can’t get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The ’70s country-pop smash by a character who didn’t exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that’s beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi’s jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100’s penthouse. We may think we don’t want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices…
This week, Christina Cauterucci explores the intimate connections between queer identity and the natural world with Bryn Mawr professor Kate Thomas. In this episode, we journey through the lives of Florence Blood and Princess Ghika, two enigmatic lesbians who found self-expression, love, and freedom renovating their Italian Renaissance estate at the turn of the 20th century- creating an enchanting landscape to host lesbian artists and thinkers of the time. Thomas unpacks how their landscapes reflect their identities and what they can teach us about the enduring relationship between queerness and the environment. Learn more about your ad choices. Visit megaphone.fm/adchoices…
You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn’t just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around. When showtunes and standards didn’t work in the ’60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the ’70s, it became her best-seller. When the MTV era changed the game in the ’80s, she did New Wave synthpop her way—and topped the charts again. In the ’90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties. Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace —and she always remained a natural woman . Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In this episode, host Jules Gill-Peterson speaks with the co-founders of Invisible Histories about their groundbreaking work preserving the rich, often overlooked history of queer life in the American South. At a time when LGBTQ+ communities face growing threats, safeguarding these stories is more urgent than ever. Together, they discuss how archiving resilience, joy, and everyday lives challenges erasure and ensures these vital narratives inspire future generations. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Hit Parade: Say a Little Prayer Edition Part 1 1:01:00
1:01:00
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:01:00![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn’t just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around. When showtunes and standards didn’t work in the ’60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the ’70s, it became her best-seller. When the MTV era changed the game in the ’80s, she did New Wave synthpop her way—and topped the charts again. In the ’90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties. Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace —and she always remained a natural woman . Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Culture Gabfest: Can Stolen Artifacts Return Time? 1:01:13
1:01:13
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:01:13![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
On this week’s show, Slate senior editor Rebecca Onion sits in for Julia Turner. First, the hosts examine Dahomey , an audacious new documentary by acclaimed filmmaker Mati Diop ( Atlantics .) With a one hour, eight minute run time, Dahomey is an incredibly rich text in a very small package, and contemplates the repatriation of 26 royal treasures plundered from the Kingdom of Dahomey as they journey back to their homeland, which now lies within the Republic of Benin. Then, the three dive into Netflix’s Death, Let Me Do My Special , a one-woman show performed and written by Rachel Bloom ( Crazy Ex-Girlfriend .) The special is perceptive, macabre, and whimsical, as Bloom reflects on the pandemic years and the loss of her close friend and collaborator, Adam Schlesinger. Finally, what is Mark Zuckerberg wearing? That is the question Brendon Holder asks in a recent Substack essay and that is bewildering the panel. Is the Meta CEO simply trying to beat the dweeb allegations through oversized t-shirts and a boyish haircut? Or is there something more sinister going on here? In the exclusive Slate Plus segment, the panel discusses the role TV plays in their lives, inspired by a recent mega-article published by GQ, “ How to Watch TV .” Email us at culturefest@slate.com . Endorsements: Dana: The AOC and Tim Walz Twitch stream, specifically, the moment when Walz calls Tony Hinchcliffe a “jackwad” following a racist comment. Rebecca: The Voyage Home by Pat Parker. Stephen: Todd Gitlin’s 2001 essay, “ Unsafe in any state .” Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices…
U2 have millions of admirers—and haters: from the fans who regard them as rock’s conscience, to the cynics who blanch at lead singer Bono’s self-importance. Here’s the thing: U2 want to play to both crowds. They know why the haters can’t stand them. After a decade of earnestness in the ’80s, Bono, The Edge, Adam Clayton and Larry Mullen called BS on themselves, rebooting their sound and image for the ’90s age of irony. This shouldn’t have worked. Instead, U2 became as big as ever, and kept scoring hits. Then, when the whole sardonic thing stopped working for them, at the turn of the millennium, they went back to anthemic U2—and the hits kept coming. Their ability to pivot so many times and keep scoring hits over multiple decades is rare in pop history. Join Chris Molanphy as he explains how U2 pulled this off. How did they balance cool and cringe? How did they outlast new wave, college rock, hair metal and grunge to remain chart-toppers into the era of teenpop and hip-hop? And…what exactly were they thinking when they forced an album onto your iPhone? They don’t mean to bug ya, but…why can’t we live with or without U2? Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On December 4th, the Supreme Court will hear arguments for U.S. v. Skrmetti, a case that could decide the fate of gender-affirming care for trans people across the country. Outward’s own Jules Gill Peterson contributed to an amicus brief for the case, a document that provides expertise and historical context to assist the court in making it’s decision. In this episode, Bryan and Christina reunite with Jules to break down her contributions to the document and dive into the history of transition and the powerful voices of trans youth from across time. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Slow Burn: The Rise of Fox News - Ep. 6: What Hath We Wrought? 1:17:01
1:17:01
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:17:01![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
The 2004 presidential race would be the first fully Fox News election—a contest that was framed by Fox, and fought on its terms. But the fight over Fox News was about more than just partisan politics. It also launched covert ops against reporters and let loose a secret army of online trolls. And when a Fox producer made serious allegations against Bill O’Reilly, the network showed just how far it would go to defend its biggest star—no matter the cost. To read our full reporting on the most recent legal actions between Bill O'Reilly and Andrea Mackris, and learn more about how a non-disclosure agreement from two decades ago has kept Mackris silent, go to slate.com/foxnda . Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo. Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde. Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Slow Burn: The Rise of Fox News - Ep. 5: Ludacris Has Been Fired 1:04:35
1:04:35
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:04:35![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
As Fox News gathered strength, progressive activists turned to comedian Al Franken and fledgling online communities to punch back. But could the left put up a real fight without a Fox News of its own? And what did Fox’s critics miss when they focused only on its politics? Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo. Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde. Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea’s last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections . A month later, she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again. Some of the voices you’ll hear in this episode include screenwriter Helen Childress ; writer and musician Franz Nicolay ; New York Times critic Wesley Morris , Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America’s Most Celebrated Publishing House, Farrar, Straus, and Giroux ; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music ; and Laura Miller , Slate’s book critic. This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Slow Burn: The Rise of Fox News - Ep. 4: Beacon of Truth 1:05:12
1:05:12
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:05:12![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
After 9/11, the Fox News Channel rallied a huge portion of the country around the Bush administration’s vision of the world. But as the U.S. marched to war in the Middle East, journalists, liberal watchdogs, and comedians began pushing back. Could The Daily Show , Fox News’ own liberal pundits, or an employee-turned-whistleblower take Fox down a peg? Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo. Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde. Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices…
GLP-1 drugs like Ozempic, WeGovy, Mounjaro and others revolutionized weight loss and chronic weight management. But what does it feel like for the patients who take them? On this week’s episode of Well, Now Kavita and Maya talk with journalist and author Johann Hari . Over the course of a year, Johann dived into the research and history behind GLP-1 drugs and how they became the latest and most effective way to lose weight. All the while, he was also taking Ozempic himself. His latest book Magic Pill: The Extraordinary Benefits and Disturbing Risks of the New Weight-Loss Drugs takes a personal and research-based look at the revolutionary, controversial rise of GLP-1 drugs for weight management. If you liked this episode, check out: The Full Truth About Ozempic and Doctors Agree: Obesity is a Disease. The Public Needs to Catch Up. Well, Now is hosted by registered dietitian nutritionist Maya Feller and Dr. Kavita Patel . Podcast production by Vic Whitley-Berry with editorial oversight by Alicia Montgomery. Send your comments and recommendations on what to cover to wellnow@slate.com Want to listen to Well, Now uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Well, Now and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/wellplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
For a decade and a half, CNN was peerless and ambitious, and it understood its place in the world. At least, it thought it did—until Fox News burst onto television screens. Could CNN save itself by becoming conservative or by going tabloid? And how would CNN and Fox respond when September 11 made the news more important than ever? Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo. Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde. Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Hit Parade: What’s 1984 Got to Do with It Edition Part 2 1:03:32
1:03:32
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:03:32![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
A decade ago, Rolling Stone magazine called 1984 “ Pop’s Greatest Year .” A bold statement…but a lot of critics agree. A confluence of factors—the comeback of dance music, the peak of MTV, the Second British Invasion, and the emergence of metal and hip-hop—made the radio a great place to be. It was a year of fearless genre crossover…cinematic hits…veterans reinventing themselves…ballads that became standards…a newcomer named Madonna…and a movie star who called himself The Kid and made doves cry. Join Chris Molanphy as he dissects eight reasons why 1984 was awesome for pop fans and walks through all 20 of the year’s No. 1 hits: from “Jump” to “Hello,” “Karma Chameleon” to “Caribbean Queen,” “Let’s Go Crazy” to “Like a Virgin.” This is what it sounds like when pop’s fly. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Oscar-winner Warren Beatty first secured the rights to the comic book character Dick Tracy in the lead up to his 1990 movie adaptation. Decades later, Beatty kept playing Tracy in bizarre late-night specials airing on cable TV, that confounded nearly everyone. Why is one of the most famous movie stars of the 20th century, spending the twilight of his career playing a comic strip detective of dwindling renown? In this episode, we investigate: What’s going on between Warren Beatty and Dick Tracy? This episode was written by Willa Paskin. It was edited by Lacy Roberts and Evan Chung. It was produced by Sofie Kodner. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode, you’ll hear from author and artist Ryan Estrada, journalist Kim Masters, comic book store owner Matt Live, and media lawyer Celia Muller. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Slow Burn: The Rise of Fox News - Ep. 2: A Network for Normal People 1:00:05
1:00:05
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:00:05![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
Before he ran Fox News, Roger Ailes launched a very different kind of channel. America’s Talking was his vision of the future of television: a strange, slapdash, mostly apolitical cable network. When that dream got snatched away from him, Ailes went on a revenge mission—and made a connection with Rupert Murdoch. Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo. Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde. Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Modern IUDs have been used for decades to prevent unwanted pregnancy and have been extremely effective at doing so. But they’re not without side effects. With few places to turn, many patients have resorted to TikTok to describe their experiences of painful insertion and removal as well as cramping, changes in menstruation, and mood shifts. But patients don’t have to be left in the dark. If there was more research into how different bodies react to IUDs, there’s a chance patients can get the care they need without as drastic of side effects. On this week’s episode of Well, Now Maya and Kavita talk with Dr. Kavita Nanda, the Director of Medical Research for FHI360, on why there is so little research into IUDs, what we do know about them, and how you or a loved one can prepare for a conversation with your doctor about them. If you liked this episode, check out: Michelle Obama Gets Health Advice From This Gyno. Now You Can, Too. Further Reading: Why Is It So Hard to Get a Basic Question Answered About My IUD Well, Now is hosted by registered dietitian nutritionist Maya Feller and Dr. Kavita Patel . Podcast production by Vic Whitley-Berry with help from Kristie Taiwo-Makanjuola. Editorial oversight by Alicia Montgomery. Send your comments and recommendations on what to cover to wellnow@slate.com Want to listen to Well, Now uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Well, Now and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/wellplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
When the Fox News Channel launched in 1996, critics called it disorganized, incompetent, and laughably inept. But it wouldn’t be a joke for long. During the 2000 election, Fox News would captivate the nation – and just maybe change the fate of American democracy. Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo. Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde. Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Hit Parade: What’s 1984 Got to Do with It Edition Part 1 1:07:20
1:07:20
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:07:20![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
