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If poetry makes nothing happen, it also makes very little in the way of income. Take the acclaimed poet Bernadette Mayer. Often aligned with the Language Poets, Mayer overcame entrenched sexism to establish herself as one of the most influential poets of her generation. At 73, she’s still producing work. And yet she only made about $17,000 last yea…
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What happens when the stories we tell ourselves about ourselves turn out to be wrong? And what if the attempt to shape our life stories to fit some formulaic narrative arc fundamentally distorts them? Could different narrative forms tell more honest stories? Or do all narratives falsify reality in their own way? Three artists suggest new ways forwa…
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Buck Gooter is quite possibly the hardest-working band you’ve never heard of. Since forming in 2005, the band has logged 18 albums and 531 live shows. Their latest, Finer Thorns, just came out. But they’ve never had a hit, never been reviewed by Pitchfork. A punk duo from Harrisonburg, Virginia, Buck Gooter is Billy Brett, 33, and Terry Turtle, 66.…
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[Explicit language] In 2017, David Lynch’s metaphysical detective soap opera Twin Peaks returned to cable television screens 26 years after its network cancellation. Most of the original characters resurfaced, but in several cases, either those characters or the actors playing them—or both—were dying. Over its 18 new episodes, this specter of commi…
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On this week’s Organist, two stories about the surprising intimacy of anonymity. In the first, thousands of people sign up for a service, created by artist and programmer Max Hawkins, which wakes up thousands strangers with a phone call in the middle of the night then pairs them up at random and records their conversations. The vulnerability of tha…
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If you’ve lived in L.A. anytime in the last thirty years, you know Angelyne. She’s the blonde bombshell on the billboards that used to be studded like rhinestones all over the city. Angelyne rose to prominence in the ‘80s, and she was a mashup of elements from the pantheon of Hollywood starlets: platinum hair, an hourglass figure, and a breathy, co…
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This week we bring you dogs, many of them. So many dogs that you can’t possibly scratch the soft fur behind all of their ears or gently caress the scruff of all of their necks or pat all of their bellies when they climb onto your lap and roll over prone for your affection. To investigate the connection between humans and canis familiaris, we talk w…
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Recalling the experimental films of David Lynch or Andrei Tarkovsky, Chris Reynolds’s comic books, newly anthologized as The New World, confound his readers’ expectations at every turn. In these dream-like narratives, Reynolds twists the trope of a space-helmeted comic-book hero into an uncanny figure. Comic-book plotlines, including kidnappings an…
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Temple Grandin, an animal scientist and autism advocate, describes how she uses sound to make cattle slaughterhouses more humane. Journalist Bella Bathurst describes how she lost her hearing while conducting interviews with the last generation of Scottish lighthouse keepers and then how it felt, twelve years later, to regain it. Along the way, we’l…
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This week we visit the shady glen where language and music make out with each other, in a field surrounded by phonemes, intonation, and the throw-away vocables of human expression. What’s important here isn’t what we say, but how we say it. We talk with artists working at the boundary between language and music: the composer Kate Soper, the poet Je…
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This week, we explore how artists navigate disease, how disease can be both a stigma and an identity, and how artists both resist and embrace that identity even as it comes to define their work. We’ll listen to the audio diaries of multimedia artist David Wojnarowicz, who died of AIDS in 1992. We’ll also hear from author Sandy Allen, whose uncle Bo…
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This week we explore two beliefs that persist in the absence of proof. In a recent appearance on Jimmy Kimmel, Donald Glover made comments linking him to a community known as “Stevie truthers,” conspiracy theorists who believe that Stevie Wonder is faking his own blindness. When Glover asks Wonder for permission to use one of his songs on his TV sh…
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Wendy Davis’s epic thirteen-hour filibuster made the Texas legislature’s livestream into a viral sensation. But Jen Rice, our producer in Austin, argues that beyond these viral scenes, its season-length, character-driven plot arcs make the Texas legislature—or as die-hard fans call it, “the Lege”—every bit the equal of prestige-television staples l…
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This week, two stories from the borderlands of the U.S. First, the story of poet Javier Zamora. When he was nine, he crossed the Sonoran Desert into the U.S. to reunite with his family, who had left home before him in order to escape the political violence in El Salvador. Years later, Zamora found a way to process this childhood trauma by writing f…
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After the death of Pulitzer Prize–winning poet Franz Wright in 2015, his wife Beth gave producer Bianca Giaever 546 audio tapes that he made as he was dying. Unable to type because of pain in his wrists, Franz used an audio recorder to dictate his poetry, but it picked up much more: Franz talked with his wife, made phone calls, cursed at his cat, a…
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This week we bring you voices from heaven, hell, and everywhere in between. In documentary films, the authoritative “Voice of God” style of narration presents a seemingly omniscient, impartial, deep-voiced male narrator. No one has had more practice with the role than Peter Coyote, best known as the narrator of Ken Burns’ documentaries (The West, T…
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From KCRW and McSweeney’s, the Organist returns with its fifth season on July 12! We’ll be drilling down into pop culture to reveal its dark, beautiful, pulsating inner-core to bring you funny, sad, and surprising stories about the complex ideas and feelings behind the artists and thinkers that we adore. We’ll visit gutter punks and Pulitzer Prize–…
