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A tartalmat a The New Criterion biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The New Criterion vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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We Have The Receipts
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1 Love Is Blind S8: Pods & Sober High Thoughts w/ Courtney Revolution & Meg 1:06:00
1:06:00
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Happy Valentine’s Day! You know what that means: We have a brand new season of Love Is Blind to devour. Courtney Revolution (The Circle) joins host Chris Burns to delight in all of the pod romances and love triangles. Plus, Meg joins the podcast to debrief the Madison-Mason-Meg love triangle. Leave us a voice message at www.speakpipe.com/WeHaveTheReceipts Text us at (929) 487-3621 DM Chris @FatCarrieBradshaw on Instagram Follow We Have The Receipts wherever you listen, so you never miss an episode. Listen to more from Netflix Podcasts.…
The New Criterion Podcasts
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A tartalmat a The New Criterion biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The New Criterion vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
A monthly review of the arts and intellectual life. Interviews, poetry readings, musical criticism, and more. newcriterion.com
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332 epizódok
Mind megjelölése nem lejátszottként
Manage series 1304198
A tartalmat a The New Criterion biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a The New Criterion vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
A monthly review of the arts and intellectual life. Interviews, poetry readings, musical criticism, and more. newcriterion.com
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332 epizódok
Minden epizód
×In this episode, three pieces by the American Amy Beach—two piano pieces and a song (to a poem by Robert Browning). Also, a piece by Bach’s cousin. And other worthy numbers. Walther, “Lobe den Herren” Beach, “A Hermit Thrush at Eve” Dvořák, “Goin’ Home” Beach, “A Hermit Thrush at Morn” Beethoven, Triple Concerto Beach, “Ah, Love, but a Day” Beethoven, Sonata for Violin and Piano in G major, Op. 96…
Tennyson wrote a famous poem for New Year’s Day, or any day. Jonathan Dove, a contemporary English composer, set it to music. This episode begins with that piece. There is also a song from the American Revolution, sometimes known as “Chester” (“Let tyrants shake their iron rod”). Jay further includes a little-known composer from Brazil with a flavorful name: Radamés Gnattali. Then you get Brahms and others. A nice, varied menu. Dove, “Ring Out, Wild Bells” Gnattali, Guitar Concerto No. 4 Brahms, Ballade in D, Op. 10, No. 2 Billings, “Chester” (“Let tyrants shake their iron rod”) Martucci, Nocturne, Op. 70, No. 1 Verdi, Ave Maria from Otello…
Jeremy Black and James Panero discuss the transformative power of steam engines, the evolution of rail systems, and the cultural and social impact of railways in the nineteenth and twentieth centuries. They also explore the challenges of public transport systems, the importance of public safety, and Black’s latest article on the history of the British Navy. Occasioned by “The scream of steam” in the January 2025 issue of The New Criterion.…
A Christmas selection: songs old and newer, performed by Leontyne Price, Luciano Pavarotti, Heidi Grant Murphy, Odetta, Mel Tormé, et glorious al. Trad., “Angels We Have Heard on High” Bach, “Herr, wenn die stolzen Feinde schnauben,” from the Christmas Oratorio Trad., “Ríu ríu chíu” Trad., “Il est né, le divin Enfant” Schultz, “Ihr Kinderlein, kommet” Schubert-Melichar, “Mille cherubini in coro” Trad. (Moravian), “Long Ago in Bethlehem” Trad., “What Month Was Jesus Born In?” Martin & Blane, “Have Yourself a Merry Little Christmas” Tormé & Wells, “The Christmas Song”…
Lately, Jay has been writing about Stefan Zweig’s memoirs, “The World of Yesterday.” Zweig was a writer of immense talent and versatility. He also knew a lot of music and a lot of musicians. Composers set poems of his to music. Strauss collaborated with him on an opera. This episode is dedicated to Zweig and music. Reger, “Ein Drängen ist in meinem Herzen” List, “Feux follets” Marx, “Ein Drängen ist in meinem Herzen” Strauss, “Die schweigsame Frau,” Act I, finale Strauss, “Die schweigsame Frau,” “Wie schön ist doch die Musik”…