A decade ago, Rolling Stone magazine called 1984 “ Pop’s Greatest Year .” A bold statement…but a lot of critics agree. A confluence of factors—the comeback of dance music, the peak of MTV, the Second British Invasion and the emergence of metal and hip-hop—made the radio a great place to be. It was a year of fearless genre crossover…cinematic hits…veterans reinventing themselves…ballads that became standards…a newcomer named Madonna…and a movie star who called himself The Kid and made doves cry. Join Chris Molanphy as he dissects eight reasons why 1984 was awesome for pop fans and walks through all 20 of the year’s No. 1 hits: from “Jump” to “Hello,” “Karma Chameleon” to “Caribbean Queen,” “Let’s Go Crazy” to “Like a Virgin.” This is what it sounds like when pop’s fly. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Adults have a long history of trying to find morals and lessons in children’s literature. But what happens when a seemingly innocent book about a boy and a hungry mouse becomes fodder for the culture wars? Over the last decade, Laura Joffe Numeroff’s If You Give a Mouse a Cookie has been adopted by some on the right as a cautionary tale about government welfare. In this episode, we explore the origins of If You Give a Mouse a Cookie , the history of adults extracting unintended meaning from children’s books, and try to figure out how this particular kid’s book became a Republican battle cry. This episode was written by Cheyna Roth. It was edited by Katie Shepherd and Evan Chung. It was produced by Sofie Kodner. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode, you’ll hear from author Laura Numeroff, book critic Bruce Handy, economist Rebecca Christie and former journalist Max Ehrenfreund. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Slate Plus members get to listen to Decoder Ring and every other Slate podcast without any ads. You also get unlimited access to Slate’s website. Member support is crucial to our work. So please go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
The New York Police Department is perhaps the most famous—or notorious—police force in America, depending on who you talk to. Some see it as a group of thousands of dedicated civil servants, devoted to public safety. Others say the department is rife with corruption, tangled in politics, and—at best—indifferent to the racist brutality its officers visit on Black citizens of the city. Now, a new podcast aims to shed light on the complicated history of the N.Y.P.D. and race. “Empire City” is a new narrative series from Wondery, Crooked Media and Push Black. On today’s episode of A Word, Jason Johnson is joined by the show’s host and creator, NYU journalism professor Chenjerai Kumanyika. Guest: Chenjerai Kumanyika, host of Empire City: The Untold Origin Story of the NYPD Podcast production by Kristie Taiwo-Makanjuola Want more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
For decades—literally since Woodstock—female musicians had battled music-industry perceptions that amassing too many of them, on the radio or on the road, was bad for business. And yet, by the ’90s, women were vital to the rise of alt-rock and hip-hop on the charts: from Suzanne Vega to Queen Latifah, Tracy Chapman to Sheryl Crow, Natalie Merchant to Missy Elliott. Sarah McLachlan harnessed this energy into an all-woman tour she dubbed Lilith Fair. Its string of sellouts from 1997 to ’99 affirmed women’s clout in the decade of grunge-and-gangsta. But the festival was also criticized for its narrow focus and for branding “women’s music” as a genre. More than two decades later, Hit Parade assesses the legacy of Lilith on the charts and on the road—how its performers, attendees and musical descendants are helping to ensure the future is female. Podcast production by Benjamin Frisch and Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In the late 1970s, a new and unusual concept for a restaurant chain emerged in California—video games plus bad pizza plus animatronic characters. The result was Chuck E. Cheese’s Pizza Time Theatre, an immensely popular chain with a pizza rat for a mascot. But the strangeness only starts there. Decoder Ring dives into the formation of Chuck E. Cheese’s and its rival, ShowBiz Pizza Place; the conflict between the two; and the odd personalities of the mechanical animatronics that inhabited both stores and are still beloved by a select group of adults to this very day. This podcast was written by Willa Paskin and was produced and edited by Benjamin Frisch, who also did illustrations for this episode. Cleo Levin was our research assistant. Decoder Ring is produced by Katie Shepherd, Max Freedman, and Evan Chung, with help from Sofie Kodner. Derek John is executive producer. Merritt Jacob is our senior technical director. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Slate Plus members get to listen to Decoder Ring and every other Slate podcast without any ads. You also get unlimited access to Slate’s website. Member support is crucial to our work. So please go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Candice Lim is joined by Slate culture writer Nadira Goffe and former host of Vox’s The Weeds Jonquilyn Hill . Vice President Kamala Harris has been a public servant for more than 20 years, but her internet history is just as storied and rife with awkward singing , baffling laughter , and accidental viral hits . From coconut trees to Venn diagrams, ICYMI dives into Harris’ relationship with the internet, the K-Hive, and her hall of fame memes. This podcast is produced by Se’era Spragley Ricks, Daisy Rosario and Candice Lim. Learn more about your ad choices. Visit megaphone.fm/adchoices…
This week, Jules sits down with Art Specialist Corey Serrant from Swann Auction Galleries to chat about pieces from their upcoming LGBTQ+ Art, Material Culture & History auction and how they found the art in the first place. From an Ancient Roman bust who was an unlikely companion to famous writers to an invitation to the Weimar Republic’s hottest lesbian bar, this collection spans centuries of queer life. Podcast production by Palace Shaw Learn more about your ad choices. Visit megaphone.fm/adchoices…
Political Gabfest host Emily Bazalon talks with author Joshua Leifer about his new book, Tablets Shattered: The End of An American Jewish Century and the Future of Jewish Life . They discuss Leifer’s experience growing up Jewish in America, the conflict in Gaza, how what it means to be Jewish has evolved, and more. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com . (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices…
For decades—literally since Woodstock—female musicians had battled music-industry perceptions that amassing too many of them, on the radio or on the road, was bad for business. And yet, by the ’90s, women were vital to the rise of alt-rock and hip-hop on the charts: from Suzanne Vega to Queen Latifah, Tracy Chapman to Sheryl Crow, Natalie Merchant to Missy Elliott. Sarah McLachlan harnessed this energy into an all-woman tour she dubbed Lilith Fair. Its string of sellouts from 1997 to ’99 affirmed women’s clout in the decade of grunge-and-gangsta. But the festival was also criticized for its narrow focus and for branding “women’s music” as a genre. More than two decades later, Hit Parade assesses the legacy of Lilith on the charts and on the road—how its performers, attendees and musical descendants are helping to ensure the future is female. Podcast production by Benjamin Frisch and Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Hit Parade: Song(s) of the Summer Edition Part 2 1:01:56
1:01:56
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:01:56![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
“Summer in the City.” “I Feel the Earth Move.” “Bette Davis Eyes.” “Whoomp! There It Is.” “Get Lucky.” “Espresso.” What do these big summer hits all have in common? None of them was Billboard’s official Song of the Summer. Wait…there’s an official Song of the Summer? Isn’t that something that just happens organically? Every year, it seems everybody has an opinion on this musical national pastime. But the Hot 100 often tells a different story. For every “Light My Fire,” “Bad Girls,” “Crazy in Love,” “California Gurls” or “Call Me Maybe”—a hot-weather hit that unites the charts and the punditry—there are confirmed summer smashes that no one would pick out of a lineup, from Zager and Evans to Iggy Azalea. Join Chris Molanphy as he traces the tangled story of how America came to decide there should be one victorious summer hit to rule them all. And he counts down the best Songs of the Summer by decade. Is it getting “Hot in Herre,” or is it just us…? Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
John Dickerson talks with author Roland Allen about his new book, The Notebook: A History of Thinking on Paper . They discuss the historical origins of notebooks, how to keep a notebook and their own personal journeys documenting their lives. If you enjoyed this conversation, you’ll love an exploration into John Dickerson’s notebooks with his podcast Navel Gazing . Season one is out now. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com . (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Lawn ornaments are everywhere—but for something so ubiquitous, they’re also mysterious. What’s the person with the flamingo or the gargoyle in their yard trying to say—and why do they want to say it so publicly? From the garden-variety to the not so common, the adorable to the odious—lawn ornaments speak volumes, without saying a word. In this episode, we travel from Germany to England and back home to look at the history and meaning behind three specific lawn ornaments: the garden gnome, the lawn jockey, and the 18th century ornamental hermit. You’ll hear from historian Twigs Way , Sven Berrar of the Zwergstatt Gräfenroda , David Pilgrim of the Jim Crow Museum , Kenneth Goings who is an emeritus professor at the Ohio State University, and art historian Ned Harwood. This episode was written by Evan Chung and Willa Paskin. It was produced by Evan Chung. We produce Decoder Ring with Katie Shepherd and Max Freedman. We had additional production from Cheyna Roth and Martina Weber. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. Thank you to Friedemann Brenneis, Heather Joseph-Witham, and Elise Gramza. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com . If you love the show and want to support us, consider joining Slate Plus . With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Hit Parade: Song(s) of the Summer Edition Part 1 1:02:22
1:02:22
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:02:22![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
“Summer in the City.” “I Feel the Earth Move.” “Bette Davis Eyes.” “Whoomp! There It Is.” “Get Lucky.” “Espresso.” What do these big summer hits all have in common? None of them was Billboard’s official Song of the Summer. Wait…there’s an official Song of the Summer? Isn’t that something that just happens organically? Every year, it seems everybody has an opinion on this musical national pastime. But the Hot 100 often tells a different story. For every “Light My Fire,” “Bad Girls,” “Crazy in Love,” “California Gurls” or “Call Me Maybe”—a hot-weather hit that unites the charts and the punditry—there are confirmed summer smashes that no one would pick out of a lineup, from Zager and Evans to Iggy Azalea. Join Chris Molanphy as he traces the tangled story of how America came to decide there should be one victorious summer hit to rule them all. And he counts down the best Songs of the Summer by decade. Is it getting “Hot in Herre,” or is it just us…? Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
For the two years leading up to May 21, 1979, gay activists followed the rules. They engaged in civil debates. They sought justice at the ballot box. They peacefully mourned the assassination of Harvey Milk. But the verdict in Dan White’s murder trial changed everything. (If you—or anyone you know—are in crisis, contact the National Suicide Prevention Lifeline, anytime: Dial 988 or visit 988lifeline.org.) Subscribe to Slate Plus to immediately unlock all episodes of Slow Burn: Gays Against Briggs. Your subscription also gets you ad-free access to all your favorite Slate podcasts, plus other member exclusive content. Join now on Apple Podcasts by clicking “Subscribe” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Sophie Summergrad, Kelly Jones, and Joel Meyer. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Merritt Jacob is our senior technical director. We had engineering help from Patrick Fort and Madeline Ducharme. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective. Learn more about your ad choices. Visit megaphone.fm/adchoices…
The story of IUDs is a story of technology, reproductive rights, shortcomings in communication about women’s health, and politics. Guest: Mia Armstrong-Lopez, managing editor at ASU Media Enterprise and author of a recent piece on IUDs for Slate . Want more What Next TBD? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
What does a music producer do? If his name is Quincy Jones, a little bit of everything: conducting, arranging, composing. Assembling teams of ace session musicians. Sometimes, even picking a catchy title and telling an artist to go write a song about it— would “Thriller” have worked as well if it had been called “Starlight”? Quincy Jones was pop’s Renaissance Man, and he could not be limited either by genre or by role. He played in jazz bands…produced teen pop hits…discovered young talent…scored Hollywood films…helped invent Yacht Rock and Yacht Soul…even released hit albums under his own name featuring cavalcades of guest vocalists. And he worked with so! many! legends! Ray Charles, Frank Sinatra, Little Richard, Lesley Gore, Aretha Franklin, Chaka Khan … and all that happened before he even met a former child star named Michael Jackson and helped him produce the best-selling album in history. No wonder only Quincy had the clout to wrangle the superstars for the recording of “We Are the World.” Join Chris Molanphy as he tells the story of the music man who truly did it all and is known affectionately by the letter Q. He made the world a better place for you and me. Podcast production by Kevin Bendis. Host Chris Molanphy Learn more about your ad choices. Visit megaphone.fm/adchoices…
This week Christina chats with Eleanor Medhurst, author of “Unsuitable: A History of Lesbian Fashion,” and the blog ‘Dressing Dykes ’ to chat about lesbian style from around the world and across time. They dig into the gender-bending styles of the Harlem Renaissance, monocles, and how queer women used their fashions to find each other. Click HERE to support Human Rights Campaign. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On election night in 1978, gays and lesbians in California braced themselves for the statewide vote on Proposition 6. Less than a month after the results came in, a pair of killings shocked San Francisco and the nation. Subscribe to Slate Plus to immediately unlock all episodes of Slow Burn: Gays Against Briggs. Your subscription also gets you ad-free access to all your favorite Slate podcasts, plus other member exclusive content. Join now on Apple Podcasts by clicking “Subscribe” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Sophie Summergrad, Kelly Jones, and Joel Meyer. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Merritt Jacob is our senior technical director. We had engineering help from Patrick Fort and Madeline Ducharme. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective. Learn more about your ad choices. Visit megaphone.fm/adchoices…
As Election Day approached, the campaign to defeat Proposition 6 faced formidable odds. John Briggs’ fundraising juggernaut was churning out cash, and public opinion polls were solidly in his favor. To turn the tide, gay rights activists unveiled a powerful symbol and gambled on the support of an improbable ally: Ronald Reagan. (If you—or anyone you know—are in crisis, contact the National Suicide Prevention Lifeline, anytime: Dial 988 or visit 988lifeline.org.) Subscribe to Slate Plus to immediately unlock all episodes of Slow Burn: Gays Against Briggs. Your subscription also gets you ad-free access to all your favorite Slate podcasts, plus other member exclusive content. Join now on Apple Podcasts by clicking “Subscribe” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Kelly Jones, Joel Meyer, and Sophie Summergrad. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Merritt Jacob is our senior technical director. We had engineering help from Patrick Fort and Madeline Ducharme. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective. Learn more about your ad choices. Visit megaphone.fm/adchoices…