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The Organist is still in off-season hibernation, but we emerge for a moment in order to showcase KCRW’s newest podcast: Lost Notes. In this episode, writer Donnell Alexander examines the racial politics of a strange chapter of early 80s pop-music history. To white America, Boston’s music scene was synonymous with the hard rock of Aerosmith and …
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Between 1967 and 1975, the Firesign Theatre put out nine albums that carved out a new space somewhere between comedy, sound art, literature, and rock and roll. The music critic Robert Christgau called them “a comedy group that uses the recording studio at least as brilliantly as any rock group.” In this episode, we focus not on how those albums wer…
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After King Kreon condemns her brother, a traitor, to rot on the battlefield, Antigone defies him, risking her own life, to give her brother a proper burial. This week, we present poet Anne Carson’s experimental translation of Sophocles’ play, an adaptation that incorporates within it 2,500 years of the play’s reception history, its performances (fr…
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In the early 90s, when Meshell Ndegeocello released Plantation Lullabies, her first album, she helped to usher in the era of neo-soul. Her debut inspired a slew of artists such as Erykah Badu, D’Angelo, and Lauryn Hill. On later albums, Ndegeocello went on to experiment with silky jazz ballads, staccato rapping, quiet meditations—all of it led by t…
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This week, we’re sharing a highly subjective journey through one narrow, eccentric, corridor of radio advertising, as heard through the ears of one man. His name is Clive Desmond. Clive is a radio advertising producer, writer, and composer. He’s been doing it for more than thirty years, and he’s won some of the industry’s top awards. Throug…
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This week, we pull out the stops and go full-Organist with an episode about Ákos Rózmann, an organist serving a Catholic church in Stockholm who played hymns during the day and by night invented unearthly electronic music in the recording studio he’d built in the church basement (where he often slept). It was there that he composed his roiling expe…
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As an artist, Martine Syms says she’s interested in how her experience—in particular, her experience as a young black woman—gets shaped and determined by various forms of media—especially digital media. She’s interested in the power of that media—not just the obvious power of those who produce it, but the ways in which reading and consuming can als…
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Warm yourself beneath an underpass of the information superhighway! Brian McMullen reads all one thousand of his epic catalog of unclaimed URLs in this special appendix to our recent episode, magnificentwebsite.com, which explored the disassembly of one’s public persona and internet-induced bewilderment. Brian has worked as an editor, art director,…
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Has the internet documented everything? This week we explore its lacunae and unmoderated chat rooms and the ways we might slip away from the public identities we create online and in the media. Joshua Cohen, author of Moving Kings and Book of Numbers, writes a novel live online, each word as he types it visible to the spectators of a raucous unmode…
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Caveh Zahedi conflates reality TV, experimental documentary, and discomfort comedy in unsettling high-stakes films about his own life. In each episode of his TV project The Show about the Show, the actors and crew recreate the conflicts, interpersonal dramas, and unwittingly shared secrets that occurred during the filming of the previous episode. E…
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Note: this episode contains salty and/or strong language. Listener discretion is advised. Anne Thompson rented a billboard along Interstate 70 in Missouri to put up an artwork that says “Keep Abortion Legal.” Anne runs the I-70 Sign Show, a project that, since 2014, has displayed the work of artists including Ed Ruscha, Marilyn Minter, and Mickalen…
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This week we talk to two artists who see themselves as detectives. Trevor Paglen has designed sculptures for the Fukushima Exclusion Zone, as well as art that’s been launched into geostationary orbit. His photographs of secret military bases (taken at long range, using equipment made for astronomers) appeared in the Academy Award–winning documentar…
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Horror writer H. P. Lovecraft, best known for Cthulhu, an octopus-faced cosmic entity, has long inspired obsessive fandom and his short stories, in the hundred years since they were first published, have influenced a wide range of figures, including William Burroughs, Stephen King, Neil Gaiman, the makers of the Alien movies and the game Dungeons &…
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Will Marlon Brando’s anguished shout from A Streetcar Named Desire survive as a cultural meme long after Brando himself is forgotten? Will the Stella scream become an enduring cultural reference in the vein of Shakespeare’s quotations? In 2011, essayist Elena Passarello won New Orleans’ annual Stella scream competition by channelling Brando’s abjec…
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If each episode of a podcast is an organ, an essential piece of a larger body, then this is an appendix to that body: a non-essential but still uniquely formed bonus episode. In it you’ll hear a hypnotic induction as performed and scored by the hypnotherapist Daniel Ryan. Ryan was featured on the Organist last week in our episode about the relation…
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How does music resemble food? How can sound work like medicine? To treat chronic digestive pain, producer Ross Simonini tried everything until visiting hypnotherapist Daniel Ryan, who uses only the sound of his voice through a technique shared by orators, monks, musicians, parents—and magician David Blaine. We also learn about the psychoacoustics o…
