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A tartalmat a ₮he〽️uzzl3 biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a ₮he〽️uzzl3 vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
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SZPONZORÁLT
With an estimated 100,000 tourists heading to New Orleans for Super Bowl LIX, we’re exploring a classic American pastime: the tailgate. Most people think of tailgating as a time for sharing beers and team spirit. But in this episode, we find out why tailgating motivates so many people to travel — and get to the heart of its culture. Learn about your ad choices: dovetail.prx.org/ad-choices…
Top Hits From theMuzzl3 explicit
Mind megjelölése nem lejátszottként
Manage series 1023843
A tartalmat a ₮he〽️uzzl3 biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a ₮he〽️uzzl3 vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
I am now offering mastering services. I'm charging $30 per track for mastering jobs. $50 per track if you want .DDP for CD's. see facebook.com/theMuzzl3.Mastering for details. I do not require payment up front and you're not obligated to purchase the final product of my mastering work. I will master your track & send it back to you (with watermarks in spots so you can't use it without paying me). If you'd like adjustments, I will do so and send it to you again. You then have the option of either paying me for the finished product, or not. Please list me as the mastering engineer at the bottom of your track description if you publish the tracks with my engineering work. Testimonials to my recent mastering work: "dude, im gonna leave you a huge testimonial, cause it sounds so fucking good,... youve gone so above and beyond that i want to pay you for future work too, youre amazing...." ~Infinati David Pixley ₮he〽️uzzl3 is a founding member of Pixelgasm, found here: http://soundcloud.com/Pixelgasm https://www.facebook.com/Pixelgasm https://www.twitter.com/Pixelgasm Pixelgasm.bandpage.com Pictures of and by theMuzzl3: https://www.flickr.com/photos/142413747@N06/ theMuzzl3.bandpage.com Pixelgasm is currently a collective of artists, consisting of Spacey Blurr, Infinati, Scott Anderson, Joseph Wozniak and theMuzzl3. Original tracks that created Pixelgasm was theMuzzl3, Spacey Blurr, and Infinati. Artists from Pixelgasm have individual soundclouds, Twitters, websites, and blogs: Spacey Blurr: http://soundcloud.com/spaceyblurr http://soundcloud.com/splurr http://soundcloud.com/keister_SBK https://twitter.com/SpaceyBlurr theMuzzl3: https://soundcloud.com/theMuzzl3 https://soundcloud.com/keymarkHHA https://twitter.com/theMuzzl3 http://keymarkhha.tumblr.com https://www.pinterest.com/davidpixley/ https://www.facebook.com/theMuzzl3.Mehgaman Infinati: https://soundcloud.com/infinati https://twitter.com/fractelf Scott Anderson: https://soundcloud.com/causedbythesun Joseph Wozniak: http://fccmusic.com https://soundcloud.com/joseph-wozniak https://soundcloud.com/malo-jones-woz-supposedly https://twitter.com/wozthatisnoisy The original long recordings happened in June of 2013, consisting of: Sync'd Ableton Lives and electronic hardware with: Spacey Blurr on synths, vocals, beats, sounds, remix effects; Infinati on synths, vocals, beats, sounds; theMuzzl3 on vocals, percussion, and remix effects. Further projects were done by collaborating online. New tracks are in progress, so check back soon! Check out soundcloud.com/Pixelgasm for a more up-to-date full list of contributors -- need to keep updating it... we have 15 contributors now, and 16 potential contributors for the future.
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25 epizódok
Mind megjelölése nem lejátszottként
Manage series 1023843
A tartalmat a ₮he〽️uzzl3 biztosítja. Az összes podcast-tartalmat, beleértve az epizódokat, grafikákat és podcast-leírásokat, közvetlenül a ₮he〽️uzzl3 vagy a podcast platform partnere tölti fel és biztosítja. Ha úgy gondolja, hogy valaki az Ön engedélye nélkül használja fel a szerzői joggal védett művét, kövesse az itt leírt folyamatot https://hu.player.fm/legal.
I am now offering mastering services. I'm charging $30 per track for mastering jobs. $50 per track if you want .DDP for CD's. see facebook.com/theMuzzl3.Mastering for details. I do not require payment up front and you're not obligated to purchase the final product of my mastering work. I will master your track & send it back to you (with watermarks in spots so you can't use it without paying me). If you'd like adjustments, I will do so and send it to you again. You then have the option of either paying me for the finished product, or not. Please list me as the mastering engineer at the bottom of your track description if you publish the tracks with my engineering work. Testimonials to my recent mastering work: "dude, im gonna leave you a huge testimonial, cause it sounds so fucking good,... youve gone so above and beyond that i want to pay you for future work too, youre amazing...." ~Infinati David Pixley ₮he〽️uzzl3 is a founding member of Pixelgasm, found here: http://soundcloud.com/Pixelgasm https://www.facebook.com/Pixelgasm https://www.twitter.com/Pixelgasm Pixelgasm.bandpage.com Pictures of and by theMuzzl3: https://www.flickr.com/photos/142413747@N06/ theMuzzl3.bandpage.com Pixelgasm is currently a collective of artists, consisting of Spacey Blurr, Infinati, Scott Anderson, Joseph Wozniak and theMuzzl3. Original tracks that created Pixelgasm was theMuzzl3, Spacey Blurr, and Infinati. Artists from Pixelgasm have individual soundclouds, Twitters, websites, and blogs: Spacey Blurr: http://soundcloud.com/spaceyblurr http://soundcloud.com/splurr http://soundcloud.com/keister_SBK https://twitter.com/SpaceyBlurr theMuzzl3: https://soundcloud.com/theMuzzl3 https://soundcloud.com/keymarkHHA https://twitter.com/theMuzzl3 http://keymarkhha.tumblr.com https://www.pinterest.com/davidpixley/ https://www.facebook.com/theMuzzl3.Mehgaman Infinati: https://soundcloud.com/infinati https://twitter.com/fractelf Scott Anderson: https://soundcloud.com/causedbythesun Joseph Wozniak: http://fccmusic.com https://soundcloud.com/joseph-wozniak https://soundcloud.com/malo-jones-woz-supposedly https://twitter.com/wozthatisnoisy The original long recordings happened in June of 2013, consisting of: Sync'd Ableton Lives and electronic hardware with: Spacey Blurr on synths, vocals, beats, sounds, remix effects; Infinati on synths, vocals, beats, sounds; theMuzzl3 on vocals, percussion, and remix effects. Further projects were done by collaborating online. New tracks are in progress, so check back soon! Check out soundcloud.com/Pixelgasm for a more up-to-date full list of contributors -- need to keep updating it... we have 15 contributors now, and 16 potential contributors for the future.