What does a music producer do? If his name is Quincy Jones, a little bit of everything: conducting, arranging, composing. Assembling teams of ace session musicians. Sometimes, even picking a catchy title and telling an artist to go write a song about it— would “Thriller” have worked as well if it had been called “Starlight”? Quincy Jones was pop’s Renaissance Man, and he could not be limited either by genre or by role. He played in jazz bands…produced teen pop hits…discovered young talent…scored Hollywood films…helped invent Yacht Rock and Yacht Soul…even released hit albums under his own name featuring cavalcades of guest vocalists. And he worked with so! many! legends! Ray Charles, Frank Sinatra, Little Richard, Lesley Gore, Aretha Franklin, Chaka Khan … and all that happened before he even met a former child star named Michael Jackson and helped him produce the best-selling album in history. No wonder only Quincy had the clout to wrangle the superstars for the recording of “We Are the World.” Join Chris Molanphy as he tells the story of the music man who truly did it all and is known affectionately by the letter Q. He made the world a better place for you and me. Podcast production by Kevin Bendis. Host Chris Molanphy Learn more about your ad choices. Visit megaphone.fm/adchoices…
In the early days of the anti-Briggs campaign, a Richard Pryor comedy set turned into a public fiasco and laid bare longstanding divisions in the gay community. With the movement low on cash and running out of time, thousands of gay Californians decided their only option was to tell the world who they really were. (If you—or anyone you know—are in crisis, contact the National Suicide Prevention Lifeline, anytime: Dial 988 or visit 988lifeline.org.) Subscribe to Slate Plus to immediately unlock all episodes of Slow Burn: Gays Against Briggs. Your subscription also gets you ad-free access to all your favorite Slate podcasts, plus other member exclusive content. Join now on Apple Podcasts by clicking “Subscribe” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Kelly Jones, Joel Meyer, and Sophie Summergrad. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Merritt Jacob is our senior technical director. We had engineering help from Patrick Fort and Madeline Ducharme. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective. Learn more about your ad choices. Visit megaphone.fm/adchoices…
After decades of wandering and job-hopping, Harvey Milk found his purpose as a gay community leader with growing political ambitions. But his historic election was just the beginning. As John Briggs’ gay teacher ban gained momentum, it was up to Supervisor Milk and his allies to figure out how to stop him. Subscribe to Slate Plus to immediately unlock all episodes of Slow Burn: Gays Against Briggs. Your subscription also gets you ad-free access to all your favorite Slate podcasts, plus other member exclusive content. Join now on Apple Podcasts by clicking “Subscribe” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Kelly Jones, Joel Meyer, and Sophie Summergrad. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Merritt Jacob is our senior technical director. We had engineering help from Patrick Fort and Madeline Ducharme. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Hang Up: The WNBA’s Caitlin Clark Drama 1:15:03
1:15:03
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:15:03![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
Joel Anderson and Josh Levin are joined by Howard Megdal of the Next to discuss the tumultuous beginning to Caitlin Clark’s rookie season. Historian and author Larry Lester also joins to explain how records from the Negro Leagues finally got incorporated into the major-league record book. Finally, Joel speaks with Arena Football League player Tamatoa Silva about how it felt to watch an entire league come crashing down around him. Caitlin Clark (2:49): Dissecting all the drama surrounding the WNBA star. Negro Leagues (25:23): What to know about all the new stats, and why it took so long for MLB to add them to the record book. Arena Football League (47:56): A conversation about life on the football fringes. Afterball (59:48): Josh on Dejounte Murray and the greatest NBA quote of all time. (Note: time codes are only accurate for Slate Plus members, who listen ad free.) Want more Hang Up and Listen? Subscribe to Slate Plus to immediately unlock weekly bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page, or visit slate.com/hangupplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In this week’s essay, John discusses instinct versus obligation, his daughter’s wit, how he has changed since episode one, and more. Notebook Entries: Notebook 58, page 10. September 16, 2021 “You don’t measure your life the way you measure your writing.” - Nan Notebook 75, page 46-47. September 2021 When your dog dies and son goes to college and you are confronted with your life’s work it all boils down to one alarm: the clock is ticking. If a scream is better than a thesis, I was hearing some kind of scream, but what was the thesis? References: Everything Is Copy – HBODocs The Power of Regret – Daniel Pink The Mezzanine – Nicholson Baker “ The Creative Process ” – James Baldwin Slouching Towards Bethlehem – Joan Didion “ Three Paths Toward the Meaning of Life ” - Arthur Brooks for The Atlantic Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices…
Girl groups have long been underestimated—even by the producers and managers who created them. For women listeners, girl groups narrated profound emotions and expressed personal freedom—even when the singers were not so free themselves. For male listeners, girl groups provided inspiration, and a way to express matters of the heart. And for all listeners across rock and soul history, girl groups pushed music forward. In the ’60s, the Shirelles, Marvelettes, Ronettes and Shangri-Las kept rock afloat between Elvis Presley and the Beatles. In the ’70s and ’80s, girl groups from the Emotions to Exposé rebooted dance music. In the ’90s, En Vogue, TLC and Destiny’s Child fused hip-hop style with old-school soul—and the Spice Girls fired up a new generation through Girl Power. Join Chris Molanphy as we shimmy and strut through decades of bops to give girl groups the respect they deserve. You’ll love them tomorrow, because friendship never ends. Podcast production by Kevin Bendis. Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes. Plus, you’ll get ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
This week, Bryan dives into the world of sports to talk about the often obscured queer history of the Olympics with writer Michael Waters. Michael’s new book ‘The Other Olympians: Fascism, Queerness, and the Making of Modern Sports’ highlights the gripping true stories of pioneering trans and intersex athletes from the 1936 Olympics. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In 1977, John Briggs was a small-time state senator with big dreams. But Briggs’ plan to ban gay and lesbian teachers from California schools changed the arc of his life and career. Suddenly, he was a right-wing hero, and a villain of the gay rights movement. And his message seemed to be catching on all over the country. Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Kelly Jones, Joel Meyer, and Sophie Summergrad. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Merritt Jacob is our senior technical director. We had engineering help from Patrick Fort and Madeline Ducharme. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In this week’s essay, John discusses Mothers’s Day, playing tennis with the Attorney General, medical scares, and more Notebook Entries: Notebook 19, page 16. April 2011 Is it possible, through applied thought, to become systematic in an approach to life? If you were to do that how would you proceed? Notebook 16, page 6. July 26, 2005 “I’m here with a bunch of midshipmen and wondering what there is to do around here.” - Boy trying to hit on a girl working @ The Reef in Castine, ME. Notebook 15, page 30. September 2004 Head problems: Sunday 9/5 morning Tuesday 9/7 evening Wednesday 9/8 before lunch Notebook 22, page 22. April 24, 2014 Question: What did you want to be when you were a kid? What do you want to be now? Why the difference? Notebook 9. 1995 “That’s just the ticket the doctor ordered” Notebook 13. 2001 “Free as a clam” Notebook 17, page 67. December 2006 The man sitting next to me has a face on the boil and garlic and old booze on his breath. When he sleeps, he sighs. For this leg of the flight I am wrapped in his breathy gumbo. Notebook 15, page 7. April 2004 “In all these there are messages for those who use their reason.” - Quran quotation Notebook 15, page 80. 2005 Would like to meet her. Notebook 54. July 26, 2020 “Writing requires a reader. You can’t do it alone.” - John Cheever Notebook 15, page 71. 2005 In the light of sobriety not sure what this means Notebook 13. March 2001 Yesterday I played tennis with John Ashcroft the atty. general of the U.S. Notebook 13, page 108. December 11, 2001 Anne just called. There is one little heartbeat beating in her today. Everything is okay for this hurdle. I must say, I was really worried. Notebook 20, page 10. December 24, 2013 “Sometimes Dad says weird stuff, just ignore him” - Anne to kids about me Notebook 15, page 84. “Life goes on,” Hayawi says. “We are in the middle of a war [in Iraq] and we still smoke the water pipe.” Notebook 45, page 24. April 16, 2019 Our savior lives by the manner in which we live. Notebook 19, page 23. 2011 People on their mobile phones in England say goodbye a lot: “Cheers, alright then, speak to you soon, ta.” (That’s four ways of saying goodbye). Amelia tells the story of a man who thanked a ticket-taker by saying “Ta, magical, cheers.” References: Disaster on the Penobscot - John Henry Fay for Naval History Magazine One Man’s Meat by E.B. White The House at Allen Cove I E.B. White House Tou r - New England Magazine Little Plastic Castle - Ani Defranco “ Two Years of War: Taking Stock ” - Anthony Shadid for the Washington Post Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices…
This week Christina Cauterucci returns to Outward to talk with Bryan about her experience making ‘Slow Burn: Gays Against Briggs’ and diving into one of the most consequential civil rights battles in American history: the first-ever statewide vote on gay rights. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In the 1970s, San Francisco became a welcoming home for tens of thousands of new gay residents—and a modern-day Sodom for the American right. With a moral panic sweeping across the United States, a Florida orange juice spokeswoman inspired an ambitious California politician to launch his own campaign against lesbians and gays—one that would change the course of U.S. history. (If you—or anyone you know—are in crisis, contact the National Suicide Prevention Lifeline, anytime: Dial 988 or visit 988lifeline.org.) Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Kelly Jones, Joel Meyer, and Sophie Summergrad. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Merritt Jacob is our senior technical director. We had engineering help from Patrick Fort and Madeline Ducharme. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out: don’t scare me like that, colonizer. Understanding the legacy of colonialism is a project relatively few Americans have undertaken — and most have done so only relatively recently, at that. But understanding the forces that led to the foundation of this country, and the creation of modern racism as we know it, is an important project. And it’s one that is also increasingly hard to bring into schools — especially in places like Florida. Barry Mauer of UCF joins us once again to argue for teaching the ongoing project of colonialism… in the name of stopping it. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. Want more Hear Me Out? Subscribe to Slate Plus to access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hearmeoutplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Emily Bazelon talks with authors Bill Wasik and Monica Murphy, about their new book, Our Kindred Creatures: How Americans Came to Feel the Way They Do About Animals . They discuss the evolution of animal treatment in America, moral duties to animals, and how to care about more animals than our pets. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com . (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In this week’s essay, John discusses the differences between moving around New York in 1991 and 2021; remembering 9/11 twenty years later; and more. Notebook Entries: Notebook 75, page 12. September 2021 Notebooks to Garret Notebook 75, page 13. September 2021 Can you make a typo with handwriting? What’s a typo with handwriting called? Notebook 4. 1991 We have to unplug the light to run the vacuum, so we do a lot of our vacuuming in the dark. Notebook 75. September 11, 2021 Fritz want something? References: Smythson Notebooks in Blue 9/11 ceremonies, events and coverage on 20th anniversary - CBS News Richard Drew on Photographing the “Falling Man” of 9/11 - CBS News Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Hit Paade: Be My Baby-Baby-Baby Edition Part 1 1:03:22
1:03:22
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:03:22![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
Girl groups have long been underestimated—even by the producers and managers who created them. For women listeners, girl groups narrated profound emotions and expressed personal freedom—even when the singers were not so free themselves. For male listeners, girl groups provided inspiration, and a way to express matters of the heart. And for all listeners across rock and soul history, girl groups pushed music forward. In the ’60s, the Shirelles, Marvelettes, Ronettes and Shangri-Las kept rock afloat between Elvis Presley and the Beatles. In the ’70s and ’80s, girl groups from the Emotions to Exposé rebooted dance music. In the ’90s, En Vogue, TLC and Destiny’s Child fused hip-hop style with old-school soul—and the Spice Girls fired up a new generation through Girl Power. Join Chris Molanphy as we shimmy and strut through decades of bops to give girl groups the respect they deserve. You’ll love them tomorrow, because friendship never ends. Podcast production by Kevin Bendis. Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes. Plus, you’ll get ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In this week’s essay, John discusses the Pomodoro Routine (among other productivity routines), why he especially needs a meditation pillow, and how a particular teacher captured his heart. Notebook Entries: Notebook 75, pages 8 and 9. September 2021 OReinstating the Pomodoro Routine… Starting Marshall again… Write Brice… Send Laura the larger project list… Work on budget to get accounts in order Meditation pillow upstairs. Notebook 18. December 6, 2009 Instapaper Alpha Smart Richard Hugo on poetry Degrees of Gray In Philipsburg. Notebook 18, page 105. June 4, 2011 Visit to Mr. Mead. He was playing piano as we entered. [During our conversation, he asked]: do you find your work fulfilling? Do you have a close circle of friends? Questions about life and living it well… References: Getting Things Done - David Allen The Seven Habits of Highly Effective People - Stephen Covey The Questions That Will Get Me Through the Pandemic - John Dickerson 43 Folders - Merlin Mann The Hardest Job in the World - John Dickerson Essays of E.B. White “ Merlin Mann ” - Tina Essmaker for The Great Disconnect More about Ernest “Boots” Mead “ Because Buying New Running Shoes is More Fun Than Actually Running ” - Merlin Mann for 43 Folders Atomic Habits - James Clear The Creative Habit - Twyla Tharp Free Agent Nation - Daniel Pink “ Sharon Salzberg On: Openness, Not Believing the Stories You Tell Yourself, and Why the Most Powerful Tools Often Seem Stupid at First ” - Ten Percent Happier Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices…