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This week, we voyage deep into outer space for a story that’s funny, strange, somewhat erotic and a little depressing. It’s a science-fiction outer space radio drama featuring Martin Starr (Silicon Valley, Freaks and Geeks), Matt Bush (Adventureland), and Lilan Bowden (Parks and Recreation). It’s part of a series called The Outer Reach, directed an…
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In New Orleans, Will Oldham, Solange Knowles, and five-year-old children have all played a (mega-) phone booth, the “self-rattling house,” and a vocal processor that mimics the experience of neighbors talking through walls. Each of these homemade instruments is part of Music Box Village, a project that turns architecture—in the form of a sprawling …
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Ottessa Moshfegh’s books are menacing and powerful; they’re filled with intimate descriptions of bodily fluids and bowel movements, but, like Flannery O’Connor, they also cut deep into the psychic substrata of her characters. In this week’s episode, Moshfegh discusses her process of writing these books—which apparently involves visitations from the…
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In an era of fake news and alternative facts, what is the role of literature that blurs the line between fiction and non-fiction? Novelist Lynne Tillman has figured out one possible role. She’s been writing art criticism for more than three decades, including criticism starring a fictional character named Madame Realism—a name that is itself a reto…
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Humor lays the groundwork for a hard truth and, for poet Tommy Pico, that hard truth is about living as an indigenous person in occupied America. "Alien invasion overlord movies / r cute in a Monet way,” he writes. “I survive seven generations into a post-apocalyptic America / that started 1492. Maybe / you'll live too?" There are, he says, just a …
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In 1921, the Swiss psychiatrist Hermann Rorschach, after years of experimenting with different ways to use his artistic interests to expand the potential of psychoanalysis, created a series of inkblot drawings that reveal the unconscious mechanisms of a patient’s brain. Six months later, he died, just before the inkblot test became an international…
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The novelist and countercultural icon Paul Bowles -- author of The Sheltering Sky, friend to William Burroughs, Gertrude Stein, and Tennessee Williams, and husband of the brilliant writer Jane Bowles -- lived in Tangier from 1947 until his death fifty-two years later. In 1959, he received a grant from the Library of Congress to “preserve†the mu…
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William Bell never became a household name. His debut single, the one he wrote and recorded the year that Satellite Records changed their name to Stax, barely cracked the Top 100 chart. That song, "You Don't Miss Your Water," worked out a bit better for Bell's friend Otis Redding, and for a band called The Byrds. That's more or less the same story …
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Kyle Mooney grew up in San Diego, and many of his characters resemble hilariously contradictory and authentic depressive SoCal bros and antisocial, tenderhearted high school goths. In this interview, he talks about the deep YouTube research he does to produce the perfectly pitched homemade videos he makes for Saturday Night Live. Also: David J, the…
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A man screams “why are you closed? Tell us the reason!†over and over as he rattles a pair of locked doors outside a Toronto shopping mall. Klaus Kinski berates the officiant at his own wedding while he lavishes a disturbing amount of affection on his bride. A clean-cut guy in glasses beatboxes the entire drum part of Rush’s “YYZ.†The Tumb…
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Louis Chude-Sokei is a Nigerian-Jamaican- American writer and scholar at the University of Seattle, Washington. In this episode, he discusses the music culture surrounding Nigeria’s internet scammers (known as “Yahoozees”), his own experience as a black immigrant in Los Angeles’ Inglewood neighborhood during the era of NWA, and the way blackface pe…
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Adam Colman examines the brutalist yearning of legendary punk band the Ramones and uncovers the rigorous curiosity that serves as the guiding principle for the scientific method. Then, Ross Simonini talks to musician and writer Sonny Smith (Sonny and the Sunsets) about his new album, "Moods Baby Moods." Smith performs two songs from the album, desc…
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Craig Dykers is a founding partner of Snøhetta, whose projects include the expansion of San Francisco’s Modern Art museum, the Bibliotheca Alexandrina in Egypt, and the redesign of Times Square. In these projects and others, Dykers and his team contend with an invisible challenge all architects must face: acoustics. In his conversation with the Org…
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A lot of artists under the age of 30 find it natural to promote themselves and their work online. But the Bay Area rapper Lil B, and Steve Roggenbuck, in conversation with each other on this episode, both put social media at the center of their art. Their work lives and expands online, in an ceaseless stream of tweets and self-produced YouTube vide…
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Christopher Owens is an American singer/songwriter best-known as the frontman for the recently disbanded San-Francisco indie-rock band Girls—and for his curious backstory, which features both a fundamentalist cult and an eccentric Texan multimillionaire. Since his departure from Girls, Owens has been recording music independently, attempting throug…
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Free Black Press Radio, a new podcast by the avant-garde rapper Busdriver, is half lecture on the history of black resistance, and half freewheeling entropic swirl of cut-up Pharoah Sanders riffs. FBPR expands what's possible in the emerging podcast form, while also hearkening back to programs like Radio Free Dixie by the civil rights leader Robert…
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Since the early 2000s, Joshua Beckman has experimented with nature of performing poetry. He has traveled with gangs of poets around the country in a bus, reading in far-flung and unusual venues. He has written live improvisational collaborative poems and recently has given many one-on-one poetry readings. In this episode of The Organist, Ross Simon…
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