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25 epizódok
Semua episod
×poor this hayed
it
all sounds created from warped/effected sounds coming from one 10 second sample of Resident Evil (the first movie, and the scene where Alice wakes up in a lab).
Indeed, I did do this.
Practice 2 Thawing Bottles, Ready For Spacey by the〽️uzzl3
Straight off of That 1 Guy's Channel. I am @SpaceyBLurr This is a field recording from May 25th, the day after my car window got smashed in in Oakland and a bunch of stuff got stolen, including my macbook pro. This field recording was on high gain and there was wind blowing into the android recording device. It was a horrible recording. I attempted to fix some things with iZotope RX 6 plugins inside of Ableton Live,, on Windows Vista (since this laptop can't run the standalone application of RX). The declip plugin did not work, so I had a bit of trouble... but it sounds somewhat okay. @geneBerlin slept in the tent like a baby while I hopped a fence and blew the circuit bent megaphone from US Government property, up on a hill. There were a lot of spiders. Gene's stuff was also stolen out of my car, the night before this recording took place. I may attempt installing pro tools or running the plugins as audio units, to see if I can get things sounding better... and I may try uploading the raw & unprocessed recording, if I decide that RX took away too much from it.…
live practice session 5 minutes ago microphone through hardware effects, with a software limiter.
check out the 2nd jam from the last few hours here: https://soundcloud.com/themuzzl3/fo-wow-1-live-microphone-through-hardware-fx-software-limiter
First time jamming with the mic and part of my audio set up in 6 years. Random practice session. No software plugins of any kind -- just a live recording without a limiter. Was going to try to steam live on Facebook today, but that will come later... I've got a lot of practice to do, to get ready to do live improvisation at a solo show.…
guitar and drums by @shockertv -- featuring vocals and glitches from theMuzzl3 track from 2010, unmastered
I remastered this within the last 4 hours. @SpaceyBlurr – original track is here: https://soundcloud.com/spaceyblurr/droning-the-glitch-stretcher-cybermountaincorerobotics Spacey made layers of Evolver. I added tracks of DM-1 Dementia synth by Audible Disease.
After the 4:40 mark -- is the best example of Jim Tom saying trippy stuff in reverse. Credit to Jim Tom for the vocals on his 'Rye Whiskey' song. Jim Tom is on the TV show called Moonshiners. An old warped sample from @ShockerTV was also used. Effects, Ableton Live warping, additional audio tracks (drum layers, synths, and feedback recordings from hardware), mixing and mastering by David Pixley @theMuzzl3 This track may end up being a project for Pixelgasm, or I might end up working on it some more. It was done in about 8 hours.…
2 Tito's mid-sized Vodka bottles frozen & then emptied. Put cap back on frozen bottle & let thaw (resulting in about 1/4 of a shot of vodka in each bottle after thawed). While thawing, the resulting audio is natural oscillations coming from the cap of the bottle as the liquid and air heat up, as it thaws... pushing air out of the cap. Squeezed sides of cap on different spots around the rim with 2-5 fingers & applied pressure to the top for other variations in the oscillating sounds. Put a ton of compression/limiter... used izotope rx to get rid of low level room noise and bottle clanking thumps... the zoom h4n had to be at 100% recording volume, so it picked up a lot of breathing & movements of the bottles. Next step: 3 vodka bottles at a time & get recorder closer to the rims of the bottles. Gonna do the next recording on the floor since the recorder picked up tapping sounds from the table when the bottles were slightly moved or the caps were tapped or squeezed harder.…
collaboration with @spaceyblurr latest mix - 10:30 PM - 7/16/2016 @SpaceyBlurr provided this audio: recordings of evolver, thingamagoop2, postcard weevil, synth, hi hat, kick drum, and bass synth. @theMuzzl3 ran Spacey's hats & other audio through hardware stereo effects pedal board /w KP2, KP3, Jomox T-Res & M-Res & recorded layers of effected audio. Ran kick drum mids & lo's through software effects for layers of various sounds. Mixed/Mastered by theMuzzl3. Copywrite isn't copyright blah blah blah you suck at naming dates and times ~keymark/-/-/-\ @ http://www.keymarkhha.tumblr.com…
The original track is 11:11 + 0.01 in length, 1 second longer than a perfect circle. Track was created in 2013. It consists of recordings of circuit bent sounds through effects, vocals through effects, "moogerfooger pedal board with 7 moogerfoogers including the CP251" through effects, and break drum beats with software glitches/time stretches and swing added. I believe the BPM is 120. Effects processing of live electronic/vocal recordings consisted of a Korg Kaos Pad 2, Kaos Pad 3, Jomox T-Resonator Filter+Delay, and M-Resonator Filter. DAW was ableton live. Glitch plugins were added to the beats, but they were mostly just time stretched. Remastered in 2016, in 20 minutes!…
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