Get your tickets for Amicus Live in Washington DC here. In the second part of our series on Amicus and at Slate.com , Dahlia Lithwick and Mark Joseph Stern are back on the originalism beat. This week they’re trying to understand the mechanisms of what Professor Saul Cornell calls “the originalism industrial complex” and how those mechanisms plug into the highest court in the land. They’re also asking how and why liberals failed to find an effective answer to originalism, even as the various “originalist” ways of deciding who’s history counts, what constitutional law counts, which people count, were supercharged by Trump’s SCOTUS picks. Madiba Dennie, author of The Originalism Trap , highlights how the Supreme Court turned to originalism to gut voting rights. In 2022, the US Supreme Court’s originalism binge ran roughshod over precedent and unleashed Dobbs and Bruen on the American people - Mark and Dahlia talk to a state Supreme Court justice about what it’s like trying to apply the law amid these constitutional earthquakes. In today’s Slate Plus bonus episode, Dahlia talks to AJ Jacobs about his year of living constitutionally, and she confesses to an attempt to smuggle contraband into One, First Street. Sign up for Slate Plus now to listen and support our show. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Writer Ta-Nehisi Coates is arguably the strongest voice of his generation on the role of race and identity in American politics and culture. He’s the author of several books, including “Between the World and Me,” “We Were Eight Years in Power,” and “The Beautiful Struggle,” and the recipient of a MacArthur “genius” grant and a National Book Award. For this week’s episode, we feature a conversation between Coates and host Jason Johnson, recorded live at the recent Cascade PBS Ideas Festival. They discuss everything from the diss track battle between Drake and Kendrick Lamar, to the campus protests over the Middle East, to the limits –and necessity– of participating in electoral politics. Guest: Award-winning writer Ta-Nehisi Coates Podcast production by Kristie Taiwo-Makanjuola Want more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
This week Bryan talks to Lucas LaRochelle, the creator of the online platform Queering the Map. Queering the Map is a community-generated digital archive and map of LGBTQ2IA+ experiences around the globe. They dig into the map’s beginnings, stories from the platform, and how this archive has been able to share queer joy, sorrow, and possibility across continents and in 23 languages. Podcast production by Palace Shaw. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In this week’s essay, John discusses an onboarding memo for his assistant Laura, and recounts his early days living and working in New York City. Notebook Entries: Notebook 75 Onboard memo for Laura Notebook 3, page 44. May 1991 June 17 start job. Good stuff Notebook 3, page 46. May 1991 Tips on buying renting in NYC Ask about broker 20s and 30s East side. Murry Hill Live on no major avenue Interest bearing account for security deposit Medeco locks Notebook 4, page 15 Scared standing on 34th and Broadway $6 cab fare Notebook 4, page 42 Getting lost in the village References: The Little Brown Book of Anecdotes by Clifton Fadiman Medeco Locks “ Here is New York ” by E.B. White “ Silly Job Interview ” - Monty Python John Cleese on Creativity in Management Herbie Hancock: Miles Davis’ Essential Lesson On Mistakes Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Host John Dickerson Learn more about your ad choices. Visit megaphone.fm/adchoices…
In this, the first part of a special series on Amicus and at Slate.com, we are lifting the lid on an old-timey sounding method of constitutional interpretation that has unleashed a revolution in our courts, and an assault on our rights. But originalism’s origins are much more recent than you suppose, and its effects much more widespread than the constitutional earthquakes of overturning settled precedent like Roe v Wade or supercharging gun rights as in Heller and Bruen . Originalism’s aftershocks are being felt throughout the courts, the law, politics and our lives, and we haven’t talked about it enough. On this week’s show, Dahlia Lithwick and Mark Joseph Stern explore the history of originalism. They talk to Professor Jack Balkin about its religious valence, and Saul Cornell about originalism’s first major constitutional triumph in Heller . And they’ll tell you how originalism’s first big public outing fell flat, thanks in part to Senator Ted Kennedy’s ability to envision the future, as well as the past. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Former Outward producer June Thomas joins hosts Bryan Lowder and Jules Gill-Peterson to chat about the very gay new series from Starz, Mary and George. They talk 16th-century sex and sexuality and share their prides, provocations, and the gay agenda for May. Read What's Fact and What's Fiction in Mary & George from Slate Podcast production by Palace Shaw. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out: solidarity? College campuses across the country are grappling with protests and occupations in the name of a free Palestine. Many hundreds of students, faculty, and outside community members have been arrested in tense clashes with police — called onto campuses by the universities themselves. Student protestors have shaped public discourse on matters like war and the environment for many decades. But without a clear, sympathetic goal, they can also lead to political backlash that far outlasts a four-year degree. So are today’s student protestors instigating change in Gaza… or teeing up a crackdown on speech and protest here at home? Prof. Steven Mintz of UT Austin joins us, and urges a cautionary look at the history books. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. Want more Hear Me Out? Subscribe to Slate Plus to access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hearmeoutplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In this week’s essay, John discusses the art of attention and how to develop the skill of slow-looking. Notebook Entries: Notebook 75, page 8. September 2021 1016 Notebook 1, page 54. June 1990 - Magna carta 1215 at Salisbury - Girls skipping - The Haunch of Venison - Chris References: Georgia O’Keeffe Museum A Little History of the World by E.H Gombrich Artist Jeff Koons “ The Art of Divination: D.H. Lawrence on the Power of Pure Attention ” by Maria Popova for The Marginalian “ Gabfest Reads: A Woman’s Life in Museum Wall Labels ” for Political Gabfest One Woman Show by Christine Coulson “ Grammy-winning artist Jason Isbell talks about the craft of songwriting and his latest music ” for CBS News A Journey Around My Room by Xavier De Maistre “ Just think: The Challenges of the Disengaged Mind ” by Timothy Wilson, et.al for Science “ Our Rodent Selfies, Ourselves ” by Emily Anthes for the New York Times One Man’s Meat by E.B. White Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Host John Dickerson Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Hit Parade: We Want It That Way Edition Part 2 1:02:50
1:02:50
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:02:50![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
When you hear “boy band,” what do you picture? Five guys with precision dance moves? Songs crafted by the Top 40 pop machine? Svengalis pulling the puppet strings? Hordes of screaming girls? As it turns out, not all boy bands fit these signifiers. (Well…except for the screaming girls—they are perennial.) There are boy bands that danced, and some that did not…boy bands that relied entirely on outside songwriters, and those that wrote big hits…boy bands assembled by managers or producers, and quite a few that launched on their own. From Frankie Lymon and the Teenagers to New Kids on the Block, the Monkees to the Jonas Brothers, Boyz II Men to BTS, New Edition to One Direction, and…yeah, of course, Backstreet Boys and *N Sync, boy bands have had remarkable variety over the years. (In a sense, even a certain ’60s Fab Four started as a boy band.) Join Chris Molanphy as he tries to define the ineffable quality of boy band–ness, walks through decades of shrieking, hair-pulling pop history, and reminds you that boy bands generated some of our greatest hits, from “I Want You Back” to “I Want It That Way,” “Bye Bye Bye” to “Dynamite.” Help him “ bring the fire and set the night alight .” Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out: nobody wins with two parties. A competitive presidential election draws closer every day – and as ever, every vote will count. So is it fair to accuse third-party voters of wasting a vote, as often happens ? Or are third-party candidates actually preserving what little we have left of a competitive democracy? Bernard Tamas of Valdosta State University joins us to make the case for the power of the third party. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. Want more Hear Me Out? Subscribe to Slate Plus to access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hearmeoutplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In this week’s essay, John dives deep into the loss of his beloved dog, George, the essayist’s dilemma, the comfort of quiet mornings, and more. Notebook Entries: Notebook 75, page 5. September 5, 2021 I go to the morning alone. Notebook 75, page 6. September 6, 2021 Phantom nails on the stairs References: “ Every Dog Is a Rescue Dog ” by John Dickerson for The Atlantic “ Oxytocin-gaze positive loop and the coevolution of human-dog bonds ” by Miho Nagasawa et.al for Science Haikus by Jennifer Gurney “ Which Pet Will Make You Happiest? ” by Arthur C. Brooks for The Atlantic “ The Family Dog Is in Sync With Your Kids ” by Gretchen Reynolds for The New York Times Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Host John Dickerson Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Political Gabfest Reads: Can America Survive Its Relationships with Xi Jinping and Vladimir Putin? 41:59
John Dickerson talks with author David E. Sanger about his new book , New Cold Wars . They discuss how Russia and China came to reach their new levels of power, the role the Middle East and Obama Administration played in all of this, and more. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com . (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices…
April is Autism Acceptance Month, and how we’ve come to understand autism has evolved over the past several decades. For years, autism spectrum disorder (ASD) was thought of as something that needed to be cured. Through better data and years of activism, that misunderstanding is changing. On this week’s episode of Well, Now we discuss that evolution with Sara Luterman , caregiving reporter for The 19th. Podcast production by Vic Whitley-Berry and Ahyiana Angel with editorial oversight by Alicia Montgomery. Send your comments and recommendations on what to cover to wellnow@slate.com Learn more about your ad choices. Visit megaphone.fm/adchoices…
This week Bryan talks to writer Neil J. Young about his new book Coming Out Republican: A History of the Gay Right. They dig into some of the inherent contradictions of the Gay Right and the pillars of their political strategy and reveal how central whiteness and maleness is to their politic. Podcast production by Palace Shaw. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In this week’s essay, John remembers dropping his son off at college, and trying to hold onto moments and feelings while you can. Notebook Entries: Notebook 75, page 6. September 2021: They chose you. Notebook 15, page 4. April 2004: Sitting with Brice by waterfall. Throwing rocks in stream. Loading sand from dump truck and loader and back again. References: What Got You Here, Won’t Get You There by Marshall Goldsmith Songwriter Nick Cave Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Host John Dickerson Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Hit Parade: We Want It That Way Edition Part 1 1:04:02
1:04:02
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:04:02![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
When you hear “boy band,” what do you picture? Five guys with precision dance moves? Songs crafted by the Top 40 pop machine? Svengalis pulling the puppet strings? Hordes of screaming girls? As it turns out, not all boy bands fit these signifiers. (Well…except for the screaming girls—they are perennial.) There are boy bands that danced, and some that did not…boy bands that relied entirely on outside songwriters, and those that wrote big hits…boy bands assembled by managers or producers, and quite a few that launched on their own. From Frankie Lymon and the Teenagers to New Kids on the Block, the Monkees to the Jonas Brothers, Boyz II Men to BTS, New Edition to One Direction, and…yeah, of course, Backstreet Boys and *N Sync, boy bands have had remarkable variety over the years. (In a sense, even a certain ’60s Fab Four started as a boy band.) Join Chris Molanphy as he tries to define the ineffable quality of boy band–ness, walks through decades of shrieking, hair-pulling pop history, and reminds you that boy bands generated some of our greatest hits, from “I Want You Back” to “I Want It That Way,” “Bye Bye Bye” to “Dynamite.” Help him “ bring the fire and set the night alight .” Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Magazines have fallen on hard times – especially the weekly news, fashion, and celebrity mags that once dominated newsstands. The revenue from magazine racks has plummeted in recent years, and many magazines have stopped appearing in print or shut down altogether. And yet, there is something growing in the checkout aisle: one-off publications, each devoted to a single topic, known as “bookazines.” Last year, over 1,200 different bookazines went on sale across the country. They cover topics ranging from Taylor Swift, Star Wars, the Kennedy assassination, K-pop, the British royal family, and as host Willa Paskin recently observed, the career of retired movie star Robert Redford. In today’s episode, Willa looks behind the racks to investigate this new-ish format. Who is writing, publishing, and reading all these one-off magazines – and why? Is the bookazine a way forward for magazines, or their last gasp? Voices you’ll hear in this episode include Caragh Donley, longtime magazine journalist turned prolific writer of bookazines; Eric Szegda, executive at bookazine publisher a360 media ; and Erik Radvon , comic book creator and bookazine fan. This episode was produced by Max Freedman and edited by Evan Chung, who produce the show with Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Cover songs once had a simple playbook: Artists would faithfully rerecord a song—note for note and word for word. They might modernize the instrumentation. If they were feeling radical, they’d punch up the vocals a bit. Now it’s hard to say what a cover is anymore. If Ariana Grande turns “My Favorite Things” into “7 Rings,” does that qualify? When Drake says he’s “Way 2 Sexy,” is he covering Right Said Fred? The recent chart success of “Fast Car”—country star Luke Combs’ very traditional take on Tracy Chapman’s folk classic—has reinvigorated interest in cover songs. Sometimes, isn’t just remaking the song as-is enough? Join Chris Molanphy as he explains the chart considerations and artistic motivations that rebooted the cover song, and whether a straight-up remake will ever top the Hot 100 again. We’re long past the days of “Twist and Shout,” “Venus” and “I’ll Be There.” Podcast production by Olivia Briley. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In 1986, Andrew Wyeth was the most famous painter in America. He was a household name, on the cover of magazines and tapped to paint presidents. And then he revealed a secret cache of 240 pieces of artwork, many provocative, all featuring the same nude female model. This collection, called The Helga Pictures, had been completed over 15 years and hidden from his wife, until they were revealed and wound up on the covers of both Time Magazine and Newsweek. The implication of these paintings were clear: Wyeth must have been having an affair, but then the story got complicated. Was it a genuine sex scandal? A hoax? Or something else entirely? Some of the voices you’ll hear in this episode include Doug McGill , former New York Times reporter; Neil Harris, author of Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience ; Cathy Booth Thomas, former Time Magazine correspondent; Gwendolyn Dubois Shaw, art historian and curator; Jeannie McDowell, former Time Magazine correspondent; Chris Lione, former art director at Art and Antiques; Joyce Stoner, Wyeth scholar; Peter Ralston, Wyeth photographer and friend; and Jim Duff, former director of the Brandywine River Museum. This episode was written by Willa Paskin and produced by Willa Paskin and Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. We had research assistance from Cleo Levin. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. A very special thank you to Paula Scaire. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Myrlie Evers was arguably the first civil rights widow, a woman who was plunged into activism after the assassination of her husband—Mississippi NAACP field secretary Medgar Evers—in 1963. She survived to become a leader of the movement in her own right. But what’s less well known is the remarkable story of how the couple came together, and how their love endures, decades after his death. On today’s episode of A Word, Jason Johnson is joined by journalist Joy-Ann Reid to talk about her book, Medgar & Myrlie: Medgar Evers and the Love Story That Awakened America. Guest: Joy-Ann Reid, host of MSNBC’s The ReidOut Podcast production by Ahyiana Angel Want more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Cover songs once had a simple playbook: Artists would faithfully rerecord a song—note for note and word for word. They might modernize the instrumentation. If they were feeling radical, they’d punch up the vocals a bit. Now it’s hard to say what a cover is anymore. If Ariana Grande turns “My Favorite Things” into “7 Rings,” does that qualify? When Drake says he’s “Way 2 Sexy,” is he covering Right Said Fred? The recent chart success of “Fast Car”—country star Luke Combs’ very traditional take on Tracy Chapman’s folk classic—has reinvigorated interest in cover songs. Sometimes, isn’t just remaking the song as-is enough? Join Chris Molanphy as he explains the chart considerations and artistic motivations that rebooted the cover song, and whether a straight-up remake will ever top the Hot 100 again. We’re long past the days of “Twist and Shout,” “Venus” and “I’ll Be There.” Podcast production by Olivia Briley. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Beyoncé has announced that the second act of Renaissance will be a country album. “Cowboy Carter” is set for release at the end of March, Women’s History Month. Beyoncé has already made history as the first Black woman to top the country charts with “Texas Hold ‘Em,” and recently received Dolly Parton’s blessing to cover her classic song, Jolene. While Beyoncé may seem to be breaking new ground, much of country music has always been rooted in African American culture, and Black women have been singing country for decades. On today’s episode of A Word, Jason Johnson is joined by DePaul University Professor Francesca Royster, the author of Black Country Music: Listening for Revolutions. They talk about the history of Black women in country music, the racial tension that has kept many African American fans away from the genre, and whether this moment represents a new era for Black country artists. Guest: Professor Francesca Royster, author of Black Country Music: Listening for Revolutions Podcast production by Kristie Taiwo-Makanjuola Want more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Like a manager or an agent or a publicist, a stylist has become a kind of must-have accessory for well-dressed, A-list celebrities. It’s just expected that they will have hired someone to select the clothes they’ll wear at public appearances. But this was not always the case. In today’s episode, Avery Trufelman, host of Articles of Interest , will guide us through the collapse of a certain kind of Hollywood glamor; to the rise of a growing, financially rewarding relationship between fashion designers and celebrity culture; and then onto the explosion in red carpet events patrolled by fashion police that helped create this new occupation. This episode was produced by Avery Trufelman and Evan Chung, who produces Decoder Ring with Willa Paskin, Katie Shepherd and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You’ll hear from Teri Agins , Dana Thomas , Melissa Rivers , and Jeanne Yang . If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… Parliamentary America ? It’s Super Tuesday, and the process by which we elect a president is on full display (warts and all). Americans on both sides of the aisle agree that the electoral college has to go. But what should replace it? Maxwell Stearns, author of Parliamentary America: The Least Radical Means of Radically Repairing Our Broken Democracy (out 3/5/2024), presents his case for restructuring American government to look more like a parliamentary system — and, in the process, to take presidential elections out of the hands of voters and conventions and into the hands of elected coalitions. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. You can skip all the ads in Hear Me Out by joining Slate Plus! Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Thirty years ago, a new kind of soda arrived in select stores. Instead of crowing about how spectacular it was, it offered up a liquid shrug, a fizzy irony. OK Soda was an inside joke for people who knew soda wasn’t cool. But what exactly was the punchline? In today’s episode, we’re going to ask how Coca-Cola, a company predicated on the idea that soda is more than "OK," ever bankrolled such a project. It was either a corporate attempt to market authenticity or a bold send-up of consumer capitalism; a project that either utterly, predictably failed or, perhaps more surprisingly, almost succeeded. This episode was written by Willa Paskin. It was edited by Jenny Lawton. It was produced by Willa Paskin and Katie Shepherd, along with Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You’ll hear from Sergio Zyman , Brian Lanahan , Robin Joannides Lanahan , Charlotte Moore , Peter Wegner , Todd Waterbury , Dustin Ness, and Matt Purrington. Special thanks to David Cowles, Art Chantry, Seth Godin, Jeff Beer, Gabriel Roth, Mark Hensley for all the OK Soda commercials and Mark Pendergrast, whose book For God, Country, & Coca-Cola was indispensable. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
The U.S. healthcare system can split the country into two Americas. Your zip code, education, class status and more all play a role in the outcome of your health as well as the kind of care you receive. Fewer markers more clearly define these disparities than race. On this week’s episode of Well, Now Maya and Kavita talk about racism in American healthcare with Dr. Uché Blackstock . Her new book Legacy: A Black Physician Reckons with Racism in Medicine gives a historical view of how racism has always played a role in U.S. healthcare. This book is also a memoir of her own experience as a physician carrying on the legacy of her late mother, Dr. Dale Gloria Blackstock. Health Resources Mentioned in the Episode: Health in Her HUE Irth App Podcast production by Vic Whitley-Berry with editorial oversight by Alicia Montgomery. Send your comments and recommendations on what to cover to wellnow@slate.com Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… making (fourteen) points. A piece in this month’s issue of the Atlantic argues that it’s time to re-evaluate the presidency of Woodrow Wilson. President Wilson was indisputably a productive president — but he’s now reviled by the left as a racist and the right as a tyrant. Is there room to meet somewhere in the middle? David Frum of the Atlantic joins us to argue that, yes: it’s time to un-cancel Woodrow Wilson. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. You can skip all the ads in Hear Me Out by joining Slate Plus! Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Though most Americans have problems with the way this country is run, the Constitution remains popular — and untouchable, in our nation of laws. But it’s often difficult to solve 21st century problems with an 18th century document. Aaron Tang, author and professor of law at UC Davis, joins us once again to argue that, instead of aligning with the Constitution, courts should try to cause the least permanent harm possible. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. You can skip all the ads in Hear Me Out by joining Slate Plus! Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
The 1989 murder of Carol Stuart in Boston became a national story, fueled by anxiety over urban crime. The city’s police broke down doors in the Black community, strip searched dozens of Black and brown men on the street, and arrested a Black suspect. Then Stuart’s husband was exposed as the killer. On today’s episode of A Word, Jason Johnson is joined by Boston Globe associate editor Adrian Walker, who hosts the Murder in Boston podcast about the infamous case. They discuss the history of racial tension that led up to crime, and the lasting consequences for the families of the victim, the killer, and the wrongfully arrested Black suspect. Guest: Adrian Walker, host of the Murder in Boston podcast Podcast production by Ahyiana Angel You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
The Supreme Court now has to decide if the 14th amendment’s provision to keep insurrectionists off the ballot applies to Donald Trump. Guest: Jamelle Bouie , New York Times opinion columnist . If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Support for a “two-state solution” has been declining among both Israelis and Palestinians for years. If it’s time to give up on that plan, what’s the alternative? Guest: Dov Waxman , professor of political science and the director of the UCLA Y&S Nazarian Center for Israel Studies . If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… which wave is this, anyway? There’s no denying that the feminist movement looks different now than it did 50 years ago — and in some ways, that’s a good thing. But there’s an argument to be made that the modern movement skews politically progressive… so much so that it’s leaving some women, and some issues, behind. Phyllis Chesler, author and second-wave feminist, joins us. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. You can skip all the ads in Hear Me Out by joining Slate Plus! Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Decades before most people had heard of Barack Obama, Black Republican Colin Powell was widely believed to be on the path to the presidency. And the Republican Party was the first political home of many African Americans. But the contemporary G.O.P, led by former President Donald Trump, has introduced a new class of Black Republicans who command little respect within the community. What happened, and is there a place for Black Americans in today’s or tomorrow’s Republican Party? On today’s episode of A Word, Jason Johnson discusses that with Clay Cane, journalist and author of The Grift: The Downward Spiral of Black Republicans from the Party of Lincoln to the Cult of Trump . Guest: Writer Clay Cane Podcast production by Kristie Taiwo-Makanjuola You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
When a cyberattack knocked the British Library out of commission in October of last year, a nation's researchers, scholars, students, and bookworms were left high and dry. Months later, the library is starting to come back online in limited capacity, but the attack has laid bare just how fragile our digital systems are. Guest: Sam Knight , staff writer at the New Yorker If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on What Next TBD. Sign up now at slate.com/whatnextplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices…
This week Bryan Lowder sits down with Evan Urquhart of Assigned Media, a news site dedicated to daily coverage of anti-trans propaganda and its effects to discuss his latest article ‘ The Outing of Bubba Copeland ’ for Slate. Bubba Copeland was the Mayor of Smiths Station who was outed for having an online trans-identity by a conservative news website and later that week committed suicide. Bryan and Evan discuss how this outing reflects the wave of anti-trans legislation. Podcast production by Palace Shaw. Email us at outwardpodcast@slate.com Learn more about your ad choices. Visit megaphone.fm/adchoices…
The man who rose to fame –some would say infamy– as H. Rap Brown has a uniquely American story, inventing and reinventing himself over the course of decades. He turned himself from a teenage tough guy into a civil rights leader. He abandoned the philosophy of non-violence to become a Black Power pioneer. He underwent a jailhouse conversion to Islam, and became Imam Jamil Abdullah Al-Amin, a guiding force of an insular Black Muslim community. And then, almost 40 years after he stepped into the public consciousness, he was convicted of fatally shooting a cop. But was Imam Jamil being punished for his actions, or his past? In today’s episode of A Word, host Jason Johnson dives into the tangled history of the man once known as H. Rap Brown, and the murder case that landed him in jail for life. His guest is Mosi Secret, journalist and the host of the Radical podcast, which explores the case and the complicated search for justice. Guest: Mosi Secret, investigative journalist and host of the Radical podcast Podcast production by Kristie Taiwo-Makanjuola You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Before 1990, there had never been a documented case of a patient getting HIV from a health care worker. Kimberly Bergalis changed that. Her claim that she’d been infected by her dentist would captivate and terrify the country. And the dentist, David Acer, would be made into a villain without America ever knowing who he really was. This episode was written by Kelly Jones and Josh Levin, One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones and Evan Chung, with additional production by Olivia Briley. It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is senior technical director. We had mixing help from Kevin Bendis. We had production help this season from Jabari Butler. Join Slate Plus to get a special behind-the-scenes conversation at the end of our season about how we put together our 1990 stories. Slate Plus members also get to listen to all Slate podcasts without any ads. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… ‘tis the damn season. Break out the glitter and the ugly sweaters. If you’re on social media, you’ve probably seen a lot of minimalist holiday décor this year — from celebrities, influencers, and DIY-ers alike. It seems trendy to try “class up” the holidays and eschew the bright and gaudy for the monotone, the understated, or the expensive-looking… but does living in fear of committing a faux pas maybe miss the point? Kristen Meinzer , culture critic and cohost of The Daily Fail , joins us to defend the tacky — as not only counterculture, but as the real reason for the season. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Robert Mapplethorpe was one of the most famous photographers in the world—and one of the most controversial. When his work came to Cincinnati in 1990, it would be at the center of a vicious fight over obscenity and the First Amendment, one that threatened the future of art in America. This episode of One Year was written by Evan Chung, One Year's senior producer. It was produced by Kelly Jones and Evan Chung, with additional production by Olivia Briley. It was edited by Josh Levin, One Year’s editorial director, with Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Join Slate Plus to get a special behind-the-scenes conversation at the end of our season about how we put together our 1990 stories. Slate Plus members also get to listen to all Slate podcasts without any ads. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… cen-suspicions. We’re a little over six years away from the next national census. It’s understandable that this might not be at the top of your mind, but for a small group of academics and activists , it absolutely is. Race isn’t a real thing, scientifically speaking. But we still live in a heavily racialized society, and the Census sets the stage for many, many policy decisions that impact race equity. So, if race isn’t real, why does the Census act like it’s a simple, immutable fact? Carlos Hoyt , an author and speaker, joins us to propose a more dynamic way of self reporting – and recording – race. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In March 1990, a story broke that shocked the nation: George H.W. Bush had banned broccoli from Air Force One. The frenzy that came next would change the fate of a vegetable—and maybe even alter the course of a presidency. This episode was written by Olivia Briley and Josh Levin, One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Olivia Briley and Kelly Jones. It was edited by Joel Meyer and Evan Chung. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is senior technical director. Join Slate Plus to get a special behind-the-scenes conversation at the end of our season about how we put together our 1990 stories. Slate Plus members also get to listen to all Slate podcasts without any ads. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… atrocities beget atrocities. The war in Gaza is ongoing, and brutal – and on this show we’ve discussed whether you, as an observer, have a responsibility to speak out about it… or to even choose a side between Israelis and Palestinians. This week, we take a different angle: who has a responsibility, in war, to do what? And not do what? And to whom? Michael Walzer, author and professor emeritus at the Institute for Advanced Study, joins us to argue that even the oppressed have obligations . If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