As Jay explains in his introduction, he has done many Christmas podcasts. And Fourth of July podcasts. And an Easter podcast or two. And Halloween podcasts. But not until now a Thanksgiving podcast. So, here are songs of gratitude and other items appropriate to the holiday. A little feast on its own, filling but not fattening. Handel or Ochs, “Dank sei Dir, Herr” Berlin, “I’ve Got Plenty to Be Thankful For” Strauss, “Zueignung” Chabrier, “Ballade des gros dindons” ?, “The Turkey of 29 Pounds” Valerius-Paulus, “We Gather Together” Brahe, “Bless This House” Beethoven, Andante from String Quartet No. 15 in A minor, Op. 132…
This episode begins with Mozart—the glorious, peppy last movement of a piano concerto—and ends with Sarah Vaughan, singing a song (“Black Coffee”). In between we have Bill Monroe, Fanny Mendelssohn, Earl Scruggs—a real variety show. But all to a purpose. Mozart, Piano Concerto No. 14 in E flat, K. 449, last movement Clarke, “The Cloths of Heaven” Monroe, “Blue Moon of Kentucky” Bernstein, “Some Other Time” Mendelssohn, Fanny, arr. Masur, Ken-David, “Schöne Fremde” Dunhill, “The Cloths of Heaven” Kern, “Why Was I Born?” Scruggs, “Foggy Mountain Breakdown” Burke, “Black Coffee”…
Jay begins with the song for which the podcast is named: “Music for a While,” by Purcell. He ends with some theme music by the late Quincy Jones, “The Streetbeater.” In between are Mendelssohn, Liszt, Sibelius, and estimable others. A nicely diverse program. Purcell, “Music for a While” Mendelssohn, “Song without Words” Mozart, Symphony No. 35 in D, “Haffner,” Presto Liszt, “Chasse-neige” Strauss, excerpt from “Elektra” Sibelius, “Water Droplets” Widor, Toccata from Organ Symphony No. 5 Jones, “The Streetbeater”…
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The New Criterion Podcasts
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1 Piano Evening with David Dubal & Cecile Licad 1:25:16
1:25:16
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On October 24, the Friends and Young Friends of The New Criterion gathered at The Players with David Dubal for a special version of his beloved piano evenings, featuring Cecile Licad performing Frédéric Chopin’s 24 Preludes, Op. 28.
Roger Kimball, the Editor and Publisher of The New Criterion, discusses highlights of the October 2024 issue and reads from its opening pages.
On September 5, the Friends and Young Friends of The New Criterion gathered at the magazine’s headquarters to hear remarks from D. J. Taylor in celebration of his new books, “Orwell: The New Life” (Simon & Schuster) & “Who is Big Brother?” (Yale University Press).
Roger Kimball, the Editor and Publisher of The New Criterion, discusses highlights of the September 2024 issue and reads from its opening pages.
Werner Hink, who for many years was a concertmaster of the Vienna Philharmonic, has died. Jay interviewed him some years ago and found him memorable. This episode ends with some playing by Hink (Bach). There is also some Schubert by Isaac Stern, whom Hink prized. There’s a little Broadway, a little rap. A nice buffet of music. Mozart, Overture to “The Marriage of Figaro” Beethoven, Piano Sonata No. 27 in E minor, Op. 90, second movement Schubert, “Serenade” Rodgers-Sondheim, “Hate Song” from “The Mad Show” Prokofiev, March from “The Love for Three Oranges” Ginastera, Violin Concerto, final section C+C Music Factory, “Things That Make You Go Hmmm” Trad., “Shine You No More (Last Leaf)” Bach, Adagio from the Violin Sonata in G minor…
Jeremy Black, author of “The Holocaust: History and Memory,” and James Panero, Executive Editor of “The New Criterion,” discuss the misplacing of blame for the Middle East’s instability.
Jay begins this episode with Paul Hindemith, who in 1921 combined his interest in ragtime with his love of Bach. There is also a minuet by Ravel, glancing back at Haydn. There is a song by Zemlinsky, setting Langston Hughes. There are wonders and curiosities in this episode—which, by the way, has a sponsor: Michael Lohafer, who, as Jay says, is “a particular authority on Mozart.” Mr. Lohafer says, “My sponsorship is on behalf of all attentive listeners to Music for a While who enjoy the well-considered selections that always delight the ear.” Bach, Fugue in C minor from “The Well-Tempered Clavier,” Book 1 Hindemith, “Ragtime (Well-Tempered)” Ravel, “Menuet sur le nom d’Haydn” Schumann, “Faschingsschwank aus Wien” Zemlinsky, “Afrikanischer Tanz” from “Symphonische Gesänge” Liszt, “Canzonetta del Salvator Rosa” from “Années de pèlerinage, deuxième année: Italie” Vasks, Dolcissimo from “The Book” Prokofiev, Sonata No. 7, Precipitato Martinů, Fantasia for String Quartet, Oboe, Theremin, and Piano Gounod, “Ah! lève-toi, soleil!” from “Roméo et Juliette” Tchaikovsky-Pletnev, Pas de deux from “The Nutcracker”…
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