A middle-aged single dad in Chicago was outraged by all the cigarette billboards popping up in Black communities. In 1990, he picked up a paint roller and became an anti-tobacco vigilante. And he did it all under a secret identity. This episode was written by Josh Levin, One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones, Olivia Briley, and Evan Chung. It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. We had mixing help from Kevin Bendis. Join Slate Plus to get a special behind-the-scenes conversation at the end of our season about how we put together our 1990 stories. Slate Plus members also get to listen to all Slate podcasts without any ads. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Pizza Hut’s adventure in the Soviet Union was unlike any restaurant opening before or since. It involved a fleet of submarines, a very special pizza topped with tuna and salmon, and a casual dining spot on a mission to change the world. This episode was written by Kelly Jones and Josh Levin, One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones and Evan Chung, with additional production by Olivia Briley. It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Join Slate Plus to get a special behind-the-scenes conversation at the end of our season about how we put together our 1990 stories. Slate Plus members also get to listen to all Slate podcasts without any ads. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Over the past few years, ultra-conservative activists took aim at school boards, trying to shape curriculums to match their beliefs. But this year, from Pennsylvania to Iowa, “parental rights candidates” lost handily. What happened? Guest: Adam Laats , Professor of Education and History at Binghamton University. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices…
The first hopes for a post-racial America were raised during Reconstruction, the post-Civil War era when the country’s leaders pledged to fulfill the promise of freedom for formerly enslaved Blacks. But after a decade of reforms, the brutal racial hierarchy was reestablished in the South, costing African Americans their rights, opportunities, and—in many cases—their lives. On today’s episode of A Word, Jason Johnson discusses the legacy of Reconstruction with Vann Newkirk II. He’s a senior editor for The Atlantic, which has devoted its latest issue to exploring that era of American history and what it can tell us about the current state of race in this country. Guest: Vann Newkirk II, senior editor of The Atlantic Podcast production by Ahyiana Angel You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In 1992, a Minnesota-based software company known for its educational hit The Oregon Trail released another simulation-style game to school districts across the country. Freedom! took kids on a journey along the Underground Railroad, becoming the first American software program to use slavery as its subject matter. Less than four months later, it was pulled from the market. In this episode, we revisit this well-intentioned, but flawed foray into historical trauma that serves as a reminder that teaching Black history in America has always been fraught. This episode was written by Willa Paskin. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was also produced by Benjamin Frisch, and edited by Erica Morrison. Derek John is executive producer. Joel Meyer is senior editor-producer and Merritt Jacob is senior technical director. We’re grateful to Julian Lucas for his expertise, reporting, and generosity, without which this episode would not have been possible. His New Yorker article , “ Can Slavery Reenactments Set Us Free? ,” revisits the Freedom! story as part of an exploration of the live Underground Railroad re-enactments that Kamau Kambui pioneered. Thank you to Jesse Fuchs for suggesting this topic. Thanks also to Coventry Cowens, Brigitte Fielder, Bob Whitaker, Alan Whisman, Wayne Studer, Alicia Montgomery, Rebecca Onion, Luke Winkie, and Kamau Kambui’s children: Yamro Kambui Fields, Halim Fields, Mawusi Kambui Pierre, Nanyamka Salley, and Kamau Sababu Kambui Jr. If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… solving the insolvent. With the threat of a government shutdown looming (again), there are a lot of key programs and initiatives proving contentious for lawmakers. But nobody seems to ever flirt with the idea of cutting – or ending altogether – social security, And maybe it’s time to do just that. Eric Boehm of Reason Magazine joins us to argue for the end… even the beginning of the end… for social security. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
From the moment it was released in 1995, The Rules was controversial.. Some people loved it—and swore that the dating manual’s throwback advice helped them land a husband. Others thought it was retrograde hogwash that flew in the face of decades of feminist progress. The resulting brouhaha turned the book into a cultural phenomenon. In this episode, Slate’s Heather Schwedel explores where The Rules came from, how it became so popular, and why its list of 35 commandments continue to be so sticky—whether we like it or not. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was edited by Willa Paskin. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director. We’d like to to thank Benjamin Frisch, Rachel O'Neill, Penny Love, Heather Fain, Elif Batuman, Laura Banks, Marlene Velasquez-Sedito, Leigh Anderson, Caroline Smith. We also want to mention two sources that were really helpful: Labour of Love by Moira Weigel, a paper called Shrinking Violets and Caspar Milquetoasts by Patricia McDaniel If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
What does the history of Hamas tell us about where the Israel-Palestine conflict could go from here? Guest: Mohammed Hafez , professor who studies Islamist movements, political militancy, and violent radicalization at the Naval Postgraduate School and author of Why Muslims Rebel and Suicide Bombers in Iraq: The Strategy and Ideology of Martyrdom . If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices…
We receive a lot of fantastic show ideas from our listeners—and we’re grateful for each and every one. For our latest mailbag episode, we’re tackling five of your questions, including “Why the hell do we teach kids to play the recorder?” (We’re paraphrasing a bit.) Also: We’ll explore the rise and fall of the stretch limo, the incredible versatility of the word “like,” the meaning of the “Baby on Board” sign, and why it took so long to develop luggage with wheels. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was also produced by Rosemary Belson. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director. Thank you to every listener who has submitted a suggestion for an episode. We truly appreciate your ideas. We read them all, even if we don’t always respond. Thanks for being a listener and for thinking creatively about this show. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In the mid-1990s, the prime time drama Melrose Place became a home to hundreds of pieces of contemporary art—and no one noticed. In this episode, Isaac Butler tells the story of the artist collective that smuggled subversive quilts, sperm-shaped pool floats, and dozens of other provocative works onto the set of the hit TV show. The project, In the Name of the Place , inspired a real-life exhibition and tested the ability of mass media to get us to see what’s right in front of our faces. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was written and reported by Isaac Butler and produced by Benjamin Frisch. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director. Thank you to Jamie Bennett, JJ Bersch, Mark Flood, and Cynthia Carr, whose book On Edge: Performance at the End of the 20th Century inspired this episode. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Judging from teen dramas on Netflix, the slow dance seems to be alive and well. But when you talk to actual teens, it’s clear this time-honored tradition is on life support. In this episode, we trace the history of slow dancing from its origins in partner dances like the waltz to the modern “zombie sway” seen at middle-school dances and high-school proms. Plus, former slow dancers offer up stiff-armed, nostalgia-soaked stories about a rite of passage that’s fading fast. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was edited by Zakiya Gibbons. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director. Thank you to Benjamin Frisch and Carlos Pareja. Special thanks to everyone who shared their slow dancing stories, including Ralph Giordano, Matt Baume, Meryl Bezrutczyk, Ari Feldman, Ava Candade, Eileen Zheng, and Harper Kois Here’s the article by Kyle Denis that we mentioned in the episode: The Death of the Slow Dance? How the One-Time Rite of Passage Has Evolved for Gen Z . If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… I’m just a bill . A lot of Americans will agree, even across party lines, that our democracy feels broken. A commonly proposed solution is beefing up, or formalizing, the way we teach young people civics. Entities from the Center for American Progress to Vivek Ramaswamy have suggested that it’s time that we get students to know more about their government — in the hopes that knowing more leads to caring more, and engaging more. But by prioritizing civics, what else could students be missing? Reason Magazine’s Christian Barnard is our guest, here to argue that civics won’t save us . If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… sailing the ocean blue. Most of us just had Monday off for the holiday formerly known as Columbus Day — and technically, still known as Columbus Day, on the federal level. Indigenous People’s Day, or Native Americans’ Day, was christened as a rebuttal to what Columbus actually meant for many: colonialism, violence, death, and destruction. But there are those who believe that Columbus, the man, is a different beast than Columbus, the event. Spanish ships landing in the Caribbean was a monumental moment in global history… so could that still be worth commemorating, even in a world that’s no longer kind to Columbus? Prof. William Connell, chair of Italian Studies at Seton Hall University and organizer/co-editor of the definitive Routledge History of Italian-Americans, joins us. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Ten years after the atomic bombing of Hiroshima, 25 women who’d been disfigured by the blast came to the United States. Those Japanese survivors would go to the White House and end up on a bizarre proto reality TV show. They’d also put their lives in the hands of American doctors, hoping that risky, cutting-edge surgeries might repair their injuries and give them a chance for a fresh start. Josh Levin is One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones and Evan Chung, with additional production by Sophie Summergrad. It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Holly Allen created the artwork for this season. Join Slate Plus to get a bonus 1955 episode at the end of the season. Slate Plus members also get to listen to all Slate podcasts without any ads. Sign up now to support One Year. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Many of the gains of the Civil Rights movement were built by African Americans who turned grief—often over the violent deaths of loved ones—into activism. At the same time, grief over anticipated or theoretical losses within the white community is frequently harnessed into political power. On today’s episode of A Word, Jason Johnson is joined by political science professor Juliet Hooker, author of Black Grief/White Grievance , about why anger and even violence has often been framed as a justified response to white losses of power and influence, but inappropriate among Black people, even when there’s loss of life. Guest: Juliet Hooker, Professor of Political Science at Brown University Podcast production by Ahyiana Angel You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Why is everyone—on the left and the right—suddenly touting the benefits of a married two-parent family? And what is it about this institution that appeals to a certain class of politicians and pundits as means to address American poverty, even as it loses popularity? We consider the public meltdown over lower marriage rates and the renewed interest in ending no-fault divorce. Guest: Rebecca Traister , author of All the Single Ladies: Unmarried Women and the Rise of an Independent Nation and writer-at-large for New York magazine . If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work. Podcast production by Elena Schwartz, Madeline Ducharme, Anna Phillips, Paige Osburn, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Jonas Salk’s polio vaccine transformed America and the world in ways that seemed unimaginable. But in 1955, there was a moment when everything was in doubt. This week, Josh Levin talks with Dr. Paul Offit about the medical mystery that threatened to derail one of history’s most important scientific breakthroughs. Josh Levin is One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones, Evan Chung, and Sophie Summergrad. It was edited by Josh Levin, Joel Meyer, and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Join Slate Plus to get a bonus 1955 episode at the end of the season. Slate Plus members also get to listen to all Slate podcasts without any ads. Sign up now to support One Year. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On this week’s episode of The Waves, Host Kat Chow turns to Afghanistan, two years since the chaotic withdrawal of U.S. troops from the country. She speaks with reporter Tanvi Misra, who recently published an article with Politico following a family trapped in immigration limbo at a U.S. embassy in Doha, Qatar. Tanvi also explains how the U.S. immigration process singles out women and marginalized genders. Further reading: They Thought Their Sick Little Girl Would Be Safe in America. Then It Denied Her Family Entry. In Slate Plus: The drama and life of luxury on Prime Video’s Made in Heaven with Host Kat Chow and reporter Tanvi Misra If you liked this episode, check out: Incompetent Cervix - The Misogynist History Behind Naming The Female Body Podcast production by Vic Whitley-Berry and Cheyna Roth with editorial oversight by Daisy Rosario and Alicia Montgomery. Send your comments and recommendations on what to cover to thewaves@slate.com . If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you’ll also be supporting the work we do here on How To!. Sign up now at slate.com/thewavesplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Everybody loves pandas—and China knows it. As we say goodbye to the National Zoo’s pandas, we look back at 50 years of “panda diplomacy” and consider its uncertain future. Guest: E. Elena Songster, author of Panda Nation: The Construction and Conservation of China’s Modern Icon and professor of environmental history of modern China at St. Mary’s College of California. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work. Podcast production by Elena Schwartz, Madeline Ducharme, Anna Phillips, Paige Osburn, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Emily Bazelon talks with author Zadie Smith about her new book, The Fraud . They discuss what happens when justice comes through an unjust symbol, how much Zadie does and doesn’t know about her characters, and more. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com . (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Against the odds, a tight-knit group of Black families created the community of Shoe Lane in Newport News, Virginia in the early 20th century. Residents bought land, and often built their homes, expecting to hand down a thriving African American neighborhood to future generations. Then Christopher Newport University systematically took the land over, pushing out all but a handful of now-elderly residents. On today’s episode of A Word, Jason Johnson is joined by journalist Brandi Kellam, who helped bring the story to light. She co-reported Erasing the “Black Spot”: How a Virginia College Expanded by Uprooting a Black Neighborhood for ProPublica and the Virginia Center for Investigative Journalism at WHRO. Guest: Journalist Brandi Kellam Podcast production by Kristie Taiwo-Makanjuola You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
When Alaskans wanted their own mental-health facility, a rumor took hold all over America. This week, Evan Chung traces the origins of that far-right conspiracy theory: that the government was building a concentration camp where Americans would get imprisoned for their political beliefs. Get ready for a strange tale that involves a brainwashing manual, Scientology, and a vast network of Communist-hunting housewives. Josh Levin is One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones and Evan Chung, with additional production by Sophie Summergrad. It was edited by Josh Levin, Joel Meyer, and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Join Slate Plus to get a bonus 1955 story at the end of the season. Slate Plus members also get to listen to all Slate podcasts without any ads. Sign up now to support One Year. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… the conscription question. The U.S. military is having trouble meeting recruitment goals — and for the first time in recent history, the Army has actually failed to meet its minimum . Joe Plenzler , a writer, consultant and Marine Corps veteran, joins us to argue that it’s time to bring back the draft; more specifically, a partial one. It’d help address recruiting shortfalls, but more importantly, it might also change how Americans feel about public service… and how politicians feel about endless war. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
The teaching of Black history has been under increasing political attack in recent years. But the version of African American history taught –even to Black people– has always been incomplete. On today’s episode of A Word, Jason Johnson is joined by columnist Michael Harriot to discuss his new book, Black AF History: The Un-Whitewashed Story of America. They discuss the inspiration for the book, the most persistent myths of race and racism, and fighting the backlash against Black history. Guest: Michael Harriot, author of Black AF History: The Un-Whitewashed Story of America Podcast production by Kristie Taiwo-Makanjuola You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In the early days of television, women struggled to find their place. In 1955, they got it: forecasting the weather, on stations all across the country. But as these “weather girls” transformed the airwaves, a group of powerful men hatched a plan—one that had the potential to push women weathercasters off the air forever. Josh Levin is One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones and Evan Chung, with additional production by Sophie Summergrad. It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Join Slate Plus to get the first three episodes of One Year: 1955 right away—and a bonus 1955 story at the end of the season. Slate Plus members also get to listen to all Slate podcasts without any ads. Sign up now to support One Year. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In 1955, the frontiersman Davy Crockett became the most famous man in America, more than a century after his death at the Alamo. This week, Evan Chung dives into a cultural phenomenon nobody saw coming. Not the kids in coonskin caps who started the craze, not the parents whose money fueled it, and least of all Walt Disney, the legendary studio head who created it totally by accident. Josh Levin is One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones and Evan Chung, with additional production by Sophie Summergrad. It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Join Slate Plus to get the first three episodes of One Year: 1955 right away—and a bonus 1955 story at the end of the season. Slate Plus members also get to listen to all Slate podcasts without any ads. Sign up now to support One Year. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… supreme hubris . The Supreme Court is currently unpopular to a historic degree. That popularity is, of course, contingent on political opinion – and whether the court has bucked it recently. But most people agree that something’s wrong with the Supreme Court as an institution. And, according to Aaron Tang, it’s not partisanship… even though that’s a popular scapegoat. It’s overconfidence and egos running wild. Professor and author Aaron Tang joins us to discuss what’s wrong with SCOTUS, and how we might start to fix it. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
The Cannon Street All-Stars dreamed of playing in the 1955 Little League World Series. Their biggest obstacle didn’t come on the field. In the year that Rosa Parks refused to give up her seat on a public bus, these Black 12-year-olds became unlikely civil rights pioneers—and faced the wrath of a white society that wasn’t ready to change. Josh Levin is One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones and Evan Chung, with additional production by Sophie Summergrad. It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Join Slate Plus to get the first three episodes of One Year: 1955 right away—and a bonus 1955 story at the end of the season. Slate Plus members also get to listen to all Slate podcasts without any ads. Sign up now to support One Year. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In Amicus’ summer series of conversations about books that expanded our thinking about justice and the courts, beyond the churn of headlines, Dahlia Lithwick is joined by Judge Margaret M. McKeown of the United States Court of Appeals for the Ninth CIrcuit, to discuss her book Citizen Justice: The Environmental Legacy of William O. Douglas―Public Advocate and Conservation Champion Sign up for Slate Plus now to support our show. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Coming Thursday, August 31st, the fifth season of One Year covers 1955. A year when a team of 12-year-olds tried to integrate Little League, “weather girls” took the country by storm, and a conspiracy theory about Communist brainwashing infected the nation’s politics. One Year is history like you’ve never heard it before. In each season, host Josh Levin brings you the weirdest, wildest, and most captivating moments from a single year in American history. You’ll hear stories you may have forgotten and ones you won’t believe you didn’t know, all told by the people who lived through them. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Once you start listening for catchphrases in everyday life—you can’t stop hearing them. From the radio era’s “Holy mackerel!” to Fonzie’s “Ayyy!” to Urkel’s multiple go-to lines on Family Matters , we explore the irresistible quotables from sitcoms, movies and social media that have burrowed into our collective lexicon. Oh, just one more thing… bazinga! (Did I do that?) This episode was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Luke Winkie, Stephen Langford, Doug Dietzold and The Good, the Bad and the Sequel podcast, and Shawn Green for the suggestion and Urkel clips. If you have any cultural mysteries you want us to decode, you can email us at DecoderRing@slate.com If you haven’t yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you’ll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… almost affirmative. We don’t yet know what the Supreme Court’s ruling on affirmative action is going to do, tangibly, to college admissions — or how long those impacts will last. But, based on past experiments, we have a decent idea. And many advocates say the implications here are urgent and dire. But affirmative action might not have been the great equalizing force that a lot of people believe it was. Bertrand Cooper , freelance journalist and policy researcher, joins us to elaborate on his belief that poor Black kids were failed by affirmative action . If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
In July, Florida approved the use of Prager U materials in its classrooms. The organization claims its videos offer an alternative to the prevailing left-wing ideology in the classroom. Its founder told a sympathetic audience that what they offer is indoctrination. What impact could these videos have in public schools? And where could they be heading next? Guest: John Knefel , senior writer for Media Matters for America. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices…
The temperature is going up, but the number of open, public pools isn’t. It’s not just a summer bummer; it’s turning into a public health crisis. Guest: Mara Gay , member of the New York Times editorial board, focused on New York State and local affairs. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices…
When Slate’s Evan Chung was a kid, he was obsessed with a mysterious advertisement that ran for decades in the scouting magazine Boys’ Life. Under the enticing headline “You Can Float on Air,” the ad assured Evan—and generations of scouts—that a personal hovercraft could be theirs for just a few bucks. In this episode, the adult version of Evan journeys halfway across the country to wield power tools, summon his latent scouting skills, and conscript his father into a quest three decades in the making. Will Evan float on air? Scout’s honor: You’ll just have to listen. This episode was written by Evan Chung, who produced this episode with Decoder Ring’s Willa Paskin and Katie Shepherd. It was edited by Willa Paskin and Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. If you haven’t yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you’ll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Kissing—the romantic, sexual, steamy kind—is so ingrained in us that it just seems like a fact of life. Like breathing or eating, we just do it. But what if it’s not like that at all? In this episode, we’re going to look at passionate kissing, well, dispassionately, not as something instinctual and innate but as a cultural practice. We’re going to backtrack through history in search of the origins of the kiss, with some surprises along the way. This episode was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Andrea Bruce and Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Marcel Danesi. If you’re interested in the papers we mentioned, you can read about Justin Garcia and William Jankowiak’s research , Troels Pank Arbøll and Sophie Lund Rasmussen’s essay , Sabrina Imbler’s When Was the First Sexy Kiss? and the herpes study . ( Here ’s that bronze-age statue, too!) If you haven’t yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you’ll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
David Plotz talks with author David Grann about his new book, The Wager . The non-fiction book tells the harrowing story of a shipwreck off the coast of Patagonia in 1742. They discuss how the British Empire twisted fact and fiction, the process of digging through 280-year-old documents, and why you should always have citrus at sea. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com . (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Oklahoma’s legendary “Black Wall Street” was destroyed in the Tulsa Massacre of 1921. Hundreds of victims were murdered and dumped in mass graves, and dozens of homes and businesses were burned to the ground. More than a century later, three survivors remain, fighting for justice. But their lawsuit seeking reparations was recently dealt a blow in court. On today’s episode of A Word, Jason Johnson is joined by attorney Damario Solomon-Simmons to talk about the case, the history and the next steps. Guest: Attorney Damario Solomon-Simmons, founder of the Justice 4 Greenwood organization Podcast production by Kristie Taiwo-Makanjuola You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On this week’s episode of The Waves, it’s all about Barbie. Slate senior producer Cheyna Roth sits down with M.G. Lord , author of Forever Barbie and co-host of “ LA Made: The Barbie Tapes ” from LAist and So Cal Public Radio. They discuss the history of the Barbie doll and how she’s managed to endure, how Barbie might actually be feminist, and what the new Greta Gerwig movie gets right about Barbie. In Slate Plus: Episode 6 of our And Just Like That…recap. If you liked this episode check out Is The Wedding Dress Dead? Podcast production by Cheyna Roth with editorial oversight by Daisy Rosario and Alicia Montgomery. Send your comments and recommendations on what to cover to thewaves@slate.com . Learn more about your ad choices. Visit megaphone.fm/adchoices…
The mosh pit has a reputation as a violent place where (mostly) white guys vent their aggression. There’s some truth to that, but it’s also a place bound by camaraderie and—believe it or not—etiquette. In this episode, we explore the unwritten rules of this 50-year-old, live-music phenomenon with punks, concertgoers and a heavy metal physicist. Decoder Ring is produced by Willa Paskin with Katie Shepherd. This episode was written by Katie Shepherd. This episode was edited by Willa Paskin and Andrea Bruce, with help from Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Vivien Goldman, Paolo Ragusa, and Philip Moriarty whose insights and research on moshing were crucial to this episode. You can create your own mosh pit using this simulator developed by Jesse Silverberg and his colleagues. If you haven’t yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you’ll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Join host Joel Anderson and special guests for Slow Burn: Becoming Justice Thomas LIVE in D.C. (July 25, 2023 at 7:30 p.m.) You’ll see a live performance of an extended story from the season (spoiler: it will be a…slam dunk). You’ll hear even more insights into Clarence Thomas’ life and career—and his decades-long battle with affirmative action. And you’ll watch as Anderson gets grilled about the making of this season and what it was like to interview Justice Thomas’ mother in his childhood home. Special guests include Thomas’ college friend Eddie Jenkins; legal scholar and MSNBC commentator Melissa Murray; Sen. Sheldon Whitehouse from the Senate Judiciary Committee, and more. (Slate Plus members will receive a discount off your purchase. Use the discount code found on the Events page in your account.) In addition, please enjoy this bonus conversation with Joel conducted by Slate's Dahlia Lithwick for the Amicus podcast. Joel talks about Clarence Thomas’ anger issues, and what his mother really thinks of Ginni Thomas. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Barbie is more than a toy. She’s an icon, and now the focus of a blockbuster film. For generations, Barbie has helped define all-American beauty, often leaving girls who weren’t blonde, thin, and white feeling invisible. But that began to change in the 1980’s with the introduction of Black Barbies. On today’s episode of A Word, Jason Johnson is joined by Lagueria Davis, the producer of Black Barbie: A Documentary. The film tells the stories of the African American women who helped bring Black Barbie to life, and the surprising impact that had on the marketplace, and the emotional lives of Black girls. Guest: Filmmaker Lagueria Davis, producer of Black Barbie: A Documentary Podcast production by Ahyiana Angel You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Parmesan is a food—but it’s not just a food. Italy’s beloved cheese is often paired with a deep craving for tradition and identity. But its history also involves intrepid immigrants, lucrative businesses and an American version that’s probably available in your local grocery store. After a notorious debunker of Italian-cuisine myths claims this Wisconsin-made product is the real deal, we embark on a quest to answer the question: Has an Italian delicacy been right under our noses this whole time? Decoder Ring is produced by Willa Paskin with Katie Shepherd. This episode was written by Willa Paskin and edited by Andrea Bruce. We had production help from Patrick Fort and editing help from Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Giacomo Stefanini for translating. Thank you to Fabio Parasecoli, Ken Kane, Thomas McNamee, Dan Weber, Irene Graziosi, James Norton, and Ian MacAllen, whose knowledge and book Red Sauce: How Italian Food Became American were very helpful. You should also read Marianna Giusti’s article in the Financial Times. If you feel like really nerding out, we also recommend the 1948 academic study Italian Cheese Production in the American Dairy Region . We also included clips in this episode from David Rocco’s YouTube channel about how Parmigiano-Reggiano is made and from Gennaro Contaldo’s YouTube documentary on the same subject. If you haven’t yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you’ll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… don’t you know they’re talking ‘bout a revolution? July 4th celebrates one of the least bloody milestones of the American Revolution. But we have a complicated relationship with overthrowing the powers that be in this country – not to mention when other nations do it. We call what happened on January 6th, 2021 an insurrection. But what do we do with the George Floyd uprisings? Other efforts to buck the system? Who, as the “common man,” should we be rooting for? Geo Maher, writer and political organizer, once again joins us to make the case for good-faith insurrection, even when it’s messy. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
![Artwork](/static/images/128pixel.png)
1 Slow Burn: Becoming Justice Thomas - Ep. 4: A National Disgrace 1:06:28
1:06:28
Lejátszás később
Lejátszás később
Listák
Tetszik
Kedvelt1:06:28![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
Anita Hill’s accusations launched urgent and heated conversations about racism and sexual harassment. They also stoked an anger in Clarence Thomas that’s never stopped raging. Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. This episode was edited by Josh Levin, Derek John, Sophie Summergrad, and Joel Meyer. Merritt Jacob is our senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… an archaeology of grievances. In honor of the third Juneteenth being celebrated as a national holiday, it’s worth unpacking symbolic gestures like Juneteenth — and, as many states are finding out, like Reparations. The movement to compensate the descendants of slaves is gaining more traction than ever before, in many parts of the country. Could this be our chance to clear a massive, lingering blight on our nation’s history? Our guest today argues no. Podcast host and columnist Coleman Hughes joins us to make the case that compensating the victims of slavery was something we should’ve done long ago – and now, it’s too late for it to be anything other than a problem. If you have thoughts you want to share, or an idea for a topic we should tackle, you can now email the show: hearmeout@slate.com Podcast production by Maura Currie You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Most people have something they’re holding on to. For Lesley and Alex, that’s some old baseball and basketball cards that are collecting dust in their attic. For Kathy, that’s a house full of antiques. They’ve all been wanting to pare it down. But the big question is: how much is it worth? On this episode of How To! co-host Carvell Wallace is joined by Leila Dunbar , a veteran appraiser and frequent expert on Antiques Roadshow . Leila knows the stories and the value behind all kinds of collectibles and memorabilia. She’ll break down why we hold on to certain items and let go of others…and how to make money along the way. If you liked this episode, check out: “ How To Put Your Town on the Map. ” Do you have a problem that’s keeping you up at night? Send us a note at howto@slate.com or leave us a voicemail at 646-495-4001 and we might have you on the show. Subscribe for free on Apple , Spotify or wherever you listen. Podcast production by Derek John, Rosemary Belson, Kevin Bendis, and Jabari Butler. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you’ll also be supporting the work we do here on How To!. Sign up now at slate.com/howtoplus to help support our work. This Pride Month, make an impact by helping Macy’s and The Trevor Project on their mission to fund life-saving suicide prevention services for LGBTQ youth. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices…
When Clarence Thomas got nominated to the Supreme Court, his behavior during the 1980s would get put under a microscope. To understand who Thomas was then and who he is today, you need to hear how he treated the women he worked with. You also need to hear from the woman who knew him best during those critical years: his ex-girlfriend Lillian McEwen. Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. This episode was edited by Josh Levin, Derek John, Sophie Summergrad, and Joel Meyer. Merritt Jacob is our senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Clarence Thomas went to Yale Law School because he thought it was a good fit for his left-wing politics. But when he got there, it seemed like all the white liberals thought he was only there because he was Black. The sting Thomas felt fueled a lifelong resentment of affirmative action. It also drew him to a group of conservatives who helped sharpen his political beliefs. Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. This episode was edited by Josh Levin, Derek John, Sophie Summergrad and Joel Meyer. Merritt Jacob is Slate’s senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Every family has secrets. As a girl, Leta McCollough Seletzky learned that her father, Marrell McCollough– was on the scene of Martin Luther King Jr.’s assassination. But it would be years before she learned that he was there as a spy for the Memphis police, who wanted information on King’s local allies. On today’s episode of A Word, she speaks with Jason Johnson about her father’s story, captured in her new book, The Kneeling Man : My Father's Life as a Black Spy Who Witnessed the Assassination of Martin Luther King . Guest: Leta McCollough Seletzky, author of The Kneeling Man: My Father's Life as a Black Spy Who Witnessed the Assassination of Martin Luther King Podcast production by Ahyiana Angel You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. This Pride Month, make an impact by helping Macy’s and The Trevor Project on their mission to fund life-saving suicide prevention services for LGBTQ youth. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Growing up in Georgia, Clarence Thomas wanted to make his mark. His goal was to become his hometown’s first Black Catholic priest. But in the 1960s, he abandoned that dream. Instead, he embraced campus activism and the teachings of Malcolm X. Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Editorial direction by Josh Levin, Derek John, and Joel Meyer. Merritt Jacob is Slate’s senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… empty thanks? Memorial Day is meant to commemorate those who lost their lives in serving this country. Around such a heavy day — and on many others — the common refrain of “thank you for your service” can feel hollow to living veterans, as well as military families. What are we reflexively thanking these people for, and how could we tangibly show gratitude instead? Third-generation veteran and writer Lucian Truscott IV joins us to propose that, while words may be well-intentioned, there are better ways to thank those who’ve served. ________________ Note: this episode includes a brief discussion of suicide. If you or a loved one need support, help is always available at the Suicide and Crisis Lifeline — you can call and text 24 hours a day, 7 days a week, at 988. Veterans can access specialized resources at the Veterans’ Crisis Line . ________________ If you have thoughts you want to share, or an idea for a topic we should tackle, you can now email the show: hearmeout@slate.com Podcast production by Maura Currie You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
The murder of George Floyd prompted a number of American colleges and universities to reckon with their historic roles in slavery. Three years later, many institutions have abandoned those efforts. One that’s still going strong is the Hard Histories Project at Johns Hopkins University in Baltimore. On today’s episode of A Word, Jason Johnson is joined by historian Martha Jones, the director of that effort. The scholars associated with the project have uncovered many challenging truths, including evidence that the founder of Johns Hopkins—widely hailed as an abolitionist—owned slaves. Guest: Historian Martha Jones, Director of the Hard Histories Project at Johns Hopkins University Podcast production by Kristie Taiwo-Makanjuola You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
On today’s episode of Hear Me Out… imagine a world without police. Three years after George Floyd’s murder, we’ve seen some incremental change in how we try to prevent police brutality. But it still happens, all too often — and Americans are still dying, in alarming numbers, at the hands of police. Writer and organizer Geo Maher joins us to argue that our law enforcement system is too bloated and corrupt to fix. Instead, we should dismantle it entirely and start from scratch. If you have thoughts you want to share, or an idea for a topic we should tackle, you can now email the show: hearmeout@slate.com Podcast production by Maura Currie You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Malcolm X was born on May 19, 1925, and he remains one of the most polarizing figures of the civil rights movement. An enduring myth from that era is that he and Martin Luther King Jr. were diametrically opposed politically. But the recent revelation that a quote where King condemned Malcolm X was false has prompted a wider reconsideration of his beliefs and legacy. On today’s episode of A Word, Jason Johnson is joined by historian Peniel Joseph, author of “The Sword and the Shield: The Revolutionary Lives of Malcolm X and Martin Luther King Jr.” Professor Joseph explains why the popular understanding of Malcolm X is so incomplete, and helps to give a more nuanced portrait of him as a man and a leader. Guest: Peniel Joseph, Barbara Jordan Chair in Ethics and Political Values at the University of Texas, LBJ School of Public Affairs Podcast production by Ahyiana Angel You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices…
The persistent stereotype that role-playing, tabletop game players are overwhelmingly white is rooted in race, housing, and history. The suburban homes where people could dedicate a surface to a sprawling, multiplayer board game used to be almost exclusively white. And the knights, wizards, and other fantastic creatures in these games were closely tied to European mythology. But a more diverse world of game playing is rising, with more people of color getting a seat at the creative table. On today’s episode of A Word, Jason Johnson discusses diversity in hobby games with Aaron Trammell, a professor of informatics at U.C. Irvine. He’s also the author of the new book The Privilege of Play: A History of Hobby Games, Race and Geek Culture . Guest: Aaron Trammell, author of The Privilege of Play: A History of Hobby Games, Race and Geek Culture Podcast production by Kristie Taiwo-Makanjuola You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Make an impact this Asian American & Pacific Islander Heritage Month by helping Macy’s on their mission to fund APIA Scholars. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices…
We pride ourselves on being grounded, rational beings, but flitting amongst us is a mystery: the Tooth Fairy. This flying piece of folklore is alive and well in the 21st century, handed down to kids in whatever way their parents see fit. In this episode, with the help of Tinkerbell, Santa Claus, and some savvy humans who are trying to exploit this strange creature’s untapped intellectual property, we’ll explore the origins of this childhood ritual, its durability—and its remarkable resistance to commercialization. This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Jamie York. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Charles Duan, Jim Piddock, Purva Merchant, Hannah Morris, Laurie Leahy, Torie Bosch, and Rebecca Onion. Also, a big tip of the hat to Rosemary Wells, the dental school instructor who in the 1970s began exploring the Tooth Fairy’s, ahem, roots . Much of Wells’ work is out of print, but you can find one of her pieces in a collection called The Good People: New Fairylore Essays. If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, sign up for Slate Plus. You’ll be able to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to www.slate.com/decoderplus to join Slate Plus today. Decoder Ring is now available on YouTube. Listen here: https://slate.trib.al/ucMyTst Learn more about your ad choices. Visit megaphone.fm/adchoices…
Even classical art can be revolutionary. That was true for violinist Joseph Bologne. He was a biracial musical prodigy who worked and charmed his way into the center of 18th-century French society. But the new film “Chevalier” shows how even his genius couldn’t save him from the poisonous combination of bias and envy. On today’s episode of A Word, Jason Johnson is joined by actor Kelvin Harrison Jr., star of “Chevalier.” They talk about rediscovering this largely forgotten musical history, and Harrison’s critically acclaimed work on stage and screen. Guest: Actor Kelvin Harrison, Jr. Podcast production by Ahyiana Angel You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Make an impact this Asian American & Pacific Islander Heritage Month by helping Macy’s on their mission to fund APIA Scholars. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices…
Üdvözlünk a Player FM-nél!
A Player FM lejátszó az internetet böngészi a kiváló minőségű podcastok után, hogy ön élvezhesse azokat. Ez a legjobb podcast-alkalmazás, Androidon, iPhone-on és a weben is működik. Jelentkezzen be az feliratkozások szinkronizálásához az eszközök között.